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Vous avez sélectionné:
Bastard
Partitions à imprimer
50 partitions trouvées
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26
The Idiot Bastard Son
The Idiot Bastard Son
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Frank Zappa
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James M
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The Idiot Bastard Son
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1103687 Composed by Frank Zappa. Arranged by James M. Guthrie. 20th Century,Chamber...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1103687 Composed by Frank Zappa. Arranged by James M. Guthrie. 20th Century,Chamber,Contemporary,Contest,Festival,Rock. 11 pages. Jmsgu3 #706658. Published by jmsgu3 (A0.1103687). Score: 6 pages. Duration: ca: 2:30Frank Zappa, also known as The Idiot Bastard Son, was an American musician, composer, and film director. He was best known for his unique and diverse music style, which blended elements of rock, jazz, classical, and avant-garde music. He was also an outspoken critic of censorship and the government, and was an advocate for free speech and the right to express oneself. Zappa's albums, such as Hot Rats and Apostrophe, remain some of the most influential albums in rock history. Zappa also wrote music for film and television, and directed several feature-length films. He died in 1993, but his influence on music and culture continues to be felt today.
$119.95 ≈
107.14€
You Lucky Bastard
You Lucky Bastard
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Accordéon
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FACILE
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Blues
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Celtique/Irlandais
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Luc Papens
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You Lucky Bastard
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Luc Papens
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SheetMusicPlus
Composed by Luc Papens. Blues,Celtic,Folk,Irish,Rock. 32 pages. Luc Papens #893012. Published by Luc Papens...
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Composed by Luc Papens. Blues,Celtic,Folk,Irish,Rock. 32 pages. Luc Papens #893012. Published by Luc Papens
$49.99 ≈
44.65€
Bastard by M tley Cr e - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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M tley Cr e
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Bastard
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Musicnotes
Performed by: M tley Cr e: Bastard Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), sc...
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Performed by: M tley Cr e: Bastard Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 4 pages -- Hair-Metal~~Hard Rock~~Heavy Metal~~Pop Rock~~Album Rock
$5.50 ≈
4.91€
The Greatest Bastard by Damien Rice - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Damien Rice
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The Greatest Bastard
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Musicnotes
Performed by: Damien Rice: The Greatest Bastard Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complet...
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Performed by: Damien Rice: The Greatest Bastard Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar; 9 pages -- Folk~~Singer-Songwriter~~Indie Pop~~Alternative Folk
$5.95 ≈
5.31€
Bastard by Ben Folds - Piano/Vocal/Chords
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Piano, Voix
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Ben Folds
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Bastard
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Musicnotes
Performed by: Ben Folds: Bastard Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrang...
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Performed by: Ben Folds: Bastard Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 8 pages -- Adult Alternative~~Alternative Pop/Rock~~Brit-Pop~~Pop Rock~~Singer-Songwriter~~Piano Rock
$5.75 ≈
5.14€
Happy Holidays, You Bastard by blink-182 - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitare notes et tablatures
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blink-182
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Happy Holidays, You Bastard
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Musicnotes
Performed by: blink-182: Happy Holidays, You Bastard Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet mus...
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Performed by: blink-182: Happy Holidays, You Bastard Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Voice;Guitar;Backup Vocals; 3 pages --
$5.50 ≈
4.91€
Finally what s remain is only ma blues
Finally what s remain is only ma blues
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Piano seul
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Blues
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Valerio Luciano Bagarella
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Finally what s remain is only
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Valerio Bagarella
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SheetMusicPlus
Piano - SKU: A0.1072499 Composed by Valerio Luciano Bagarella. Blues. Full Performance. Duration 216. Valerio Bagarella #3141459. Published by Valerio B...
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Piano - SKU: A0.1072499 Composed by Valerio Luciano Bagarella. Blues. Full Performance. Duration 216. Valerio Bagarella #3141459. Published by Valerio Bagarella (A0.1072499). Finally ... what s remain is only my blues.There are things we can have, things that we can obtain,Efforts done for something and efforts done for nothing.This it s what happen with you sweety girl...All my rushing for nothing.....And after this , really I feel to growin older.it remain only a taste of you, the good souvenir of good times spent together and my usual bastard bluesstill jumping on my sholdersand knocking hard my head......
$3.00 ≈
2.68€
Bastards Of Light
Bastards Of Light
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Rock Alternatif
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Rock
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The Red Hot Chili Peppers
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Bastards Of Light
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Hal Leonard - Digital
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SheetMusicPlus
Bass Guitar,Bass Voice - SKU: HX.1116023 By The Red Hot Chili Peppers. This edition: scorch. Alternative,Rock. Score. 7 pages. Hal Leonard - Digital #34...
