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Almost There Score Only
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Vous avez sélectionné:
Almost There Score Only
Partitions à imprimer
113 partitions trouvées
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101
Almost There - Score Only
Almost There - Score Only
#
Comédie Musicale
#
Randy Newman
#
Chloe Cardin-Stewart
#
Almost There - Score Only
#
Chloe Cardin-Stewart
#
SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.1131720 Composed by Randy Newman. Arranged by Chloe Cardin-Stewart. Broadway,Jazz,Musical/Show. Score and parts. 23 p...
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Small Ensemble - Level 2 - SKU: A0.1131720 Composed by Randy Newman. Arranged by Chloe Cardin-Stewart. Broadway,Jazz,Musical/Show. Score and parts. 23 pages. Chloe Cardin-Stewart #731935. Published by Chloe Cardin-Stewart (A0.1131720). This is an arrangement of Randy Newman's 'Almost There' from 'The Princess and the Frog'. It builds on Randy Newman's light swing style and includes call and response sections between the brass and woodwind. This is arrangement is of the horn accompaniment and piano chords only and does not include the vocal melody. Parts included; Clarinet, Soprano Saxophone, Alto Saxophone, Trumpet and Piano Chords.
$15.00 ≈
13.86€
Almost There
Almost There
#
Film Walt Disney
#
Randy Newman
#
Bill Swick
#
Almost There
#
Bill Swick
#
SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.810630 Composed by Randy Newman. Arranged by Bill Swick. Contemporary. Score and parts. 30 pages. Bill Swick #6575289...
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Small Ensemble - Level 4 - SKU: A0.810630 Composed by Randy Newman. Arranged by Bill Swick. Contemporary. Score and parts. 30 pages. Bill Swick #6575289. Published by Bill Swick (A0.810630). This unique arrangement is part of the Disney Movies series entitled Guitars and Strings. This arrangement of Almost There may be performed with four guitars only, as a large guitar ensemble with four parts, as a guitar quartet along with a string quartet, and/or a large guitar ensemble with a full string orchestra. The rhythms are advanced level. The range also puts this into the intermediate level. This is ideal for Year 2, Quarter 4.
$25.00 ≈
23.10€
Overture for Strings No. 3 - Score Only
Overture for Strings No. 3 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.23€
Overture for Strings No. 5 - Score Only
Overture for Strings No. 5 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
(+)
String Orchestra - Level 4 - SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.23€
Overture for Strings No. 6 - Score Only
Overture for Strings No. 6 - Score Only
#
Orchestre à Cordes
#
INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.23€
Overture for Strings No. 4 - Score Only
Overture for Strings No. 4 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 4 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.23€
Overture for Strings No. 2 - Score Only
Overture for Strings No. 2 - Score Only
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
#
Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 2 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festiva...
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String Orchestra - Level 4 - SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99 ≈
9.23€
Almost There
Almost There
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Piano, Voix et Guitare
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Pop musique
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Michael W
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Almost There
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Hal Leonard - Digital
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SheetMusicPlus
Piano, voice and guitar (chords only) - Interactive Download SKU: HX.295397 By Michael W. Smith. This edition: Interactive Download,scorch. Pop. Score. 6...
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Piano, voice and guitar (chords only) - Interactive Download SKU: HX.295397 By Michael W. Smith. This edition: Interactive Download,scorch. Pop. Score. 6 pages. Published by Hal Leonard - Digital (HX.295397).
$4.99 ≈
4.61€
Bright Eyes - Score Only
Bright Eyes - Score Only
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Orchestre à Cordes
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AVANCÉ
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Film/TV
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Ludwig Goransson
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David Schubert
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Bright Eyes - Score Only
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Schubert Music Productions
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458894 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 4 pages. Schubert Music Productions #103...
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String Orchestra - Level 5 - SKU: A0.1458894 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 4 pages. Schubert Music Productions #1037831. Published by Schubert Music Productions (A0.1458894). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$4.99 ≈
4.61€
The Mandalorian - Score Only
The Mandalorian - Score Only
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Orchestre à Cordes
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AVANCÉ
#
Film/TV
#
Ludwig Goransson
#
David Schubert
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The Mandalorian - Score Only
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Schubert Music Productions
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458882 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 17 pages. Schubert Music Productions #10...
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String Orchestra - Level 5 - SKU: A0.1458882 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 17 pages. Schubert Music Productions #1037818. Published by Schubert Music Productions (A0.1458882). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes)5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$4.99 ≈
4.61€
The Baby - Score Only
The Baby - Score Only
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Orchestre à Cordes
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AVANCÉ
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Film/TV
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Ludwig Goransson
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David Schubert
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The Baby - Score Only
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Schubert Music Productions
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458901 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 12 pages. Schubert Music Productions #10...
