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All Things Work Together for Good
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Vous avez sélectionné:
All Things Work Together for Good
Partitions à imprimer
15 partitions trouvées
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1
All Things Work Together for GoodRomans 8:28-29
All Things Work Together for GoodRomans 8:28-29
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Chorale Unison
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DÉBUTANT
#
Musique Sacrée
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Rebecca Lou
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All Things Work Together for G
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Rebecca Lou
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.999680 Composed by Rebecca Lou. Children,Christian,Instructional,Praise & Worship,Sacred. Octavo. 3 pages. Reb...
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Choral Choir (Unison) - Level 1 - SKU: A0.999680 Composed by Rebecca Lou. Children,Christian,Instructional,Praise & Worship,Sacred. Octavo. 3 pages. Rebecca Lou #6019425. Published by Rebecca Lou (A0.999680). All Things Work Together for Our Good, Romans 8:28-29 is a Scripture Song with a wonderful promise from God's Word. These words are taken directly from the Bible. It is a simple melody, sung by children, that's easy to learn by anyone, ages 3-103. All Things Work Together for Our Good can be sung easily by children or entire congregations. Scripture Songs for Dancing in His Arms are quickly becoming favorites to many individuals as well as church congregations. .
$4.99 ≈
4.59€
All Things Work Together for Good
All Things Work Together for Good
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Chorale Unison
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Musique Sacrée
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Lynn Shaw Bailey
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All Things Work Together for G
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Chorister's Guild - Digital
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SheetMusicPlus
Unison chorus - SKU: C7.CGA1228 Composed by Lynn Shaw Bailey. General. With Flute (C Instrument). Sacred Anthem. Octavo. 12 pages. Chorister's Guild - D...
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Unison chorus - SKU: C7.CGA1228 Composed by Lynn Shaw Bailey. General. With Flute (C Instrument). Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1228. Published by Chorister's Guild - Digital (C7.CGA1228). UPC: 749193015858.Lynn Shaw Bailey's setting of Romans 8:28 teaches us that in all things God works for the good of those who love him, and have been called in according to his purpose. Written especially for elementary-age children, this delightful piece uses triple meter, simple intervals, and sustained notes to assist the singers in creating a beautiful sound.
$1.95 ≈
1.80€
All Things Work Together for Good
All Things Work Together for Good
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Chorale 2 parties
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John Carter
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All Things Work Together for G
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Hope Publishing - Digital
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SheetMusicPlus
Choral 2-part mixed choir - SKU: H1.PP117DP Composed by John Carter. Piano Accompaniment. General Worship, Promise, Sacred. Octavo. 8 pages. Hope Publis...
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Choral 2-part mixed choir - SKU: H1.PP117DP Composed by John Carter. Piano Accompaniment. General Worship, Promise, Sacred. Octavo. 8 pages. Hope Publishing - Digital #PP117DP. Published by Hope Publishing - Digital (H1.PP117DP). Job 42:1 - Job 42:2 - Job 42:3 - Job 42:4 - Job 42:5 - Job 42:6 - Job 42:10 - Job 42:11 - Job 42:12 - Job 42:13 - Job 42:14 - Job 42:15 - Job 42:16 - Job 42:17.Original composition One of John Carter's all-time, best-selling compositions is now offered in a new SATB voicing. The neo-baroque style of this original composition sparkles with life and energy, reinforcing the text with grace and joy. Also available in a Two-Part Mixed setting.
$2.95 ≈
2.72€
All Things Work Together for Good
All Things Work Together for Good
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Chorale SATB
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John Carter
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All Things Work Together for G
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB choir - SKU: H1.C5304DP Composed by John Carter. Piano Accompaniment. General Worship, Promise, Sacred. Octavo. 8 pages. Hope Publishing - D...