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Bass Guitar,Bass Voice - SKU: HX.1116023 By The Red Hot Chili Peppers. This edition: scorch. Alternative,Rock. Score. 7 pages. Hal Leonard - Digital #341745. Published by Hal Leonard - Digital (HX.1116023).
$4.99 ≈
4.46€
Bastards Of Light
Bastards Of Light
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Guitare notes et tablatures
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Rock
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The Red Hot Chili Peppers
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Bastards Of Light
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Hal Leonard
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SheetMusicPlus
By The Red Hot Chili Peppers. This edition: scorch. Rock. Guitar Tab. 6 pages. Hal Leonard #341745. Published by Hal Leonard ...
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By The Red Hot Chili Peppers. This edition: scorch. Rock. Guitar Tab. 6 pages. Hal Leonard #341745. Published by Hal Leonard
$4.99 ≈
4.46€
Sueño-Vibrant
Sueño-Vibrant
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Chorale SATB
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AVANCÉ
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Kristian S Rodriguez
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Sueño-Vibrant
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Kristian S. Rodriguez
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1023342 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 43 pages. Kristian S. Rodriguez #51...
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Choral Choir (SATB) - Level 5 - SKU: A0.1023342 Composed by Kristian S Rodriguez. 20th Century,Contemporary. Octavo. 43 pages. Kristian S. Rodriguez #5191607. Published by Kristian S. Rodriguez (A0.1023342). I composed this work partially to serve as my master’s thesis, but also to explore the blurring and eradication of boundaries – whether the boundaries are musical, social, cultural, linguistical, or political. I wanted to create a work that would explore the boundaries of my own dual identities, such as Mexican or American, or masculine or feminine, and that of my varied interests, such as popular, jazz, and European art music. After half a year of work, Sueño-Vibrant is the dazzling, whirlwind of a result (vibrant is pronounced just as it is in English). I worked with poet Marco Piña because we share many similar artistic philosophies owing to our mutual identities as bilingual Chicanxs. Bastardized Spanglish Translations portrays an individual going through a painful break-up, whereas Night Song is about self-discovery of
$19.99 ≈
17.85€
Violin Concerto No. 6 in a minor RV 356 Op. 3 (First Movement Allegro)
Violin Concerto No. 6 in a minor RV 356 Op. 3 (First Movement Allegro)
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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DEE BRAXTON PELLEGRINO
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Violin Concerto No. 6 in a min
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Dee Braxton-Pellegrino
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1213949 Composed by Antonio Vivaldi. Arranged by DEE BRAXTON PELLEGRINO...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 4 - SKU: A0.1213949 Composed by Antonio Vivaldi. Arranged by DEE BRAXTON PELLEGRINO. Baroque,Chamber,Classical,Instructional. 15 pages. Dee Braxton-Pellegrino #811146. Published by Dee Braxton-Pellegrino (A0.1213949). An arrangement of the Suzuki Book 4 Vivaldi a minor first movement for two violins. The second violin part was improvised out of necessity because I (the teacher) am not proficient at playing the orchestral reduction out of the accompaniment book. This duet stands alone but I have included an optional piano part and an optional cello part (piano LH). This arrangement has been performed very successfully both as a duet and with the optional piano and cello. Honestly? I am not sure if my arrangement is anything like Vivaldi's backup but I hope he'd be flattered. I have a lot of repertoire that I have bastardized with my teacher violin improvs and I will be releasing these as my Do It As a Duet series. I hope you and your students enjoy this piece!
$15.00 ≈
13.40€
Morango ... almost a tango, full score
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99 ≈
8.92€
Zombie Bastards [late intermediate] by Jennifer Eklund - Piano Solo
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Piano seul
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Jennifer Eklund
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Zombie Bastards [late intermed
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Musicnotes
Performed by: Jennifer Eklund: Zombie Bastards [late intermediate] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable dig...
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Performed by: Jennifer Eklund: Zombie Bastards [late intermediate] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 7 pages -- Pop Rock~~Power Pop~~Alternative Pop/Rock~~Punk-Pop~~Instrumental Rock~~Solo Instrumental
$5.99 ≈
5.35€
Zombie Bastards [intermediate] by Jennifer Eklund - Piano Solo
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Piano seul
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INTERMÉDIAIRE
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Jennifer Eklund
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Zombie Bastards [intermediate]
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Musicnotes
Performed by: Jennifer Eklund: Zombie Bastards [intermediate] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital ...
