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At Last: 4th Trombone
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Vous avez sélectionné:
At Last: 4th Trombone
Partitions à imprimer
9 partitions trouvées
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1
Backrow Politics: 4th Trombone
Backrow Politics: 4th Trombone
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Trombone (partie séparée)
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Jazz
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Gordon Goodwin
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Backrow Politics: 4th Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017123_TN4 4th Trombone. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-P...
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Jazz Ensemble - SKU: AX.00-PC-0017123_TN4 4th Trombone. Composed by Gordon Goodwin. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017123_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017123_TN4). UPC: 038081302225.At last, a showcase for the trumpet section from Gordon Goodwin! The groove is straight eighths with a funky feel. Solo space is provided for trumpets 1, 2, 3, 4, but can be tailored as desired. Lead trumpet range is to written high G with an optional A. This is a fun chart and will be a kick for the band and audience. (6:54) This title is available in SmartMusic.
$3.00 ≈
2.77€
Sonatina for Trombone & Piano
Sonatina for Trombone & Piano
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Trombone et Piano
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AVANCÉ
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Krejci, Miroslav
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Sonatina for Trombone & Pi
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cher...
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Piano,Trombone - Level 5 - SKU: A0.792223 Composed by Krejci, Miroslav. 20th Century,Contemporary,Romantic Period. Score and part. 21 pages. Gordon Cherry #4728857. Published by Gordon Cherry (A0.792223). The Sonatina for Trombone & Piano was originally published after its composition, but soon became lost. It has recently been brought back into the repertoire. Cherry Classics Music is proud to be bringing this very fine work back to life. The style of this 3 movement work is similar to the well known Sonatina for Trombone and Piano by Serocki. Miroslav Krejci was born on the 4th of November, 1891 in Rychnov nad Kn??nou (a small town situated in the eastern part of Bohemia of the Czech Republic). There, he also attended high school. After graduation he travelled to Prague, studying natural science, geography and musicology at Charles University. At the Conservatory he studied composition under Vitezslav Novak. Krejci also became a teacher at a few grammar schools in the Czech republic. He died on the 29th of December 1964 in Prague. Miroslav Krejci created music for many various ensembles and his compositions are among the most prolific of Czech composers. For example, he composed the following: two Operas: The Summer and The Last Hetman, two Symphonies, string quartets, sonatas for violins, trios for wind instruments, sonatinas for brasswind instruments and piano and five piano cycles. He wrote many vocal compositions, especially for chorus. Krejci also created many arrangements of folk songs for chorus and for solo voice with piano accompaniment. The Sonatina for Trombone and Piano was composed in 1948. It was first performed on the occasion of the composer's birthday.
$27.50 ≈
25.41€
At Last: 4th Trombone
At Last: 4th Trombone
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Trombone (partie séparée)
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Methodes
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Mike Carubia
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At Last: 4th Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Arranged by Mike Carubia. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music ...
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Arranged by Mike Carubia. For Jazz Ensemble. Instructional. Part. 1 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
2.77€
The Glastry Pearl. Tone Poem Elegy For My Mum.
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00 ≈
184.77€
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacr...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95 ≈
4.57€
de Vitry: Hugo princeps/Cum structura for Brass Trio
de Vitry: Hugo princeps/Cum structura for Brass Trio
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Philippe De Vitry
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James M
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de Vitry: Hugo princeps/Cum st
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jmsgu3
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SheetMusicPlus
Cornet,Horn,Trombone - Level 3 - SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Trad...
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Cornet,Horn,Trombone - Level 3 - SKU: A0.1347512 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Early Music,Historic,Medieval,Traditional. 6 pages. Jmsgu3 #932321. Published by jmsgu3 (A0.1347512). The motet Hugo, Hugo, princeps by Philippe de Vitry is significant for its musical innovation and potential political connotations. The motet's text is drawn from the opening lines in the two top voices, and it is suggested that it makes a strong political statement about the exile of French Christians, similar to the Jews from their homeland in the Old Testament and the corrupt leadership at the time. Additionally, the motet employs elements that de Vitry helped develop early in the 14th century, which would later characterize the Ars Nova period in music. Therefore, Hugo, Hugo, princeps is notable for its musical and potentially political significance.The term Hugo princeps in Philippe de Vitry's motet is believed to refer to a specific individual named Hugo, potentially with political connotations. The term princeps in the motet's title may imply a reference to a leader or prince. When combined with the context of the text, it likely carries a symbolic or allegorical meaning related to that period's political and social environment. The term Cum structura in Hugo princepsCum structura is a musical term that translates to with structure in English. In the context of Philippe de Vitry's motet, it likely denotes the structural complexity and organization of the musical composition. This term reflects the meticulous and innovative musical construction for which Vitry's works are known, particularly during the Ars Nova period in the 14th century.Philippe de Vitry, a French composer-poet, bishop, and music theorist, is known for his significant contributions to late medieval music. In the last decade of his life, from 1351 to 1361, he served as the Bishop of Meaux, near Paris. This appointment was the crowning event of his court and church career. As a bishop, Vitry's accomplishments were primarily in the musical and literary domains. He was an innovative and influential composer, widely acknowledged as a leading musician of his day, and his treatise Ars Nova became a rallying cry for all modern composers after about 1320. Additionally, he was known for his French poetry set to music, creating a new style of song, anticipating the work of Guillaume de Machaut. While his tenure as a bishop was relatively short, his lasting impact was in music and poetry.