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Choral SATB choir - SKU: H1.C5304DP Composed by John Carter. Piano Accompaniment. General Worship, Promise, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5304DP. Published by Hope Publishing - Digital (H1.C5304DP). Job 42:1 - Job 42:2 - Job 42:3 - Job 42:4 - Job 42:5 - Job 42:6 - Job 42:10 - Job 42:11 - Job 42:12 - Job 42:13 - Job 42:14 - Job 42:15 - Job 42:16 - Job 42:17.Original composition One of John Carter's all-time, best-selling compositions is now offered in a new SATB voicing. The neo-baroque style of this original composition sparkles with life and energy, reinforcing the text with grace and joy. Also available in a Two-Part Mixed setting.
$2.95 ≈
2.72€
All Things Work Together for Good
All Things Work Together for Good
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Chorale SATB
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Musique Sacrée
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Mac Lynch
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All Things Work Together for G
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
SATB choir, Piano - SKU: LX.10-5229L Composed by Mac Lynch. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5229L...
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SATB choir, Piano - SKU: LX.10-5229L Composed by Mac Lynch. Sacred Anthem, General. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/5229L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-5229L). ISBN 9780787763961.Based on the beloved passage from Romans 8:28, this Mac Lynch original is a powerful proclamation of faith! The well-crafted accompaniment strongly supports the vocal parts and memorable melody. Several inspiring choral moments in this anthem make it suitable for use throughout the church year.
$2.50 ≈
2.30€
All Things Work Together For Good
All Things Work Together For Good
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Chorale Unison
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INTERMÉDIAIRE
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Musique Sacrée
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Lenny Smith
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All Things Work Together For G
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New Jerusalem Music
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SheetMusicPlus
Choral Choir (Unison) - Level 3 - SKU: A0.901299 Composed by Lenny Smith. Christian,Praise & Worship,Sacred. Octavo. 1 pages. New Jerusalem Music #44098...
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Choral Choir (Unison) - Level 3 - SKU: A0.901299 Composed by Lenny Smith. Christian,Praise & Worship,Sacred. Octavo. 1 pages. New Jerusalem Music #4409821. Published by New Jerusalem Music (A0.901299).
$1.99 ≈
1.83€
The Weight of Glory
The Weight of Glory
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kara Patefield
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The Weight of Glory
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Kara Patefield
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.517863 Composed by Kara Patefield. Sacred. Octavo. 6 pages. Kara Patefield #128586. Published by Kara Patefield ...
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Choral Choir (SATB) - Level 4 - SKU: A0.517863 Composed by Kara Patefield. Sacred. Octavo. 6 pages. Kara Patefield #128586. Published by Kara Patefield (A0.517863). Life hurts. Suffering and pain overwhelm us. Where do we go in our darkest times? For the child of God, we have the promise that all things work together for good, as our Lord sanctifies us and makes us more like His Son Jesus Christ (Romans 8:28-29). Beginning as a prayer, this song directs us straight to a loving Lord who understands our pain, has experienced pain Himself and comforts us through it all. Face to face with Him in Heaven one day, it will be worth it all, as He receives all the glory. For this light momentary affliction is preparing for us an eternal weight of glory beyond all comparison, (2 Cor. 4:18).
$2.30 ≈
2.12€
Oneness in This World (clarinet, cello, piano)
Oneness in This World (clarinet, cello, piano)
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Jeffrey Hoover
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Oneness in This World
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritua...
