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Vous avez sélectionné:
And Music Will Lead Us
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God: Our Leader Medley (for 4 and 5 octave handbell choirs)
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
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Cloches
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FACILE
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Musique Sacrée
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Frank M
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G
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God: Our Leader Medley
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Ar...
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Handbell - Level 2 - SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
$4.00 ≈
3.68€
And Music Will Lead Us
And Music Will Lead Us
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Chorale 3 parties
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Victor C
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And Music Will Lead Us
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Heritage Music Press
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SheetMusicPlus
By Victor C. Johnson. For SSA choir and piano. Choral score. Published by Heritage Music Press ...
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By Victor C. Johnson. For SSA choir and piano. Choral score. Published by Heritage Music Press
$2.50 ≈
2.30€
A Promise to Stand By:
A Promise to Stand By:
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Orchestre d'harmonie
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Contemporain
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published...
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Concert Band - SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99 ≈
18.41€
Tsarina the Musical Vocal Music Score
Tsarina the Musical Vocal Music Score
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Piano, Voix
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Contemporain
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Deborah Johnson, Wayland Pic
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Deborah Johnson
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Tsarina the Musical Vocal Musi
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DJWorks Music
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SheetMusicPlus
Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. L...
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Composed by Deborah Johnson, Wayland Pickard co-writer on "How Did We Get Here.". Arranged by Deborah Johnson. Musicals, World, Folk, Pop. Lead Sheet. 90 pages. Published by DJWorks Music
With 90 pages you will love playing and singing through all the songs in this entire musical! It includes all vocal parts (solos, duets, chorus) with chords (lead sheet) including tempo markings and instrumental tags.
The musical is also available for licensing (live, virtual & streaming) with all instrumental tracks, SFX, script, directors notes and even a separate historical study guide for students. Perfect for schools and community theatre organizations. More information on https://TsarinaTheMusical.com
STORY: The love of Nicholas (Nick) & Alexandra (Alix) endures in the face of political intrigue, jealousy, greed and revolution. TSARINA takes us through time, beginning with their love letters and concluding with their fateful end. Historical events meet an expanded fictional story line with a message of strength and hope in the face of fear and upheaval. TSARINA is Les Misrables of the Russian Revolution. ?Les Mis meets Dr. Zhivago.?
$45.99 ≈
42.35€
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
27.62€
Savior, Like a Shepherd Lead Us (for 8-note Bells and Boomwhackers® with Black and White Notes)
Savior, Like a Shepherd Lead Us (for 8-note Bells and Boomwhackers® with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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Savior, Like a Shepherd Lead U
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565375 By Sharon Wilson. By William B. Br...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565375 By Sharon Wilson. By William B. Bradbury. Arranged by Sharon Wilson. Children,Instructional,Praise & Worship,Romantic Period,Sacred. 9 pages. Sharon Wilson #4281817. Published by Sharon Wilson (A0.565375). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.52€
Twelve More Classic Hymns (for 8-note Bells and Boomwhackers with Color Coded Notes)
Twelve More Classic Hymns (for 8-note Bells and Boomwhackers with Color Coded Notes)
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Sharon Wilson
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Twelve More Classic Hymns
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565377 By Sharon Wilson. By Dorothy A. Th...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565377 By Sharon Wilson. By Dorothy A. Thrupp, Franklin L. Sheppard, George Frederick Root, Isaac Watts, John Hatton, Judson W. Van DeVenter, Lowell Mason, Maltbie D. Babcock, Ray Palmer, Robert Lowry, Robert Robinson, Various, William B. Bradbury, Winfield S. Weeden, and etc. Arranged by Sharon Wilson and Sharon Wilson Music. Children,Folk,Instructional,Sacred,Traditional. 111 pages. Sharon Wilson #4281841. Published by Sharon Wilson (A0.565377). This collection contains 12 hymns arranged for 2-part ensembles using only 8-note instruments. Each song in this collection is notated for Handbells on one part and Boomwhackers® on a second part. For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord reference chart is also provided for each song.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Several of these arrangements include two verses with a first easy verse followed by an intermediate second verse. For the songs with two verses, an optional ending is provided for the first verse or it can be skipped to perform the two verses together. Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included for each song.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers®* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, or children's ministriesEach of the 12 hymn arrangements is also available separately with accompanying preview pages and audio samples. Titles included in this collection:All Creatures of Our God and KingCome, Thou Fount of Every BlessingFather, Lead Me Day by DayGod Leads Us AlongHow Can I Keep from Singing?I Surrender AllJesus Shall ReignMorning PraiseMy Faith Looks Up to TheeSavior, Like a Shepherd Lead UsThis Is My Father's WorldWhen He Cometh Boomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99 ≈
18.41€
The Joy of Music - Volume 2
The Joy of Music - Volume 2
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Orgue
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Bish Diane
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The Joy of Music - Volume 2
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Fred Bock Music Company
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SheetMusicPlus
Organ SKU: HL.8738406 Organ. Arranged by Bish Diane. Organ. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Music Company #BG...
