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Vous avez sélectionné:
Alone In A Room
Partitions à imprimer
47 partitions trouvées
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1
26
Alone In A Room
Alone In A Room
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Batterie
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INTERMÉDIAIRE
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Rock
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Asking Alexandria
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Will Beavis
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Alone In A Room
#
Will Beavis
#
SheetMusicPlus
Drum Set,Drums - Level 3 - SKU: A0.1296513 By Asking Alexandria. By Benjamin Paul Bruce, Danny Robert Worsnop, and Matthew Good. Arranged by Will Beavis...
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Drum Set,Drums - Level 3 - SKU: A0.1296513 By Asking Alexandria. By Benjamin Paul Bruce, Danny Robert Worsnop, and Matthew Good. Arranged by Will Beavis. Rock. Score. 4 pages. Will Beavis #886691. Published by Will Beavis (A0.1296513). Download the drum score for “Alone In A Room†by Asking Alexandria, from the band's 2017 self-titled album. This is a detailed transcription James Cassells' recorded drum parts.
$4.99 ≈
4.61€
I Think We're Alone Now
I Think We're Alone Now
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Chorale SATB
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FACILE
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Tommy James And The Shondells
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K Bishop
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I Think We're Alone Now
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K. Bishop
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.931601 By Tommy James And The Shondells. By Ritchie Cordell. Arranged by K Bishop. A Cappella. Octavo. 4 pages. ...
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Choral Choir (SATB) - Level 2 - SKU: A0.931601 By Tommy James And The Shondells. By Ritchie Cordell. Arranged by K Bishop. A Cappella. Octavo. 4 pages. K. Bishop #6132513. Published by K. Bishop (A0.931601). Do you remember singing this song along to TIFFANY when you were a teenager in your bedroom? Get that feeling back with your four-part acapella chorus or quartet! Super fun, easy to learn, and some 'beat boxing' sounds too. Also a great song to attract new singers to your group and to practice vocal dynamics. Please email the arranger directly for FREE LEARNING TRACKS! katbishop78@gmail.com .
$3.00 ≈
2.77€
Adagietto for Flute and Strings (score and parts)
Adagietto for Flute and Strings (score and parts)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Douglas Meyer
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Adagietto for Flute and String
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Douglas Meyer
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.873782 Composed by Douglas Meyer. 20th Century. Score and parts. 12 pages. Douglas Meyer #4405620. Published by Dou...
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String Orchestra - Level 3 - SKU: A0.873782 Composed by Douglas Meyer. 20th Century. Score and parts. 12 pages. Douglas Meyer #4405620. Published by Douglas Meyer (A0.873782). The Adagietto for Flute and Strings is a descriptive piece. Imagine a person is alone in a room, perhaps a very large room. This person is churning a very strong emotion, trying to test a resolution again and again. The strings represent time passing mindlessly, quietly. Another voice is is heard along the way. Perhaps it will turn out the person is not alone.
$19.95 ≈
18.41€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano seul
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AVANCÉ
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. ...
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Piano Solo - Level 5 - SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.68€
Jesus Alone - Performance CD
Jesus Alone - Performance CD
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Gilbert M
#
Here, O My Lord
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Jesus Alone - Performance CD
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Sacred Music Press
#
SheetMusicPlus
SKU: LO.99-1719S Composed by Gilbert M. Martin. Choral, cantatas. Holy Week, Eastertide, Sacred. Performance CD. Sacred Music Press #99/1719S. Published ...
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SKU: LO.99-1719S Composed by Gilbert M. Martin. Choral, cantatas. Holy Week, Eastertide, Sacred. Performance CD. Sacred Music Press #99/1719S. Published by Sacred Music Press (LO.99-1719S). The Sacred Music Press proudly offers this dramatic and haunting cantata, commemorating the most important celebration of the Christian year. From Jesus' triumphal entry into Jerusalem, his short time together with his disciples in the Upper Room, his agony in Gethsemane, his crucifixion at Golgotha and his glorious Easter resurrection, five familiar hymn texts (Ride On, Ride On in Majesty; Here, O My Lord; Go to Dark Gethsemane; There Is A Green Hill Far Away; and That Easter Day With Joy Was Bright) are transformed into original, colorful and highly distinctive choral anthems for Holy Week, all of them woven together with Scriptural narration. And once again, this composer's hallmark --substantial and solid choral writing supported by lush, graceful organ accompaniments -- prevails throughout this vivid and radiant accomplishment.