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Instrumental Duet,Piano Cello,Clarinet,Instrumental Duet,Piano - Level 4 - SKU: A0.971656 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 47 pages. Musicart Publications #5719085. Published by Musicart Publications (A0.971656). Set in two movements, the music of Oneness in This World represents two things necessary for humanity to move together: Unity and Joy.In the first movement, the music evolves from tension and musical discord to unity and harmony. While much of the drama is heard through the interaction of the clarinet and cello, the piano provides a key factor throughout the second part of the first movement through foundational chaconne variations. As the harmonic progression repeats, the clarinet and cello become more aligned in their music yet maintaining a sense of individuality. Without unity and informed agreement, a society cannot truly benefit its people. Unity is strongest within diversity, contributing to growth, and moving towards a common goal to benefit all.In the second movement, all three musicians share equally in the production of the state of joy. The varied tone colors of the instruments, shifting meters, and dancing music all provide energy and emotions suggesting joy. Joy is a certainty of the goodness of life, in spite of sorrows or pain or even tragedy. Joy gives us wings to transcend our situation, opens us to our potential, and helps us become who we are to be. Joy comes from faith and belief of value and purpose for our life and its beauty.As with other musical compositions of mine, there are two paintings– a diptych –titled Unity and Joy which I created to visually interpret the music. –Jeffrey HooverThis edition is set to print correct page turns, back-to-back.Jeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, the SMP/Universal Edition composition award for contemporary music, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, the L. Russolo competition, grants, publications fellowships, and more than 25 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer.One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.For questions about this music, how he combines his music with his paintings or other inquiries, please visit his website or contact the composer directly:jeffreyhooverart@gmail.comhttps://jeffreyhooverart.wixsite.com/mysite
$21.95 ≈
20.21€
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
20 Classical Piano Pieces for Elementary Piano Students (with all piano fingering)
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Piano Facile
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DÉBUTANT
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Classique
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Various
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20 Classical Piano Pieces for
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Scott Camp
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SheetMusicPlus
Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by S...
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Composed by Various. Arranged by Scott Camp. Classical Period, Etudes and Exercises, Repertoire, Technique Training, Recital. 75 pages. Published by Scott Camp
This is the collection of classical piano repertoire I created for work with my own students, most of whom were not primarily interested in "classical" music.
In my experience, every elementary piano student should be given the opportunity to successfully play:
Spinning Song (even if you leave out the middle section at first)
Minuet in G (page one)
Fur Elise (page one)
Eventually, they should experience (if not master--that's ultimately up to them) each piece in this collection.
All hand positions and finger numbers are presented so that students can spend their time preparing successfully--not "figuring out" with endless frustration and incorrect solutions.
"Minuet in G" from the Bach notebook is a great example. Let's consider just the first page. Many (most) elementary students would love to play this piece. The RH by itself is easy. The LH is also "not difficult", but it's not self-evident, either. The notes are easy enough, and the fingering choices seem inconsequential. You could play it with several different fingering solutions.
Hands Together: Humans can pay attention to only one thing at a time: in this case, the RH or the LH. Whichever hand is receiving the attention, the other must be on "automatic pilot". You can switch focus rapidly to give the appearance that you are paying attention to two things equally, but that is not what is happening.
So... both hands need to be rehearsed (better word than "practiced") until the correct execution is the "default" behavior.
If that (sufficient correct repetetition) has not happened, then consistent successful performance with both hands is never achieved. Students complain that they wish they could be more "consistent". They don't have a chance, sadly.
"Practice Makes... "
If you said "Perfect" then you've fallen into a sinister trap.
"Practice makes Permanent." When a student actually does what has been assigned, in many cases that is the beginning of the end of their piano career.
Here's the process in general:
Students "write in their own fingering" and then, and then practice (repeat) their incorrect solutions. They are unable to perform the desired piece consistently and don't know why. How long can a student tolerate this ineffective approach?
That's something for us professionals to consider.
Perfect for introducing classical repertoire (similar to Suzuki, Bastien Piano Literature, etc). The advantage here is that all fingering is included so that students play more!
Contents
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G from the Notebook for Anna Magdalena Bach
Minuet in G minor from the Notebook for Anna Magdalena Bach
Musette in D from the Notebook for Anna Magdalena Bach
Minuet in F Wolfgang Amadeus Mozart
Ecossaise in G Ludwig van Beethoven
Sonatina in G Ludwig van Beethoven
I Allegretto
II Romanze
Sonatina (In the Antique Style) Op. 157, No. 4 Fritz Spindler
I Allegro
The Wild Horseman, Op. 68, No. 8 Robert Schumann
Fur Elise (Famous Page 1) Ludwig van Beethoven
Spinning Song, Op. 14, No. 4 Albert Elmenreich
Arabesque, Op. 100, No. 2 Friedrich Burgmller
Ballade, Op. 100, No. 15 Friedrich Burgmller
Solfeggietto Carl Philipp Emanuel Bach
Toccatina, Op. 27, No. 12 Dmitri Kabalevsky
Fur Elise (Complete) Ludwig van Beethoven
Sonatina, Op. 55, No. 1 Friedrich Kuhlau
I Allegro
Sonatina, Op. 36, No. 3 Muzio Clementi
I Spiritoso
La Vlocit, Op. 109, No. 10 Friedrich Burgmller
These are the documents that I have used to introduce classical music to my piano students. No note is presented without its corresponding proper fundamental technique (fingering). In other words, there is no such thing as a note separate from its hand position and fingering.
