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Always Almost – for piano
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Vous avez sélectionné:
Always Almost – for piano
Partitions à imprimer
84 partitions trouvées
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Carson Cooman: Kayser Variations for piano
Carson Cooman: Kayser Variations for piano
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Piano seul
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AVANCÉ
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Carson Cooman
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Carson Cooman: Kayser Variatio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publis...
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Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publishing #3038633. Published by Musik Fabrik Music Publishing (A0.533691). This work, Kayser Variations, was written as a tribute to Margaret Kayser, long-timechemistry teacher (for 16 years) at Allendale Columbia School in Rochester, New York onthe event of her retirement from teaching.This work takes a variations on a theme form but uses the concept of placing the choraletheme itself in the middle of the work (instead of its customary place at the beginning),surrounded on both sides by variations. The theme is God Save the King/Queen, thenational anthem of the United Kingdom.The pitch material of the variation accompaniment is derived, at some points, from subscriptsand coefficients from chemical formulae and balanced chemical equations.Each of the variations also pokes fun at a different element, style, or method of 20th centurymusic competition. So this work is also a parody of sorts.This work should be performed with a slight break (almost a breath) between each variation.Dynamic markings are provided as a guide but performers should use their own judgment.Pedal should be used by the performer where appropriate. This work should always beperformed in its entirety. The variations should never be played on their own.
$12.95 ≈
11.84€
Always Almost – for piano
Always Almost – for piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Rain Worthington
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Always Almost – for pian
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SR Worthington
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.916264 Composed by Rain Worthington. 20th Century,Concert,Contemporary. Score. 6 pages. SR Worthington #3056007. Publishe...
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Piano Solo - Level 4 - SKU: A0.916264 Composed by Rain Worthington. 20th Century,Concert,Contemporary. Score. 6 pages. SR Worthington #3056007. Published by SR Worthington (A0.916264). An expression of the profound realization that some of life’s deepest yearnings may remain unfulfilled, seemingly just out of reach – just ‘always almost.’ Yet from this sadness music arose. – RWRain Worthington’s piano compositions are quite striking in terms of the mood each of them sets and also the way she seems to always get mileage out of her materials. There is a surprise for the ear at every turn. She weaves melodic lines in an almost magical way, always leading the ear to unexpected places! – Max Lifchitz, pianist North/South Recordingshttps://soundcloud.com/rain-worthington/always-almost-for-piano-excerptDuration: ca. 6'15Publisher: SR Worthington/ASCAP.
$3.00 ≈
2.74€
DELTARUNE Chapter 2 Piano Score - Sheet Music from the game
DELTARUNE Chapter 2 Piano Score - from the game
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Piano Facile
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FACILE
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Toby Fox
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Toby Fox
, ada
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Sydney Kjerstad
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DELTARUNE Chapter 2 Piano Scor
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Materia Editions
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1200295 By Toby Fox. By Toby Fox. Arranged by Sydney Kjerstad. Video Game. Score. 96 pages. Materia Editions #799104. Pub...
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Easy Piano - Level 2 - SKU: A0.1200295 By Toby Fox. By Toby Fox. Arranged by Sydney Kjerstad. Video Game. Score. 96 pages. Materia Editions #799104. Published by Materia Editions (A0.1200295). All 47 songs from the DELTARUNE, Chapter 2 soundtrack. Composed by Toby Fox, adapted by Sydney Kjerstad.Making the Deltarune Piano Score series a little more complete, here’s DELTARUNE Chapter 2’s music finally in book form! Just like the music from the first chapter, each of the pieces here are varying levels of difficulty, but all are within your reach. Go in order, go out of order, play through the book how you want!You will strengthen your abilities and come out even better on the other side. Play this music for you, for your friends and family, and show off what makes this music so  special. Please enjoy! I know I did when adapting it all!- Sydney KjerstadCREDITSDELTARUNE Piano Score is brought to you by:TOBY FOX is the musical dog that made DELTARUNE.SYDNEY KJERSTAD is a video-gaming-piano-playing nerd whose goal in life is to make game music accessible for everyone. A Materia Editions Production.TRACKLIST Faint Glow Girl Next Door My Castle Town Ohhhhohohoho! Queen A CYBER'S WORLD? A Simple Diversion Almost to the Guys! Cool Beat When I Get Mad I Dance Like This Cyber Battle (Solo) When I Get Happy I Dance Like This Sound Studio Berdly Smart Race Faint Courage (Game Over) WELCOME TO THE CITY Mini Studio Holiday Studio Cool Mixtape HEY EVERY ! Spamton NOW'S YOUR CHANCE TO BE A Elegant Entrance Bluebird of Misfortune Pandora Palace KEYGEN Acid Tunnel of Love It's Pronounced Rules Lost Girl Ferris Wheel Attack of the Killer Queen Giga Size Powers Combined Knock You Down !! The Dark Truth Digital Roots Deal Gone Wrong BIG SHOT A Real Boy! Dialtone sans. Chill Jailbreak Alarm to Study and Relax to You Can Always Come Home Until Next Time Before the Story Berdly (Rejected Concept) Music by Toby Fox. © 2015-2021 ROYAL SCIENCES LLC. Arrangements © 2023 Materia Editions / Materia Music Inc. All rights reserved. Used by permission. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, or transmitted by any means without written permission by the publisher.