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String Orchestra - Level 5 - SKU: A0.1458901 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 12 pages. Schubert Music Productions #1037836. Published by Schubert Music Productions (A0.1458901). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$4.99 ≈
4.61€
The Ponds Of Sorgan - Score Only
The Ponds Of Sorgan - Score Only
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Orchestre à Cordes
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AVANCÉ
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Film/TV
#
Ludwig Goransson
#
David Schubert
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The Ponds Of Sorgan - Score On
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Schubert Music Productions
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458890 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 12 pages. Schubert Music Productions #10...
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String Orchestra - Level 5 - SKU: A0.1458890 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 12 pages. Schubert Music Productions #1037826. Published by Schubert Music Productions (A0.1458890). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$4.99 ≈
4.61€
Speederbikes - Score Only
Speederbikes - Score Only
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Orchestre à Cordes
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AVANCÉ
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Film/TV
#
Ludwig Goransson
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David Schubert
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Speederbikes - Score Only
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Schubert Music Productions
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458899 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 16 pages. Schubert Music Productions #10...
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String Orchestra - Level 5 - SKU: A0.1458899 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 16 pages. Schubert Music Productions #1037834. Published by Schubert Music Productions (A0.1458899). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$4.99 ≈
4.61€
The Mandalorian (Orchestral Version) - Score Only
The Mandalorian (Orchestral Version) - Score Only
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Orchestre à Cordes
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AVANCÉ
#
Film/TV
#
Ludwig Goransson
#
David Schubert
#
The Mandalorian
#
Schubert Music Productions
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.1458904 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 17 pages. Schubert Music Productions #10...
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String Orchestra - Level 5 - SKU: A0.1458904 Composed by Ludwig Goransson. Arranged by David Schubert. Film/TV. 17 pages. Schubert Music Productions #1037840. Published by Schubert Music Productions (A0.1458904). Ludwig Goransson’s powerful score evokes the emotion and drama of favorites scenes from the Disney+ original series Star Wars: The Mandalorian. From the haunting opening motif and driving main title to gentle ballads, the diversity and pace of THE MANDALORIAN SUITE is captivating for players and audience alike. There are numerous feature moments for solos, duets, a quartet, and even the option of electric instruments. It’s a great study in syncopated rhythms and phrasing techniques in a contemporary style. Titles include:1. The Mandalorian2. The Ponds of Sorgan3. Bright Eyes4. Speederbikes5. The Baby6. The Mandalorian Reprise (Orchestral Version) NOTE: Each movement of THE MANDALORIAN SUITE must be purchased separately. Level: Advanced (Grade 5) This arrangement is part of the “Strings Plus” series. The melody is carried throughout the piece by different sections of the string orchestra allowing it to be performed as a stand-alone piece. It can be enhanced with accompaniment by a rhythm section and percussion to add rich color, greater energy, and drive. The parts are fun and challenging for all. The result is a highly flexible orchestration usable in almost any application or ensemble size. Review other titles in this series by going to Sheetmusicplus.com or Sheetmusicdirect.com and typing “Schubert Music Productions” (with quotes) in the site search field.
$4.99 ≈
4.61€
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
Carson Cooman: Concerto for Bass Saxophone and Strings (1999), score and solo part
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Orchestre à Cordes
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AVANCÉ
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Musi...
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String Orchestra - Level 5 - SKU: A0.533709 Composed by Carson Cooman. 20th Century,Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3041103. Published by Musik Fabrik Music Publishing (A0.533709). I. Chaconne: ...a continuum of dreams...II. CadenzaIII. ToccataConcerto for Bass Saxophone and Strings (1999) was commissioned by basssaxophonist Andreas van Zoelen (with generous support from the Broeker Fund forNew Music) and is dedicated with appreciation and admiration to him. Van Zoelen iscommitted to enhancing the very small existing bass saxophone repertoire throughsupporting the creation and performance of new works. The subtitle of the firstmovement (...a continuum of dreams...) could be seen as a sort of subtitle for theentire work that sets the mood and provides unification for the entire piece. The firstmovement is a slow and ethereal chaconne. The strings and the saxophone interact invarious ways throughout this movement in non-traditional form. There are actuallytwo ground bass themes; one is introduced at the beginning with pizzicato stringsbut soon moves to the background (although it is almost always present). The secondis presented near the end of the work and eventually the two are combined. Theinterval of an augmented fourth (tritone) has special use throughout the movementas a variety of themes and motifs are transformed throughout. The second movementis a cadenza for the unaccompanied saxophone. The third movement is a fast andwild toccata. The saxophone plays almost without rest for the entire movement. Amiddle section recalls the theme of augmented fourths from the first movement.Heavy use is made of pizzicato strings. The saxophone part for this movement ishighly virtuosic, exploring the full possibilities and range of the instrument.This is the score and solo part only. The parts are on rental from the publisher.
