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Art For Art's Sake
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Vous avez sélectionné:
Art For Art's Sake
Partitions à imprimer
160 partitions trouvées
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Art For Art's Sake
Art For Art's Sake
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Chorale TTBB
#
INTERMÉDIAIRE
#
10cc
#
Anders Lindqvist
#
Art For Art's Sake
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Anders Lindqvist
#
SheetMusicPlus
Voice (TTBB) - Level 3 - SKU: A0.1246961 By 10cc. By Eric Michael Stewart and Graham Keith Gouldman. Arranged by Anders Lindqvist. 20th Century,A Cappel...
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Voice (TTBB) - Level 3 - SKU: A0.1246961 By 10cc. By Eric Michael Stewart and Graham Keith Gouldman. Arranged by Anders Lindqvist. 20th Century,A Cappella,Contemporary,Pop. Barbershop Quartet. 5 pages. Anders Lindqvist #841600. Published by Anders Lindqvist (A0.1246961). A close harmony arrangement of the popular hit by Graham Gouldman & Eric Stewart and performed by 10CC. Suitable for a male acapella quartet or chorus of intermediate skills.
$12.99 ≈
11.85€
Maxwell's Silver Hammer
Maxwell's Silver Hammer
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
#
Rock
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The Beatles
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Aaron Hettinga
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Maxwell's Silver Hammer
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Aaron Hettinga
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781977 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Rock...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.781977 By The Beatles. By John Lennon and Paul McCartney. Arranged by Aaron Hettinga. Rock. Score and parts. 17 pages. Aaron Hettinga #6022111. Published by Aaron Hettinga (A0.781977). An enjoyable romp from the Beatles’ Abbey Road album shows up here for 5 brass. The form and character of the original recording is generally fairly closely followed. This arrangement is set ½ step higher than the original recording for better accessibility, especially for players not as comfortable with the key of D. Besides the Tuba part (which has some fun twists and turns), every other instrument gets a chance to play the melody for an entire verse or chorus to keep things interesting for all.Performance options: The first and second verses are fairly identical. Since the lyrics of this song tell a story, it didn’t feel right to eliminate anything from the form. So, for variety’s sake, a different player is featured for each verse. If desiring a shorter play duration, a choice can be made to either feature the F Horn player or the Trombone player (or alternating between them) on the opening section before heading straight into the second ending.
$19.99 ≈
18.23€
Symbology for Concert Band
Symbology for Concert Band
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Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sy Brandon
#
Symbology for Concert Band
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Sy Brandon
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Publ...
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Concert Band - Level 4 - SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99 ≈
36.47€
Suit Suite for Three Euphoniums and Three Tubas
Suit Suite for Three Euphoniums and Three Tubas
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3 Euphoniums
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Sy Brandon
#
Suit Suite for Three Euphonium
#
Sy Brandon
#
SheetMusicPlus
Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #32248...
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Brass Ensemble Euphonium,Tuba - Level 4 - SKU: A0.754940 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 56 pages. Sy Brandon #3224881. Published by Sy Brandon (A0.754940). This composition, composed for the Kansas State University Tuba-Euphonium Ensemble, is inspired by the suits of a deck of cards and their associated representations. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money's sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A flutter-tongued chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between the euphoniums and the tubas. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again.
$14.99 ≈
13.67€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
#
FACILE
#
Contemporain
#
Traditional Scottish
#
James M
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The Water is Wide for Viola &
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jmsgu3
#
SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.05€
Brake's Sake
Brake's Sake
#
Saxophone (partie séparée)
#
INTERMÉDIAIRE/AVANCÉ
#
Thelonious Monk
#
The Sheet Music Library
#
Brake's Sake
#
The Sheet Music Library
#
SheetMusicPlus
Tenor Saxophone Solo - Level 4 - SKU: A0.1084596 By Thelonious Monk. By Thelonious Monk. Arranged by The Sheet Music Library. Instructional,Jazz. Indivi...
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Tenor Saxophone Solo - Level 4 - SKU: A0.1084596 By Thelonious Monk. By Thelonious Monk. Arranged by The Sheet Music Library. Instructional,Jazz. Individual part. 2 pages. The Sheet Music Library #688783. Published by The Sheet Music Library (A0.1084596). Brake's Sake by Thelonious Monk for Tenor Saxophone. Chords & Melody. Lead Sheet Style.