$19.99 ≈
18.28€
The Mansion - for Guitar and Orchestra - reduction
The Mansion - for Guitar and Orchestra - reduction
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Piano, Guitare (duo)
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AVANCÉ
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Britt Andrew Burns
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The Mansion - for Guitar and O
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Indie Classical Publications
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SheetMusicPlus
Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #...
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Solo Guitar - Level 5 - SKU: A0.971794 Composed by Britt Andrew Burns. Contemporary,Halloween. Individual part. 25 pages. Indie Classical Publications #41347. Published by Indie Classical Publications (A0.971794). THE MANSION was composed in 2011. The inspiration for the work came from a reoccurring dream (or nightmare) I would have about being lost in a large, haunted mansion. The mansion would be abandoned, yet would be full of unexpected noises and surprises around every corner. Because of this, the music is intended to sound a little haunting, yet adventurous at the same time, because both of these emotions were strong in the dreams. I no longer have this reoccurring dream, and I have never come to understand why I used to have this dream. I have been a student of the guitar for over 18 years, and I wanted to write a concerto-like work for the nylon string guitar and orchestra. Because an orchestra can be overpowering to the acoustic guitar, I have suggested that the guitarist use an acoustic guitar amplifier. The volume can be adjusted to the performers discretion, but the guitar needs to always be heard. Although the work is also technically challenging, I tried to write something that would still be accessible for the audience. Almost all of the thematic material comes from a simple 5-note motive that can be heard at the beginning of the piece in the piano and guitar. This work does not follow a specific form, although many of the sections do repeat. Originally for guitar and orchestra, this arrangement is for guitar and piano.Difficulty: grade 5Duration: 7:45
$12.00 ≈
10.97€
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
35.62€
Daydreaming ~ an arpeggio étude for Early Intermediate Solo Piano
Daydreaming ~ an arpeggio étude for Early Intermediate Solo Piano
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Piano seul
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FACILE
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Sibylle Kuder
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Daydreaming ~ an arpeggio &eac
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Sibylle Kuder
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1169318 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional,Traditional. Score. 4 pages. Sibylle Kuder #7...
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Piano Solo - Level 2 - SKU: A0.1169318 Composed by Sibylle Kuder. Classical,Contest,Festival,Instructional,Traditional. Score. 4 pages. Sibylle Kuder #769671. Published by Sibylle Kuder (A0.1169318). Flowing, not fast, with a gentle touch, in 6/8 time.Key of A major with a few brief modulations to E major. One-octave arpeggios, up and down, mostly in the left hand, in the keys of D major, A major, E major, and B major (twice), one at a time, with plenty of time to shift / move the hand. Always in root position which means the fingering is always the same. It also means that you don't need to read any notes beyond the first note of each arpeggio. No accidentals other than D#'s. Almost continuous eighth note motion, with few interruptions, should make the counting easy. This is a good exercise for wrist rotation and for developing a beautiful tone as well as evenness of touch. Four pages, Level 3.
$1.99 ≈
1.82€
Three Curios (for solo piano)
Three Curios (for solo piano)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Paul SanGregory
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Three Curios
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Published by Distant ...