$29.95 ≈
27.67€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
#
SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.84€
On That Cross - Piano part only
On That Cross - Piano part only
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Piano (partie séparée)
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INTERMÉDIAIRE
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Stuart Brown
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On That Cross - Piano part onl
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Stuart Brown Music
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. P...
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Small Ensemble - Level 3 - SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$1.99 ≈
1.84€
Almost Like Being In Love
Almost Like Being In Love
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Ensemble Jazz
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AVANCÉ
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Gene Kelly
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Ben Pritchard
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Almost Like Being In Love
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Benjamin Pritchard
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1107887 By Gene Kelly. By Alan Jay Lerner and Frederick Loewe. Arranged by Ben Pritchard. Broadway,Funk,...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.1107887 By Gene Kelly. By Alan Jay Lerner and Frederick Loewe. Arranged by Ben Pritchard. Broadway,Funk,Jazz,Latin,Musical/Show. Score and parts. 45 pages. Benjamin Pritchard #710502. Published by Benjamin Pritchard (A0.1107887). Here a thick, lush arrangement of Almost Like Being In Love. The arrangement is an up-tempo swing with a few transitions to Latin for 8 bars. The ending really changing things up by modulating and going to a straight funk groove only coming back to the up-tempo swing for the final two bars. There is space for solos for trombones and drum set. Accessory and vibe parts included too! Lead trumpet to C above the staff.
$59.99 ≈
55.42€
Eight Shorter Preludes on American Hymns (for manuals only)
Eight Shorter Preludes on American Hymns (for manuals only)
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Orgue
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INTERMÉDIAIRE
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Brian Joyce
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Eight Shorter Preludes on Amer
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Brian Joyce
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SheetMusicPlus
Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce...
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Organ - Level 3 - SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
$7.95 ≈
7.34€
Feliz Navidad
Feliz Navidad
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Noël
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Jose Feliciano
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arr
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Feliz Navidad
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Symphony Brass Quintet, U.S.A. Publications
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SheetMusicPlus
By Jose Feliciano. Arranged by arr. R.R.Cardo. Christmas. Score, Set of Parts. 10 pages. Published by Symphony Brass Quintet, U.S.A. Publications (H0.120355-243...
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By Jose Feliciano. Arranged by arr. R.R.Cardo. Christmas. Score, Set of Parts. 10 pages. Published by Symphony Brass Quintet, U.S.A. Publications (H0.120355-243765). - Score,Set of Parts - Christmas - Symphony Brass Quintet, U.S.A. Publications
You have the option to mute the French Horn during the first section but it is open on the soli section. * I arranged this for Brass Quintet because I was tired of performing inappropriate arrangements with almost stereotypical stylings. There is only one other arrangement out there that is a pretty good arrangement that wouldn't offend your "Latino" audience. Written by Jose Feliciano, it is a pop tune (latin Rock) and not a traditional Christmas carol as some people have mistakenly called this work. A very popular selection at Christmas and a chart that would be "inclusive", you really should have an arrangement of this in your Christmas folder. So, if you have the Maracas to play this, have at it .(Maracas/Clave part included).
$20.00 ≈
18.48€
The Raft of the Medusa
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CB...
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Concert band - SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00 ≈
11.09€
The Raft of the Medusa
The Raft of the Medusa
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital ...
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Concert band - SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00 ≈
55.43€
Poète et Muse
Poète et Muse
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Contemporain
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Jean de Mazac
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Poète et Muse
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JdM Publisher
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SheetMusicPlus
Large Ensemble Voice - SKU: A0.1024694 Composed by Jean de Mazac. Contemporary. Score and parts. 272 pages. JdM Publisher #3899061. Published by JdM Pub...
