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An die Music for high voice flute and piano
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An die Music for high voice flute and piano
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An die Music for high voice/flute and piano (G major)
An die Music for high voice/flute and piano (G major)
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Piano, Voix
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Classique
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Franz Schubert
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Klas Krantz
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An die Music for high voice/fl
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Amadeus Music
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1079803 Composed by Franz Schubert. Arranged by Klas Krantz. Classical. Score. 5 pages. Amadeus Music #683996. Published by ...
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Piano,Vocal,Voice - SKU: A0.1079803 Composed by Franz Schubert. Arranged by Klas Krantz. Classical. Score. 5 pages. Amadeus Music #683996. Published by Amadeus Music (A0.1079803). Franz Schubert (1797 - 1828) was an Austrian composer. He wrote some 600 Lieder, nine symphonies, liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
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Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
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To Boldly Go
To Boldly Go
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Quatuor de Flûtes : 4 flûtes
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Alexander Courage, Gene Rodden
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.851221 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by ...
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.851221 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. 40 pages. Sophia Transistor #6209061. Published by Sophia Transistor (A0.851221). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for flute quartet (or any 4 voices notated in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for flute players. Breething signs and spaces are included.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid woodwind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as flute in C on 5 pages in DIN-A4.2nd voice as flute in C on 5 pages in DIN-A4.3rd voice as flute in C on 5 pages in DIN-A4.4th voice as as flute in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/Zfi2ZiB3GKA German Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Querflöte in C.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphfonisch und orchestral.Dieses Stück wurde speziell auf Querflöte angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Holzblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.2. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.3. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.4. Stimme als Querflöte in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c''' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Quer-Flöten-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epicfluteDanke fürs anschauen!TAGS:STAR TREK theme, flute quartet, Noten, sheet music, score, arrangement, flute quartet arrangement, to boldly go, filmmusic for flute quartet, epic film music, Querflöten Qj.
$17.01 ≈
$23.33
Debussy - The Girl with the Flaxen Hair for Wind Quintet
Debussy - The Girl with the Flaxen Hair for Wind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Contemporain
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Lin Yizhi Ernest
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Debussy - The Girl with the Fl
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Lin Yizhi Ernest
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SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yi...
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.748745 Arranged by Lin Yizhi Ernest. 20th Century. Score and parts. 10 pages. Lin Yizhi Ernest #6609931. Published by Lin Yizhi Ernest (A0.748745). Debussy's The Girl with the Flaxen Hair is an endearing piece and a great introduction to the musical world of Debussy. Every piano player would most probably be familiar with this piece, but not necessarily wind players. However, with this arrangement for Wind Quintet, the expressive voices of this piano piece are further explored by the colours of the Flute, Oboe, Clarinet, Horn and Bassoon.The opening solo is deliberately given to the flute, paying homage to another iconic piece of Debussy's, Prélude à l'après-midi d'un faune, which opens with a lower register flute solo starting with the same note Db.Conscious decisions were also made to give the phrases in bars 12-13 and 15-16 with larger melodic spreads to the Clarinet, whose expressive qualities across these ranges suit these phrases particularly well.The revisiting of the theme in bar 28, this time in a higher register, was deliberately given to the Oboe and not the flute (not every high register melodies needs to be assigned to the flute). Oboe's higher registers, when played delicately to the point of almost struggling to hang on to the higher notes, suit the sweetness (tre doux) of the solo passage particularly well.Not to forget the characteristic Debussy harmonies that is fully supported and suited to be powered by the French Horn and Bassoon. These lower voices provide the harmonic engine that powers this unmistakable Debussy sound.Truly, this arrangement is a challenge and masterclass in tone colour for the Wind Quintet that demands a simultaneous homogeneity, as well as balance that brings out the Debussy sound, yet allowing each of the characteristics of the Wind instruments to shine through.
$18.00 ≈
$24.69
ATON part 7-Duett von Eje und Pharao - tenor and bass voices, woodwind, harp, cello
ATON part 7-Duett von Eje und Pharao - tenor and bass voices, woodwind, harp, cello
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David Warin Solomons
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ATON part 7-Duett von Eje und
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,High Voice,Low Voice,Oboe - Level 3 - SKU: A0.576185 Composed by David Warin Solomons. Contemporary,Ope...
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Large Ensemble Bassoon,Cello,Clarinet,Flute,Harp,High Voice,Low Voice,Oboe - Level 3 - SKU: A0.576185 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 9 pages. David Warin Solomons #4565. Published by David Warin Solomons (A0.576185). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
$6.86
Canon in D (Pachelbel) (D) (Flute Trio, Keyboard)
Canon in D (Pachelbel) (D) (Flute Trio, Keyboard)
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon in D
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Regis Bookshar
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SheetMusicPlus
Flute,Keyboard Accompaniment - Level 4 - SKU: A0.1302049 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructiona...
