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Call Me [advanced]
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Vous avez sélectionné:
Call Me [advanced]
Partitions à imprimer
124 partitions trouvées
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Blondie : Call Me - Version originale (niveau avancé)
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Batterie
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AVANCÉ
#
Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Batterie Call Me - Version originale (niveau avance) de Blondie. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie Call Me - Version originale (niveau avance) de Blondie. Partition avec audio Play Along. Pop/rock
5.99€ ≈
¥46.61
Blondie : Call Me (niveau difficile)
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Batterie
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AVANCÉ
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Rock
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Pop musique
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Blondie
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Call Me
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Tomplay
Telechargez la partition Batterie Call Me (niveau difficile) de Blondie. Partition avec audio Play Along. Pop/rock...
(+)
Telechargez la partition Batterie Call Me (niveau difficile) de Blondie. Partition avec audio Play Along. Pop/rock
5.99€ ≈
¥46.61
Call Me
Call Me
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Guitare
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Contemporain
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Blondie
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Colin Tommis
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Call Me
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Colin Tommis
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SheetMusicPlus
Solo Guitar - SKU: A0.961504 By Blondie. By Giorgio Moroder. Arranged by Colin Tommis. Contemporary. Individual part. 3 pages. Colin Tommis #4821243. Pu...
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Solo Guitar - SKU: A0.961504 By Blondie. By Giorgio Moroder. Arranged by Colin Tommis. Contemporary. Individual part. 3 pages. Colin Tommis #4821243. Published by Colin Tommis (A0.961504). This is just one of a large collection of arrangements of popular tunes for advanced classical or acoustic guitar players - or very good intermediate-standard players. In some cases, ideas from the original are developed so that the piece can sustain interest as an instrumental piece. There is no tablature and no chords, just music notation.
$4.99 ≈
¥35.02
Don't Call Me Up
Don't Call Me Up
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mabel
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Hannah Wickham
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Don't Call Me Up
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Hannah Wickham
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.871458 By Mabel. By Camille Angelina Purcell, Camille Purcell, Mabel McVey, and Steve Mac. Arranged by Hannah Wi...
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Choral Choir (SSAA) - Level 4 - SKU: A0.871458 By Mabel. By Camille Angelina Purcell, Camille Purcell, Mabel McVey, and Steve Mac. Arranged by Hannah Wickham. Contemporary. Octavo. 4 pages. Hannah Wickham #5178739. Published by Hannah Wickham (A0.871458). Some tricky harmonies and rhythms; a good challenge for an established choir.Approx performance time: 2:20Difficulty: Advanced IntermediateClean?: Yes, minor insinuation, mention of drinkingRange: S1 E4-E5, S2 G#3-C#5 (tune), A1 A3-G#4, A2 A3-E4
$2.99 ≈
¥20.99
Call Me Maybe
Call Me Maybe
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Violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Carly Rae Jepsen
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Call Me Maybe
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Kirsten Jenson
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SheetMusicPlus
Cello - Advanced Intermediate - By Carly Rae Jepsen. Arranged by Kirsten Jenson. Individual Part, Score, Sheet Music Single, Solo Part. 3 pages. Pub...
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Cello - Advanced Intermediate - By Carly Rae Jepsen. Arranged by Kirsten Jenson. Individual Part, Score, Sheet Music Single, Solo Part. 3 pages. Published by Kirsten Jenson
$6.99 ≈
¥49.06
Crazy She Calls Me
Crazy She Calls Me
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Billie Holiday
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Jim Vedda
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Crazy She Calls Me
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Jim Vedda
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1496966 By Billie Holiday. By Bob Russell and Carl Sigman. Arranged by Jim Vedda. Jazz,Standards. 60 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1496966 By Billie Holiday. By Bob Russell and Carl Sigman. Arranged by Jim Vedda. Jazz,Standards. 60 pages. Jim Vedda #1073378. Published by Jim Vedda (A0.1496966). Originally recorded by Billie Holiday, the beautiful ballad Crazy He Calls Me has been covered by many vocalists, including Dinah Washington, Aretha Franklin, Linda Ronstadt, and Natalie Cole. Under the name Crazy She Calls Me it has been recorded by male vocalists such as Nat King Cole, Tony Bennett, and Rod Stewart. This instrumental arrangement features flugelhorn (or trumpet) along with rich ensemble lines. Intermediate to advanced.
