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Beauty Has It Hard

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23 partitions trouvées

Beauty Has It Hard

Beauty Has It Hard #Piano seul #INTERMÉDIAIRE #Contemporain #Joshua Redman & The Bad Plus #Sodara HANG #Beauty Has It Hard #Sodara HANG #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.927967 By Joshua Redman & The Bad Plus. By David Dwyane King. Arranged by Sodara HANG. Contemporary. Score. 6 pages. Soda...(+)

$9.99 ≈ 9.24€

Toccata and Fugue in D Minor (BWV 565) - Johann Sebastian Bach [HARD PIANO]

Toccata and Fugue in D Minor (BWV 565) - Johann Sebastian Bach [HARD PIANO] #Piano seul #INTERMÉDIAIRE/AVANCÉ #Johann Sebastian Bach #Darek #Toccata and Fugue in D Minor #Darek #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1465944 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Religious. Score. 6 pages. Da...(+)

$6.00 ≈ 5.55€

Minuet in G major (HARD PIANO) BWV Anhang 114 [Johann Sebastian Bach]

Minuet in G major (HARD PIANO) BWV Anhang 114 [Johann Sebastian Bach] #Piano seul #INTERMÉDIAIRE/AVANCÉ #Classique #offering this advanced #Johann Sebastian Bach #Darek #Minuet in G major #Darek #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1258702 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #85196...(+)

Piano Solo - Level 4 - SKU: A0.1258702 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #851961. Published by Darek (A0.1258702). Minuet in G major (HARD PIANO) BWV Anhang 114 by Johann Sebastian Bach (from 1970 it was discovered that proper composer was Christian Petzold)Advanced arrangement for pianists of Minuet in G major BWV Anhang 114 (Menuet G-dur) by Johann Sebastian Bach.Â Advanced version for piano / Difficult notes arrangement. Included: Fingering, Dynamics, Articulation and video Youtube tutorial.Â Immerse yourself in the profound musicality of Johann Sebastian Bach's Minuet in G major BWV Anhang 114 (Menuet G-dur) with my advanced-level piano sheet music. This iconic composition from the Baroque era offers a formidable challenge for accomplished pianists seeking to push the boundaries of their musical prowess. Designed to meet the needs of advanced pianists, my sheet music provides an exceptional level of detail and insight. It includes meticulous fingering instructions that guide your hands through the intricate passages, ensuring precision and fluidity in your performance. Furthermore, dynamics and articulation markings are meticulously notated to bring out the expressive nuances and capture the essence of Bach's musical genius. As an advanced pianist, you constantly strive for excellence in your playing. My sheet music package goes beyond the notes on the page, offering a comprehensive approach to understanding and interpreting this masterpiece. Each page is filled with valuable insights and interpretive suggestions that will elevate your performance to new heights. To further enrich your learning experience, I provide a video tutorial on YouTube. This tutorial serves as a valuable resource, offering in-depth analysis and demonstrations of the Minuet in G major. You'll gain a deeper understanding of the composer's intentions, as well as valuable performance techniques and interpretations from professional pianists. By offering this advanced-level sheet music, I cater to the needs of pianists who are eager to tackle challenging repertoire and showcase their technical and artistic abilities. Bach's Minuet in G major is a testament to the complexity and brilliance of Baroque music, allowing you to explore intricate counterpoint, ornamentation, and the interplay of voices. Delve into the world of Bach, and let the Minuet in G major become your platform for musical exploration and growth. With its inclusion of fingering instructions, dynamics, articulation markings, and a video tutorial, my sheet music package is a valuable resource for advanced pianists seeking to master this iconic composition. Don't miss the opportunity to challenge yourself and uncover the depth and complexity of Bach's genius. Purchase my advanced-level sheet music today and embark on a transformative journey through the intricacies of the Minuet in G major. Let this masterpiece be a testament to your skill and dedication as an accomplished pianist, and a testament to the enduring beauty of Bach's musical legacy.

$3.00 ≈ 2.77€

Chorus and Aria from Ariadne auf Naxos
Chorus and Aria from Ariadne auf Naxos #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Richard Strauss #Rod Whittle #for solo classical guitar #Chorus and Aria from Ariadne a #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...(+)

Solo Guitar - Level 4 - SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â€¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.

