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Cadenza II for Solo Violin
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Vous avez sélectionné:
Cadenza II for Solo Violin
Partitions à imprimer
13 partitions trouvées
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1
Cadenza II for Solo Violin
Cadenza II for Solo Violin
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Violon
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Piotr Szewczyk
#
Cadenza II for Solo Violin
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Piotr Szewczyk
#
SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.949225 Composed by Piotr Szewczyk. 20th Century,Contemporary. 3 pages. Piotr Szewczyk (www.VeryNewMusic.com) #5952825. P...
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Violin Solo - Level 4 - SKU: A0.949225 Composed by Piotr Szewczyk. 20th Century,Contemporary. 3 pages. Piotr Szewczyk (www.VeryNewMusic.com) #5952825. Published by Piotr Szewczyk (www.VeryNewMusic.com) (A0.949225). Cadenza II for Solo Violin (1999) by Piotr Szewczyk.
$3.99 ≈
3.68€
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
#
AVANCÉ
#
Salvador Rojo Gamón
#
Four Forces
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Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
138.44€
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
#
Salvador Rojo Gamón
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Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
276.88€
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Jules Massenet
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Flavio Regis Cunha
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MÉDITATION - From the Opera T
#
Flavio Regis Cunha
#
SheetMusicPlus
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period...
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Mditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thas. In the first scene of Act II, Athanal, a Cenobite monk, confronts Thas, a beautiful and hedonistic courtesan and devote of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Mditation is played by the orchestra. In the second scene of Act II, following the Mditation, Thas tells Athanal that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.53€
Carson Cooman: Sinfonia Concertante for solo violin and string orchestra: score plus solo part only
Carson Cooman: Sinfonia Concertante for solo violin and string orchestra: score plus solo part only
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Violon
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INTERMÉDIAIRE
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Carson Cooman
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the solo part
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Carson Cooman: Sinfonia Concer
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.533279 Composed by Carson Cooman. Contemporary,Standards. 33 pages. Musik Fabrik Music Publishing #2329761. Published by...
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Violin Solo - Level 3 - SKU: A0.533279 Composed by Carson Cooman. Contemporary,Standards. 33 pages. Musik Fabrik Music Publishing #2329761. Published by Musik Fabrik Music Publishing (A0.533279). I. EstampieII. AriaIII. Echo Gigue (and Cadenza)IV. Ground (in memoriam Lee Hoiby)V. Estampie da capoSinfonia Concertante (2011) for solo violin and string orchestra is dedicated to Walter Simmons andRonnie Halperin. The five movements of the work draw primarily upon stylistic elements of Medievaland Renaissance music, though viewed within a contemporary context. The title “Sinfonia†is used inone of its 17th century senses: a small collection of modest instrumental movements. This item contains the score and the solo part. The score, the solo part and orchestral parts for 43321 is sold as a seperate item
$16.95 ≈
15.64€
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
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Violoncelle, Piano
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INTERMÉDIAIRE
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Classique
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Jules Massenet
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Flavio Regis Cunha
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MÉDITATION - From the Opera T
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Flavio Regis Cunha
#
SheetMusicPlus
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period,...
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Mditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thas. In the first scene of Act II, Athanal, a Cenobite monk, confronts Thas, a beautiful and hedonistic courtesan and devote of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Mditation is played by the orchestra. In the second scene of Act II, following the Mditation, Thas tells Athanal that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.53€
Carson Cooman: Sinfonia Concertante for solo violin and string orchestra, score and parts
Carson Cooman: Sinfonia Concertante for solo violin and string orchestra, score and parts
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Orchestre à Cordes
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INTERMÉDIAIRE
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Carson Cooman
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Carson Cooman: Sinfonia Concer
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.533278 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 58 pages. Musik Fabrik Music Publishing ...
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String Orchestra - Level 3 - SKU: A0.533278 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 58 pages. Musik Fabrik Music Publishing #2329759. Published by Musik Fabrik Music Publishing (A0.533278). I. EstampieII. AriaIII. Echo Gigue (and Cadenza)IV. Ground (in memoriam Lee Hoiby)V. Estampie da capoSinfonia Concertante (2011) for solo violin and string orchestra is dedicated to Walter Simmons andRonnie Halperin. The five movements of the work draw primarily upon stylistic elements of Medievaland Renaissance music, though viewed within a contemporary context. The title “Sinfonia†is used inone of its 17th century senses: a small collection of modest instrumental movements. This item contains the score, the solo part and orchestral parts for 43321. The score plus the solo part only is sold as another item
$39.95 ≈
36.87€
Johann Strauss II - The Blue Danube for Violin Solo
Johann Strauss II - The Blue Danube for Violin Solo
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Violon
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DÉBUTANT
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Classique
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Johann Strauss Jr
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Cadenza Editions
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Johann Strauss II - The Blue D
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Cadenza Editions
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1351728 Composed by Johann Strauss Jr. Arranged by Cadenza Editions. Children,Classical,Romantic Period. 1 pages. Cadenz...
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Violin Solo - Level 1 - SKU: A0.1351728 Composed by Johann Strauss Jr. Arranged by Cadenza Editions. Children,Classical,Romantic Period. 1 pages. Cadenza Editions #936557. Published by Cadenza Editions (A0.1351728).
$4.99 ≈
4.61€
Johann Strauss II - Le Beau Danube bleu for Violin Solo
Johann Strauss II - Le Beau Danube bleu for Violin Solo
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Violon
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DÉBUTANT
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Classique
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Johann Strauss Jr
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Cadenza Editions
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Johann Strauss II - Le Beau Da
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Cadenza Editions
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1351714 Composed by Johann Strauss Jr. Arranged by Cadenza Editions. Children,Classical,Romantic Period. 1 pages. Cadenz...