$24.95 ≈
23.05€
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - symphonic wind
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Classique
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religi...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$9.95 ≈
9.19€
To Boldly Go
To Boldly Go
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Contemporain
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Alexander Courage, Gene Rodden
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Sophia Johanna Transistor
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To Boldly Go
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Sophia Transistor
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Tr...
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Brass Ensemble Trombone - Level 4 - SKU: A0.851130 Composed by Alexander Courage, Gene Roddenberry, and Michael Giacchino. Arranged by Sophia Johanna Transistor. Contemporary. Score and parts. 40 pages. Sophia Transistor #6275113. Published by Sophia Transistor (A0.851130). Epic famous film music STAR TREK theme To Boldly Go and End Credits arranged for trombone quartet (or any 4 voices notated in bass clef in C). A symphonic suite arranged for quartet instrumentation.This piece by Michael Giacchino contains portions of the TV Theme by Alexander Courage and Gene Roddenberry. Therefore it is like an epic medley of many familiar symphonic Star Trek tunes as we all love them.It has been adapted specifically for trombone t-bone brass players. Breething signs and spaces are included. Page changes are mainly during breaks.Total play time is approximately 7 minutes and 43 secondsbut there is an option to end the piece in front of the interlude at time 2 min 42 sec at the same bar where the official HalLeonard piano arrangement of to boldly go ends:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787After that, the music gets a little bit darker and string-dominated. These parts have been changed or excluded to make it a solid brasswind only Star Trek performance.Leadsheet with all 4 voices is available in C with 18 pages in DIN-A4 format.Following parts are available:1st voice as trombone in C on 5 pages in DIN-A4.2nd voice as trombone in C on 5 pages in DIN-A4.3rd voice as trombone in C on 5 pages in DIN-A4.4th voice as trombone or bass trombone in C on 5 pages in DIN-A4.Titelpage and table of contents page are included.Total page number: 40Highest note of voice 1: ringing c''' (but the higher notes are also notated one octave lower)Thanks!Youtube Play Along:https://youtu.be/XP8sB87veKIGerman Description:Die Enterprise dringt dabei in Galaxien vor, die nie ein Mensch zuvor gesehen hat. To Boldly Go and End Credits arrangiert für Posaune notiert in C im Bassschlüssel.Dieses Stück von Michael Giacchino enthält auch Teile des Fernsehintros komponiert von Alexander Courage und Gene Roddenberry. Deswegen ist es eigentlich das perfekte Medley aus vielen bekannten Star Trek Melodien, die uns besonders aus den Anfängen noch bekannt sind (mit Theremin und so) teilweise jazzig aber vor allem symphonisch und orchestral.Dieses Stück wurde speziell auf Posaune angepasst. Die Streicher-lastigen Stellen wurden gekürzt, weggelassen oder umgedichtet, damit man am Ende ein solides Blechblasstück hat. Atmungszeichen und Plätze zum Atmen finden Verwendung. Wenn man umblättern muss, dann meistens an Stellen, wo man Pause hat.Spielzeit insgesamt: 7:43Wem das zu lang ist, dem sei gesagt, dass es ein alternatives Ende nach 2:42 gibt, an der gleichen Stelle, wo auch das offizielle Hal Leonard Klavier Arrangement aufhört:https://www.sheetmusicplus.com/title/to-boldly-go-digital-sheet-music/19455787Die Score-Partitur mit allen 4 Stimmen gibt es einmal als Lead-Conductor-Sheet auf 18 Seiten in DIN-A4.Folgende Einzelstimmen sind verfügbar:1. Stimme als Posaune in C auf 5 Seiten in DIN-A4.2. Stimme als Posaune in C auf 5 Seiten in DIN-A4.3. Stimme als Posaune in C auf 5 Seiten in DIN-A4.4. Stimme als Posaune oder Bassposaune in C auf 5 Seiten in DIN-A4.Knallige Titelseite und Inhaltsangabe mit Copyrightinfo sind ebenfalls vorhanden.Insgesamt 40 Seiten.Stimme 1 bis klingend c'' (nach unten transponieren immer möglich)Epische Filmmusiknoten für Posaunen-Quartett: STAR TREK theme to boldly go symphonic suite.#smppressmusic#startrekmusic#startrektheme#epictrom.
$17.01 ≈
15.72€
Pomp and Circumstance March No 1 in D op.39
Pomp and Circumstance March No 1 in D op.39
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Marcus Martin
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Pomp and Circumstance March No
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Cornelius Edition
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1377034 Composed by Edward Elgar. Arranged by Marcus Martin. 20th Century,March,Patriotic,Praise and Worship. 99 page...
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Full Orchestra - Level 4 - SKU: A0.1377034 Composed by Edward Elgar. Arranged by Marcus Martin. 20th Century,March,Patriotic,Praise and Worship. 99 pages. Cornelius Edition (uk) #961638. Published by Cornelius Edition (uk) (A0.1377034). This famous march, regularly performed at u.k. 'The Last Night of the Proms' was composed in 1901. The words 'Land of Hope and Glory' were added to the trio section in 1902 by A C Benson. This section is traditionally associated with USA high school and college graduation ceremonies. This version is for full symphony orchestra.  2 Piccolos, 2 Oboes, 2 Clarinets, 2 Bassoons,  4 horns, 2 Trumpets (or Cornets) 3 Trombones, Tuba, Organ, Harp, Percussion and Strings.  However 2nd Piccolo, 3rd and 4th Horns, Harp and Organ are all 'ad lib' and in general the arrangement is effective with the omission of some of the other wind and brass at the conductor's discretion. A full score and all parts are included with alternative Bb parts for Clarinet and Trumpet.
$39.99 ≈
36.95€
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At Last: 4th Trombone