The hand position notation is used to better communicate what exactly is being demanded of the student. Students? repertoire is no longer limited by their music staff reading ability. Nor do they suffer from their own painful inability to solve technical issues. This approach restores ?playing music on the piano? to primacy and supports ?helping a student play music on the piano? as the central activity of the piano lesson.
Weak students are able to play real (not simplified) music and not feel penalized. Strong students complete their preparation even more efficiently. In all cases, spending less time on fingering means more time for higher levels of musicianship: coordination, pedaling, physical technique, control, tone, dynamics, tempo, rhythm, articulation, phrasing, expression, emotion, drama, compositional analysis, and historical context.
Good luck!
Scott Camp
scottcampislandpiano@gmail.com
$3.99 ≈
3.67€
Yuki-Onna (piano solo)
Yuki-Onna (piano solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Philip Le Bas
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Yuki-Onna
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Philip Le Bas
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Pub...
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Piano Solo - Level 4 - SKU: A0.1127867 Composed by Philip Le Bas. Chamber,Classical,Folk,Multicultural,World. Score. 9 pages. Philip Le Bas #728476. Published by Philip Le Bas (A0.1127867). Incidental music composed for piano in four parts by Philip Le Bas to accompany the Japanese folk tale (ghost story) Yuki-Onna (Snow Woman). This work developed out of a cross-cultural project initiated at Morley College, London, in early 2019, aiming to create a melodrama for piano solo and spoken voice to be performed in northern Japan later in the year by young students of the piano. It is based on the ghost-story above, which is widely known in Japan. The tale was transcribed and published by Lafcadio Hearn (Koizumi Yakumo) in 1904 as part of his book “Kwaidan: Stories and Studies of Strange Thingsâ€, a collection that has been highly influential in expressing popular Japanese culture over the past century. Synopsis of the tale of Yuki-Onna: Two wood-cutters, Mosaku and his apprentice Minokichi, encounter a terrible snow-storm and take shelter in an empty hut by a river. The storm gets worse and worse, but they both finally fall asleep. When Minokichi wakes, he sees a woman all in white bending over Mosaku breathing bright white smoke onto his face. She then approaches Minokichi. She is very beautiful, but her eyes make him afraid. After a while she says, “I intended to do the same to you as I did to the old man, but I feel pity for you because you are a pretty young man. If you ever tell anybody what you have seen, however, I will kill you too.†And she vanishes into the snow storm. It is then that Minokichi discovers Mosaku dead on the floor of the hut. Years later Minokichi meets a beautiful girl, who calls herself O-Yuki. He falls in love with her and they live together in his house, along with his mother, who fortunately takes a liking to her new “honourable daughter-in-law.†Over the years O-Yuki gives birth to ten children and the villagers all agree that she is a wonderful person. But she is somehow different from them, as she continues to look young and fresh, despite the passing years. Minokichi often thinks of telling O-Yuki about the events of years ago, and eventually, as he is gazing at her beauty one night, he can resist it no more. He begins to tell her about the snow storm and the terrifying snow-woman. To his horror O-Yuki becomes more and more angry, and she finally says: “It was me, it was me,… and I said I would kill you if you ever told anyone! But for these children asleep here, I would do so this very moment! You had better take very good care of them; for if ever they have reason to complain of you, I will treat you as you deserve!†As she screams at him her voice becomes thin, like the crying of the wind, and she melts into a bright white mist spiraling into the roof-beams. At that moment it starts to snow, but O-Yuki is never seen again.
