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Vous avez sélectionné:
BATTLE OF THE WINDS Piano Solo
Partitions à imprimer
10 partitions trouvées
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1
BATTLE OF THE WINDS Piano Solo
BATTLE OF THE WINDS Piano Solo
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Piano seul
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FACILE
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Natale Farrell
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BATTLE OF THE WINDS Piano Solo
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Natale Farrell
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.896544 Composed by Natale Farrell. Concert,Contemporary,Film/TV,Halloween,Standards. Score. 4 pages. Natale Farrell #5900...
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Piano Solo - Level 2 - SKU: A0.896544 Composed by Natale Farrell. Concert,Contemporary,Film/TV,Halloween,Standards. Score. 4 pages. Natale Farrell #5900047. Published by Natale Farrell (A0.896544). This song came to Natale like a tornado! She wrote it in about one hour! It's a fast and furious exciting song that her piano students love to play! It is written in G minor and is in 6/8 time. It is an early intermediate level piece. Be sure to see the adorable, animated video on YouTube with Battle of the Winds played in the background! https://www.youtube.com/watch?v=uhyOQiKTvMY.
$2.99 ≈
£2.33
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
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Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
£23.31
The Best Hymns of All Time (for Wind Instruments) Book 3
The Best Hymns of All Time (for Wind Instruments) Book 3
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin K...
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Concert Band - Level 2 - SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99 ≈
£24.90
The Best Hymns of All Time (for Strings) Book 3
The Best Hymns of All Time (for Strings) Book 3
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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Worship, General Worship
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Vario...
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String Quartet, String Orchestra, Playable by any size string ensemble from quartet upwards - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Sacred, Praise & Worship, General Worship. Score, Set of Parts. 65 pages. Published by Colin Kirkpatrick Publications
The Best Hymns of All Time
Arranged for Strings by Colin Kirkpatrick
Book 3
We?re really excited to present the third and last book of our collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of stringed instruments: string quartet or quintet or any size string ensemble. They are presented in a set of three books and include full four-part instrumental scores plus four separate parts for 1st violin, 2nd violin, viola and cello (and double bass). The bass part is also optional because it doubles the cello part an octave lower. There?s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. To make the music accessible to less experienced players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position. However, to produce a brighter and richer sound, a few of the more experienced violinists could play an octave higher. You can hear this effect in the audio samples.
These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you?ll ever need. The scores and all the parts of Book 2 are contained in a single 65-page PDF file.
Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus? Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George?s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre).
The audio samples include (1) All things Bright and Beautiful, (2) How Firm a Foundation, (3) Kum Ba Yah and (4) Morning has Broken. The music has been set in string-friendly keys so they are not compatible with the brass collection of the same name.
$25.99 ≈
£20.23
The Battle Cry of Freedom
The Battle Cry of Freedom
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George F
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Richard Giszczak
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The Battle Cry of Freedom
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1099295 Composed by George F. Root (1820–1895). Arranged by Richard Giszczak. 19th Century,Histori...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1099295 Composed by George F. Root (1820–1895). Arranged by Richard Giszczak. 19th Century,Historic,March,Patriotic. Individual part. 4 pages. Singing Winds Music Company #703177. Published by Singing Winds Music Company (A0.1099295). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 2 variations, and a D.S. al Fine. The tune dates from the American Civil War era, about 1862.
$2.00 ≈
£1.56
The Hero and Damned, An Opera In Four Acts, Individual Instruments 1 of 2 (Woodwinds and Brass)
The Hero and Damned, An Opera In Four Acts, Individual Instruments 1 of 2 (Woodwinds and Brass)
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Hero and Damned, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730483 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. Jam...
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Full Orchestra - Level 5 - SKU: A0.730483 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 338 pages. James Nathaniel Holland #4331497. Published by James Nathaniel Holland (A0.730483). FIRST SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Woodwinds and Brass). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$80.25 ≈
£62.47
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
£30.32
CuthbertPraise Patriotic Hymns Collection, Volume 4
CuthbertPraise Patriotic Hymns Collection, Volume 4
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Various
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Randy Adams
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CuthbertPraise Patriotic Hymns
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Randy Adams
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.919591 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Score. 50 pages. R...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.919591 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Score. 50 pages. Randy Adams #4638807. Published by Randy Adams (A0.919591). The CuthbertPraise Patriotic Hymns Collection is designed for flexibility and ease of use with many different instruments in many combinations. Each hymn contains an original descant and parts for brass, winds, strings, percussion, piano and even guitar. The arrangements can be used for any size group from solo, duet or trio, brass quartet or quintet, or even full band or orchestra. Substitute parts are clearly marked and may be mixed and matched to suite instrument availability. The Collection is designed to work well with group and congregational singing and will integrate seamlessly with most hymnals. Volume 4 includes Battle Hymn of the Republic, Faith of Our Fathers and Lead On O King Eternal.
$25.00 ≈
£19.46
PANGE LINGUA
PANGE LINGUA
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Cloches
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INTERMÉDIAIRE
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Musique Sacrée
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Sarum Plainsong, Mode III
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John R
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PANGE LINGUA
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Singing Winds Music Company
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SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.823683 Composed by Sarum Plainsong, Mode III. Arranged by John R. Knox & Richard Giszczak. Easter,Praise ...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.823683 Composed by Sarum Plainsong, Mode III. Arranged by John R. Knox & Richard Giszczak. Easter,Praise & Worship,Sacred. Individual part. 2 pages. Singing Winds Music Company #6326147. Published by Singing Winds Music Company (A0.823683). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of 3 variations and a full statement of the theme.The hymn tune name is PANGE LINGUA. The words Sing, My Tongue, the Glorious Battle are associated with Lent. The words Now, My Tongue, the Mystery Telling are associated with communion. The arrangement is by Richard Giszczak with verse 3 by John R. Knox.
$2.00 ≈
£1.56
Harry Lee. A Ballad
Harry Lee. A Ballad
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George J
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Harry Lee. A Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.3412 Composed by George J. Anderson. Shipwrecks, Naval warfare, Heroes, Death, Campaigns & battles. Les...
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Piano and voice (solo and SATB chorus) - SKU: LV.3412 Composed by George J. Anderson. Shipwrecks, Naval warfare, Heroes, Death, Campaigns & battles. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3412). Harry Lee. A Ballad. Written and Composed by Geo. J. Anderson. Published 1855 by Millet's Music Saloon, 329 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Shipwrecks, Naval warfare, Heroes, Death, Campaigns & battles. First line reads The wild winds sigh o'er the ocean wave, a requiem sad for thee.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.66
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BATTLE OF THE WINDS Piano Solo