$15.95 ≈
14.72€
Jesus Alone - Performance CD/SATB Score Combination
Jesus Alone - Performance CD/SATB Score Combination
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Gilbert M
#
Here, O My Lord
#
Jesus Alone - Performance CD/S
#
Sacred Music Press
#
SheetMusicPlus
SKU: LO.55-1073S Composed by Gilbert M. Martin. Choral cantata. Holy Week, Eastertide, Sacred. Performance CD/SATB score combination. Sacred Music Press ...
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SKU: LO.55-1073S Composed by Gilbert M. Martin. Choral cantata. Holy Week, Eastertide, Sacred. Performance CD/SATB score combination. Sacred Music Press #55/1073S. Published by Sacred Music Press (LO.55-1073S). UPC: 000308075168.The Sacred Music Press proudly offers this dramatic and haunting cantata, commemorating the most important celebration of the Christian year. From Jesus' triumphal entry into Jerusalem, his short time together with his disciples in the Upper Room, his agony in Gethsemane, his crucifixion at Golgotha and his glorious Easter resurrection, five familiar hymn texts (Ride On, Ride On in Majesty; Here, O My Lord; Go to Dark Gethsemane; There Is A Green Hill Far Away; and That Easter Day With Joy Was Bright) are transformed into original, colorful and highly distinctive choral anthems for Holy Week, all of them woven together with Scriptural narration. And once again, this composer's hallmark --substantial and solid choral writing supported by lush, graceful organ accompaniments -- prevails throughout this vivid and radiant accomplishment.
$16.95 ≈
15.64€
In Heaven's Light, We See His Love
In Heaven's Light, We See His Love
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Robert E
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In Heaven's Light, We See His
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Robert E. Benton, Jr.
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1304818 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Spiritual. Score. 2 pages. Robert E. B...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1304818 Composed by Robert E. Benton, Jr. Christian,Praise & Worship,Spiritual. Score. 2 pages. Robert E. Benton, Jr. #894241. Published by Robert E. Benton, Jr. (A0.1304818). This hymn in set in Heaven with the global church rejoicing around God’s throne. Jesus’ love has brought us together from every tribe and nation for the glory of God alone. The hymn elaborates on the great throne room scene from Revelations 4-7, particularly 6 and 7. The hymn is in SATB piano score (hymn) format for congregational singing, choral singing, ensemble, or solo; whether a capella, or with piano accompaniment.For more information…Website: https://TRUSTHYMN.wordpress.comEmail: TRUSTHYMN@yahoo.comFacebook: https://www.facebook.com/TrustHymnInstagram: https://www.instagram.com/trust_hymn/
$2.99 ≈
2.76€
Alone in a Room Full of People by Piano Version - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
#
Piano Version
#
Alone in a Room Full of People
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Musicnotes
Sheet Music for Alone in a Room Full of People by Piano Version arranged for Piano/Vocal/Chords;Singer Pro in E Major. Digital sheet music from Musicnotes. ...
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Sheet Music for Alone in a Room Full of People by Piano Version arranged for Piano/Vocal/Chords;Singer Pro in E Major. Digital sheet music from Musicnotes.
$5.79 ≈
5.34€
All Alone - Piano Solo
All Alone - Piano Solo
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Piano Facile
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DÉBUTANT
#
New Age
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Jin Sugahara
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All Alone - Piano Solo
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JIN ATELIER
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.902571 By Jin Sugahara. By Jin Sugahara. New Age. Score. 2 pages. JIN ATELIER #6559969. Published by JIN ATELIER (A0.9025...
