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Vous avez sélectionné:
At the Zoo Guitar
Partitions à imprimer
12 partitions trouvées
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1
At the Zoo - Guitar
At the Zoo - Guitar
#
Guitare (partie séparée)
#
Simon And Garfunkel
#
Paris Rutherford
#
At the Zoo - Guitar
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral - SKU: HX.344271 By Simon And Garfunkel. Arranged by Paris Rutherford. This edition: scorch. Folk,Pop,Rock. Choral Instrumental Pak. 3 pages. Hal...
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Choral - SKU: HX.344271 By Simon And Garfunkel. Arranged by Paris Rutherford. This edition: scorch. Folk,Pop,Rock. Choral Instrumental Pak. 3 pages. Hal Leonard - Digital #57616. Published by Hal Leonard - Digital (HX.344271).
$7.00 ≈
6.55€
Paul Simon: At The Zoo for voice, piano and guitar
#
Piano, Voix et Guitare
#
INTERMÉDIAIRE
#
Folk Rock
#
Paul Simon
#
Virtualsheetmusic
Instantly printable sheet music by Simon & Garfunkel for voice, piano or guitar of MEDIUM skill level. / folk,pop
Instantly printable sheet music by Simon & Garfunkel for voice, piano or guitar of MEDIUM skill level. / folk,pop
$8.97 ≈
8.39€
Castle On The Hill
Castle On The Hill
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Pop musique
#
Ed Sheeran
#
Julian Hay
#
Castle On The Hill
#
Julian Hay
#
SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,A Cappella,Conte...
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Choral Choir (4-Part) - Level 4 - SKU: A0.1279926 By Ed Sheeran. By Benjamin Levin and Ed Sheeran. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #871338. Published by Julian Hay (A0.1279926). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy. It is versatile and catchy, and has been performed by our Vocal Bands as well as our larger ensembles. This arrangement has the drive and momentum of the original song but with delicate moments, and some 5-part harmony as the song progresses. VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Oos / Ahs / Dms, etc).The full arrangement is scored for SSAB and Vocal Percussion (beatboxing). The song also works as SATB and could be transposed into lower key to help with some of the higher passages.RHYTHM and BASS:This Beatboxing part is suitable for moderate to advanced performers, and is scored used drum notation. Specific Beatboxing notes are included in their own section.If your ensemble is without a bass or a beatboxer you could consider the following options:- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentPERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.
$2.99 ≈
2.80€
At The Zoo
At The Zoo
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Piano, Voix
#
Folk Rock
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Simon And Garfunkel
#
Pop
#
At The Zoo
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Simon And Garfunkel. For piano, voice, and guitar (chords only). Folk; Pop. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Simon And Garfunkel. For piano, voice, and guitar (chords only). Folk; Pop. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.67€
At the Zoo by Simon & Garfunkel - Piano/Vocal/Guitar
#
Piano, Voix et Guitare
#
Simon & Garfunkel
#
At the Zoo
#
Musicnotes
Performed by: Simon & Garfunkel: At the Zoo Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fi...
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Performed by: Simon & Garfunkel: At the Zoo Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages --
$5.50 ≈
5.15€
Simon & Garfunkel: At The Zoo - guitar (chords)
#
Paroles et Accords
#
INTERMÉDIAIRE
#
Folk Rock
#
Simon & Garfunkel
#
Virtualsheetmusic
Instantly printable sheet music by Simon & Garfunkel for guitar (chords) of MEDIUM skill level. / folk,pop
Instantly printable sheet music by Simon & Garfunkel for guitar (chords) of MEDIUM skill level. / folk,pop
$2.97 ≈
2.78€
Paul Simon: At The Zoo for guitar
#
Paroles et Accords
#
INTERMÉDIAIRE
#
Folk Rock
#
Paul Simon
#
Virtualsheetmusic
Instantly printable sheet music by Paul Simon for guitar (chords) of MEDIUM skill level. / folk,pop
Instantly printable sheet music by Paul Simon for guitar (chords) of MEDIUM skill level. / folk,pop
$3.97 ≈
3.71€
Wonder
Wonder
#
Chorale SATB
#
INTERMÉDIAIRE
#
Naughty Boy Featuring Emeli Sa
#
Julian Hay
#
Wonder
#
Julian Hay
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1032091 By Naughty Boy Featuring Emeli Sande. By Emeli Sande, Harry Craze, and Hugo Chegwin. Arranged by Julian ...