$7.00 ≈ 6.47€

'A golden time ...' from Ariadne auf Naxos
'A golden time ...' from Ariadne auf Naxos #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Richard Strauss #Rod Whittle #for solo classical guitar #'A golden time ...' from Ariad #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...(+)

Solo Guitar - Level 4 - SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â€¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.

$7.00 ≈ 6.47€

Excerpt from the Last Part of Ariadne Auf Naxos
Excerpt from the Last Part of Ariadne Auf Naxos #Guitare #INTERMÉDIAIRE #Classique #Richard Strauss #Rod Whittle #Excerpt from the Last Part of #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music ...(+)

Solo Guitar - Level 3 - SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â€¦' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.

$7.00 ≈ 6.47€

Overture from Ariadne auf Naxos
Overture from Ariadne auf Naxos #Guitare #INTERMÉDIAIRE/AVANCÉ #Classique #Richard Strauss #Rod Whittle #for solo classical guitar #Overture from Ariadne auf Naxo #Maggie Creek Music #SheetMusicPlus

Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music ...(+)

Solo Guitar - Level 4 - SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time â€¦'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.

$7.00 ≈ 6.47€

Be Our Guest
Be Our Guest #Alan Menken and Howard Ashman #Brian L #Be Our Guest #Brian Monroe Music Publications #SheetMusicPlus

Percussion Ensemble Bells,Chimes,Drum Set,Marimba,Multi-Percussion,Timpani,Vibraphone,Xylophone - Level 4 - SKU: A0.1467542 Composed by Alan Menken and ...(+)

Percussion Ensemble Bells,Chimes,Drum Set,Marimba,Multi-Percussion,Timpani,Vibraphone,Xylophone - Level 4 - SKU: A0.1467542 Composed by Alan Menken and Howard Ashman. Arranged by Brian L. Monroe. Broadway,Children,Film/TV,Musical/Show. 59 pages. Brian Monroe Music Publications (https://brianmonroemusic.com) #1045822. Published by Brian Monroe Music Publications (https://brianmonroemusic.com) (A0.1467542). 'Be Our Guest' from Beauty and the Beast, a classic Disney clasic, has been expertly arranged for an Intermediate-Advanced percussion ensemble. It's designed to challenge and inspire, while remaining within the technical reach of most high school students. Scored for 10 percussionists, it features 7 Mallet percussionists, Drum set, Timpani and Auxiliary Percussion. The keys used are Bb, C, and Db. A breakdown is listed below. Parts Assignments: Bells 1: hard plastic Bells 2: hard plastic Xylophone: Polyball Vibraphone: Medium Hard Chimes: 2 chime mallets Marimba 1: Medium Mallets Marimba 2. (may be played on the same instrument as Mar. 1) Timpani: Staccato Mallets Auxiliary Percussion: Triangle, Suspended Cym, Temple Blocks, Tambourine, Finger Cymbals. Drum Set: Snare Drum, Bass Drum, Floor Tom, HiHat, Ride Cymbal, 2 Crash Cymbals, Splash Cymbal, Cowbell. Grade 4.

$18.00 ≈ 16.65€

Clair de Lune (with piano fingering as needed)
Clair de Lune (with piano fingering as needed) #Piano seul #INTERMÉDIAIRE #Classique #Claude Debussy #Scott Camp #Clair de Lune #Scott Camp #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 p...(+)

Piano Solo - Level 3 - SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.

$1.99 ≈ 1.84€

Feed The Birds (tuppence A Bag)
Feed The Birds (tuppence A Bag) #Film/TV #Richard M #Derek Hasted #Feed The Birds #Derek Hasted #SheetMusicPlus

B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.1285300 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Derek Hasted. Fil...(+)

B-Flat Clarinet,Guitar,Instrumental Duet - Level 3 - SKU: A0.1285300 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Derek Hasted. Film/TV. 12 pages. Derek Hasted #876416. Published by Derek Hasted (A0.1285300). FEED THE BIRDS (from Mary Poppins) - Bb CLARINET and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody features in the film â€œMary Poppinsâ€, where its beauty, simplicity and elegance really make this humble piece shine out.My arrangement for Bb clarinet and guitar includes all the verses and the instrumental break, wrapped up in an accessible arrangement that feels comfortable for both players. The guitar part is intermediate, the clarinet part is very slightly easier, and uses the low register to produce aÂ gentle sound.I have included some fingering for the guitar part so that itâ€™s clear which positions are used, and there are skeleton dynamics that reflect the different textures in the accompaniment. Please feel free to add more to make the performance yours.I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