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Easy Piano - Level 1 - SKU: A0.902571 By Jin Sugahara. By Jin Sugahara. New Age. Score. 2 pages. JIN ATELIER #6559969. Published by JIN ATELIER (A0.902571). Thank you for your access. I’m Jin Sugahara, designer & musician. So happy if my song make your heart easier.  Feel free to use my sheet music except for commercial purposes. It’s OK at your recital or in your piano classroom. Of course you can post your performance on YouTube. It would be great if you could note my name as a composer in either case.  Wishing you a wonderful piano life.  Jin Sugahara YouTube Channel https://www.youtube.com/channel/UCI-IvC2s7q3XyOOv3mvgWqw  Jin Sugahara Web Site http://www.jinatelier.com/en/  (C) 2021 JIN ATELIER CO. LTD. (P) 2021 JIN ATELIER CO. LTD.
$1.99 ≈
1.84€
Cabaret
Cabaret
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Herb Alpert And The Tijuana Br
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Bobby Hesch
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Cabaret
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.839207 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3...
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Clarinet Solo - Level 4 - SKU: A0.839207 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3 pages. Bobby Hesch #5337355. Published by Bobby Hesch (A0.839207). ***CABARET*** WHAT A GREAT SONG!!! WHAT GOOD IS SITTING ALONE IN YOUR ROOM? LET'S PLAY SOME JAZZ!!! AUDIENCES LOVE CABARET FROM THE MUSICAL BY THE SAME NAME!! KEY Bb!! CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!!! LOW F-HIGH Bb!!! NO MERCY IN THIS ONE!! FULL OF HOT JAZZ LICKS, RUNS & VARIETY!!! LIFE IS A CABARET OLD CHUM!!HAVE FUN!!CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99 ≈
4.61€
Cabaret
Cabaret
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Flûte traversière
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Herb Alpert And The Tijuana Br
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Bobby Hesch
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Cabaret
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Bobby Hesch
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SheetMusicPlus
Flute Solo - Level 4 - SKU: A0.839206 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3 pa...
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Flute Solo - Level 4 - SKU: A0.839206 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3 pages. Bobby Hesch #5334759. Published by Bobby Hesch (A0.839206). ***CABARET*** WHAT A GREAT SONG!!! WHAT GOOD IS SITTING ALONE IN YOUR ROOM?LET'S PLAY SOME JAZZ!!! AUDIENCES LOVE CABARET FROM THE MUSICAL BY THE SAME NAME- DIXIELAND STYLE!!! KEY Ab!!!LOW Db-HIGH 3RD OCTAVE Ab!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! NO MERCY IN THIS ONE !! FULL OF HOT JAZZ LICKS, RUNS & VARIETY. LIFE IS A CABARET OLD CHUM!!! HAVE FUN!!!CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99 ≈
4.61€
Cabaret
Cabaret
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Saxophone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Herb Alpert And The Tijuana Br
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Bobby Hesch
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Cabaret
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Bobby Hesch
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SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.839208 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual ...
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Tenor Saxophone Solo - Level 4 - SKU: A0.839208 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3 pages. Bobby Hesch #5337565. Published by Bobby Hesch (A0.839208). ***CABARET***WHAT A GREAT SONG!!! WHAT GOOD IS SITTING ALONE IN YOUR ROOM? LET'S PLAY SOME JAZZ!!! AUDIENCES LOVE CABARET FROM THE MUSICAL OF THE SAME NAME!!! KEY Bb!! LOW Eb-HIGH Bb!!!CHECK OUT THE MP3 FOR JAZZ STYLE AND INTERPRETATION!!! NO MERCY IN THIS ONE!! LOTS OF HOT JAZZ LICKS, RUNS,& VARIETY!!! LIFE IS A CABARET OLD CHUM!!! HAVE FUN!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99 ≈
4.61€
Cabaret
Cabaret
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Saxophone Alto
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Herb Alpert And The Tijuana Br
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Bobby Hesch
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&
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Cabaret
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Bobby Hesch
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SheetMusicPlus
Alto Saxophone Solo - Level 4 - SKU: A0.839142 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual p...
