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Always Starting Over
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Vous avez sélectionné:
Always Starting Over
Partitions à imprimer
13 partitions trouvées
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1
Always Starting Over
Always Starting Over
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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If/then Company
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poon
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Always Starting Over
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poon
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1209286 By If/then Company. By Brian Yorkey and Tom Kitt. Arranged by poon. Film/TV,Pop. Score. 16 pages. Poon #807401. P...
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Piano Solo - Level 4 - SKU: A0.1209286 By If/then Company. By Brian Yorkey and Tom Kitt. Arranged by poon. Film/TV,Pop. Score. 16 pages. Poon #807401. Published by poon (A0.1209286). Always starting over (From If/then) - For Piano Solo - Idina Menzel.
$4.99 ≈
$6.90
Over The Rainbow
Over The Rainbow
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Piano Facile
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DÉBUTANT
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Judy Garland
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Glauco Fernandes
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Over The Rainbow
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Glauco Fernandes
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1411267 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Glauco Fernandes. Children,Film/TV,Instruction...
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Easy Piano - Level 1 - SKU: A0.1411267 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Glauco Fernandes. Children,Film/TV,Instructional. Score. 1 pages. Glauco Fernandes #993597. Published by Glauco Fernandes (A0.1411267). Looking for a magical way to begin your piano journey? “Over The Rainbow†- the easy beginner piano sheet music is the perfect choice for you! With this simplified version, you can play one of the most beloved and iconic melodies of all time, even if you’re just starting your musical adventure.Our sheet music has been carefully arranged to ensure that even beginner pianists can find joy and success in playing. Each note has been selected with ease and accessibility in mind, allowing you to focus on the beauty of the music without getting lost in technical complexities.Moreover, this sheet music is an excellent learning tool. It comes with practical tips to help you improve your piano skills, from reading notes to developing a more refined touch. If you’ve always dreamed of playing the piano but didn’t know where to start, this sheet music is the perfect starting point.Don’t miss the chance to bring the magic of “Over The Rainbow†into your home. Purchase your copy today and start your musical journey above the clouds!Tags: easy piano sheet music, beginner piano, Over The Rainbow piano, learning piano, iconic music piano, easy piano arrangement, beginner sheet music, piano music, playing piano, musical learning.
$4.99 ≈
$6.90
Always Starting Over (from If/Then: A New Musical)
Always Starting Over (from If/Then: A New Musical)
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Piano, Voix
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Comédie Musicale
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Idina Menzel
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Always Starting Over
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Hal Leonard - Digital
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SheetMusicPlus
Piano/vocal - Interactive Download SKU: HX.292442 By Idina Menzel. This edition: Interactive Download. Broadway,Musical/Show. 13 pages. Published by Hal ...
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Piano/vocal - Interactive Download SKU: HX.292442 By Idina Menzel. This edition: Interactive Download. Broadway,Musical/Show. 13 pages. Published by Hal Leonard - Digital (HX.292442).
$4.99 ≈
$6.90
Always Starting Over (from If/Then: A New Musical)
Always Starting Over (from If/Then: A New Musical)
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Instruments en Do
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Comédie Musicale
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Idina Menzel
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Always Starting Over
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument - Interactive Download SKU: HX.411424 By Idina Menzel. This edition: Interactive Download,scorch. Broadway,Musical/Show. Lead Sheet / Fake B...
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C Instrument - Interactive Download SKU: HX.411424 By Idina Menzel. This edition: Interactive Download,scorch. Broadway,Musical/Show. Lead Sheet / Fake Book. 2 pages. Hal Leonard - Digital #260434. Published by Hal Leonard - Digital (HX.411424).
$3.99 ≈
$5.51
Always Starting Over from If Then - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Comédie Musicale
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Always Starting Over from If T
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Musicnotes
Tom Kitt - Always Starting Over Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Lyrics/Melody/Chords;Leadsheet, instrume...
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Tom Kitt - Always Starting Over Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Lyrics/Melody/Chords;Leadsheet, instruments: Voice;C Instrument; 5 pages -- Musical~~Show/Broadway
$3.50 ≈
$4.84
Always Starting Over from If Then - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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Comédie Musicale
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Always Starting Over from If T
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Musicnotes
Performed by: Idina Menzel: Always Starting Over Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: Idina Menzel: Always Starting Over Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 13 pages -- Show/Broadway~~Musical
$6.50 ≈
$8.98
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitare
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INTERMÉDIAIRE
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Contemporain
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published ...