$6.99 ≈
6.37€
For Beauty's Sake - parts
For Beauty's Sake - parts
#
Contemporain
#
Emily Misner
#
For Beauty's Sake - parts
#
Emily Misner
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Mis...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991542 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041909. Published by Emily Misner (A0.991542). This file contains the individual parts for flute, clarinet, violin, cello, and piano, rather than the conductor's score. For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line.One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00 ≈
8.21€
For Beauty's Sake
For Beauty's Sake
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Contemporain
#
Emily Misner
#
For Beauty's Sake
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Emily Misner
#
SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Mis...
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Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - SKU: A0.991541 Composed by Emily Misner. Contemporary. Score and parts. 18 pages. Emily Misner #3041907. Published by Emily Misner (A0.991541). For Beauty's Sake was written for the Pierrot Ensemble at the University of Montana. It is a piece of lyrical beauty and rhythmic exploration, passing the motive between all musicians in the ensemble. For flute, clarinet, violin, cello, and piano, this piece also makes use of the strings inside the piano for a haunting, wave-like sound as the woodwinds and strings enter slowly, turning a few notes into a beautiful melodic line. One note about the pianist's part. The pianist may either cut short the time she is playing inside the piano to allow for time to move back and forth to the actual keyboard, or she may enlist the help of a second performer for the parts inside the piano.
$9.00 ≈
8.21€
Lord, for Thy Tender Mercy's Sake
Lord, for Thy Tender Mercy's Sake
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Chorale 3 parties
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INTERMÉDIAIRE
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Richard Farrant
#
W
#
Lord, for Thy Tender Mercy's S
#
Wilhelm Schmidt
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.806548 Composed by Richard Farrant. Arranged by W. F. Schmidt. Easter,Renaissance,Sacred,Standards. Octavo. 7 pag...
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Choral Choir (SAB) - Level 3 - SKU: A0.806548 Composed by Richard Farrant. Arranged by W. F. Schmidt. Easter,Renaissance,Sacred,Standards. Octavo. 7 pages. Wilhelm Schmidt #4285459. Published by Wilhelm Schmidt (A0.806548). An SAB version of Richard Farrant's beloved anthem. There is a nice balance between the homophonic and contrapuntal sections. This arrangement is not too difficult and should be very accessible to most choirs.
$2.00 ≈
1.82€
Forsaken in the Garden - Flute
Forsaken in the Garden - Flute
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Flute (partie séparée)
#
Musique Sacrée
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John Purifoy and Pamela Stewar
#
Forsaken in the Garden - Flute
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Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.471497 Composed by John Purifoy and Pamela Stewart and John Purifoy. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pag...
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Choir,Choral - SKU: HX.471497 Composed by John Purifoy and Pamela Stewart and John Purifoy. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Duration 265. Hal Leonard - Digital #267781. Published by Hal Leonard - Digital (HX.471497).
$7.00 ≈
6.38€
Forsaken in the Garden - Oboe
Forsaken in the Garden - Oboe
#
Hautbois (partie séparée)
#
Musique Sacrée
#
John Purifoy and Pamela Stewar
#
Forsaken in the Garden - Oboe
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.471498 Composed by John Purifoy and Pamela Stewart and John Purifoy. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pag...
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Choir,Choral - SKU: HX.471498 Composed by John Purifoy and Pamela Stewart and John Purifoy. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Duration 265. Hal Leonard - Digital #267781. Published by Hal Leonard - Digital (HX.471498).
$7.00 ≈
6.38€
Forsaken in the Garden - Cello
Forsaken in the Garden - Cello
#
Violoncelle (partie séparée)
#
Musique Sacrée
#
John Purifoy and Pamela Stewar
#
Forsaken in the Garden - Cello
#
Hal Leonard - Digital
#
SheetMusicPlus
Choir,Choral - SKU: HX.471499 Composed by John Purifoy and Pamela Stewart and John Purifoy. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pag...