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Piano Solo - Level 4 - SKU: A0.977030 Composed by Paul SanGregory. Contemporary. Score. 10 pages. Distant Engraver Music #3534593. Published by Distant Engraver Music (A0.977030). These pieces are like little objects that are simple and direct, yet slightly eccentric. They often seem to be based on traditional notions of harmony or phrasing, but they don’t always get those aspects exactly right. It’s as if what appears to be common little figurines, upon closer inspection, reveal themselves to be more varied, colorful, complex and unpredictable than a quick glance might reveal. I - Mutable Phrase This piece sounds a bit obsessive because all the phrases begin the same way. It almost sounds like somebody repeating a simple one-phrase statement, but constantly changing it with the hope of writing a perfectly nuanced phrase. II - Sparks in Emptiness The use of the sostenuto pedal in this piece creates an effect of reverberating empty space. Within that space, little bursts of energy begin appearing. It sounds like flashes of light in an empty dark space. III - Silent Blue Tides This piece is based on a slowly moving and somewhat unpredictable chord progression. A duo of simple melodies then floats on that chord progression, rising and falling with the moods of that large blue sea.
$6.50 ≈
5.94€
Elegy for solo tuba
Elegy for solo tuba
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Tuba
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AVANCÉ
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Robert Chamberlin
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Elegy for solo tuba
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Robert Chamberlin
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Pub...
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Tuba Solo - Level 5 - SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Published by Robert Chamberlin (A0.917229). Dr. Gary Bird assembled and edited a volume in 1994 called Program Notes for the Solo Tuba. In it, he assembled information on what were determined to be the eighty-eight most important works for solo tuba written to that point in time. Robert Chamberlin’s Elegy (for solo tuba) was very deservedly included in the catalogue of works in that very important assemblage. Elegy was composed in 1981 for tubist, Jerry Young, and was written in collaboration with both Young and Daniel Perantoni. It was composed as a response to the assassination of Anwar Sadat, the Egyptian head-of-state who, along with Israeli Premier Menachem Begin and U.S. President Jimmy Carter, forged the peace agreement between those two countries that endures to this day. Chamberlin said: It is an expression of my sadness and anger that people resort to that particular type of violence for political gain. Since its premiere performance by Jerry Young at Webster University in 1981, the work has been performed in many venues by many soloists, and it almost always resonates with and touches very diverse audiences. The work uses a wide variety of expressive techniques, including multiphonics, pitch bends, half-valve technique, glissandi, whispering through the instrument, and the tuba mute. Perhaps the most striking and emotionally touching effect is that the entire work is played with the bell of the instrument pointed into the open lid of a grand piano with the sustain pedal depressed. The harmonic and echo-like acoustic effects created are stunning in every performance and venue. This is an outstanding musical artwork appropriate for any recital, but also very effective in settings where unexpected or tragic loss are being marked. It speaks to listeners of all backgrounds in a very pronounced way that few works seem to achieve. While it is in every sense a virtuoso work, it is one that repeatedly rewards both performer and audience.
$3.99 ≈
3.65€
Trio in A minor op.188 for oboe, horn and [piano] (arr. woodwind quintet)
Trio in A minor op.188 for oboe, horn and [piano] (arr. woodwind quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Classique
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Carl Reinecke
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Armin Terzer
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Trio in A minor op.188 for obo
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Armin Terzer
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.942173 Composed by Carl Reinecke. Arranged by Armin Terzer. Romantic Period. 83 pages. Armin Terz...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.942173 Composed by Carl Reinecke. Arranged by Armin Terzer. Romantic Period. 83 pages. Armin Terzer #5305567. Published by Armin Terzer (A0.942173). One of the most beautiful, fully romantic works for mixed chamber ensemble (oboe, horn and piano), Carl Reinecke’s Trio in A minor op. 188 is here arranged for woodwind quintet. The oboe and horn parts are the same as the original (with an attempt at unifying articulation and dynamics), while the rest of the quintet covers the piano part. This works surprisingly well, with the result sounding as if it had always been conceived for this combination (well… almost – the flute part gets a thorough workout in the low range which is not entirely characteristic). Featuring oboe and horn, but giving every instrument plenty to do and moments to shine, this is a fantastic addition to the romantic woodwind quintet repertoire – which, besides the usual suspects, is surprisingly scarce. The level of difficulty is just above advanced intermediate – the low flute part, some tricky rhythmic passages (especially for the clarinet) and overall ensemble considerations make this a challenge, but a very, very rewarding one, for an advanced quintet.