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Solo Guitar - Level 3 - SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
$16.57
A Conversation
A Conversation
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Contemporain
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Abigail Gilson
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A Conversation
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Abigail Gilson
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.1024938 Composed by Abigail Gilson. Contemporary. Score and parts. 11 pages. Abigail Gilso...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - SKU: A0.1024938 Composed by Abigail Gilson. Contemporary. Score and parts. 11 pages. Abigail Gilson #3631501. Published by Abigail Gilson (A0.1024938). A Conversation is a duet that represents the feeling of falling in love. Starting off slow and daunting at first, with shifts and odd dynamics and rhythms as you just allow yourself to fall into this new feeling. Then, the piece takes off. With confusing chords, a ground bass but always a visible motet. The ground bass always sounds like it may rush, like any second the pianist could speed up and leave the other pianist behind but it never does. The voices often trade parts and dance back and forth. With the treble line taking off suddenly, ending the ground bass line. The last section has question chords, and unresolved lines as a relationship starts to lose the new lover buzz and falls into a steady rhythm. Some may feel that the relationship is ending, that the two pianos don’t sound the same as they used to together. But really the two pianos have found their music. They don’t need to experiment with different rhythms, keys, or time signatures. They know what sounds good together, they can continue to make music forever.
$4.99 ≈
$6.90
Happy Place
Happy Place
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Chorale 2 parties
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INTERMÉDIAIRE
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Pop musique
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Sally Whitwell
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Happy Place
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0...
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Choral Choir (SA) - Level 3 - SKU: A0.873034 Composed by Sally Whitwell. Pop. Octavo. 11 pages. Sally Whitwell #3869017. Published by Sally Whitwell (A0.873034). Composer’s Note - Happy PlaceI’m a lesbian who came-of-age/came-out in the mid 1990s, which means I caught the tail end of those lesbian stereotypes you used to hear about. It made me feel like I’d never inherited The Lesbian Gene. I was never one of the herbal tea sipping, yoga loving, hemp textiles wearing, hippie happy clappy campers of that time. I had girlfriends who were and I tried to humour them sometimes but it was always a strain.I had this one girlfriend who made me go camping once, a gathering with her hippie pagan friends. It was all inoffensive enough, I was having a very nice time sitting in the shade reading my book. Rather stupidly, I made the mistake of letting someone rope me into a thing called D​rumming The Boundary​. They thought I’d be good at it, being a professional musician. I thought it would probably please my girlfriend if I got involved, so I agreed to go along.To my surprise, the drums they’d set up were great instruments, some really top quality djembes that you’d be paying some good money for, so I made the rash assumption that the leader of this activity actually knew what she was doing. We were instructed to start drumming a h​eartbeat​ together, whereupon I discovered that these are people who couldn’t even play a plain old crotchet beat in ensemble. But they seemed to think they were playing in time, swooning and swaying and closing their eyes to ‘feel’ the music. It was starting to make me giggle. These were presumably the same lesbians I’d seen out in Sydney nightclubs who couldn’t dance in time with an electronic beat that repeatedly hits you over the head with its obviousness?! Once I’d had that thought, I couldn’t help my giggle becoming a full-blown guffaw. The dreadlocked hempy lady in charge glared at me, telling me I needed to relax into really f​eeling the heartbeat. ​Could she not see that it was because my whole body was shaking with hysterical laughter at their arhythmic playing? Honestly...I guess I just really don’t like hippies. There, I said it out loud. I tried, I tried really hard, but I just prefer my city life. It’s my ​Happy Place.​-- Sally Whitwell
$1.99 ≈
$2.75
Entrainment (2009)
Entrainment (2009)
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Contemporain
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Guy Bunce
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Entrainment
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Enigma Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Eni...
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Instrumental Duet Instrumental Duet,Multi-Percussion,Oboe - Level 5 - SKU: A0.816703 Composed by Guy Bunce. Contemporary. Score and parts. 11 pages. Enigma Music #4984881. Published by Enigma Music (A0.816703). Entrainment (2009)Written for New Noise​Oboe & PercussionEntrainment is the process by which two oscillating systems, which have different periods when they function independently, assume the same period when interacting. The principle of entrainment is universal, appearing in chemistry, pharmacology, biology, medicine, psychology, sociology, astronomy, architecture to name but a few.This piece explores the entrainment of tempo with two initially diverse tempo structures synchronising after a period of four minutes. At the start of the score the oboe begins at 137 bpm and the percussionist at 63 bpm. Over the course of the four minutes the percussionist speeds up whilst the oboist slows down resulting in the tempi synchronising at four minutes. After four minutes the two instruments begin a discourse in unison (rhythmically, melodically, and dynamically): the musical equivalent of total synchronisation. In the final section of the piece the parts diverge with the percussionist slowing down and the oboe part maintaining its speed.As with many of my pieces, the starting point for Entrainment was an external source, in this case the song Time by Pink Floyd. The rhythmic lines throughout Entrainment are based on the rhythm to the bass line of the first part of Time. This can be clearly seen in the opening in which the oboe part employs this rhythm.Harmonically Entrainment consists of a series of key centres whose period is determined by points within the four minutes where either of the two independent parts briefly synchronise at the semiquaver level with the unit of a second. At each of these points (which become more frequent as the piece progresses), the harmonic centre changes. The harmonic centres relate directly to the chord structure of Pink Floyd's Time: at each point where either part synchronises with seconds the harmonic centre in both parts moves one chord through Time's chord sequence. At 2' 19'' the percussion and oboe part synchronise (albeit briefly) for the first time. This event was used to mark the start of more polytonal harmony as both instruments from this point forward begin their own cycles through the Time chords. Throughout the piece, points of synchronisation are highlighted musically.Performance mp3 recordings that contain a dual click track for the first four minutes of the piece can be obtained by contacting guybunce@hotmail.com. The click track is arranged so that the oboe click is on the left channel and the percussion click is on the right. An alternative click track (track 3) is also provided using a different sound (a beep). The performers should wear the headphone in one ear which corresponds to the track of their part. The dual click track can then be played on a single CD player (or mp3 player) with the output going to both sets of headphones using a headphone splitter or other device. Alternatively, files can be put on either two iPods or Mp3 players. The players will then have to synchronize the beginnings of each track.It is possible to play the piece without the use of the click track(s). If this is the case, performers should use the metronome markings and general layout of the score to aid performance. It is advisable that one player (possibly the oboist) sets the tempo and tempo changes, and the other player follows.It was not always possible to represent accurately the relationship between the two parts in the score. Arrows have been added on the score to show points of synchronisation where the score layout differs.
