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Vous avez sélectionné:
BLEST ARE YOU Lead Sheet
Partitions à imprimer
8 partitions trouvées
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BLEST ARE YOU - Lead Sheet
BLEST ARE YOU - Lead Sheet
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Musique Sacrée
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Gospel Spirituel
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Gary Lanier
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Gary Lanier
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BLEST ARE YOU - Lead Sheet
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The Lanier Company
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SheetMusicPlus
Small Ensemble Drums,Guitar,Piano,Voice - Level 3 - SKU: A0.616977 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,S...
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Small Ensemble Drums,Guitar,Piano,Voice - Level 3 - SKU: A0.616977 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 1 pages. The Lanier Company #3897707. Published by The Lanier Company (A0.616977). BLEST ARE YOU is a Praise and Worship Lead Sheet with melody, lyrics, and chords. Ideal for a praise and worship team and praise band (piano, guitar, electric bass and drum set). Also great for anyone who loves singing and playing praise and worship music from a lead sheet.
$1.99 ≈
$2.71
JAZZBLEST
JAZZBLEST
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Musique Sacrée
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Ramona Borthwick
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Ramona Borthwick
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JAZZBLEST
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Leitmotif
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borth...
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Choral Choir (4-Part) - Level 4 - SKU: A0.933514 By Ramona Borthwick. By Ramona Borthwick, Lyrics: The Rev'd Gretchen Grimshaw. Arranged by Ramona Borthwick. Jazz,Praise & Worship,Sacred. Octavo. 24 pages. Leitmotif #553543. Published by Leitmotif (A0.933514). A Eucharistic Liturgy of Reverence and Delight! JazzBlest is a completely original and delightful collection of Eucharistic service music that honors the traditional structure of an Anglican/Episcopal mass, while it reimagines the contours of its expression. The music is written for SATB voices, and is intended to be performed with the accompaniment of a jazz trio or quartet. The scores include lead sheets for the accompanists/soloists.The Gloria is joyous and uplifting, and the lyrics feature Wisdom as the image of the divine. The Gospel Acclamation features an infectious Afro-Cuban rhythm, while the setting for the Nicene Creed is both fresh and accessible; and can be readily taught to the congregation for regular use. The Doxology is a lively and textured tribute to the devotions of Anglican Caroline Divine, Lancelot Andrewes. And the Eucharistic service music offers a brand new sound for the familiar words of the Sursum Corda, Sanctus, Memorial Acclamation, and Great Amen - all of which use traditional lyrics in wonderful new rhythms and progressions. The Fraction Anthem restates unity inherent in the Eucharist in fresh new musical and lyrical terms. And finally, the Benediction could not be a more uplifting jazz anthem with its accented drum beats and invitation to go in peace, go in love, and let the Holy Spirit be the guide! Credits: All of the music in JazzBlest is composed by jazz pianist/composer Ramona Borthwick, (www.ramonaborthwick.com) whose immense talent and musical imagination are ever present in and through this amazingly fresh liturgy. The lyrics, other than the traditional fare, are written by The Rev'd. Gretchen Grimshaw who serves as the rector of the Episcopal Parish of St. Paul, Newton Highlands, Massachusetts. Also Available: In addition to the service music from JazzBlest, also available for purchase are two gorgeous and compelling anthems that expand the reach and appeal of this Christian Eucharist. Eight Winds is a powerful Prelude or Offertory Anthem that integrates the Eight Winds of the Buddhist tradition with the pre-eminent Christian message that love trumps all else. And Rio Alegre (River of Joy) is a saucy Latin anthem, a great Postlude that relates the rhythm and context of life to the flow of a river, bubbling and accelerating with joyous possibility.
$12.99 ≈
$17.68
I Love You Lord
I Love You Lord
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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The Katinas
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Dana Thynes
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I Love You Lord
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Dana Thynes
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1107484 By The Katinas. By David Fellingham. Arranged by Dana Thynes. 20th Century,Christian,Contemporary,P...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1107484 By The Katinas. By David Fellingham. Arranged by Dana Thynes. 20th Century,Christian,Contemporary,Praise & Worship,Religious. Score. 3 pages. Dana Thynes #710147. Published by Dana Thynes (A0.1107484). For piano, voice, and guitar, in the key of G. A lovely & sing-able melody with just three chords makes these simple words come alive: I love You, Lord, and I lift my voice... to worship you - oh my soul, rejoice! Take joy, my King, in what you hear. Let it be a sweet, sweet sound in your ear. I Love You, Lord, is a pretty piano arrangement that runs through the melody twice, with an extra lead and guitar tabs sheet attached. To hear an audio recording of this arrangement, visit https://www.singthebiblestory.com/i-love-you-lord.html or https://www.music-for-music-teachers.com/i-love-you-lord-sheet-music.html. In the key of G.
$5.99 ≈
$8.15
I Love You Lord
I Love You Lord
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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The Katinas
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Dana Thynes
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I Love You Lord
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Dana Thynes
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1107481 By The Katinas. By David Fellingham. Arranged by Dana Thynes. 20th Century,Christian,Contemporary,P...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1107481 By The Katinas. By David Fellingham. Arranged by Dana Thynes. 20th Century,Christian,Contemporary,Praise & Worship,Religious. Score. 3 pages. Dana Thynes #710140. Published by Dana Thynes (A0.1107481). For piano, voice, and guitar, in the key of F. A lovely & sing-able melody with just three chords makes these simple words come alive: I love You, Lord, and I lift my voice... to worship you - oh my soul, rejoice! Take joy, my King, in what you hear. Let it be a sweet, sweet sound in your ear. I Love You, Lord, is a pretty piano arrangement that runs through the melody twice, with an extra lead and guitar tabs sheet attached. To hear an audio recording of this arrangement, visit https://www.singthebiblestory.com/i-love-you-lord.html or https://www.music-for-music-teachers.com/i-love-you-lord-sheet-music.html. In the key of F.
$5.99 ≈
$8.15
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
$20.41
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BLEST ARE YOU Lead Sheet