$4.99 ≈ 4.61€

Feed The Birds (tuppence A Bag)
Feed The Birds (tuppence A Bag) #Flûte et Guitare #INTERMÉDIAIRE #Film/TV #Richard M #Derek Hasted #Feed The Birds #Derek Hasted #SheetMusicPlus

Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.1285299 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Derek Hasted. Film/TV. 11 p...(+)

Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.1285299 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Derek Hasted. Film/TV. 11 pages. Derek Hasted #876415. Published by Derek Hasted (A0.1285299). FEED THE BIRDS (from Mary Poppins) - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody features in the film Mary Poppins, where its beauty, simplicity and elegance really make this humble piece shine out.My arrangement for flute and guitar includes all the verses and the instrumental break, wrapped up in an accessible arrangement that feels comfortable for both players. The guitar part is intermediate, the flute part is very slightly easier.I have included some fingering for the guitar part so that itâ€™s clear which positions are used, and there are skeleton dynamics that reflect the different textures in the accompaniment. Please feel free to add more to make the performance yours.I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

$4.99 ≈ 4.61€

Feed The Birds (tuppence A Bag)
Feed The Birds (tuppence A Bag) #2 Guitares (duo) #INTERMÉDIAIRE #Film/TV #Richard M #Derek Hasted #Feed The Birds #Derek Hasted #SheetMusicPlus

Guitar,Instrumental Duet - Level 3 - SKU: A0.1285298 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Derek Hasted. Film/TV. 21 pages. ...(+)

Guitar,Instrumental Duet - Level 3 - SKU: A0.1285298 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Derek Hasted. Film/TV. 21 pages. Derek Hasted #876414. Published by Derek Hasted (A0.1285298). FEED THE BIRDS (from Mary Poppins) - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric GuitarDerek Hasted writes This delightful melody features in the film â€œMary Poppinsâ€, where its beauty, simplicity and elegance really make this humble piece shine out.My arrangements for two guitars include all the verses and the instrumental break, wrapped up in two accessible arrangements that feel comfortable for both players.There are two arrangements in this one edition...The student/teacher version gives one player the vocal line - one note at once - and the other player an accompaniment comprising chords, arpeggios and melody.The performance version swaps roles at phrase boundaries, giving more interest for players and audience alike, and which makes the two parts equal in standard.I have included some fingering for the accompaniment so that itâ€™s clear which positions are used, and there are skeleton dynamics that reflect the different textures in the arrangement. Please feel free to add more to make the performance yours.I hope you enjoy playing this lovely and moving piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.

$4.99 ≈ 4.61€

Kissing You
Kissing You #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE/AVANCÉ #Des'ree Weekes and Tim Atack #Sarah Cellobat Chaffee #Kissing You #Sarah Cellobat Chaffee #SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.526110 Composed by Des'ree Weekes and Tim Atack. Arranged by Sarah Cellobat Chaffee...(+)

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.526110 Composed by Des'ree Weekes and Tim Atack. Arranged by Sarah Cellobat Chaffee. Contemporary,Film/TV,Pop,Wedding. 15 pages. Sarah Cellobat Chaffee #4831723. Published by Sarah Cellobat Chaffee (A0.526110). Kissing You, a song originally written for a scene in Baz Luhrmann's feature film Romeo + Juliet where the title characters meet each other at a ball, was released both on the film's soundtrack and on the third studio album of its singer Des'Ree. This beautiful pared-down ballad (whose instrumentation features only the vocals, a pianist, and strings) earned Des'Ree critical acclaim, with many praising the emotional depth the song brought to the movie. Ever since its release, Kissing You has become a fan favorite and a very popular choice for weddings. This Cellobat arrangement for string quartet captures the beauty of the original, with many layers of lush (and sometimes unexpected) harmonies, a full range of dynamic intensity, the passionate melodic vocal line in the first violin, and the ethereal piano line in violin 2. Perfect for wedding ceremonies, receptions, proposals, vow renewals, solo & ensemble contests or any other occasion when your quartet wants to give your audience chills! Rated advanced-intermediate -- most of this chart remains in first position and is fairly simple to play, but there are some interesting rhythms to take a look at. The hardest thing about the song is that it sometimes lacks an evident beat, so listen closely to your group to make sure you're always together! Sarah â€œCellobatâ€ Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their â€œDeuces Are Wildâ€ residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perricoâ€™s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, MÃ¶tley CrÃ¼e, Celine Dion, Halsey, Michael BublÃ©, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat