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Organ SKU: HL.8738406 Organ. Arranged by Bish Diane. Organ. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Music Company #BG0938. Published by Fred Bock Music Company (HL.8738406). ISBN 9780634003592. UPC: 073999384062. 9.0x12.0x0.113 inches.Moderately easy to play, with Diane's distinctive stylings, these selections are suitable for church or home use. Titles include: All Things Bright and Beautiful * Hark! Ten Thousand Harps and Voice * I Will Sing of My Redeemer * A New Name in Glory * On Jordan's Stormy Banks * Savior Like a Shepherd Lead Us * When We All Get to Heaven.
Song List
: On Jordan's Stormy Banks All Things Bright and Beautiful Hark! Ten Thousand Harps and Voices (L. Mason) I Will Sing of My Redeemer (J. Mcgranahan) When We All Get to Heaven (E. Wilson) A New Name in Glory (C. Miles) Savior, Like A Shepherd Lead Us (W. Bradbury)
$14.99 ≈
13.80€
I Need Thee Every Hour - Piano and Organ Arrangement
I Need Thee Every Hour - Piano and Organ Arrangement
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Orgue
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Musique Sacrée
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasber...
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Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99 ≈
1.83€
Savior, Like a Shepherd Lead Us (for 8-note Bells and Boomwhackers® with Color Coded Notes)
Savior, Like a Shepherd Lead Us (for 8-note Bells and Boomwhackers® with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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Savior, Like a Shepherd Lead U
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565374 By Sharon Wilson. By William B. Br...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565374 By Sharon Wilson. By William B. Bradbury. Arranged by Sharon Wilson. Children,Easter,Romantic Period,Sacred,Standards. 9 pages. Sharon Wilson #4281815. Published by Sharon Wilson (A0.565374). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two notes. For beginners, it is best to assign one note to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.52€
Savior, Like a Shepherd, Lead Us
Savior, Like a Shepherd, Lead Us
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Dale Wood
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Savior, Like a Shepherd, Lead
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Sacred Music Press
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SheetMusicPlus
SATB choir - Intermediate SKU: LO.10-1190S For Mixed Voices (SATB) and Keyboard. Composed by Dale Wood. Choral. SC Series. Sacred Anthem. Octavo. ...
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SATB choir - Intermediate SKU: LO.10-1190S For Mixed Voices (SATB) and Keyboard. Composed by Dale Wood. Choral. SC Series. Sacred Anthem. Octavo. Sacred Music Press #10/1190S. Published by Sacred Music Press (LO.10-1190S). UPC: 000308026986.The familiar and beloved hymn tune by William Bradbury is transformed through the warm and rich harmonies that Wood employs to tasteful advantage. An independent keyboard accompaniment provides exceptional color while always supporting the flowing choral lines.
Song List
: Savior Like A Shepherd Lead Us
$2.75 ≈
2.53€
"Bei Mir Bist Du Schon" (means That You're Grand) for Clarinet and Piano (Jazz/Pop Version)-Video
"Bei Mir Bist Du Schon" (means That You're Grand) for Clarinet and Piano (Jazz/Pop Version)-Video
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Louis Prima & Keely Smith
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Fishel Pustilnik
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Keely Smith
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"Bei Mir Bist Du Schon"
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F & N Enterprise
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SheetMusicPlus
By Louis Prima & Keely Smith. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 9 pages. Published by F & N Enterprise...
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By Louis Prima & Keely Smith. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 9 pages. Published by F & N Enterprise
An excellent arrangement of the famous Song "Bei Mir Bist Du Schon" for Clarinet and Piano-Jazz/Pop Version (With Improvisation).