$25.00 ≈
22.86€
Hommages III. Sonata No. 1 'Gothic'
Hommages III. Sonata No. 1 'Gothic'
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Piano seul
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AVANCÉ
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Classique
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David Fraser
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Hommages III. Sonata No. 1 'Go
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968...
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Piano Solo - Level 5 - SKU: A0.1384065 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 39 pages. David Fraser #968426. Published by David Fraser (A0.1384065). David Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The inspiration for the second movement comes from the German fairy tale Hansel and Gretel by the Brothers Grimm. The music begins with Hansel and Gretel walking into the witchâ??s house made of gingerbread, cake, and candy. The children have a sense of unease and fright once they enter the house, which is demonstrated in the music by the eeriness and darkness of the harmonies. The term oscuro is found at the beginning of the music â?? this is the Italian word for dark. The repeat, which begins at measure 25, is marked sempre sotto voce which translates to always under the voice, meaning always in a hushed tonal quality and dynamic volume. This section represents the children trying to tip-toe out of the house without the witch taking notice. The repeat is almost identical to the beginning section, with the exception of measures 39 and 40 which have ties in the right hand; the similar measures 15 and 16 in the first section do not have these ties. The right-hand trills in measures 53 through 55 symbolize the children attempting to quietly turn a key to unlock the door, which would lead them to freedom.This is the full version of the Sonata, containing all three movements, and is the third piece from 'Hommages: Suite pour le Piano'. 39 pages. ISMN 979-0-800277-00-9.
$9.99 ≈
9.14€
The Ballad of John
The Ballad of John
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Allan Herbie Jones
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The Ballad of John
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Forton Music - Digital
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SheetMusicPlus
Fl.pft. - Intermediate-Advanced - SKU: F2.FM452 Composed by Allan Herbie Jones. Flute and Piano. Score and part. 9 pages. Forton Music - Digital #FM452....
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Fl.pft. - Intermediate-Advanced - SKU: F2.FM452 Composed by Allan Herbie Jones. Flute and Piano. Score and part. 9 pages. Forton Music - Digital #FM452. Published by Forton Music - Digital (F2.FM452). ISBN 9790570483518.The Ballad Of John is basically an exercise in tuning and tone control. Make the most of the 'ad lib' instruction throughout the piece; the player should be able to feel where more rubato must be used. It's not always marked, but rubato plays a big part in the performance of this piece. Particular attention should be paid to dynamic markings, phrasing and articulation. The flourish at the end can use as much ad lib and improvisation as the player and accompanist require. Inspired by a late uncle, who took his time at doing almost everything, but could show a burst of energy when it was needed.
$7.95 ≈
7.27€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.48€
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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Crazy Latin! for classrooms an
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphso...
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Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99 ≈
13.71€
Everywhere
Everywhere
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Piano, Voix
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Michelle Branch
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Everywhere
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XIP-000184 By Michelle Branch. By John Shanks and Michelle Branch. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music...
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Piano/Vocal/Chords - SKU: AX.00-XIP-000184 By Michelle Branch. By John Shanks and Michelle Branch. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-XIP-000184. Published by Alfred Music - Digital Sheet Music (AX.00-XIP-000184). UPC: 654979027478.This ORIGINAL SHEET MUSIC EDITION has been arranged for piano/vocal/chords by Alfred Music's talented staff of arrangers. Every effort has been made for the arrangement to be playable on the piano and to sound as close to the original recording as possible. Usually, a separate vocal line is used so that singers can easily sing along, and all lyrics as heard on the original recording are always included. Almost all piano/vocal/chords arrangements are written in the original key in which they were recorded. Special guitar chord frames appear throughout the arrangement so that guitarists can play along.