$16.99 ≈ 15.71€

What you never dared to hope (Solo for 4.3 Marimba, 4 mallets, 4 minutes)
What you never dared to hope (Solo for 4.3 Marimba, 4 mallets, 4 minutes) #Marimba #Daniel Eisenhardt #What you never dared to hope #Camena Publishing #SheetMusicPlus

Marimba Solo - SKU: A0.941360 Composed by Daniel Eisenhardt. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 7 pages. Camena Publ...(+)

Marimba Solo - SKU: A0.941360 Composed by Daniel Eisenhardt. Concert,Contemporary,Instructional,Standards,Wedding. Individual part. 7 pages. Camena Publishing #3590939. Published by Camena Publishing (A0.941360). 'What you never dared to hope' is a solo piece for 4.3 octave marimba (four mallets) that I wrote for the baptism of our second daughter. It has a melancholic touch, but with an optimistic and warm feeling throughout. It's sounds very open and clear, with simplistic beauty. The middle section utilizes the unusual mandolin roll that puts a nice little twist on it.

$14.00 ≈ 12.95€

Blue Moon
Blue Moon #Violon, Violoncelle (duo) #INTERMÉDIAIRE #Elvis Presley #Homco/Crinion #Blue Moon #Homco/Crinion #SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1462607 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Homco/Crinion. Blues,Countr...(+)

Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.1462607 By Elvis Presley. By Lorenz Hart and Richard Rodgers. Arranged by Homco/Crinion. Blues,Country,Jazz,R & B,Rock. 5 pages. Homco/Crinion #1041365. Published by Homco/Crinion (A0.1462607). This is swing ballad from the 1930's that has adapted over the years. It has been recorded by crooners like Frank Sinatra; doo-wop groups like the Marcels; Motown groups like The Supremes; Jazz artists like Ella Fitzgerald; Rock legends like Elvis; country groups like The Mavericks, and even alternative groups like the Cowboy Junkies. It is a song of beauty and depth, with lyrics that transcend any label. It sentimentally speaks of being all alone, waiting to find that special someone who comes along once in a Blue Moon! This Duo arrangement has the Violin covering the swing melody while the Cello swings on the rhythm and bass.

$4.99 ≈ 4.61€

Elsa's Procession to the Cathedral
Elsa's Procession to the Cathedral #Richard Wagner #Caleb James #Elsa's Procession to the Cathe #Caleb James #SheetMusicPlus

Trumpet Ensemble Flugelhorn,Trumpet - Level 4 - SKU: A0.1269552 By Richard Wagner. By Richard Wagner. Arranged by Caleb James. Chamber,Contest,Festival,...(+)

Trumpet Ensemble Flugelhorn,Trumpet - Level 4 - SKU: A0.1269552 By Richard Wagner. By Richard Wagner. Arranged by Caleb James. Chamber,Contest,Festival,Romantic Period,Standards. 17 pages. Caleb James #862099. Published by Caleb James (A0.1269552). Elsa's Procession to the Cathedral is an iconic and stirring composition by the renowned German composer Richard Wagner, taken from his opera Lohengrin. This trumpet choir arrangement has been thoughtfully adapted for high school-level musicians, making it accessible for young players while retaining the grandeur and emotional depth of the original piece.Arranged specifically for three trumpets and six flugelhorns, this rendition of Elsa's Procession showcases the beauty and power of the trumpet family. The arrangement features ten trumpet parts, allowing for a diverse group of players to come together and create a harmonious and majestic performance.This arrangement is ideal for high school trumpet ensembles looking to explore classical and romantic repertoire while honing their ensemble playing skills. It offers an excellent opportunity for young musicians to work on dynamics, articulation, and phrasing, as well as to understand the emotional nuances within the music.