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Large Ensemble Voice - SKU: A0.1024694 Composed by Jean de Mazac. Contemporary. Score and parts. 272 pages. JdM Publisher #3899061. Published by JdM Publisher (A0.1024694). Full score(piano-vocal score and orch.parts available on demand at JdM Publisher)Poète et Muse (Poet and Muse) is opera in 1 act by poems Les Nuits (The Nights) of the great French dramatist Alfred de Musset, written to the texts of his poem.In this – might be said - psychological opera, there are only 3 characters: Poet, Muse, and Phantom (in Musset's original work – La Vision). Although there are only three persons, the opera is not lacking of the dramatical tension. Both Muse and Phantom are opposites of the Poet's soul: Muse, as the poet's imaginative mistress, is a positive character, inspiring him and calling him to his new creations; Phantom, on the contrary, is his eternal solitude driving him to the destructive depressions. Both of Poet’s visions have their own leitmotifs (main music motives) which describe them and their struggle in his lonely soul.Opera Poète et Muse has romantic, dramatic, and vivid music with almost permanently rising tension until the very end. Opera is written in French, following the original of The Nights by A. de Musset - for tenor (Poet), soprano (Muse), and bass-baritone (Phantom).
$19.88 ≈
18.37€
Silent Night
Silent Night
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz Xaver Gruber
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Terrence Niska
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Silent Night
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.950907 Composed by Franz Xaver Gruber. Arranged by Terrence Niska. Christmas. Score. 4 pages. Niska Music Publishing #621...
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Piano Solo - Level 4 - SKU: A0.950907 Composed by Franz Xaver Gruber. Arranged by Terrence Niska. Christmas. Score. 4 pages. Niska Music Publishing #6211237. Published by Niska Music Publishing (A0.950907). There are few Christmas carols more universally known and loved than Silent Night. It's simple, unadorned melody offers solace to a modern, hectic world. The lullaby-like quality of the meter brings to mind images of the babe being rocked gently in his mother's arms. I knew that I would write an arrangement of this carol, and it seemed to flow from my thoughts almost complete with only a few small tweaks. It is inspired by memories of holding a glowing candle in the church as the congregation sings, lit only by the warmth of candlelight. There is also a somewhat haunting quality reminding me of Christmases past and those loved ones who are no longer with us.
$3.99 ≈
3.69€
Rorie Dall's Sister's Lament for Double-strung Lap Harp
Rorie Dall's Sister's Lament for Double-strung Lap Harp
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Harpe
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FACILE
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Celtique/Irlandais
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Rory Dall
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Karen Peterson
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Rorie Dall's Sister's Lament f
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Karen Peterson
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SheetMusicPlus
Harp - Level 2 - SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Pu...
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Harp - Level 2 - SKU: A0.928333 Composed by Rory Dall. Arranged by Karen Peterson. Celtic,Contemporary,Folk. Score. 4 pages. Karen Peterson #5993785. Published by Karen Peterson (A0.928333). WATCH THE D DORIAN VERSION: You are viewing the arrangement for lap harp, which is in the key of A dorian. To hear the D dorian version played on a larger harp, go to www.youtube.com/watch?v=l0-Kg0LifaUOverview: This tune was published by Daniel Dow in the 1770s and was probably composed by Roderick Morison (~1656-1713). My double-strung harp arrangement in the dorian mode has rolled, echoed chords, highlighting the depth of sound we can get from having two sets of strings. The accompaniment hand traverses the entire range of the harp, often overlapping the melody hand.Key and range: A dorian (one sharp). 21x2 strings. G below middle C through F. (LARGER HARPS: For harps with C below middle C or lower, get the D dorian version here: www.sheetmusicplus.com/title/rorie-lament-for-double-strung-harp-digital-sheet-music/21815669)Lever changes: None.Good for: Performance, memorials, therapeutic settings.Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Rolled accompaniment chords often contain the same note as the melody, creating a rolled echo. Some chords that aren’t rolled have doubled notes in both hands, creating depth. The repetition of LH patterns makes this a great piece to learn overlapping hands with.Characteristics: Neither hand needs to place more than an octave spread. There are some four-note chords (always LH 1-3-5-8). The RH has almost no chords. Few of the chords are inversions. There are very few sixteenth notes; no more than three played together with one hand. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has a few cross-overs/unders.Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with R or R# when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with L or L# when they occur in the top staff).Notation: Chord symbols are provided. Treble clef is used for both staves, with 8va for very high notes. Length: 4 pages. 60 measures, plus 12 if you take the repeat. 4 minutes.Page turns: If you are printing, double-side pages 2 and 3 so that there is only one page turn. The RH can be used on all notes of page 2’s last measure, so that the LH can turn the page. If you are using single pages on a tablet, you can do something similar at the end of page 3. Page 1’s turn is manageable. Contact me after purchase if you’d like a version that fits on two pages: EnjoyTheHarp@gmail.com
$4.99 ≈
4.61€
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Almost There Score Only
