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Vous avez sélectionné:
Breaking Bad
Partitions à imprimer
12 partitions trouvées
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1
Breaking Bad Main Theme
Breaking Bad Main Theme
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Piano seul
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Film/TV
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Breaking Bad Main Theme
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.437113 This edition: Interactive Download. Film/TV. Piano Solo. 1 pages. Published by Hal Leonard - Digital (HX.437113). ...
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Interactive Download SKU: HX.437113 This edition: Interactive Download. Film/TV. Piano Solo. 1 pages. Published by Hal Leonard - Digital (HX.437113).
$4.99 ≈
4.50€
Breaking Bad (okay)
Breaking Bad (okay)
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Fanfare
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INTERMÉDIAIRE
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Soul/R&B
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Sleepy Hallow
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ÆJENT P
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B
#
Breaking Bad
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ÆJENT
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SheetMusicPlus
By Sleepy Hallow. By Jeremy Soto, Johnathan Scott, Karel Jorge, Michael Len Williams, and Tegan Johsua Anthony Chambers. Arranged by ÆJENT P. Hi...
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By Sleepy Hallow. By Jeremy Soto, Johnathan Scott, Karel Jorge, Michael Len Williams, and Tegan Johsua Anthony Chambers. Arranged by ÆJENT P. Hip-Hop, R & B. Score and parts. 17 pages. ÆJENT P #715201. Published by ÆJENT
$50.00 ≈
45.10€
Baby Blue
Baby Blue
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Badfinger
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James Nance
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Baby Blue
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Westwinds Brass Band
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1044690 By Badfinger. By Peter Ham. Arranged by James Nance. Contemporary,Film/TV,Pop,Rock. Brass Band. 63 pages. Westwinds Brass Band #649318. Published by Westwinds Brass Band (A0.1044690). This arrangement of Badfinger's Baby Blue will be perfect for your next brass band pops concert. Baby Blue was recently made popular as the moving climax on the last episode of AMC's Breaking Bad. This arrangement is scored for traditional brass band, but also includes bass clef parts for trombone, baritone, euphonium and tuba.
$25.00 ≈
22.55€
Baby Blue
Baby Blue
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Piano seul
#
INTERMÉDIAIRE
#
Badfinger
#
Frank Pisani
#
Baby Blue
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Frank Pisani
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1226379 By Badfinger. By Peter Ham. Arranged by Frank Pisani. Film/TV,Pop,Rock. Score. 6 pages. Frank Pisani #822382. Pub...
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Piano Solo - Level 3 - SKU: A0.1226379 By Badfinger. By Peter Ham. Arranged by Frank Pisani. Film/TV,Pop,Rock. Score. 6 pages. Frank Pisani #822382. Published by Frank Pisani (A0.1226379). Solo Piano arrangement for Badfinger's song Baby Blue from their 1971 album Straight Up. This great song is well known for its use in the finale of Breaking Bad. This arrangement is in the original key and is perfect for intermediate pianists. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 3:37This arrangement is appropriate for schools and students.
$4.99 ≈
4.50€
Baby Blue
Baby Blue
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Piano Facile
#
FACILE
#
Badfinger
#
Frank Pisani
#
Baby Blue
#
Frank Pisani
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1274171 By Badfinger. By Peter Ham. Arranged by Frank Pisani. 20th Century,Film/TV,Pop,Rock. Score. 5 pages. Frank Pisani...
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Easy Piano - Level 2 - SKU: A0.1274171 By Badfinger. By Peter Ham. Arranged by Frank Pisani. 20th Century,Film/TV,Pop,Rock. Score. 5 pages. Frank Pisani #866306. Published by Frank Pisani (A0.1274171). Solo Piano arrangement for Badfinger's song Baby Blue from their 1971 album Straight Up. This great song is well known for its use in the finale of Breaking Bad. This arrangement is in the easy key of C major (rather than B major) and is perfect for beginner pianists. This arrangement also features lyrics and chord symbols, making it easy to sing along and learn the chord progression. Finger number markings make it easier to know which fingers to use, and how to easily move around the keyboard.You may find it easier to learn how to play this song if you practice both hand separately first before trying to play them together.Arrangement Duration: 3:37This arrangement is appropriate for schools and students.
$4.99 ≈
4.50€
Breaking Bad Main Theme from Breaking Bad - Piano Solo
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Piano seul
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Breaking Bad Main Theme from B
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Musicnotes
Sheet Music for Breaking Bad Main Theme from Breaking Bad arranged for Instrumental Solo;Piano/Guitar in D Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Breaking Bad Main Theme from Breaking Bad arranged for Instrumental Solo;Piano/Guitar in D Minor. Digital sheet music from Musicnotes.
$3.99 ≈
3.60€
Breaking Bad Main Theme by Boss - Piano Solo
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Piano seul
#
Boss
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Breaking Bad Main Theme
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Musicnotes
Sheet Music for Breaking Bad Main Theme from Breaking Bad arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Breaking Bad Main Theme from Breaking Bad arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes.
$9.99 ≈
9.01€
Making the Darkness Conscious
Making the Darkness Conscious
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Saxophone Tenor et Piano
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AVANCÉ
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the end of the piece, the solo
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 3...
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95 ≈
13.48€
Yesterday Once More
Yesterday Once More
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Piano seul
#
INTERMÉDIAIRE
#
The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99 ≈
6.30€
Texas Hold 'em
Texas Hold 'em
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Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Beyonce
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Sarah Cellobat Chaffee
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Texas Hold 'em
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1487182 By Beyonce. By (Beyonce Knowles), (Megan Buelow), Beyoncé Knowles, Brian B...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1487182 By Beyonce. By (Beyonce Knowles), (Megan Buelow), Beyoncé Knowles, Brian Bates, Elizabeth Boland, Megan Bülow, Nathan Ferraro, and Raphael Saadiq. Arranged by Sarah Cellobat Chaffee. Contemporary,Country,Pop,Wedding. 26 pages. Sarah Cellobat Chaffee #1064153. Published by Sarah Cellobat Chaffee (A0.1487182). Special thanks to Sienna String Quartet for their amazing recording of this arrangement!Beyoncé's surprise release of her eighth studio album, Cowboy Carter, took the world by storm -- and as one of the album's lead singles, Texas Hold 'Em became an overnight sensation! With its powerful vocal performance, authentic sound, and homage to fellow Black artists in country music, the song quickly topped the Billboard charts in America and around the world...but not only that, it also topped the Hot Country Songs chart, giving Beyoncé the first-ever number one country song by a Black woman! So it goes without saying that this barrier-breaking song would be a popular addition to your gig books! This Cellobat arrangement for your string quartet maintains the soaring melodies, lush layers of vocal harmonies, and laid-back country groove of the original for a chart you and your audience are sure to love. Rated advanced-intermediate for some tricky syncopated rhythms throughout; this will be learnable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee
$16.99 ≈
15.32€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.79€
Dave Porter: Breaking Bad Main Theme - piano solo
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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Dave Porter
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Virtualsheetmusic
Instantly printable sheet music by Dave Porter for piano solo of MEDIUM skill level. / film/tv,movies
Instantly printable sheet music by Dave Porter for piano solo of MEDIUM skill level. / film/tv,movies
$5.97 ≈
5.38€
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