$3.99 ≈
3.65€
Sunny Came Home
Sunny Came Home
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Piano, Voix et Guitare
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Shawn Colvin
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Sunny Came Home
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PIP-000040 By Shawn Colvin. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PIP-000040. Published by Alfred Mu...
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Piano/Vocal/Chords - SKU: AX.00-PIP-000040 By Shawn Colvin. Pop/Rock. 6 pages. Alfred Music - Digital Sheet Music #00-PIP-000040. Published by Alfred Music - Digital Sheet Music (AX.00-PIP-000040). UPC: 029156663495.This ORIGINAL SHEET MUSIC EDITION has been arranged for piano/vocal/chords by Warner Bros. Publications' talented staff of arrangers. Every effort has been made for the arrangement to be playable on the piano and to sound as close to the original recording as possible. Usually, a separate vocal line is used so that singers can easily sing along, and all lyrics as heard on the original recording are always included. Almost all piano/vocal/chords arrangements are written in the original key in which they were recorded. Special guitar chord frames appear throughout the arrangement so that guitarists can play along.
$3.99 ≈
3.65€
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #368...
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Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99 ≈
13.71€
The Painter
The Painter
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Piano seul
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INTERMÉDIAIRE
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Louis Landon
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The Painter
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon C...
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Piano Solo - Level 3 - SKU: A0.761847 Composed by Louis Landon. New Age,Spiritual. Score. 5 pages. Landon Creative, Inc. #3129855. Published by Landon Creative, Inc. (A0.761847). Healing Hearts is the fourth solo piano release from Louis Landon in less than two years, an indication that his 2013 move to Sedona, AZ sparked an amazing creative streak for him. Since his move, Landon has established Healing Piano of Sedona which offers a unique sound healing experience to create mental, physical and emotional well-being. Landon is a Steinway Artist who has toured internationally and has released seventeen albums, eleven of which are solo piano (one is a best of). He has been using the techniques of Gurdjieff and Ouspensky for spiritual development since 1980. Healing Piano of Sedona was created to help people live life joyously, passionately, stress- and disease-free.The thirteen tracks on Healing Hearts were created spontaneously to assist individuals in their emotional and spiritual well-being. I have to admit that in the past, I have had a strong preference for Landon’s more composed music, but he is improvising and performing so much now that his spontaneous music is incredibly cohesive and complete and the emotional content is rich and sincere. Landon has performed house concerts in my series every year for the past seven years and while his music has always been exceptionally good, now it’s often breathtaking in its beauty and honesty. Nothing is held back, coming from the purest source of creativity. I’m blown away by the music on Healing Hearts and am certain that it will be the second of Landon’s albums on my Favorites list for 2014.Most of the tracks overflow with peace and serenity. In fact, Louis calls his home studio The Peace Palace and I can see why! A couple of pieces are a bit livelier, but the entire album is perfect for a warm and soothing background. However, be sure to treat your mind and soul to a blissful hour of calming music that can effortlessly heal the spirit and wash away the cares of the moment, the day, or life in general - at least for a while. All of the tracks are exceptional, but I’ll mention a few favorites. Amy’s Song is a breath of fresh air - graceful, tender and very warm. Gorgeous! Desert Peace is somewhat more ambient and so peaceful. I love the title track, which is more minor and a bit darker, but so poignant and compelling. Now or Never seems to be offering support and encouragement to move forward - gently but firmly. Sacred is almost hymn-like. The Great Unknown is dedicated to a young family member who passed away recently. Dark and sometimes painfully sad, there is hope as the healing process takes place - an amazing piece of music! The Painter expresses the passionate spirit that can flow from one artist to another. Unstoppable begins quietly and simply, gradually building energy, strength and power. Unstoppable, indeed! A great, upbeat ending to a fantastic album!Healing Hearts is a must-hear! It is available from louislandon.com, Amazon, iTunes, and CD Baby. Very highly recommended!
$5.25 ≈
4.80€
The Destruction of a Twinkling Star
The Destruction of a Twinkling Star
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Violon et Piano
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INTERMÉDIAIRE
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Ho Jie Rong
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The Destruction of a Twinkling
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Ho Jie Rong
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1011293 Composed by Ho Jie Rong. Contemporary,Standards. 5 pages. Ho Jie Rong #5794107. Published by Ho Jie Rong (A0.10...