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Performed by: Jennifer Eklund: Zombie Bastards [intermediate] Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 7 pages -- Rock~~Solo Instrumental~~Alternative Pop/Rock
$5.99 ≈
5.35€
There Ain't Half Been Some Clever Bastards by Ian Dury - Piano/Vocal/Guitar, Singer Pro
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Piano, Voix et Guitare
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Ian Dury
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There Ain't Half Been Some Cle
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Musicnotes
Performed by: Ian Dury: There Ain't Half Been Some Clever Bastards Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadabl...
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Performed by: Ian Dury: There Ain't Half Been Some Clever Bastards Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 4 pages -- New Wave~~Punk~~Rock & Roll~~British Punk
$5.50 ≈
4.91€
Here Come the Bastards by Primus - Bass TAB, Guitar TAB/Bass TAB;Guitar TAB
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Basse electrique
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Primus
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Here Come the Bastards
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Musicnotes
Performed by: Primus: Here Come the Bastards Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
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Performed by: Primus: Here Come the Bastards Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Bass Tab;Guitar/Vocal, instruments: Voice;Guitar;Bass Guitar;Backup Vocals;Strum; 4 pages -- Alternative Metal~~Alternative Pop/Rock~~Funk Metal~~Heavy Metal~~Indie Rock
$5.50 ≈
4.91€
Bastards of Bodom by Children of Bodom - Guitar Recorded Versions (with TAB), Guitar TAB Transcription/Guitar Recorded Versions (with TAB);Guitar TAB Transcription
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Guitare notes et tablatures
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Children of Bodom
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Bastards of Bodom
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Musicnotes
Performed by: Children of Bodom: Bastards of Bodom Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music...
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Performed by: Children of Bodom: Bastards of Bodom Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab;Guitar/Vocal, instruments: Strum;Voice;Guitar 1;Guitar 2;Guitar 3;Guitar 4;Guitar 5;Guitar 6; 10 pages -- Black Metal~~Death Metal~~Heavy Metal~~Speed Metal
$5.50 ≈
4.91€
Victimae Paschali a 6
Victimae Paschali a 6
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Niccolò Jommelli
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Guido Menestrina
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Victimae Paschali a 6
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Guido Menestrina
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SheetMusicPlus
Choral Choir,Choral - Level 4 - SKU: A0.1399473 By Niccolò Jommelli. By Niccolò Jommelli. Arranged by Guido Menestrina. Baroque,Chamber,Christian,...
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Choral Choir,Choral - Level 4 - SKU: A0.1399473 By Niccolò Jommelli. By Niccolò Jommelli. Arranged by Guido Menestrina. Baroque,Chamber,Christian,Easter,Sacred. 20 pages. Guido Menestrina #982762. Published by Guido Menestrina (A0.1399473). Composizione per coro a 6 voci (SSAATB), soprano solo e quartetto (SATB) con basso continuo per il giorno di Pasqua, di Niccolò Jommelli (1714-1774). Allievo di Francesco Durante e di Leonardo Leo, si dice che all'inizio degli anni '40, come molti musicisti, compreso il Leo, si fosse recato a Bologna per apprendere da padre Martini; -Chi siete voi?, chiese Martini, volete burlarvi di me? Sono io che voglio apprendere da voi! Dal '48 al '54 fu maestro di cappella in S.Pietro a Roma, ed è a questo periodo che deve ascriversi il brano che proponiamo in trascrizione. Gli ultimi vent'anni di vita li passò in Germania, maestro di cappella dei Württemberg a Stoccarda; qui si imbastardì il suo bel barocco, napoletano-romano, appesantendosi (almeno secondo i contemporanei in patria) di ornamenti inopportuni. Trascrizione a cura di Guido Menestrina dai manoscritti della Biblioteca Nazionale di Spagna e della Biblioteca Palatina di Parma, disponibile in chiavi moderne A Score for 6 voices choir (SSAATB), soprano solo, and SATB quartet by Niccolò Jommelli, who was Durante's and Leo's pupil and very much appreciated by G.B.Martini at his time. He was maestro di cappella in St.Peter's Cathedral in Rome in the period he composed this music. In the last 20 years of his life he was chapelmaster in Stuttgart, where his clean Neapolitan baroque style got heavier and full of embellishments.
$2.99 ≈
2.67€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Flute 1
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Flûte traversière
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Pub...
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Flute Solo - Level 5 - SKU: A0.1018922 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072947. Published by Benjamin Sajo (A0.1018922). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.13€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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Cor
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #607296...
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French Horn Solo - Level 5 - SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.13€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1
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Basson
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...
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Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.13€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinette
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AVANCÉ
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. ...
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Clarinet Solo - Level 5 - SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.13€
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo ...
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Percussion Solo,Timpani - Level 5 - SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.13€
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Bastard