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Choral Choir (SATB) - Level 3 - SKU: A0.1032091 By Naughty Boy Featuring Emeli Sande. By Emeli Sande, Harry Craze, and Hugo Chegwin. Arranged by Julian Hay. A Cappella,Contemporary,Pop,Soul. Octavo. 7 pages. Julian Hay #6024773. Published by Julian Hay (A0.1032091). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, with an ensemble of 20 voices. It is versatile and catchy, and has also been performed by our Vocal Bands with one voice per part, as well as our Kids A Cappella class.This arrangement has a gospel vibe (complete with a shout chorus), but with the groove of the original track provided by the addition of rhythm and bass.VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. When it's performed, it should be heavy on the rhythm and bass! The Rhythm (Beatbox) and Bass should be a feature, and they provide the arrangement with the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).The full arrangement is scored for SATB including clicking, clapping and Vocal Percussion (beatboxing). The song also works as SAT and could be transposed into a higher key to be delivered by a treble ensemble.RHYTHM & BASS:This Beatboxing part is suitable for beginners, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section within the Beatboxing score.If your ensemble is without a low bass or a beatboxer you could consider the following options.- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentAlways click and clap on the off beats (2 and 4).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E. hello@voicesco.nzW. www.voicesco.nz
$2.49 ≈
2.33€
Beautiful Life
Beautiful Life
#
Chorale 2 parties
#
FACILE
#
Bebe Rexha, Christopher Tempes
#
Julian Hay
#
Beautiful Life
#
Julian Hay
#
SheetMusicPlus
Choral Choir (2-Part) - Level 2 - SKU: A0.1271776 Composed by Bebe Rexha, Christopher Tempest, David Saint Fleur, Nick Black, and Samuel James Zammarell...
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Choral Choir (2-Part) - Level 2 - SKU: A0.1271776 Composed by Bebe Rexha, Christopher Tempest, David Saint Fleur, Nick Black, and Samuel James Zammarelli. Arranged by Julian Hay. A Cappella,Children,Contemporary,Pop. Octavo. 5 pages. Julian Hay #864130. Published by Julian Hay (A0.1271776). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, for one of our Kids Ensemble. It is fun and catchy, and an extended arrangement has also been performed by our Adult Classes (SATB). VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. The Vocal Percussion (Beatboxing) should be a feature, and they provide the arrangement with much of the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).RHYTHM & BASS:This Beatboxing part is suitable for beginners, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section.If your ensemble is without a low bass or a beatboxer you could consider the following options.- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentIf using clicks or claps, do so on the off beats (2 and 4).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E.  hello@voicesco.nzW.  www.voicesco.nz.
$1.99 ≈
1.86€
Born To Be Yours
Born To Be Yours
#
Chorale 3 parties
#
INTERMÉDIAIRE
#
Imagine Dragons feat
#
Julian Hay
#
Born To Be Yours
#
Julian Hay
#
SheetMusicPlus
Choral Choir (SAT) - Level 3 - SKU: A0.1279417 By Imagine Dragons feat. Kygo. By Ben McKee, Dan Reynolds, Daniel Platzman, Kyrre Gorvell-Dahll, and Wayn...
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Choral Choir (SAT) - Level 3 - SKU: A0.1279417 By Imagine Dragons feat. Kygo. By Ben McKee, Dan Reynolds, Daniel Platzman, Kyrre Gorvell-Dahll, and Wayne Sermon. Arranged by Julian Hay. 21st Century,A Cappella,Contemporary,Pop,Rock. Octavo. 8 pages. Julian Hay #870899. Published by Julian Hay (A0.1279417). This arrangement was commissioned for, and premiered by, Voices Co. Pop A Cappella Academy, for one of our Junior Ensembles. It is fun and catchy and features a Vocal Percussion part (Beatboxing).VOCAL LAYOUT:The melody, or lead line, is divided amongst the vocal parts to give variety. The B.G (background) parts replicate the instrumental accompaniment of the original track, filling out the arrangement and creating the contemporary texture that is at the heart of Pop A Cappella. The Vocal Percussion (Beatboxing) should be a feature, and they provide the arrangement with much of the groove and vibe it needs.The dynamics give an indication which vocal parts should be strongest at any given moment, but changes may need to be made depending on the number / balance of singers, and the strengths of each vocal section. As a general rule, the melody or lead should be strongest, followed by any harmony parts (those with lyrics), followed by any background parts (Mmm's / Dmm's, etc).RHYTHM & BASS:This Beatboxing part is suitable for medium level vocal percussionists, and is made up of groupings of patterns. Specific Beatboxing notes are included in their own section.If your ensemble is without a lower voice or a beatboxer you could consider the following options.- Use electric bass guitar playing the bass part- Use a drum kit or drum box (Cajon)- Use a piano to provide some simple background accompanimentIf using clicks or claps, do so on the off beats (2 and 4).PERSONAL ASSISTANCE:If you need any assistance please don't hesitate to get in touch with us directly, we'd be happy to reply to any questions via email, or you can also book in a 1:1 consultation between your M.D and Julian Hay, or a Zoom workshop with your ensemble for specific feedback:E. Â hello@voicesco.nzW. Â www.voicesco.nz.