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Flute,Keyboard Accompaniment - Level 4 - SKU: A0.1302049 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #891647. Published by Regis Bookshar (A0.1302049). Canon in D - Johann Pachelbel - Flute Trio, Keyboatd - Advanced/Intermediate - .Johann Pachelbel's celebrated Canon in D is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern, repeating the same harmonic progression throughout the entire somposition.Regis Bookshar has now arranged this composition for a Flute Trio which play the melody in canon and a Keyboard instrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).This version of Pachelbel's Canon in D is written in the key of D Major, as was the original version. However, another version, transposed to the key of Bb Major, to make it a little easier for some younger performers, especially brass and woodwind players, is also available, if you would prefer. Also available are other versions of this well-known Canon in D for a wide variety of instrumental ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically beause new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's delightful Canon in D will continue to entertain both performers and audiences alike for years to come.
$18.00 ≈
$24.69
Canon (Pachelbel) (Bb) (Flute Trio, Keyboard)
Canon (Pachelbel) (Bb) (Flute Trio, Keyboard)
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Trio de Flûtes: 3 flûtes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Flute,Keyboard Accompaniment - Level 4 - SKU: A0.1283422 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructiona...
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Flute,Keyboard Accompaniment - Level 4 - SKU: A0.1283422 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #874608. Published by Regis Bookshar (A0.1283422). Canon (Bb) - Johann Pachelbel - Flute Trio, Keyboard - Advanced/Intermediate - .Johann Pachelbel's celebrated Canon is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern,, repeating the same harmonic progression throughout the entire composition.Regis Bookshar has now arranged this composition for a Flute Trio which play the melody in canon and a Keyboard instrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).Pachelbel's Canon was originally written in the key of D Major but this version has been transposed to the key of Bb Major, making it a little easier for some younger performers. Another version, in the original key of D Major, is also available, if you would prefer. Also available are other versions of this well-known Canon for a wide variety of instrumental ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's delightful Canon will continue to entertain both performers and audiences alike for years to come.
$18.00 ≈
$24.69
ATON part 16-Zwei Duette - soprano, tenor and bass soloists, flute, classical guitar,
ATON part 16-Zwei Duette - soprano, tenor and bass soloists, flute, classical guitar,
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David Warin Solomons
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ATON part 16-Zwei Duette - sop
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,High Voice,Low Voice - Level 3 - SKU: A0.576194 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts....
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Small Ensemble Flute,Guitar,High Voice,Low Voice - Level 3 - SKU: A0.576194 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 13 pages. David Warin Solomons #4587. Published by David Warin Solomons (A0.576194). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
$6.86
ATON part 9-Duett der Nofretete und der Baketaton - soprano, mezzo soprano, flute, classical guitar
ATON part 9-Duett der Nofretete und der Baketaton - soprano, mezzo soprano, flute, classical guitar
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David Warin Solomons
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ATON part 9-Duett der Nofretet
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and par...
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Small Ensemble Flute,Guitar,High Voice,Medium Voice - Level 3 - SKU: A0.576187 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 9 pages. David Warin Solomons #4571. Published by David Warin Solomons (A0.576187). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
$6.86
Never Enough
Never Enough
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Boyce Avenue
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Jason Howard
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Never Enough
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Jason Howard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Sc...
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Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99 ≈
$68.57
Canon in D (Pachelbel) (D) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Clar), Keyboard)
Canon in D (Pachelbel) (D) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Clar), Keyboard)
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon in D
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Regis Bookshar
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SheetMusicPlus
Clarinet,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1309062 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Histori...
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Clarinet,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1309062 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #898256. Published by Regis Bookshar (A0.1309062). Canon in D - Johann Pachelbel - Woodwind Trio (1 Flute, 1 Oboe, 1 Clarinet), Keyboard - Advanced/Intermediate - .Johann Pachelbel's celebrated Canon in D is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern, repeating the same harmonic progression throughout the entire composition.Regis Bookshar has now arranged this composition for a Woodwind Trio, consisting of 1 Flute, 1 Oboe and 1 Bb Clarinet, which play the melody in canon, and a Keyboard instrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).This version is written in the key of D Major, as was the original version. However, another version, tranposed to the key of Bb Major, to make it a little easier for some younger performers, especially brass and woodwind players, is also available, if you would prefer. Also available are other versions of this well-known Canon in D for a wide variety of instrumental ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's delightful Canon in D will continue to entertain both performers and audiences alike for years to come.