The video for Piano: https://www.youtube.com/watch?v=iBU3-8bs-5I
The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from the review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.
Additional Information regarding my arrangements at SheetMusicPlus:
https://www.facebook.com/arrangementsofsheetmusic/
$4.99 ≈
4.59€
God Leads Us Along (for 8-note Bells and Boomwhackers® with Color Coded Notes)
God Leads Us Along (for 8-note Bells and Boomwhackers® with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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God Leads Us Along
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - SKU: A0.565358 By Sharon Wilson. By George A. You...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - SKU: A0.565358 By Sharon Wilson. By George A. Young. Arranged by Sharon Wilson. Children,Praise & Worship,Romantic Period,Sacred. 11 pages. Sharon Wilson #4266317. Published by Sharon Wilson (A0.565358). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.52€
Flesh And Bone (We Remember)
Flesh And Bone (We Remember)
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Instruments en Do
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FACILE
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Zach Williams
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Barry McCormick
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Flesh And Bone
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B. McCormick
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1437476 By Zach Williams. By Benji Cowart, Jonathan Lindley Smith, and Zach Williams. Arranged by Barry McCormick. Chri...
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C Instrument - Level 2 - SKU: A0.1437476 By Zach Williams. By Benji Cowart, Jonathan Lindley Smith, and Zach Williams. Arranged by Barry McCormick. Christian,Country,Praise & Worship,Religious,Sacred. Lead Sheet / Fake Book. 5 pages. B. McCormick #1017580. Published by B. McCormick (A0.1437476). Introducing the Lead Sheet Arrangement of “Flesh and Bone (We Remember)” by Zach Williams Immerse yourself in the soulful melody of “Flesh and Bone (We Remember)” by the renowned Christian artist, Zach Williams1. This song, a track on his album “A Hundred Highways,” is a poignant reminder of grace, forgiveness, and the enduring power of faith2.Our lead sheet arrangement captures the essence of this beautiful song, providing you with the notated melody, chords, and lyrics. Ideal for music educators, students, and enthusiasts, this arrangement is a valuable tool for understanding and performing the song.The package also includes a Chord Sheet, featuring lyrics with chords placed above them, making it easy for guitarists and pianists to accompany singers. Additionally, chord diagrams and suggested strumming patterns are provided, aiding in the interpretation of the song’s harmonic structure and rhythm. Why Choose Our Arrangement? Our lead sheet arrangement offers several benefits: Ease of Use: The clear notation and layout make it easy to read and interpret. Versatility: It’s suitable for solo performers, choirs, or bands. Compact and Concise: Lots of information in the least amount of pages possible making it easy to pull arrangements together using this Lead Sheet as a reference. We even have a tabbed guitar intro which is a simplified version of what is heard in the recording so that it is accessible for a wider range of skills. Educational Value: It’s a great resource for music teachers and students, aiding in the understanding of melody, harmony, and rhythm. About the Song and Zach Williams “Flesh and Bone (We Remember)” is a powerful song that speaks to the heart. Its lyrics remind us of the grace and forgiveness found in faith. Zach Williams, the songwriter, is known for his heartfelt lyrics and soulful voice. His music continues to inspire and uplift listeners around the world. Connect and Share We encourage you to connect with us and share your performances using this music on social media. Tag us @resourcesularrangements and use the hashtag #FleshandBoneArrangement. We love seeing how our arrangements are used and enjoyed!Experience the joy of music with our Lead Sheet Arrangement of “Flesh and Bone (We Remember)” by Zach Williams. Order now and start making beautiful music today!
$3.99 ≈
3.67€
"Besame Mucho" (Kiss Me Much) for Flute and Piano (with Improvisation)
"Besame Mucho" (Kiss Me Much) for Flute and Piano (with Improvisation)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Latin/Musique du monde
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Andrea Bocelli
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N Enterprise
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"Besame Mucho"
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F & N Enterprise
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SheetMusicPlus
Piano Duet, Piano Accompaniment, Flute - Intermediate - Digital Download By Andrea Bocelli. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Mu...
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Piano Duet, Piano Accompaniment, Flute - Intermediate - Digital Download By Andrea Bocelli. Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 7 pages. Published by F & N Enterprise
Item Number: H0.322311-72770
An excellent arrangement of famous Song "Besame Mucho" for Flute and Piano (Jazz/Pop Version with Improvisation).