$5.99 ≈
5.52€
And the people stayed home
And the people stayed home
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Martin Ã…sander
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And the people stayed home
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB divisi chorus a cappella - SKU: BJ.1505 Composed by Martin Ã…sander. Kitty O'Meara wrote a poem during the Covid-19 pandemic. Like the virus, th...
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SATB divisi chorus a cappella - SKU: BJ.1505 Composed by Martin Åsander. Kitty O'Meara wrote a poem during the Covid-19 pandemic. Like the virus, the poem got viral and spread across the world – but with a message of hope. Here put to music for choir a cappella. Secular. 11 pages. Bo Ejeby Forlag - Digital #1505. Published by Bo Ejeby Forlag - Digital (BJ.1505). 8.27 x 11.7 inches.We all remember the pandemic that swept the planet in early 2020. Lifestyles changed: less social contact, followed by rapid change in workplaces, health care and other institutions. Everyone was affected in some way. Playing music – and choir singing in particular – was considered by many countries to pose an increased risk of spreading infection and was discouraged. During these strange times, I found a poem by Kitty O’Meara on social media. The text originates from her own blog post in March 2020 with the title In the Time of Pandemic. The poem poses an image for a distinctive perspective during the coronavirus outbreak, the hope that something good can come from a collective state of together, apart. The idea of individual freedom of action when things are beyond our control, and at the same time a notion that the time after this will not only exist but can be better than before. The lyrics inspired the music to be both meditative with repetitive phrases and motifs and also uplifting and full of confidence and joy. And the People Stayed Home was commissioned to commemorate the 15th anniversary of the St Jacob’s Vocal Ensemble and was first performed at St Jacob’s Church in Stockholm on November 19, 2022. – Martin Åsander.
$4.50 ≈
4.14€
Bethlehem Angel and The First Noel
Bethlehem Angel and The First Noel
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Noël
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Ginny Saltzman
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Bethlehem Angel and The First
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Ginny's House of Music
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SheetMusicPlus
Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Sc...
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Small Ensemble Flute,Piano,Voice - Level 3 - SKU: A0.889815 Composed by Ginny Saltzman (Bethlehem Angel) and The First Noel - Traditional. Christmas. Score and parts. 9 pages. Ginny's House of Music #4362443. Published by Ginny's House of Music (A0.889815). *Bethlehem Angel and The First Noel This is a very beautifully flowing presentation which includes both an original work by this composer entitled Bethlehem Angel and an arrangement of The First Noel. It includes scriptures and lyrics. It was written for flute, guitar, voice, and piano accompaniment on Intermediate Level.  It is based on the scriptures Luke 2: 8-11 --- And there were in the same country shepherds abiding in the field, keeping watch over their flock by night. And, lo, the angel of the Lord came upon them, and the glory of the Lord shone round about them: and they were sore afraid. And the angel said unto them, Fear not: for, behold, I bring you good tidings of great joy, which shall be to all people. For unto you is born this day in the city of David a Saviour, which is Christ the Lord and Matthew 2:1-10 ---- Now when Jesus was born in Bethlehem of Judaea in the days of Herod the king, behold, there came wise men from the east to Jerusalem, Saying, Where is he that is born King of the Jews? for we have seen his star in the east, and are come to worship him. When Herod the king had heard these things, he was troubled, and all Jerusalem with him. And when he had gathered all the chief priests and scribes of the people together, he demanded of them where Christ should be born. And they said unto him, In Bethlehem of Judaea: for thus it is written by the prophet, And thou Bethlehem, in the land of Judea, art not the least among the princes of Judea: for out of thee shall come a Governor, that shall rule my people Israel. Then Herod, when he had privily called the wise men, enquired of them diligently what time the star appeared. And he sent them to Bethlehem, and said, Go and search diligently for the young child; and when ye have found him, bring me word again, that I may come and worship him also. When they had heard the king, they departed; and, lo, the star, which they saw in the east, went before them, till it came and stood over where the young child was. When they saw the star, they rejoiced with exceeding great joy.Â
$4.99 ≈
4.59€
Let the LORD Shine Through
Let the LORD Shine Through
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Roy Swanson
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Let the LORD Shine Through
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Runway Region Publications, LLC
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SheetMusicPlus
Small Ensemble - SKU: A0.955553 Composed by Roy Swanson. Christian. Score and parts. 4 pages. Runway Region Publications, LLC #6562177. Published by Run...