$9.99 ≈ 9.24€

Vocalise
Vocalise #2 Pianos, 4 mains #INTERMÉDIAIRE/AVANCÉ #Classique #Sergei Rachmaninoff #Richard Simm #Vocalise #Richard Simm #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800632 Composed by Sergei Rachmaninoff. Arranged by Richard Simm. Romantic Period. Score. 4 pages. Richa...(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.800632 Composed by Sergei Rachmaninoff. Arranged by Richard Simm. Romantic Period. Score. 4 pages. Richard Simm #5888483. Published by Richard Simm (A0.800632). This arrangement by Richard Simm for two pianos is based upon Rachmaninoff's orchestral version in E minor. The work was originally part of a set of 14 Romances for voice and piano, but its popularity has led to it being arranged for many combinations of instruments. The composer himself orchestrated the accompaniment both in its original key, with a singer as soloist, and in this higher key, scored for violin soloists. Its haunting beauty is best captured by playing softly, as if in the distance.

$7.95 ≈ 7.35€

Murmures
Murmures #Piano seul #FACILE #Richard Clayderman #@Jhavilah #Murmures #Jhavilah #SheetMusicPlus

Piano Solo - Level 2 - SKU: A0.1226710 By Richard Clayderman. By Paul De Senneville. Arranged by @Jhavilah. 20th Century,Classical,Romantic Period,Stand...(+)

Piano Solo - Level 2 - SKU: A0.1226710 By Richard Clayderman. By Paul De Senneville. Arranged by @Jhavilah. 20th Century,Classical,Romantic Period,Standards,Wedding. Score. 4 pages. Jhavilah #822709. Published by Jhavilah (A0.1226710). Murmures is a beautiful piano composition created by French pianist and composer Paul de Senneville. This serene and captivating piece was released in 1983, and it quickly became one of de Senneville's most popular works. As the music progresses, the listener is transported to a dreamlike state, as the soothing sounds of the piano envelop them in a warm, comforting embrace. The piece is filled with subtle nuances and intricate details, which create a sense of depth and richness to the music.Despite its simplicity, Murmures is an incredibly powerful piece of music that has the ability to evoke a wide range of emotions in the listener. It is a testament to de Senneville's skill as a composer, as he is able to create a complex and nuanced piece of music using only a piano.Overall, Murmures is a timeless masterpiece that continues to captivate and inspire audiences around the world. Its timeless beauty and emotional depth are a testament to the power of music to move and uplift us, even in our darkest moments.

$4.99 ≈ 4.61€

Sonata No. 2, Op. 120 for Euphonium and Piano
Sonata No. 2, Op. 120 for Euphonium and Piano #Euphonium, Piano (duo) #AVANCÉ #Classique #Johannes Brahms #Ralph Sauer #Sonata No. 2, Op. 120 for Euph #Gordon Cherry #SheetMusicPlus

Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Go...(+)

Euphonium,Piano - Level 5 - SKU: A0.820255 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Gordon Cherry #426769. Published by Gordon Cherry (A0.820255). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 2, Op. 120 for Euphonium and Piano. This major work of over 21 minutes in length is suitable for advanced performers. The Sonata No. 2 Op. 120 is a late work that was composed along with Sonata No. 1 in 1894. The work is in 3 movements: Allegro amabile, Allegro appassionato and Andante con moto. Soon after completing the composition, Brahms got together with Richard MÃ¼hlfeld for whom the solo was written and they performed both Sonatas with a private audience from Clara Schumann. Sonata No. 2 is a work of unimaginable beauty and will become a part of the Euphonium repertoire. If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!

$32.50 ≈ 30.05€

Sonata No. 1, Op. 120 for Euphonium and Piano
Sonata No. 1, Op. 120 for Euphonium and Piano #Euphonium, Piano (duo) #AVANCÉ #Classique #Johannes Brahms #Ralph Sauer #Sonata No. 1, Op. 120 for Euph #Gordon Cherry #SheetMusicPlus

Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherr...(+)

Euphonium,Piano - Level 5 - SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6687745. Published by Gordon Cherry (A0.792822). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Euphonium and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard MÃ¼hlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Euphonium repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!

$32.50 ≈ 30.05€

Sonata No 1, Op. 120 for Trombone and Piano
Sonata No 1, Op. 120 for Trombone and Piano #Trombone et Piano #AVANCÉ #Classique #Johannes Brahms #Ralph Sauer #Sonata No 1, Op. 120 for Tromb #Gordon Cherry #SheetMusicPlus

Piano,Trombone - Level 5 - SKU: A0.792818 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry...(+)

Piano,Trombone - Level 5 - SKU: A0.792818 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6679905. Published by Gordon Cherry (A0.792818). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Trombone and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard MÃ¼hlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Trombone repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!