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Piano,Violin - Level 3 - SKU: A0.1011293 Composed by Ho Jie Rong. Contemporary,Standards. 5 pages. Ho Jie Rong #5794107. Published by Ho Jie Rong (A0.1011293). I am a Singaporean pianist and composer. I have studied the piano since 5 years old under Mr Joseph Toh and I graduated from LASALLE College of the Arts with a Diploma in Music in 2013, majoring in Music Composition under Malaysian composer Mr Chong Kee Yong and Singaporean composer Mrs Joyce Koh Bee TuanAbout The Destruction of a Twinkling StarThis piece is written for Violin and Piano.Ever wondered what happen to a star when it explodes? I decided to write a short fantasia about this phenomenon. I decided to use the very famous opening of the Mozart’s Ah vous dirai-je maman Variations for this piece. A very sweet sounding opening to a devastated effect. I have decided to use a pretty unconventional notation. I think a star is full of mystery, and you always get surprises when you improvise. In my music, I like to try new things! And of course, despite new things, I will always use back my own prestige extracts from some of my works. I have used an almost similar notation in my Sky 2 for piano solo, and the last movement of the Six Improvisatory Pieces for solo piano.The interval between the highest and the lowest pitch of the Mozart’s Variations is a Major 6th. To get the intended transcription into my work, I cut the keyboard into 6 different ranges. Because the range of the violin is not as big as the piano, I cut the violin into 3 different ranges. If want will to realize, Mozart uses all 6 notes of the opening C major scale, and hence, I transcribe it into chord clusters into my work. The Destruction of a Twinkling Star is dedicated to my friends Miss Lee Xin Yee and Mr Kelvin Koh.
$5.00 ≈
4.57€
L'alchimista
L'alchimista
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Piano seul
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Contemporain
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873).
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Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99 ≈
3.65€
Vltava - From 'Ma Vlast' (For 2 B Flat Clarinets and Piano)
Vltava - From 'Ma Vlast' (For 2 B Flat Clarinets and Piano)
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Classique
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Bedrich Smetana
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Raymond Fenech
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Vltava - From 'Ma Vlast'
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Raymond Fenech
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.759854 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Holiday,Multicultural,Romantic Period,...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.759854 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Holiday,Multicultural,Romantic Period,Wedding,World. 2 scores. 17 pages. Raymond Fenech #3387271. Published by Raymond Fenech (A0.759854). Má vlast meaning My homeland in the Czech language is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements and – with the exception of Vltava – is almost always recorded that way. This aria is arranged for 2 B Flat Clarinets and Piano. The level is Intermediate and the duration is approximately 2.22 minutes
$5.95 ≈
5.44€
Vltava - From 'Ma Vlast' (For 2 Flutes and Piano)
Vltava - From 'Ma Vlast' (For 2 Flutes and Piano)
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2 Flûtes traversières (duo)
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INTERMÉDIAIRE
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Classique
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Bedrich Smetana
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Raymond Fenech
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Vltava - From 'Ma Vlast'
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Raymond Fenech
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SheetMusicPlus
Flute Duet Flute - Level 3 - SKU: A0.759855 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Multicultural,Romantic Period,Standards,Wedd...
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Flute Duet Flute - Level 3 - SKU: A0.759855 Composed by Bedrich Smetana. Arranged by Raymond Fenech. Easter,Multicultural,Romantic Period,Standards,Wedding,World. Score. 17 pages. Raymond Fenech #3387277. Published by Raymond Fenech (A0.759855). Má vlast meaning My homeland in the Czech language is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedřich Smetana. While it is often presented as a single work in six movements and – with the exception of Vltava – is almost always recorded that way. This aria is arranged for 2 Flutes and Piano. The level is Intermediate and the duration is approximately 2.22 minutes
$4.99 ≈
4.56€
Singing in the Streets
Singing in the Streets
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Piano, Voix
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FACILE
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Ian Calvert
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Singing in the Streets
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Ian Calvert
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1298967 Composed by Ian Calvert. Christmas,Contemporary,Holiday. Score. 7 pages. Ian Calvert #888817. Published by...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1298967 Composed by Ian Calvert. Christmas,Contemporary,Holiday. Score. 7 pages. Ian Calvert #888817. Published by Ian Calvert (A0.1298967). This is the first publication of a new Christmas song, set for baritone and piano. The words are those of a poem by Leonard Clark (1905 – 1981), an English poet who was raised in The Forest of Dean, in the west of England. In 1972 he published a slim little book of Christmas poems, of which ‘Singing in the Streets’ is one, surely one of the most appealing of Christmas poems. It gives its name to the book. The poem tells of an older man revisiting the village of his boyhood, and wondering whether, somehow, the streets still hold the sound of the carols that he and the other boys and girls sang there. It begins: ‘I had almost forgotten the singing in the streets,Snow piled up by the houses, drifting Underneath the door into the warm room, …’ It is very evocative of that time and of the magic that Christmas always holds for children. Drawn from the same book of poems there is available another new Christmas song, called The Birth; that one is set in two versions, one for voice and piano and the other for SATB a cappella. Ian Calvert.