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Small Ensemble - SKU: A0.955553 Composed by Roy Swanson. Christian. Score and parts. 4 pages. Runway Region Publications, LLC #6562177. Published by Runway Region Publications, LLC (A0.955553). The Bible teaches us that God works all things together for good. Even in the most difficult times, we should remember this, and let the goodness of God shine through us. Out in the world there's some kind of evil. But why be so mean? Don't they know what I know...I'm gonna let the Lord shine through! .
$2.49 ≈
2.29€
Jolt - (Multi-level!)
Jolt - (Multi-level!)
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Orchestre d'harmonie
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Contemporain
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William Brenner
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Jolt -
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William Brenner
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SheetMusicPlus
Concert Band - SKU: A0.1008277 Composed by William Brenner. Contemporary. Score and parts. 50 pages. William Brenner #6090789. Published by William Bren...
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Concert Band - SKU: A0.1008277 Composed by William Brenner. Contemporary. Score and parts. 50 pages. William Brenner #6090789. Published by William Brenner (A0.1008277). Jolt by William Brenner - Grade 1/2.5/4 (see below) For concert band __________________________________________________ We've been through strange times. We've been through many good and bad emotions. We have been recieving news, some good, some upsetting. Some days we are so happy, we want to jump everywhere and on others we want to bawl our eyes out. And that's how it is. Jolt plays through all of these emotions, the good and bad ones. It represent how sometimes, we are so happy about something, but it doesnt work out. It represents how sometimes, we hope for something that will never occur. It represents how sometimes in life, there are things that upset us. But in the end, we are stronger than those bad feelings. We are stronger than sadness, than the madness we sometimes feel dealing with those challenges. Sometimes we feel thrown around. At the end of the day, it will always get better. It will always work out. __________________________________________________ *As you may have noticed, this piece is graded with three different levels. Most instruments have two levels: beginner and advanced (grade 1 and 4), but some of the most common instruments in a concert band (flute, clarinet, alto saxophone, trumpet and percussion) have an extra intermediate level (grade 2.5). This piece has been written for bands or classes that have student of different levels, but still want to play together. I hope that this project will be useful and will help keep students motivated to play music even though the situation is unusual. Best regards, The composer, William Brenner.
$19.99 ≈
18.41€
Dancin' In The Moonlight
Dancin' In The Moonlight
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Chorale SATB
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FACILE
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King Harvest
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Kate Bell
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Dancin' In The Moonlight
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All Together Now Aotearoa
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 2 - SKU: A0.1166559 By King Harvest. By Sherman Kelly. Arranged by Kate Bell. 20th Century,A Cappella,Contemporary,Po...
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Choral Choir (SATB divisi) - Level 2 - SKU: A0.1166559 By King Harvest. By Sherman Kelly. Arranged by Kate Bell. 20th Century,A Cappella,Contemporary,Pop. Octavo. 8 pages. All Together Now Aotearoa #766938. Published by All Together Now Aotearoa (A0.1166559). A reasonably accessible SSAATB community choir arrangement. This will need basses with a good sense of rhythm, and a good tenor or two. Tenor part is within range for females tenors if necessary but will work best with some male tenors in the mix as well. Tenors have the tune for the verses, and Soprano 2s for the chorus. Lots or repetition - for most sections, there are only a few things to learn which then get repeated. A really fun arrangement across the whole choir.
$1.99 ≈
1.83€
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All Things Work Together for Good