The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.59€
"Besame Mucho" (Kiss Me Much) for Clarinet and Piano (with Improvisation)
"Besame Mucho" (Kiss Me Much) for Clarinet and Piano (with Improvisation)
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Clarinette et Piano
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INTERMÉDIAIRE
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Latin/Musique du monde
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Andrea Bocelli
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N Enterprise (
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"Besame Mucho"
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F & N Enterprise (
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SheetMusicPlus
Piano Duet, Piano Accompaniment, Clarinet - Intermediate - Digital Download By Andrea Bocelli. Arranged by Fishel Pustilnik. Lead Sheet, Score. 7 pag...
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Piano Duet, Piano Accompaniment, Clarinet - Intermediate - Digital Download By Andrea Bocelli. Arranged by Fishel Pustilnik. Lead Sheet, Score. 7 pages. Published by F & N Enterprise (
An excellent arrangement of famous Song "Besame Mucho" for Clarinet and Piano (Jazz/Pop Version with Improvisation).
The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.59€
Lead Us On To Victory, sacred music for SATB choir
Lead Us On To Victory, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Lead Us On To Victory, sacred
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1368263 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sac...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1368263 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 10 pages. Kevin G. Pace #952593. Published by Kevin G. Pace (A0.1368263). A bold, striking choral composition with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:1. Through a troubled world we wander,Faced with sin on every side,But the banner which we followGives us courage to abide.We will honor our ExemplarAnd the path that He has shown,Never heeding any evil way.Thus may we be called His own.2. With our hands we'll help our neighbors.With our hearts we'll show His love.With our voices testifyingTruth revealed from up above.Thus our ranks will swell with soldiersAs we add more to our rolls.Armed with faith and love and sacrifice,We battle to win all souls.CHORUSFor the Lord, He is our Captain.We will e'er His servants be.He will lead us ever unto God,Lead on to victory.3. When at last the war is over,When the race has run its course,May we then return in honorTo the One who is our source.As we kneel before our CaptainTo be judged of all our deeds,He will honor all who served Him well,For all who are true He pleads.CHORUS.
$1.99 ≈
1.83€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.09€
Softly and Tenderly, Vol. 2
Softly and Tenderly, Vol. 2
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Orgue
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INTERMÉDIAIRE
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Musique Sacrée
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Dale Wood
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Softly and Tenderly, Vol. 2
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1001 Organ Meditations On Well-Known Hymns. Composed by Dale Wood. Sacred. Sacred Music Press #70/1001. P...
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Organ: 3-staff - Intermediate SKU: LO.70-1001 Organ Meditations On Well-Known Hymns. Composed by Dale Wood. Sacred. Sacred Music Press #70/1001. Published by Sacred Music Press (LO.70-1001). UPC: 000308018998.We proudly offer a companion volume to our best-selling organ collection, Softly and Tenderly. The tunes included in this impressive new book are those which invariably appear in national polls conducted to determine the favorite hymns of the people. The settings are all contemplative in nature, and these beloved melodies are enriched through Dale Wood's sensitive and warm arrangements. Most of the selections are moderately easy, and organists will find the music invaluable throughout the year.
Song List
: Great Is Our God Pastorale: Savior Like A Shepherd Lead Us Abide with Me My Jesus I Love Thee O Master Let Me Walk With Thee My Faith Looks Up To Thee I Love To Tell The Story This Is My Fathers World Rock Of Ages Cleft For Me
$28.00 ≈
25.78€
What Will We Say?
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Publis...
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Cello,Piano,Steel Pan,Violin - Level 4 - SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99 ≈
18.41€
Gary Lanier: 3 Inspiring Hymn Tunes (Duets for Flute and Piano)
Gary Lanier: 3 Inspiring Hymn Tunes (Duets for Flute and Piano)
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional Folk Tune, WILLIA
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Gary Lanier
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Gary Lanier: 3 Inspiring Hymn
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SheetMusicPlus
Piano Accompaniment, Flute - Intermediate - Digital Download Composed by Traditional Folk Tune, WILLIAM B. BRADBURY, WILLIAM H. DOANE. Arranged by Gary Lan...