$18.00 ≈
$24.69
Canon in D (Pachelbel) (D) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Bassoon), Keyboard)
Canon in D (Pachelbel) (D) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Bassoon), Keyboard)
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon in D
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Regis Bookshar
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SheetMusicPlus
Bassoon,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1308395 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic...
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Bassoon,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1308395 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #897631. Published by Regis Bookshar (A0.1308395). Canon in D - Johann Pachelbel - Woodwind Trio (1 Flute, 1 Oboe, 1 Bassoon), Keyboard - Advanced/Intermediate - .Johann Pachelbel's celebrated Canon in D is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon in D was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern, repeating the same harmonic progression throughout the entire composition.Regis Bookshar has now arranged this composition for a Woodwind Trio, consisting of 1 Flute, 1 Oboe and 1 Bassoon, which play the melody in canon, and a Keyboard instrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).This version is written in the key of D Major, as was the original version. However, another version, transposed to the key of Bb Major, to make it a little easier for some younger performers, especially brass and woodwind players, is also available, if you would prefer. Also available are other versions of this well-known Canon in D for a wide variety of instrumental ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's delightful Canon in D will continue to entertain both performers and audiences alike for years to come.
$18.00 ≈
$24.69
Canon (Pachelbel) (Bb) (Woodwind Trio - 1 Flute, 1 Clar, 1 Bassoon), Keyboard)
Canon (Pachelbel) (Bb) (Woodwind Trio - 1 Flute, 1 Clar, 1 Bassoon), Keyboard)
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Bassoon,Clarinet,Flute,Keyboard Accompaniment - Level 4 - SKU: A0.1296626 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Hist...
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Bassoon,Clarinet,Flute,Keyboard Accompaniment - Level 4 - SKU: A0.1296626 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #886803. Published by Regis Bookshar (A0.1296626). Canon (Bb) - Johann Pachelbel - Woodwind Trio (1 Flute, 1 Clarinet, 1 Bassoon), Keyboard) - Advanved/Intermediate - .Johann Pachelbel's celebrated Canon is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern, repeating the same harmonic progression throughout the entire composition.Regis Bookshar has now arranged this composition for a Woodwind Trio, consisting of 1 Flute, 1 Clarinet in Bb and 1 Bassoon, which play the melody in canon and a Keyboard instrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).Pachelbel's Canon was originally written in the key of D Major but this version has been transposed to the key of Bb Major, making it a little easier for some younger performers. Another version, in the original key of D Major, is also available, if you would prefer. Also available are other versions of this well-known Canon for a wide variety of instrumental ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's delightful Canon will continue to entertain both performers and audiences alike for years to come.
$18.00 ≈
$24.69
Canon (Pachelbel) (Bb) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Clar), Keyboard)
Canon (Pachelbel) (Bb) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Clar), Keyboard)
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Clarinet,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1296643 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Histori...
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Clarinet,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1296643 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #886813. Published by Regis Bookshar (A0.1296643). Canon (Bb) - Johann Pachelbel - Woodwind Trio (1 Flute, 1 Oboe, 1 Clarinet), Keyboard - Advanced/Intermediate - .Johann Pachelbel's celebrated Canon is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern, repeating the same harmonic progression throughout the entire composition.Regis Bookshar has now arranged this composition for a Woodwind Trio, cosisting of 1 Flute, 1 Oboe and 1 Clarinet in Bb, which play the melody in canon and a Keyboard instrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).Pachelbel's Canon was originally written in the key of D Major but this version has been transposed to the key of Bb Major, making it a litle easier for some younger performers. Another version, in the original key of D Major, is also available, if you would prefer. Also available are other versions of this well-known Canon for a wide variety of instrumental ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's delightful Canon will continue to entertain both performers and audiences alike for years to come.
$18.00 ≈
$24.69
Canon (Pachelbel) (Bb) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Bassoon), Keyboard)
Canon (Pachelbel) (Bb) (Woodwind Trio - 1 Flute, 1 Oboe, 1 Bassoon), Keyboard)
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Classique
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Johann Pachelbel
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Regis Bookshar
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Canon
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Regis Bookshar
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SheetMusicPlus
Bassoon,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1296629 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic...