$2.49 ≈
2.33€
Zap!
Zap!
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Contemporain
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Christine Southworth
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Evan Ziporyn
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Zap!
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Airplane Ears Music
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th...
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Large Ensemble Cello,Double Bass,Drum Set,Guitar,High Voice,Low Voice,Piano,Xylophone - Level 5 - SKU: A0.1013064 Composed by Christine Southworth. 20th Century,Contemporary. Score and parts. 61 pages. Airplane Ears Music #5802121. Published by Airplane Ears Music (A0.1013064). Zap! (2005, 45 minutes) for Van de Graaff Generator, Lyricon, voices, guitar, cello, bass, percussion, piano, robotic xylophone and electronics. The sound of electricity at its rawest and most majestic - sparks, booms, lightning bolts, sizzling corona and low hums from giant motors - intermingle with the sounds of cello, bass, guitar, piano, clarinets, percussion and voice. Christine Southworth created Zap! in 2004 to explore these possibilities, using the Boston Museum of Science's Theater of Electricity as her venue and instrument. Its centerpiece - MIT Professor Robert Van de Graaff's eponymous Generator, was born in 1931 as one of the world's largest atom smashers. It is still the largest of its kind in the world, standing forty-feet tall and producing up to 1.5 million volts of electricity. Zap!, a composition in seven parts, takes the sounds of this machine, two large Tesla Coils, and a Jacob's Ladder, merged with rock rhythms and sweet melodies performed by Robert Black, David Cossin, Felix Fan, Philippa Thompson, Eddie Whalen, & Evan Ziporyn. The resulting music is ... electrifying!Premiered February 4, 2005 at Boston Museum of Science by Ensemble Robot, Jeff Lieberman (guitar), Blake Newman (bass), Sachi Sato (keyboard), Mei-mi Lin (keyboard), Akili Haynes (percussion, voice), Erik Nugent (Lyricon, voice), Rebecca Zook (cello), Christine Southworth (voice, Van de Graaff controls), Leila Hasan (Van de Graaff controls), Giles Hall (robot controls).About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$20.00 ≈
18.71€
Only You
Only You
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Vince Clarke
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Simon James
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Only You
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DML
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.928258 Composed by Vince Clarke. Arranged by Simon James. 20th Century,Pop. Score a...
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Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - SKU: A0.928258 Composed by Vince Clarke. Arranged by Simon James. 20th Century,Pop. Score and parts. 5 pages. DML #5742517. Published by DML (A0.928258). Only You is a song written by English musician Vince Clarke. He wrote it while with Depeche Mode, but recorded it in 1982 after forming the duo Yazoo with Alison Moyet. It was released as Yazoo's first single on 15 March 1982 in the United Kingdom, and became an instant success on the UK singles chart, peaking at number 2. It was released again in 1983 in an a cappella version by the Flying Pickets and became the UK Christmas No 1 that year. Vince Clarke originally wrote the music for the song on a guitar, and transposed the riff into synthesizer notes. This is clear from the chord structure so I have arranged it using a constantly descending bass for the first two verses. For the final verse, to give a sense of drama which is clear from the lyrics, I have switched to a three fingered chord rhythm but kept elements of the descending bass. The little tune on the outro could be sung but if you have a second guitarist could also be played.
$4.99 ≈
4.67€
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At the Zoo Guitar