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Choir,Choral - SKU: HX.471499 Composed by John Purifoy and Pamela Stewart and John Purifoy. This edition: scorch. Sacred. Choral Instrumental Pak. 3 pages. Duration 265. Hal Leonard - Digital #267781. Published by Hal Leonard - Digital (HX.471499).
$7.00 ≈
6.38€
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
Machaut: La Messe de Nostre Dame for String Quartet - Score Only
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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String Quartet String Quartet - Level 2 - SKU: A0.1257044 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850380. Published by jmsgu3 (A0.1257044). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
45.55€
For Your Darling Mother's Sake
For Your Darling Mother's Sake
#
Piano, Voix
#
Arthur Trevelyan
#
For Your Darling Mother's Sake
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.6156 Composed by Arthur Trevelyan. Portraits, Vice, Runaways, Sadness, Families, Death, Depression, Comfort. Lester S. Levy Co...
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Piano and voice - SKU: LV.6156 Composed by Arthur Trevelyan. Portraits, Vice, Runaways, Sadness, Families, Death, Depression, Comfort. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6156). For Your Darling Mother's Sake. Words and Music by Arthur Trevelyan. Published 1902 by Music Supplement of The New York Journal and American in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Vice, Runaways, Sadness, Families, Death, Depression, Comfort. First line reads Just to pass the time last night I took a stroll around the town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.46€
Petite Fanfare Québecoise for Brass Quintet
Petite Fanfare Québecoise for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
AVANCÉ
#
Nicholas Francis
#
It was written while Mr
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Petite Fanfare Québecoi
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Gordon Cherry
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.811015 Composed by Nicholas Francis. 20th Century,Contemporary,Romantic Period. Score and parts. 18 pages. Gordon Che...
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Brass Ensemble - Level 5 - SKU: A0.811015 Composed by Nicholas Francis. 20th Century,Contemporary,Romantic Period. Score and parts. 18 pages. Gordon Cherry #4728601. Published by Gordon Cherry (A0.811015). This is music for music's sake, a small fanfare full of the joy and pleasure that playing in a brass quintet brings with it. It was written while Mr. Francis was a student in Montreal, and derives its thematic material from the well-known Quebec folk song V'la l'bon vent, a tune which is sung in a variety of forms in virtually every region of the province. Nick thinks that at the time he must have had in mind the magnificent brass fanfares of Montreal composer Jacques Hétu, for the title is certain to put one in mind of his Petite Fanfare pour Lanaudière. Here is two-and-a-half minutes of joyous music-making that oughtn't need any further excuses!
$12.50 ≈
11.40€
Messy Postcards- for modified big band
Messy Postcards- for modified big band
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
David James Watson
#
Messy Postcards- for modified
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David James Watson
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1013614 Composed by David James Watson. Jazz. Score and parts. 52 pages. David James Watson #6382223. Pu...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1013614 Composed by David James Watson. Jazz. Score and parts. 52 pages. David James Watson #6382223. Published by David James Watson (A0.1013614). Recent composition.It's a bit like Moanin' + Bebop + Mingus.In F minor with a tenor solo to open, 2 open solo sections and a massive finish. For fun's sake there is a shmultz section prior to the reprise of the nasty uptempo theme just before the end. This is scored with 1x clarinet, 1x soprano, 1x alto, 1x tenor, 1x bari, 3 tpts, 3 troms, 1x eupho, 1x tuba and rhythm. There is a traditional full big band version available which has superior editing.
$24.95 ≈
22.75€
For Sweet Memory Sake. Song & Chorus
For Sweet Memory Sake. Song & Chorus
#
Piano, Voix
#
J
#
For Sweet Memory Sake. Song &a
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.4758 Composed by J.P. Skelly. Keepsakes, Farewells, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Ho...
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Piano and voice - SKU: LV.4758 Composed by J.P. Skelly. Keepsakes, Farewells, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4758). For Sweet Memory Sake. Song & Chorus. Words by M.J. Cavanagh. Music by J.P. Skelly. Published 1888 by M. Witmark & Sons, 839 & 841 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Keepsakes, Farewells, Courtship, Love. First line reads The nightingale sang to his mate in the gloaming.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.46€
Nutcracker Suite - Chinese Dance: String Quartet
Nutcracker Suite - Chinese Dance: String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
P
#
Keith Gemmell
#
Nutcracker Suite - Chinese Dan
#
Keith Gemmell
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.852739 Composed by P.I. Tchaikosvky. Arranged by Keith Gemmell. Classical,Romantic Period,Standards. S...
