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Vous avez sélectionné:
An Irregular Blues
Partitions à imprimer
8 partitions trouvées
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1
An Irregular Blues
An Irregular Blues
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Piano seul
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INTERMÉDIAIRE
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Horváth Adrián
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An Irregular Blues
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Horváth Adrián
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1144403 Composed by Horváth Adrián. Blues,Classical,Instructional,Jazz. Score. 4 pages. Horváth Adrián #74473...
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Piano Solo - Level 3 - SKU: A0.1144403 Composed by Horváth Adrián. Blues,Classical,Instructional,Jazz. Score. 4 pages. Horváth Adrián #744731. Published by Horváth Adrián (A0.1144403). Visit my website: https://www.hadrian.hu
$2.99 ≈
2.70€
Boozy BLues
Boozy BLues
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Ligne De Mélodie, (Paroles) et Accords
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FACILE
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Jazz
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Robert W Maguire
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Boozy BLues
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Jaminal Music
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1344015 Composed by Robert W Maguire. Blues,Jazz,Standards. Lead Sheet / Fake Book. 3 pages. Jaminal Music #929497. Pub...
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C Instrument - Level 2 - SKU: A0.1344015 Composed by Robert W Maguire. Blues,Jazz,Standards. Lead Sheet / Fake Book. 3 pages. Jaminal Music #929497. Published by Jaminal Music (A0.1344015). A cool 12 bar blues set to an irregular time signature. I nice fun cool evening jazz standard for Vibes.
$2.99 ≈
2.70€
Blues for Elisa
Blues for Elisa
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Ensemble Jazz
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INTERMÉDIAIRE
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Blues
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Jazz
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Todd Murphy
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Blues for Elisa
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Todd Murphy
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1024937 Composed by Todd Murphy. Blues,Jazz. Score and parts. 101 pages. Todd Murphy #3629455. Published...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1024937 Composed by Todd Murphy. Blues,Jazz. Score and parts. 101 pages. Todd Murphy #3629455. Published by Todd Murphy (A0.1024937). Blues for Elisa is a show tune that will work good as an opener or Encore. The form is irregular starting with the constant F minor swing that is interrupted almost randomly by the Bb7+11 bridge. The rhythm section must stay on it´s toes to make the changes at the right time. Each of the solos is of varying lengths making for alot of surprises (for the audience…not the band hopefully). There are ensemble passages and a 5 sax soli making it a challenging, but highly effective chart!Solos – Guitar, Alto 2, Trumpet 3 and Trombone 3.
$20.00 ≈
18.05€
Three Bassoon Solos
Three Bassoon Solos
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Three Bassoon Solos
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Robert A. Howard
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Individual par...
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Bassoon Solo - Level 4 - SKU: A0.998889 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 7 pages. Robert A. Howard #6496061. Published by Robert A. Howard (A0.998889). This is a set of three solo bassoon works. The first piece, Pierrot, develops the notion of 'line'. It explores various facets of the instrument (as in the more complex nature of Pierrot's Commedia Dell'Arte character). The piece features a serial 'note-row' procedure but in a relaxed manner, more akin to Berg than either Schoenberg or Webern. The second piece, Folk Lament, alludes to a folk idiom by using modality (characterised by the flattened seventh degree of the scale) within a sonata form structure. The two main themes give a broad feel of being improvised and, particularly in the case of the second subject, includes composed-out forms of folk-like ornamentation. The final piece, The Clown, employs bluesy inflections, an irregular time signature (5/4) and a clear rondo structure. Varied repetitions of the main, jaunty theme, alternate with contrasting episodes in related keys, one of which is even a derivation of the 12-bar Blues. The set is highly accessible and suitable for more advanced bassoonists including students and professionals. Each movement within this set is also available to purchase individually via Sheet Music Plus.Duration: 8 minutes 40 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$5.49 ≈
4.95€
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99 ≈
9.02€
Sub-Bass
Sub-Bass
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Contre Basse
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AVANCÉ
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Jazz
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Contemporain
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Robert A
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Sub-Bass
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Robert A. Howard
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.998814 Composed by Robert A. Howard. 20th Century,Contemporary,Jazz,Standards. Individual part. 4 pages...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.998814 Composed by Robert A. Howard. 20th Century,Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard #6078477. Published by Robert A. Howard (A0.998814). Sub-Bass explores the whole range of the 5-string solo double bass. The piece demands much agility from the performer, alternating in fast sections of arco and pizzicato. The work is in a rondo form, with the opening theme recurring between contrasting ideas, all related to the overall tonal centre of G. Most themes are characterised by the use of the seventh degree (in addition to the notes of the triad), which gives a touch of the blues style. There is much use of changing and irregular time signatures, as the piece explores rhythmic interplay and displacement. The work also plays with tonal ambiguity between major, minor and modality, in an almost jazz-like manner that is befitting to the double bass. This work is accessible for the listener and is appropriate for advanced double bassists, including students and professional players. Sub-Bass can even be used as a virtuosic encore.
$3.49 ≈
3.15€
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1
An Irregular Blues