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Alto Saxophone Solo - Level 4 - SKU: A0.839142 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 4 pages. Bobby Hesch #5310719. Published by Bobby Hesch (A0.839142). CABARET !!!! WHAT A GREAT SONG. What good is sitting alone in your room? LET'S PLAY SOME JAZZ!!!!AUDIENCES LOVE CABARET, FROM THE BROADWAY MUSICAL BY THE SAME NAME. DIXIELAND STYLE !RANGE IS FROM LOW Bb to high F. THERE ARE 2 MEASURES NEAR THE END THAT ARE OPTIONAL 8va .ONCE YOU START THERE IS NO MERCY IN THIS ONE. FULL OF HOT JAZZ LICKS, RUNS, & VARIETY. LIFE IS A CABARET OLD CHUM! YOU WILL LOVE IT!! CONTACT INFORMATION: bobbyhesch@yahoo.com
$4.99 ≈
4.61€
Cabaret
Cabaret
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Herb Alpert And The Tijuana Br
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Bobby Hesch
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Cabaret
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Bobby Hesch
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.839287 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3...
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Trombone Solo - Level 4 - SKU: A0.839287 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3 pages. Bobby Hesch #5708321. Published by Bobby Hesch (A0.839287). ***CABARET***!!! WHAT GOOD IS SITTING ALONE IN YOUR ROOM?!!! LET'S PLAY SOME JAZZ!!! PERFORMED BY LIZA MINNELLI!!! FROM THE MOVIE CABARET!!! KAY OF Ab!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! LOW E - HIGH F!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! LIFE IS A CABARET OL' CHUM!!! HAVE FUN!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99 ≈
4.61€
Cabaret
Cabaret
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Herb Alpert And The Tijuana Br
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Bobby Hesch
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Cabaret
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Bobby Hesch
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SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.839285 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3 ...
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Trumpet Solo - Level 4 - SKU: A0.839285 By Herb Alpert And The Tijuana Brass. By John Kander. Arranged by Bobby Hesch. 20th Century. Individual part. 3 pages. Bobby Hesch #5708309. Published by Bobby Hesch (A0.839285). ***CABARET***!!! WHAT GOOD IS SITTING ALONE IN YOUR ROOM?!!! LET'S PLAY SOME JAZZ!!! PERFORMED BY LIZA MINNELLI!!! FROM THE MOVIE CABARET!!! KEY Bb!!! LOW F# - HIGH Bb!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! LIFE IS A CABARET OL' CHUM!!! HAVE FUN!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99 ≈
4.61€
CASSANDRA'S VISION
CASSANDRA'S VISION
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Violon et Piano
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Contemporain
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Monica Bergo
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CASSANDRA'S VISION
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Moni Bergo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #574289...
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Instrumental Duet Instrumental Duet,Piano,Violin - SKU: A0.1012704 Composed by Monica Bergo. Contemporary. Score and parts. 30 pages. Moni Bergo #5742893. Published by Moni Bergo (A0.1012704). Music and song composed by me about Borderline♫ * ´¨` * • .¸¸. ♫ Cassandra's vision ♫ * ´¨` * • .¸¸. ♫ I don't want to open that door, I shouldn't ... but it's the wind that brings me ... And I sing in a low voice, Until the pain passes and turn, turn-round, how bad the world is Between thoughts and tears, words and music There is Cassandra's vision And I don't know if he can do it, to write about you, you left quickly, And you're perfect in my mind Cassandra is locked up in that room, He hugs himself, tells an existence: Look there, my father and his glass, look at me, the victim of drinking purple bruises, always alone at school, violence continues in indifference, my mother knew but hid everything, the mind that does not hold, and the borderline destroys the spark that was in me, all those dreams of mine and that love that I will never have, I would like to run away but I am chained here, uncontrolled rituals, repeated gestures and a monster closed inside me In Cassandra's vision, she no longer has bars in this room no longer has a body, sex, it is ageless It's a vision but she doesn't know it In harmony with creation, forget the present and the past And the pain comes up and will disappear, It's a vision but she doesn't know it Cassandra does not know, who is about to lose our reality Worn threads Of a fragile puppet He hangs in the balance, embraces a nightmare In his labyrinths, he never finds a way out And pass the margin, cross that limit You feel a flower that Needs no longer has And the wind will follow In front of the mirror, The long hair, Reflect flashes of a thousand crystals You comb them slowly ,, With infinite care, You have been waiting for your love for a lifetime And a carillon that resounds far away, The brush suddenly falls from your hand Because the black man is here, he