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Bassoon,Flute,Keyboard Accompaniment,Oboe - Level 4 - SKU: A0.1296629 Composed by Johann Pachelbel. Arranged by Regis Bookshar. Baroque,Chamber,Historic,Instructional,Wedding. 22 pages. Regis Bookshar #886806. Published by Regis Bookshar (A0.1296629). Canon (Bb) - Johann Pachelbel - Woodwind Trio (1 Flute, 1 Oboe, 1 Bassoon) - Advanced/Intermediate - .Johann Pachelbel's celebrated Canon is perhaps the most famous canon ever written. A canon is a polyphonic device in which several voices play the same music, entering in sequence. Pachelbel's Canon was originally scored for three violins arranged in canon, accompanied by a basso continuo playing an ostinato pattern, repeating the same harmonic progression throughout the entire composition.Regis Bookshar has now arranged this composition for a Woodwind Trio, consisting of 1 Flute, 1 Oboe and 1 Bassoon, which play the melody in canon and a Keyboard insrrument, either a Piano or Organ, which plays the ostinato pattern. This arrangement is suitable for high school and college students and is perfect for concerts, recitals and church services, especially for weddings, but could be performed for any occasion. Included are a score and a complete set of parts (22 pages).Pachelbel's Canon was originally written in the key of D Major but this version has been transposed to the key of Bb Major, making it a little easier for some younger performers. Another version, in the original key of D Major, is also available, if you would prefer. Also available are other versions of this well-known Canon for a wide variety of instrumenmtal ensembles. Please take the time to compare the different versions to find the version (or versions) which best suits your needs. Also, please feel free to search for other arrangements by Regis Bookshar as there are numerous selections in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check back periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Johann Pachelbel's delightful Canon will continue to entertain both performers and audiences alike for years to come.
$18.00 ≈
$24.69
Amor
Amor
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Contemporain
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Scott Anthony Shell
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Amor
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Tikadori Music
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano - Level 3 - SKU: A0.976441 Composed by Scott Anthony Shell. 20th Century,Contemporary. Score and parts. 20 p...
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Small Ensemble Cello,Flute,High Voice,Piano - Level 3 - SKU: A0.976441 Composed by Scott Anthony Shell. 20th Century,Contemporary. Score and parts. 20 pages. Tikadori Music #2062393. Published by Tikadori Music (A0.976441). For Soprano, Flute, Cello and Piano --Composed in 2014 --Poem by Delmira Augustini Amor is a poem by Delmira Agustini, considered to be the most important female Latin American poet of the early 20th century. She was born in Uruguay and was the daughter of Italian immigrants. She was murdered by her ex-husband at the age of 27. The poem is in three stanzas and the music follows the form. The instrumental refrain opens the piece, ends the piece, and is performed between stanzas. The instruments play overlapping patterns of different durations that hover around a major 2nd interval of F and E-flat, and simple chords created by these two pitches. The verses have a rhythmically interlocking pattern between the left hand piano part and the flute. Meanwhile the cello plays a strict serial part of 5 notes and 7 duration, which cause a change in harmony against the piano and flute. The vocal melody fills in the resulting random harmonies, sometimes anticipating the chord change that results from the cello line. The effect is a dreamy kind of randomness, that evokes that mystical period between awake and dreaming. The right hand part of the piano during the verses, the knocking of the wood of the piano, came to me as an alternative to adding more notes during this section, which I preferred keeping stark, to help bring out the different melodies and resulting harmonies. This is the first time I have composed in Spanish, my adopted language which I love.
$10.00 ≈
$13.72
Show Yourself
Show Yourself
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Kristen Anderson-Lopez and Rob
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Stephan Langenberg
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Show Yourself
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Stephan Langenberg
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SheetMusicPlus
Strings Acoustic Guitar,Bass Guitar,Clarinet,Drums,Electric Guitar,Flute,Horn,Keyboard,Percussion,Piano,Saxophone,Timpani,Trombone,Trumpet - Level 4 - SKU: ...
