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Break Into Song Violin 2
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Vous avez sélectionné:
Break Into Song Violin 2
Partitions à imprimer
7 partitions trouvées
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1
String Quartet No.2
String Quartet No.2
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Frederick Paul Naftel
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String Quartet No.2
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Frederick Naftel
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6...
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String Quartet String Quartet - Level 5 - SKU: A0.987079 Composed by Frederick Paul Naftel. Contemporary. Score and parts. 41 pages. Frederick Naftel #6255501. Published by Frederick Naftel (A0.987079). My 2nd String Quartet was composed during the current Coronavirus pandemic and its style is definitely affected by this period. I would describe the music as a strong statement of mind. In complete contrast to my relatively straightforward 1st Quartet, which is in 4 movements, the present work is in one uninterrupted movement, divided into five parts, with an epilogue. The intervals of the major 7th and minor 2nd are a strong feature of the music, which contrasts intensely static passages, which are nevertheless uneasily tranquil, with furious and violent sections, often marked triple forte in certain passages. The opening Lento flows serenely but mysteriously as if awaiting some kind of resolution, using motifs rather than fully-fledged themes(of which there are very few). The viola makes an urgent and violent protest, later to be imitated by cello, as if to disrupt the serenity, until the second section bursts in with barely-controlled energy and fury. This Allegro feroce is strongly accented and relentless in its forward momentum, the tension manintained almost throughout until the music suddenly quietens down, pizzicato passages leading to the next section. The Adagio Sostenuto initially resembles plainsong, all four instruments in unison(muted) playing a smooth line which rises and falls, the dynamics remaining pp and senza vibrato. The line breaks into harmony based on the interval of a perfect 5th, eventually leading to a passage reminiscent of the very opening of the work. A brief crescendo leads to another quiet unison passage which becomes more fragmented and unsettled, first and second violins announcing an aggressive idea which becomes the initial impetus for the fourth section. This Presto Furioso is even more violently energetic than the second section and at one point, alternates between 3/8 and 4/8, making the music sound even more unsettled. This is music with a strong sense of purpose as well as absolute fury. After a very short scalic passage, the final section begins Grave and pp with a sustained unison C, growing in power with exaggerated vibrato to a series of crunching discords and a wildly disconcerting episode featuring swirling upper strings and impassioned cello solo. The music dies away to the Epilogue. The concluding part of the work calls for a recorded cello playing a pizzicato pedal, over which violins and viola play a series of overlapping (tonal) triads, giving the music a slightly warmer but still mysterious sound. The recorded cello’s pedal notes slow down until a final powerful discord from the 4 instruments dies away, leaving the sighing motif of the very opening of the work to have the last word. This note may be reprinted in programmes with the following details: (c) 2020 Frederick Naftel
$19.99 ≈
18.41€
Break Into Song - Violin 2
Break Into Song - Violin 2
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Violon (partie séparée)
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Randy Cox and Regi Stone
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J
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Contemporary
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Break Into Song - Violin 2
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 3 pages. Duration 3:25. Published by Hal Leonard - Dig...
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By Randy Cox and Regi Stone. Arranged by J. Daniel Smith. Orchestra. Concert; Contemporary; Sacred. EPak. 3 pages. Duration 3:25. Published by Hal Leonard - Digital Sheet Music
$7.00 ≈
6.45€
The Middle
The Middle
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jimmy Eat World
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Sarah Cellobat Chaffee
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The Middle
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1316371 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zach...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1316371 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock. 26 pages. Sarah Cellobat Chaffee #905115. Published by Sarah Cellobat Chaffee (A0.1316371). One of the biggest and most ubiquitous hits of the early 2000's, The Middle was a breakout hit for Jimmy Eat World that placed them among the ranks of other big names of the day like Weezer, Blink-182 and Green Day. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! This Cellobat arrangement for your string quartet maintains the fun upbeat tempo, catchy chorus, and even the epic guitar solo of the original, and it's pretty much guaranteed to get everybody singing along! Perfect for pop concerts, solo & ensemble contests, parties, corporate events, or even wedding receptions, this chart is sightreadable for professionals and learnable for intermediate students. Nothing very tricky here - but violin 2 might want to take a quick look at the solo before performing!Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99 ≈
15.64€
Sunday Bloody Sunday
Sunday Bloody Sunday
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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U2
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Kyle Pudenz
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
18.41€
A Night In Tunisia
A Night In Tunisia
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arra...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - SKU: A0.746989 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5820835. Published by Keith Terrett (A0.746989). A great sounding arrangement of A Night in Tunisia, your String Orchestra will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99 ≈
13.80€
On the Seashore of Endless Worlds (SATB Choir)
On the Seashore of Endless Worlds (SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE
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Colin Kirkpatrick
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On the Seashore of Endless Wor
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Colin Kirkpatrick Publications
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #60285...
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Choral Choir (SATB) - Level 3 - SKU: A0.522260 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 33 pages. Colin Kirkpatrick Publications #6028587. Published by Colin Kirkpatrick Publications (A0.522260). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple units of two and three beats.The choral score contains a piano reduction of the orchestral score. The full orchestral score and parts are available separately from SMP. The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. A high-quality audio file containing the orchestral accompaniment is also available.The words are by the distinguished and much-loved Bengali poet Rabindranath Tagore (1861-1941). He made significant contributions to literature and wrote a prodigious number of works including essays, philosophical treatises, journals, memoirs, short stories and letters. The text of this work is taken from two poems in the book entitled Gitanjali. The title is translated as Song Offerings and was largely responsible for Tagore winning the Nobel Prize for Literature. The book contains over one hundred poems, translated freely by the author into English from the original Bengali, published in 1910. The English version appeared in 1912 published by the Indian Society of London. The text has been adapted slightly for this choral setting.Colin Kirkpatrick has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. His music has been performed and broadcast world-wide.
$3.99 ≈
3.67€
Mediterraneo - Score Only
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Pr...
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Level 2 - SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00 ≈
8.29€
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Break Into Song Violin 2