$30.00 ≈ 27.74€

Sonata No. 2, Opus 120 for Trombone and Piano
Sonata No. 2, Opus 120 for Trombone and Piano #Trombone et Piano #AVANCÉ #Classique #Johannes Brahms #Ralph Sauer #Sonata No. 2, Opus 120 for Tro #Gordon Cherry #SheetMusicPlus

Piano,Trombone - Level 5 - SKU: A0.811268 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Gor...(+)

Piano,Trombone - Level 5 - SKU: A0.811268 Composed by Johannes Brahms. Arranged by Ralph Sauer. Classical,Romantic Period. Score and part. 36 pages. Gordon Cherry #6759551. Published by Gordon Cherry (A0.811268). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 2, Op. 120 for Trombone and Piano. This major work of over 21 minutes in length is suitable for advanced performers.The Sonata No. 2 Op. 120 is a late work that was composed along with Sonata No. 1 in 1894. The work is in 3 movements: Allegro amabile, Allegro appassionato and Andante con moto. Soon after completing the composition, Brahms got together with Richard MÃ¼hlfeld for whom the solo was written and they performed both Sonatas with a private audience from Clara Schumann.Sonata No. 2 is a work of unimaginable beauty and will become a part of the Trombone repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!

$35.00 ≈ 32.37€

How to Play Indian Sitar Rāgas on a Piano (2020 edition)
How to Play Indian Sitar Rāgas on a Piano (2020 edition) #Piano seul #AVANCÉ #Latin/Musique du monde #John Pitts #How to Play Indian Sitar R #SheetMusicPlus

Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music...(+)

Composed by John Pitts (1976-). Indian. Sheet Music Single. 270 pages. Published by Intensely Pleasant Music
2nd edition - fully revised 2020 (first published 2016). Available as a pdf from www.pianoraga.com either for individual use or with a studio licence for teachers (this includes a hard copy). Also perfect-bound or coil-bound from www.pianoraga.com (also https://www.amazon.com/Play-Indian-Sitar-R%C4%81gas-Piano/dp/B08DBVQZK8 and https://www.lulu.com/en/gb/shop/john-pitts/how-to-play-indian-sitar-r%C4%81gas-on-a-piano-coil-bound... ).

Indian rāgas (or raags) have an extraordinary musical heritage dating back several centuries (from the area that is now India, Pakistan and Bangladesh) - a truly unique musical genre of fascinating melodic beauty and rhythmic intricacy ? freely combining elaborate composed melodies with carefully rehearsed improvisation.This rich and intriguing music is traditionally performed on sitar ? or instruments such as the sarangi, sarod, esraj or voice ? and has previously been generally unavailable to pianists. But now the amazing world of Indian rāgas has been opened up in this sympathetic but thorough reinvention for piano solo (or duet or two pianos) by an award-winning British composer. This collection of 24 rāgas will be enjoyed by good amateur pianists through to virtuosic professionals. It is suitable for any pianist who enjoys discovering new music, or who has an interest in music from other cultures, or who knows the pleasure of jazz noodling and wants to explore a rewarding and fresh (but centuries-old) form of improvisation.

This book contains:
?Sheet music for piano solo: a set of 24 rāgas, newly composed within a traditional rāga genre, one for each hour of night and day, sunset to sunset, encompassing a wide array of moods, and based on over twenty fascinating scales.
?Step by step instructions to play each of the pre-composed and improvised sections of Indian rāgas, written for pianists who are used to playing European classical music and jazz. This includes how to develop the melodic material in the improvised ālāp (with optional joṛ and jhālā sections), and the part composed part improvised slow, medium and fast gat sections, with optional jhālā to finish.
?Instructions to play any of these rāgas in a duet or at two pianos.
?Hundreds of musical examples.
?Accompanying audio & video examples can be accessed for free at pianoraga.com

The book has been fully revised in 2020, with improved explanations and definitions, spellings conformed to academic usage, corrected inclusion of the improvised joṛ section, inclusion of mohrā phrases in the ālāp, and a transcription of the intricate free-pulse rhythms in the first example ālāp video. .

$25.99 ≈ 24.03€

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