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Strings Acoustic Guitar,Bass Guitar,Clarinet,Drums,Electric Guitar,Flute,Horn,Keyboard,Percussion,Piano,Saxophone,Timpani,Trombone,Trumpet - Level 4 - SKU: A0.1424549 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by Stephan Langenberg. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop,Rock. 93 pages. Stephan Langenberg #1005730. Published by Stephan Langenberg (A0.1424549). The Hit Song „Show Yourself“ from Disney's masterpiece Frozen 2, we all know and love. Arranged for a large Ensemble commonly used in the Musical-theatre-genre. Pretty Detailed, has high precision in color and is arranged in the full length. A must-have for your audience and next concert.Key: Original Key Instrumentation:You can perform the Song with Coverband Instruments* only an grow up your with Sections (Woodwinds/Brass/Strings) 2 Flutes 2 Clarinets 2 Trumpets 2 Horns (opt. Saxophones) 2 Trombones (opt. Baritone Saxophone) Percussion/Timpani Drumset* 2 Guitars* (el./acc.) Bass Guitar* (4- or 5-string) Solo Voice* (opt. ad libs) 2 Piano* (Keyboards) String-Section1st Violin2nd ViolinViolaVioloncelloContrabass For further information, you are invited to visit my website: www.langenbergmedia.comDon't miss any more publications and check out my other arrangements for this lineup!Get in Touch: Facebook
$24.99 ≈
$34.28
Happy
Happy
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Pharrell
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MAJOR SCORE PUBLISHING TM
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Happy
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Major Score Publishing
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SheetMusicPlus
Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1430263 By Pharrell....
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Alto Saxophone,Drums,Electric Bass Guitar,Electric Guitar,Flute,Keyboard,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.1430263 By Pharrell. By Pharrell. Arranged by MAJOR SCORE PUBLISHING TM. Film/TV,Funk,Pop,Singer/Songwriter,Soul. 47 pages. Major Score Publishing #1010905. Published by Major Score Publishing (A0.1430263). Happy (Despicable Me 2) - Pharrell Williams Singer & 7 or 9 piece show band Singers, bands, tribute artists, working musicians and performing arts organizations! Look no further than our professional and highly detailed sheet music arrangement of Happy by Pharrell Williams from the movie Despicable Me 2. Entertain your audience, crowd or guests and get them up on their feet dancing and clapping along each and every performance! Our highly detailed sheet music arrangement is designed for Singer(s) backed by a 7 or 9 piece show band. We have notated the vocal line as performed by Pharrell with optional back ground vocals and hand claps all in the same part! To always deliver an authentic performance experience we have included fully notated piano voicings, bass line and drum part in addition to our horn lines! The flute part really makes this arrangement come together and is designed for the tenor sax player, but we have also included a tenor sax part as well. This arrangement is designed to deliver an absolutley smashing live music experience for you, your band or entertainment organization! Check out the full arrangement demo on our YouTube channel!Vocal Charts (All)https://www.majorscorepublishing.com/vocal-chartsIncluded in your premium sheet music download:Vocal (lead)Back ground vocals (optional)Hand claps (optional)Alto SaxophoneAlt. Alto Saxophone (3 horns)Flute or Tenor SaxophoneTrumpet 1Trumpet 2TromboneElectric PianoElectric GuitarElectric bassDrumsScore* For 3 horns use:Alt. Alto sax, Trumpet 1 and trombone wirh 4 piece rhythm section Follow us today! Instagram@majorscorepublishingYouTube@majorscorepublishing
$74.99 ≈
$102.87
Perfect
Perfect
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Pop musique
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Ed Sheeran
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Amphibia Cultural Legacy
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Perfect
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Amphibia Cultural Legacy
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SheetMusicPlus
Large Ensemble,Strings Acoustic Guitar,Double Bass,Electric Guitar,Flute,Guitar Accompaniment,Harp,Horn,Medium Voice,Piano and Keyboard,String Synthesizer,Suspe...
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Large Ensemble,Strings Acoustic Guitar,Double Bass,Electric Guitar,Flute,Guitar Accompaniment,Harp,Horn,Medium Voice,Piano and Keyboard,String Synthesizer,Suspended Cymbal,Tuba - SKU: A0.1202673 By Ed Sheeran. By Ed Sheeran. Arranged by Amphibia Cultural Legacy. Broadway,Classical,Multicultural,Musical/Show,Spiritual,Wedding,World. Score and parts. 6 pages. Amphibia Cultural Legacy #801437. Published by Amphibia Cultural Legacy (A0.1202673). Amphibia Cultural Legacy has taken Luciana Zogbi's beautiful cover of Perfect to a whole new level by remixing it with an orchestra. The combination of her mesmerizing vocals and the orchestra's symphonic sound creates a magical experience that is truly captivating.From the first note, you are transported into a world of wonder where magic is real and anything is possible. Luciana's voice soars over the lush orchestral arrangement, making every word she sings feel like it belongs in this enchanted realm. The way Amphibia Cultural Legacy has reimagined this song showcases their talent for creating music that touches your soul.This version of Perfect takes the listener on an emotional journey filled with highs and lows. It’s impossible not to get swept up in the powerful melodies and heartfelt lyrics as they wash over you like a warm embrace.Originally released on November 12, 2021, during Disney Plus Day.
$40.00 ≈
$54.87
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