$7.99 ≈
$11.04
For Elaine
For Elaine
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Piano seul
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FACILE
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Contemporain
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Roger Evernden
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Roger Evernden
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For Elaine
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Roger Brian Evernden
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.910388 Composed by Roger Evernden. Arranged by Roger Evernden. 20th Century,Contemporary. Score. 3 pages. Roger Brian Eve...
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Piano Solo - Level 2 - SKU: A0.910388 Composed by Roger Evernden. Arranged by Roger Evernden. 20th Century,Contemporary. Score. 3 pages. Roger Brian Evernden #5308563. Published by Roger Brian Evernden (A0.910388). Elaine is my love and my life. She is frequently the inspiration for my music, and always there to support, help and advise me.This piece was written to show my appreciation for everything that she is and does for me.It's a powerful piece, starting by stating the melody and theme, which then repeats with a more dynamic bass line. This is followed by another melody and bass, before repeating the original theme and ending with a contemplative melody over the original chord sequence.
$3.99 ≈
$5.51
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1475437 Composed by Chris North. Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1052989. Published by Danetre Music (A0.1475437). A Suite for British Style Brass Band. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required. A super work to add to your repertoire as a concert or contest item. This title has already been played by a number of bands in various competitions, and was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK.
$59.99 ≈
$82.91
Five French Masters
Five French Masters
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Chris North
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Five French Masters
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Danetre Music
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1467794 Composed by Chris North. Contemporary,Contest,Festival,Historic,Multicultural,World. Brass Band. 189 pages. Danetre Music #1046092. Published by Danetre Music (A0.1467794). A Suite for British Style Brass Band which was chosen as the 4th Section Test Piece for the Butlins Mineworkers Brass Band Championships 2015 in Skegness, UK. Each movement is based on a famous French Impressionist painting as follows:1. Boulevard Montmarte (Pissarro – 1897) The Boulevard Montmartre is one of the four grand boulevards of Paris. This painting gave me the idea of writing a piece to portray a journey in a pony and trap through this busy street scene, starting out serenely in the suburbs, travelling through all the hustle and bustle, before trailing off into the distance. An all pervasive Poulenc mouvement perpetual accompaniment style is present throughout this movement. 2. Lac d'Annecy (Cézanne - 1896) Although marked Waltz triste (sad waltz), the mood of the music is rather reflective in nature. This movement is the longest of the five and I would not recommend it being played too slow. Stylistically, it is a characteristic accordion piece, so touches of rubato here and there wouldn’t be out of keeping. 3. La Cathédrale de Rouen (Monet - 1894) This is the most difficult movement to play in respect of intonation, with lots of unisons, octaves and parallel intervals. The opening should be a true piano in order to allow the piece grow. The plainsong statements should be played smoothly and with plenty of air. 4. Les Parapluies (Renoir - 1884) A jaunty, playful theme leading in to a little fugue. A little low in places for the euphoniums and baritones. The music should skip along comfortably without rushing to allow the finer detail to come through. 5. Au Moulin Rouge (Toulouse-Lautrec - 1895) A lively tempo, always chasing forward without slackening. As in the previous movement, good dynamic contrast, swells and tight precise articulation. Lots of work for everyone, especially the baritones and euphoniums. Take care that the mf dynamic of the 'bass solo' is not overdone. If needs must, the siren whistle could be substituted with a referee's whistle, but I would like my duck call! The champagne cork 'pops' are really more visual than audible, however, it would be advisable for more of the band to join in, as required.
$59.99 ≈
$82.91
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Always Starting Over