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Violin Solo - Level 1 - SKU: A0.1351714 Composed by Johann Strauss Jr. Arranged by Cadenza Editions. Children,Classical,Romantic Period. 1 pages. Cadenza Editions #936543. Published by Cadenza Editions (A0.1351714).
$4.99 ≈
4.61€
Johann Strauss II - An der schönen blauen Donau for Violin Solo
Johann Strauss II - An der schönen blauen Donau for Violin Solo
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Violon
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DÉBUTANT
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Classique
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Johann Strauss Jr
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Cadenza Editions
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Johann Strauss II - An der sch
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Cadenza Editions
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SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.1351700 Composed by Johann Strauss Jr. Arranged by Cadenza Editions. Children,Classical,Romantic Period. 1 pages. Cadenz...
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Violin Solo - Level 1 - SKU: A0.1351700 Composed by Johann Strauss Jr. Arranged by Cadenza Editions. Children,Classical,Romantic Period. 1 pages. Cadenza Editions #936529. Published by Cadenza Editions (A0.1351700).
$4.99 ≈
4.61€
A. Vivaldi: Violin Concerto in D Major, RV. 208
A. Vivaldi: Violin Concerto in D Major, RV. 208
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Classique
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Antonio Vivaldi
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Clara Obsidian
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A. Vivaldi: Violin Concerto in
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Clara Obsidian
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SheetMusicPlus
Small Ensemble Basso Continuo,Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1109291 Composed by Antonio Vivaldi. Arranged by Clara Obsidian. Baroqu...
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Small Ensemble Basso Continuo,Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1109291 Composed by Antonio Vivaldi. Arranged by Clara Obsidian. Baroque,Contest,Festival,Standards. Score and parts. 61 pages. Clara Obsidian #711807. Published by Clara Obsidian (A0.1109291). Antonio Vivaldi's Violin Concerto in D Major, RV 208 Movements I: Allegro * II: Grave - Recitativo III: Allegro * *Includes written pause: 'Qui si ferma à piacimento' (Where is stops at will) Vivaldi probably indicated for a cadenza, but did not compose or transcribe in the manuscript. In this edition, we follow the original manuscript - instructions for the pauses are written but the Cadenza is NOT included Parts Violin Solo, Violin I, Violin II, Viola, Cello / Basso Continuo, Double Bass (Optional) Full Score and Parts
$12.99 ≈
11.99€
Seven
Seven
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Violon et Piano
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AVANCÉ
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Peter Eotvos
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Seven
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - difficult - SKU: S9.Q6622 (Memorial for the Columbia Astronauts). Composed by Peter Eotvos. This edition: piano reduction ...
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Violin and orchestra - difficult - SKU: S9.Q6622 (Memorial for the Columbia Astronauts). Composed by Peter Eotvos. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 21 minutes. Schott Music - Digital #Q6622. Published by Schott Music - Digital (S9.Q6622). Eötvös wrote this piece in memory of the seven astronauts who lost their lives in the Space Shuttle Columbia tragedy in 2003. The number 7 determines the musical, rhythmic and formal structure of the work: 49 musicians are divided into seven groups, and as well as the solo violin there are six further violins arranged correspondingly around the hall; and the solo violin itself portrays each of the astronauts and their different origin, from America via Israel to India, in folkloristically tinged cadenzas. 'The violin concerto Seven is a very personal monologue and the musical expression of my sympathy towards the seven astronauts who lost their lives while exploring space in fulfilment of a fundamental dream of mankind.' (Peter Eötvös)3 (1. auch Altfl., 2./3. auch Picc.) · 3 · 3 · Bassklar. · Altsax. (auch Baritonsax.) · 3 - 2 · 2 · 2 · 1 – S. (I: Crot. · Gongs · Röhren [Amboss] · Röhrengl. · Nietenbeck. · chin. Beck. · Dome-Beck. · Tamt. · Trgl. · Sprungfeder; II: Vibr. · Gongs · Glsp. · Röhrengl. · Beck. · Dome-Beck. · Tamt. · Crot. · Sistrum · Sprungfeder; III: Vibr. · Gongs · Glsp. · Röhrengl. · Beck. · Dome-Beck. · Crot. · Röhren [Amboss] · Glsp. · Sprungfeder; IV: Crot. · Gongs · Röhrengl. · Nietenbeck. · chin. Beck. · Dome-Beck. · Tamt. · Sistrum · Röhren [Amboss] · Trgl. · Sprungfeder) (4 Spieler) - E-Git. · Hfe. · Keyboard-Sampler* - Str. (6 · 0 · 5 · 5 · 4) * Für alle technischen Anweisungen wenden Sie sich bitte an www.eotvospeter.com / For technical instructions please contact www.eotvospeter.com.
$39.99 ≈
36.91€
Spirit of Christmas 4/5 - Serenity
Spirit of Christmas 4/5 - Serenity
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 4/5 - Sere
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Bradley Sowash
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.750071 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 60 pages. Bradley So...
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Full Orchestra - Level 4 - SKU: A0.750071 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 60 pages. Bradley Sowash #1095. Published by Bradley Sowash (A0.750071). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 4. Serenity (6:15) A solo cello announces that, ready or not, Christmas Eve has arrived. Our hearts are again filled with peace and wonder on this Silent Night. A triple cadenza hints at tomorrows excitement. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00 ≈
41.53€
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