is already back, He breaks your dream, the charm is broken Cassandra runs among the stars and tattooes them on her skin Bruises and scars no longer has, It's a vision but she doesn't know it In dimensions to explore, How birds can fly Breathe sun, love and freedom And no one will harm you here ... Cassandra stop, Cassandra help me not to regret you Now you can't chain me to you, to your memory that will burn forever Cassandra doesn't know that wings don't, she doesn't Tragic angel who takes flight and then A puppet with broken threads now And time stands still here, like your beat But the vision is mine or Cassandra's, I don't remember anymore, This time changes my perception of the past Faces and names that Time has faded by now And I dance to the ticking of what has been lost souls who are left behind always inside me with their story an eternal tattoo in my memory I shouldn't open that door, I don't want to, but it's the wind that brings me…. and I sing in a low voice until the pain passes and round, round-round how bad the world is ... .. Monica Bergo
$5.00 ≈
4.61€
La nemesi
La nemesi
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now your fire is spent
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Monica Bergo
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La nemesi
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Monica Bergo
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SheetMusicPlus
Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and ...
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Small Ensemble Pan Pipe,Piano,Trumpet,Tubular Bells,Viola,Violin - Level 3 - SKU: A0.976861 Composed by Monica Bergo. Contemporary,Halloween. Score and parts. 43 pages. Monica Bergo #3238977. Published by Monica Bergo (A0.976861). 2017 Holiday Contest EntryNEMESIS I enter the room of my consciousness That incredible disorder I rummage through the drawers Where I keep sufferings And the ineradicable memories Dust that knows of regret Spider webs cover my time, I recompose pieces of life But I'm here for you Fleeting shadow And my face reflects, Inside you My nemesis, my alter ego You reflect me and then Are a dark ghost The imperfect and the unsaid I will let you be what you are, My soul, black and rending. If you destroy my image It does not matter Finally that door remains open And opening the border between dream and reality I stumble among people at my funeral Who cry, who laugh, It is my Carnival I look at them from above, a spectral profile Rush down into the void that I have inside Nobody hugs me, I touch the silence, Slow-motion of a movie without more viewers, Close the curtain of the world outside and ... and ... The snow falls , how cold it is For this actress without identity I escape from the frost of my uncertainties But there is no refuge save me from she Who is heat, but to hurt Is my animal instinct I'm alone in this storm But certainly I do not regret Your mood swings, your sterile love Even without, I will survive My nemesis now dominates Be careful! If she comes for you She destroys you, crushes you, is cruel and savage, And then she will laugh in your face And sitting here on the bank of my river I'm waiting for you to pass this way Naked and without arrogance I'll never get enough This dance that gives me joy And in the darkness I move safe and stealthy (what are you?) I'm not afraid of anything and I feel wicked (you are lost now) Souls dancing to the beat of their sins (you like us) In this limbo I disown my past days (and so will you be...) Wind and storm I'm not just this, The rumble of thunder I don't understand any longer which side I’m on And it goes against the wind and sharpens my torment I'm hungry for the Sun Nemesis cannot dominate me My nemesis is here, Is stronger than ever And I know that she is reaching for me And it’s she who does not know Ever to stop halfway, Is Lady of Vice and Deception She seizes me , she exhausts me because She does not accept the peace that I have inside She has no balance, Makes me waver, And frustrates what I have achieved Tell me that you'll disappear As a dream in the morning light And will be, within me, A memory clouded by time I leave the room of my consciousness To make order is impossible Strange this drawer, not only sufferings But something relentless Nemesis, it is no longer your time By now your fire is spent And I will be born again to enchantment By words and music Food for the soul ... Monica Bergo
$3.99 ≈
3.68€
Book of Games for violin and viola
Book of Games for violin and viola
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Violon
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DÉBUTANT
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Methodes
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Samuel Applebaum, Kató
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Ruth Roland
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Book of Games for violin and v
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Ruth Roland
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SheetMusicPlus
Violin, Viola - Easy/Beginner - Composed by Samuel Applebaum, Kató Havas, Trendafil Milanov, Kay Collier Slone, Edmund Sprunger, Shinichi Suz...