$2.99 ≈
2.73€
You Can't Get Even
You Can't Get Even
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Piano, Voix
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FACILE
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Stephen R Dalrymple
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Stephen R Dalrymple
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You Can't Get Even
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.818251 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Childr...
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Piano,Vocal,Voice - Level 2 - SKU: A0.818251 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Children,Instructional. Score. 13 pages. Stephen R Dalrymple #3560505. Published by Stephen R Dalrymple (A0.818251). You Can’t Get Even ♫ Original song by Stephen R Dalrymple ♫ (‘Songs That Teach’ collection) ♫ [teaches conflict resolution strategies] ♫ As a playground attendant in a K-8 school, there were hundreds of times when children approached me to report a problem with another child. I would always make the 2 children to speak to each other instead of tell me what happened. If I only listened to one or the other, I seldom heard the truth (or the whole truth.) Many of the arguments started, not on the playground, but 2 hours, or 2 days, or 2 weeks before the incident. It is never possible to actually get even, since none of us can gauge the physical or emotional pain the other person feels, plus conflicts seldom start and are immediately finished. Since I had almost every student in the school attend my general music classes, I wrote a song to address the problem. ♫ music © 2013 (copyright registered in 'Songs that Teach’ collection) ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 4 files: 1) Letter size lead sheet, 2) letter size piano score, 3) Small page lead sheet for performing from a 10 inch tablet, 4) Small page piano score for performing from a 10 inch tablet. Purchase price includes display, and performance for noncommercial activities in classroom(s) taught by one teacher. ♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.).
$4.50 ≈
4.12€
ALCHEMIST
ALCHEMIST
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Piano seul
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Contemporain
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Monica Bergo
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ALCHEMIST
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). ...
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Piano Solo - SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). Music and song composed by me The alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$5.00 ≈
4.57€
The exploding Head
The exploding Head
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Voix Soprano, Piano
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AVANCÉ
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Christian Jost
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The exploding Head
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Schott Music - Digital
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SheetMusicPlus
Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edi...
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Soprano voice and piano - difficult - SKU: S9.Q6176 Fragment from Das Urteil (The Judgement) by Franz Kafka. Composed by Christian Jost. This edition: Sheet music. Downloadable. Duration 7 minutes. Schott Music - Digital #Q6176. Published by Schott Music - Digital (S9.Q6176). German.Kafka's œuvre is interspersed with moments of utter anxiety. Moments in which, induced by adrenalin, the blood pressure rises. Blood vessels which seem to constrict, pump enormous quantities of blood the pressure of which might make one believe that the head is going to explode. In The Judgment, an innocent opening story leads to one of the most unusual showdowns in world literature: The beloved father sentences his son to death by drowning; the son immediately obeys since his life, his existence almost explodes, becomes blurred, dissolves at the moment the judgment is pronounced. For me, the 'self' driving him – I imagine this as a high sound in the inner ear – could only be a soprano. This is why the actual 'fall' has turned out to be clear, almost friendly and why Georg only seems to want to breathe a soft and quiet 'Dear parents, I have always loved you' during the fall while no longer keeping the singing tone, shortly before death, almost casually, takes hold of him. Christian Jost.
$16.99 ≈
15.54€
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Always Almost – for piano