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Piano Accompaniment, Flute - Intermediate - Digital Download Composed by Traditional Folk Tune, WILLIAM B. BRADBURY, WILLIAM H. DOANE. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Praise and Worship, General Worship. Score, Set of Parts. 20 pages. Published by The Lanier Company
3 Inspiring Hymn Tunes arranged by Gary Lanier is for Flute and Piano. The titles are (1) The Water Is Wide, (2) Savior, Like a Shepherd Lead Us, and (3) More Love to Thee, O Christ. All for the price of 2. Ideal for offertories, special music for worship services, or for the joy of playing in any situation where Inspiring Hymn Tunes are desired (20 pages).
$14.99 ≈
13.80€
"James Bond Theme" for Clarinet and Piano-Video
"James Bond Theme" for Clarinet and Piano-Video
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Clarinette et Piano
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INTERMÉDIAIRE
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Film/TV
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Fishel Pustilnik
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N Enterprise
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"James Bond Theme" for Clarine
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F & N Enterprise
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SheetMusicPlus
Piano Accompaniment, Clarinet - Intermediate - Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 6 pages. Published by F & N...
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Piano Accompaniment, Clarinet - Intermediate - Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 6 pages. Published by F & N Enterprise
An excellent arrangement of the famous Song "James Bond Theme" (from Motion Picture "Dr. No")
for Clarinet and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/As_pbaoUE-c
The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from the review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.59€
"James Bond Theme" for Alto Sax and Piano-Video
"James Bond Theme" for Alto Sax and Piano-Video
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Film/TV
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Fishel Pustilnik
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N Enterprise
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"James Bond Theme" for Alto Sa
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F & N Enterprise
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SheetMusicPlus
Piano Accompaniment, Alto Sax, Baritone Sax - Intermediate - Digital Download Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 6 ...
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Piano Accompaniment, Alto Sax, Baritone Sax - Intermediate - Digital Download Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 6 pages. Published by F & N Enterprise
An excellent arrangement of the famous Song "James Bond Theme" (from Motion Picture "Dr. No")
for Alto Sax and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/As_pbaoUE-c
The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from the review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.59€
"James Bond Theme" for Trombone and Piano-Video
"James Bond Theme" for Trombone and Piano-Video
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Trombone et Piano
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INTERMÉDIAIRE
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Film/TV
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Fishel Pustilnik
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N Enterprise
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"James Bond Theme" for Trombon
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F & N Enterprise
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SheetMusicPlus
Piano Accompaniment, Trombone - Intermediate - Digital Download Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 6 pages. Publish...
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Piano Accompaniment, Trombone - Intermediate - Digital Download Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 6 pages. Published by F & N Enterprise
An excellent arrangement of the famous Song "James Bond Theme" (from Motion Picture "Dr. No")
for Trombone and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/As_pbaoUE-c
The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from the review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.59€
"Cielito Lindo" for Violin and Piano-Video
"Cielito Lindo" for Violin and Piano-Video
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Violon et Piano
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Latin/Musique du monde
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Fishel Pustilnik
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N Enterprise
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"Cielito Lindo" for Violin and
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F & N Enterprise
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SheetMusicPlus
Piano Duet, Piano Accompaniment, Violin - Intermediate - Digital Download Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 8 page...
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Piano Duet, Piano Accompaniment, Violin - Intermediate - Digital Download Arranged by Fishel Pustilnik. Lead Sheet, Score, Sheet Music Single. 8 pages. Published by F & N Enterprise
An excellent arrangement of the famous Song "Cielito Lindo"
for Violin and Piano-Jazz/Pop Version. The video for Violin and Piano: https://youtu.be/N_uPWL2m-YU
The composition is easy to read, fun to play, and sound professional when performed. Arranged by Fishel Pustilnik, a very well known as Composer/Publisher. His books "Jazz & Pop Piano Paradise" (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands of books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia, and the UK markets. ?This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8.? Lore Ruschiensky, Editor, (from the review in ?The Canadian Music Teacher?) ?Yesterday I spent at least two pleasure-filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations." Review from Dr. Jack Behrens, B.Sc. (Julliard), Ph.D. (Harvard), Director of Academic Studies, The Glenn Gould School "I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume?. Mark Carlstein, Hal Leonard, Keyboard Publications.
$4.99 ≈
4.59€
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And Music Will Lead Us