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String Quartet String Quartet - Level 4 - SKU: A0.852739 Composed by P.I. Tchaikosvky. Arranged by Keith Gemmell. Classical,Romantic Period,Standards. Score and parts. 15 pages. Keith Gemmell #23361. Published by Keith Gemmell (A0.852739). Almost twice the length of the original orchestral version, which is very short anyway, this arrangement captures its very essence: unforgettable melody and bouncy, infectious rhythm - Tchaikovsky at his most joyful. Down from Bb major to D major for the sake of Violin 1, (the orchestral version features high flutes) the sound is full, bright and full of bounce - great fun to play as an encore. Being such a well known tune and danceable it’s well suited, too, to weddings and corporate events. Have fun….
$19.95 ≈
18.19€
He Did It For His Country's Sake. Comic Song and Chorus
He Did It For His Country's Sake. Comic Song and Chorus
#
Piano, Voix
#
Mathews & Bulger
#
He Did It For His Country's Sa
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.5306 Composed by Mathews & Bulger. Flags, Battlefields, War casualties, Families, Correspondence, Immigrants, Fighting, Law en...
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Piano and voice - SKU: LV.5306 Composed by Mathews & Bulger. Flags, Battlefields, War casualties, Families, Correspondence, Immigrants, Fighting, Law enforcement, Patriotism. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5306). Mathews and Bulger's Latest Hit! He Did It For His Country's Sake. Comic Song and Chorus. Mathews & Bulger. Published 1892 by M. Witmark & Sons, 51 West 28th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Flags, Battlefields, War casualties, Families, Correspondence, Immigrants, Fighting, Law enforcement, Patriotism. First line reads On the battlefield a soldier, dying at the close of day, calls a comrade closely to him.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.46€
Machaut: La Messe de Nostre Dame for String Quartet
Machaut: La Messe de Nostre Dame for String Quartet
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1257127 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 84 pages. Jmsgu3 #850426. Published by jmsgu3 (A0.1257127). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
68.35€
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
Machaut: La Messe de Nostre Dame for Flute Quartet - Score Only
#
Quatuor de Flûtes : 4 flûtes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259387 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852663. Published by jmsgu3 (A0.1259387). INSTRUMENTATION: 2 Alto flutes, 2 Bass Flutes1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
45.55€
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
Machaut: La Messe de Nostre Dame for Clarinet Quartet - Score Only
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Guillaume de Machaut, 1300-137
#
James M
#
Machaut: La Messe de Nostre Da
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contes...
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Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.1259372 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #852647. Published by jmsgu3 (A0.1259372). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Clarinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95 ≈
45.55€
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
Machaut: Le Messe de Nostre Dame for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Guillame de Machaut, 1300-1377
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by Jam...
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1260025 Composed by Guillame de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853210. Published by jmsgu3 (A0.1260025). INSTRUMENTATION: 2 Clarinets in Bb, 1 Alto Calrinet, 1 Bass Clarinet1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
68.35€
Machaut: La Messe de Nostre Dame for Flute Quartet
Machaut: La Messe de Nostre Dame for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. G...
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Woodwind Ensemble,Woodwind Quartet Alto Flute,Bass Flute - Level 2 - SKU: A0.1260536 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 86 pages. Jmsgu3 #853678. Published by jmsgu3 (A0.1260536). INSTRUMENTATION: 2 ALTO FLUTES, 2 BASS FLUTES1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons:1. It is the first complete setting of the Ordinary of the Mass by a single composer that has survived.2. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor.3. It was composed in four voices, which was unusual at the time.4. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen.Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
68.35€
Machaut: La Messe de Nostre Dame for Saxophone Quartet
Machaut: La Messe de Nostre Dame for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Guillaume de Machaut, 1300-137
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1257962 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 85 pages. Jmsgu3 #851199. Published by jmsgu3 (A0.1257962). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$74.95 ≈
68.35€
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