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Anonymous, 1582
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Vous avez sélectionné:
Anonymous, 1582
Partitions à imprimer
8 partitions trouvées
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1
Anonymous: Christmas in England - concert band (full score)
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for concert band (full score) of VERY EASY skill level. / instructional,children
Instantly printable sheet music by Anonymous for concert band (full score) of VERY EASY skill level. / instructional,children
$8.99 ≈
8.06€
Anonymous: Christmas in England (COMPLETE) - concert band
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Orchestre d'harmonie
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DÉBUTANT
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Methodes
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Anonymous
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Virtualsheetmusic
Instantly printable sheet music by Anonymous for concert band of VERY EASY skill level. / instructional,children
Instantly printable sheet music by Anonymous for concert band of VERY EASY skill level. / instructional,children
$59.99 ≈
53.78€
Twinkle, twinkle, little star - recorder quartet SATB
Twinkle, twinkle, little star - recorder quartet SATB
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Quatuor de Flûtes à bec
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DÉBUTANT
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Anonymous
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Douglas Wattson
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Twinkle, twinkle, little star
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Douglas Wattson
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.964613 Composed by Anonymous. Arranged by Douglas Wattson. Children,Classical,Concert,Folk. 6 pag...
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Woodwind Ensemble,Woodwind Quartet - Level 1 - SKU: A0.964613 Composed by Anonymous. Arranged by Douglas Wattson. Children,Classical,Concert,Folk. 6 pages. Douglas Wattson #6361973. Published by Douglas Wattson (A0.964613). This arrangement was organized and planned for beginning musicians. The melody and accompaniment are very simple and easy to perform, ideal for small instrumental groups and for musicalization/musical education. Enjoy!
$2.99 ≈
2.68€
Danny Boy for harp (easy)
Danny Boy for harp (easy)
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Harpe
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DÉBUTANT
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Irish folklore, Anonymous
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Daniel C
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Danny Boy for harp
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Daniel C. M.
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SheetMusicPlus
Harp - Level 1 - SKU: A0.810258 Composed by Irish folklore, Anonymous. Arranged by Daniel C. M. Concert,Standards,World. Score. 2 pages. Daniel C. M. #5...
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Harp - Level 1 - SKU: A0.810258 Composed by Irish folklore, Anonymous. Arranged by Daniel C. M. Concert,Standards,World. Score. 2 pages. Daniel C. M. #5955681. Published by Daniel C. M. (A0.810258). This beautiful melody is now in an easy but classy arrangement for harp. The harmony is closer to a traditional style and with a romantic/modern fashion for the accompaniment. This tune is known as Danny Boy becasue of the lyrics that has been used for it, however, in this sheet music it's preferred as Londonderry Air as the title which supposedly is the original. Enjoy!
$2.99 ≈
2.68€
Earth Today Rejoices
Earth Today Rejoices
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Harpe
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INTERMÉDIAIRE
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Anonymous, 1582
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Sharon Hanjian Rondeau
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Earth Today Rejoices
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Sharon Hanjian Rondeau
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SheetMusicPlus
Harp - Level 3 - SKU: A0.827965 Composed by Anonymous, 1582. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Renaissance,Sacred,World. Score. 2 ...
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Harp - Level 3 - SKU: A0.827965 Composed by Anonymous, 1582. Arranged by Sharon Hanjian Rondeau. Christian,Christmas,Renaissance,Sacred,World. Score. 2 pages. Sharon Hanjian Rondeau #4797305. Published by Sharon Hanjian Rondeau (A0.827965). Something different for Christmas pedal harp repertoire! From the book, Something Old, Something New for Christmas, also at SMP: https://www.sheetmusicplus.com/title/something-old-something-new-for-christmas-digital-sheet-music/2...
$3.99 ≈
3.58€
On This Day Earth Shall Ring
On This Day Earth Shall Ring
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Chorale TTBB
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AVANCÉ
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Men's Quartet of King's Way Me
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John Prescott
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On This Day Earth Shall Ring
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John Prescott Music
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SheetMusicPlus
TTBB Chorus,Voice - Level 5 - SKU: A0.1467982 By Men's Quartet of King's Way Methodist Church. By Anonymous. Arranged by John Prescott. Advent,Christian...
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TTBB Chorus,Voice - Level 5 - SKU: A0.1467982 By Men's Quartet of King's Way Methodist Church. By Anonymous. Arranged by John Prescott. Advent,Christian,Christmas,Classical,Sacred. Barbershop Quartet. 8 pages. John Prescott Music #1046285. Published by John Prescott Music (A0.1467982). This 16th-century Christmas melody and text can be found in the collection Piae Cantiones (1582). Arranged by Gustav Holst with text translation by Jane M. Joseph in 1925, the present setting is for men's vocal quartet (Tenor I, Tenor II, Baritone, Bass) accompanied by piano. It provides an inspiring feature during the Advent and Christmas season.
$3.50 ≈
3.14€
Gaudete for SATB choir
Gaudete for SATB choir
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Chorale SATB
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FACILE
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Musique Sacrée
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Anonymous
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Mark Reeves
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Gaudete for SATB choir
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Mark Reeves
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.748682 Composed by Anonymous. Arranged by Mark Reeves. A Cappella,Christmas,Classical,Latin,Praise & Worship,Sac...
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Choral Choir (SATB) - Level 2 - SKU: A0.748682 Composed by Anonymous. Arranged by Mark Reeves. A Cappella,Christmas,Classical,Latin,Praise & Worship,Sacred. Octavo. 9 pages. Mark Reeves #3638835. Published by Mark Reeves (A0.748682). Gaudete for SATB choir and pianoThis Christmas Carol first appeared in print in a Finnish publication of 1582 entitled Piæ Cantiones Ecclesiasticæ et Scholasticæ Veterum Episcoporum. The æolian modal polyphony and Medieval Latin text suggest a much earlier date of composition originating from central Europe; the plainsong melody of the verses is derived from liturgical sources of the same period and was not included in the original document.This new arrangement of Gaudete is based closely on the original music and text. However, the original key of G minor has been transposed to D minor to create more variety in the voicing, yet remaining faithful to the original vocal parts.The piano accompaniment in the refrain is simply an amalgamation of the voices and therefore, in order to create a pure a cappella sound in performance, the piano part may be omitted and used solely for rehearsal purposes. As the verses were originally sung unaccompanied, the piano part in this arrangement has been devised to compliment the plainsong melody, but of course may be omitted in performance if preferred.Originally, each verse would probably have been sung by a solo tenor voice. However, in this arrangement, each of the four verses has been allocated to a different soloist. This should create the effect of a gradual build-up in the intensity of sound, culminating in the final fortissimo refrain.About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850Further informationWeb: http://www.markreeves.co.uk/Email: info@markreeves.co.ukYouTube: https://www.youtube.com/channel/UCpySKWz7dvreLSmqUXvoXhATwitter: @MarkReeves001
$2.99 ≈
2.68€
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Instruments en Do
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FACILE
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Renaissance
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Various
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael...
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C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or ?choirs? of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.
Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.
I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.
At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at
https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS
As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the ?standards? that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46 ≈
10.27€
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Anonymous, 1582