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Violin, Viola - Easy/Beginner - Composed by Samuel Applebaum, Kató Havas, Trendafil Milanov, Kay Collier Slone, Edmund Sprunger, Shinichi Suzuki, Diane Wagstaff. Arranged by Ruth Roland. Method, Classroom, General Instructional, Technique Training, Activities and Games. Individual Part. 150 pages. Published by Ruth Roland
Item Number: S0.858509
For all levels: Pre-Twinkle to Advanced. Over 100 games to play alone, with a partner, or in groups. Targeting posture, attention, left hand, bow arm and hand, and so on. The ultimate reference book!
To be viewed on an electronic device.
$35.00 ≈
32.30€
Sonata Hymnica No. 3
Sonata Hymnica No. 3
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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#
Sonata Hymnica No. 3
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual...
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Piano Solo - Level 4 - SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.77€
Sonata Hymnica No. 1
Sonata Hymnica No. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
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#
Sonata Hymnica No. 1
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.77€
Sonata Hymnica No. 2
Sonata Hymnica No. 2
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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James Siddons
#
#
Sonata Hymnica No. 2
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Sc...
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Piano Solo - Level 4 - SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.
$9.50 ≈
8.77€
Norwegian Wood (this Bird Has Flown)
Norwegian Wood (this Bird Has Flown)
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
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The Beatles
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Timothy Stapay
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Norwegian Wood
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1201501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter...
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Piano Solo - Level 4 - SKU: A0.1201501 By The Beatles. By John Lennon and Paul McCartney. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 6 pages. Timothy Stapay #800122. Published by Timothy Stapay (A0.1201501). This is an arrangement of Norwegian Wood, composed by John Lennon and Paul McCartney. It is written in a bright improvisational style; with changes of key.Norwegian Wood (This Bird Has Flown) is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon, with lyrical contributions from Paul McCartney, and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with Nowhere Man. Norwegian Wood Lyrics:[Verse 1: John Lennon]I once had a girlOr should I say, she once had me?She showed me her roomIsn't it good, Norwegian wood?[Bridge: John Lennon & Paul McCartney]She asked me to stay and she told me to sit anywhereSo I looked around and I noticed there wasn't a chair[Verse 2: John Lennon]I sat on the rugBiding my time, drinking her wineWe talked until twoAnd then she said, It's time for bed[Guitar Solo][Bridge: John Lennon & Paul McCartney]She told me she worked in the morning and started to laughI told her I didn't and crawled off to sleep in the bath[Verse 3: John Lennon]And when I awokeI was alone, this bird had flownSo I lit a fireIsn't it good, Norwegian wood?
$6.99 ≈
6.45€
CONCERTO FOR HORN - S. R. Mercadante - solo horn part only (full band accomp. available separately)
CONCERTO FOR HORN - S. R. Mercadante - solo horn part only (full band accomp. available separately)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Saverio Raffaele Mercadante
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Brian Harris
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CONCERTO FOR HORN - S. R. Merc
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Bandroom.com Publications
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romanti...
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Concert Band - Level 3 - SKU: A0.859735 Composed by Saverio Raffaele Mercadante (1795? - 1870). Arranged by Brian Harris. 19th Century,Classical,Romantic Period,Standards. 4 pages. Bandroom.com Publications #553447. Published by Bandroom.com Publications (A0.859735). Written around 1820 by Italian composer Saverio Raffaele Mercadante, this engraving of his CONCERTO FOR HORN is in the original key and has been meticulously edited. Consisting of two sections, the beautiful, plaintive opening slow section (Larghetto alla Siciliano) is about 2.5 minutes in length and works well as a stand-alone feature to showcase the sonority of the horn. It would be perfect for a talented high school player. The concluding fast section (Allegretto brillante) is bubbly, delightful, and quite technically challenging in a few spots. The concert band / wind ensemble accompaniment (available separately) is scored to prevent overpowering the soloist and will work with smaller groups for senior recitals, etc. NOTE: This download is for the 4-page SOLO PART ONLY. If you wish to purchase the band parts and full score, please visit www.bandroom.com. This SOLO PART will also work with the Kuyper setting for piano accompaniment. The score and parts are error-free, as I spent considerable time in editing and making corrections to the parts while it was prepared for performance. This SOLO PART has tightly-cropped margins so it will print as large as possible on letter-sized paper. You can view the conductor score and sample parts as well as listen to a live recording of the work on my website (URL above) or on YouTube at https://youtu.be/NuMFb5p5Kfk____________________________ ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a band director for over 30 years. Many of his arrangements and compositions are available here as digital downloads and from www.bandroom.com ____________________________
$10.00 ≈
9.23€
Here, O My Lord
Here, O My Lord
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Chorale SATB
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Musique Sacrée
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Gilbert M
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Here, O My Lord
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Sacred Music Press
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SheetMusicPlus
SATB choir, organ SKU: LO.10-2778S Composed by Gilbert M. Martin. Choral. Sacred Anthem, Holy Communion. Octavo. Sacred Music Press #10/2778S. Published ...
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SATB choir, organ SKU: LO.10-2778S Composed by Gilbert M. Martin. Choral. Sacred Anthem, Holy Communion. Octavo. Sacred Music Press #10/2778S. Published by Sacred Music Press (LO.10-2778S). UPC: 000308067286.Clothed in a fresh, sweeping melody and gracious organ writing, the familiar Horatius Bonar lyrics flow gently and serenely throughout this captivating and elegant anthem, reflecting Jesus' final hours with his disciples in the Upper Room. From the composer's cantata Jesus Alone[55/1072S].
Song List
: Here O My Lord
$2.65 ≈
2.45€
Sur Le Fil
Sur Le Fil
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Piano seul
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FACILE
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Yann Tiersen
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Flavio Regis Cunha
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Sur Le Fil
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1187088 Composed by Yann Tiersen. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wed...
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Piano Solo - Level 2 - SKU: A0.1187088 Composed by Yann Tiersen. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. Score. 7 pages. Flavio Regis Cunha #786719. Published by Flavio Regis Cunha (A0.1187088). Yann Tiersen: Sur le fil for Piano SoloThe film tells the story of Amélie, a girl who grows up isolated from other children. This happens because her father thinks that Amélie has an anomaly in her heart, as it beats very fast during the monthly exams that the father does on the girl. In fact, Amélie is nervous about this rare physical contact with her father. Because of that, and because of that alone, her heart beats faster than normal. Her parents then deprive Amélie of attending school and having contact with other children. Her mother, who is a teacher, taught her how to read and write until she died. Her childhood and her mother's premature death end up strongly influencing Amélie's development and the way she relates to people and the world as an adult.After coming of age, she moves from the suburbs to the Parisian district of Montmartre, where she starts working as a waitress. One day, she finds in the bathroom of her apartment a box with toys and figurines belonging to the former resident of the apartment. She decides to look for it and deliver it to its owner, Dominique, anonymously. Upon noticing that he cries with joy when he regains his object, the girl is impressed and remodels her vision of the world.From then on, Amélie engaged in small gestures in order to help and make the people around her happier. There she gains a new meaning for her existence. In one of these small big actions, she meets a man. And then her fate changes forever.Original Soundtrack by Yann Tiersen.Intermediate.Format: Concert, 9 x 12 inches.7 pages.
$4.99 ≈
4.61€
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Alone In A Room