$49.99 ≈
¥350.85
The Call of Ithaca (Guitar Quartet)
The Call of Ithaca (Guitar Quartet)
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Guitare
#
Sean Michael Batura
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The Call of Ithaca
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Sean Michael Batura
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SheetMusicPlus
Solo Guitar - SKU: A0.945438 Composed by Sean Michael Batura. 20th Century,Contemporary,World. Individual part. 28 pages. Sean Michael Batura #5793399. ...
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Solo Guitar - SKU: A0.945438 Composed by Sean Michael Batura. 20th Century,Contemporary,World. Individual part. 28 pages. Sean Michael Batura #5793399. Published by Sean Michael Batura (A0.945438). This piece is about 4:00 long, and is fun for beginners as well as advanced players. Guitar 4 is entirely in 1st position, Guitar 3 almost completely is, and these two parts should be suitable for some beginners and intermediate players. Guitars 1 and 2 are suitable for intermediate to advanced players. If you have questions, feel free to contact me at https://seanbatura.com/contact/.
$7.99 ≈
¥56.08
Abide With Me, 'Tis Eventide/Silent Night
Abide With Me, 'Tis Eventide/Silent Night
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Violoncelle, Piano
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Musique Sacrée
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Franz Gruber, Harrison Millard
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Julie Jacobson
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Abide With Me, 'Tis Eventide/S
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Julie Jacobson
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SheetMusicPlus
Cello,Piano - SKU: A0.932673 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. Score ...
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Cello,Piano - SKU: A0.932673 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. Score and part. 6 pages. Julie Jacobson #6609465. Published by Julie Jacobson (A0.932673). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. Originally for viola, this arrangement has been transcribed for advanced intermediate cello. Piano part is advanced intermediate.
$1.99 ≈
¥13.97
Abide With Me, 'Tis Eventide/Silent Night
Abide With Me, 'Tis Eventide/Silent Night
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Franz Gruber, Harrison Millard
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Julie Jacobson
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Abide With Me, 'Tis Eventide/S
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Julie Jacobson
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.932674 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sac...
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Piano,Violin - Level 4 - SKU: A0.932674 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. 6 pages. Julie Jacobson #6640793. Published by Julie Jacobson (A0.932674). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. Originally for viola, this arrangement has been transcribed for advanced intermediate violin. Piano part is advanced intermediate.
$1.99 ≈
¥13.97
IWOMAH? (DO YOU STILL LOVE ME?)
IWOMAH? (DO YOU STILL LOVE ME?)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
#
#
IWOMAH?
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1415785 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Scor...
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Piano Solo - Level 4 - SKU: A0.1415785 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Film/TV,Instructional,Multicultural,New Age,Romantic Period,World. Score. 5 pages. White Piano International Publishing #994364. Published by White Piano International Publishing (A0.1415785). IWOMAH? (DO YOU STILL LOVE ME?) (Original Piano Music) from “CHINA LOVEâ€Composed and Arranged by Robert Van Horne in 1993Advanced Intermediate Piano Solo5 pagesDuration approximately 4 minutesWhile residing in Singapore in 1987, I found inspiration to compose IWOMAH? (DO YOU STILL LOVE ME?). My goal was to curate an album comprising ten piano pieces in the captivating style of Chinese music, aptly named “CHINA LOVE.â€The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me?. I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.The sheet music for IWOMAH? (DO YOU STILL ME?) is meticulously notated, featuring precise instructions on dynamics, articulation, phrasing, pedal usage, chord symbols, suggested fingerings, and relevant musical terminology.This arrangement is well-suited for advanced intermediate students, professional pianists, and piano instructors alike, offering a rewarding musical experience.Although this mp3 audio sample featuring additional background instruments remains incomplete, the full rendition of IWOMAH? (DO YOU STILL LOVE ME?) can be enjoyed on Robert’s “CHINA LOVE†album.For those interested, an original 2009 YouTube video of Robert performing IWOMAH? (DO YOU STILL LOVE ME?) can be viewed at: http://www.youtube.com/watch?v=zgjmV4yl9zEFurthermore, an EARLY INTERMEDIATE PIANO arrangement of the entire collection, TEN MUSICAL THEMES FROM CHINA LOVE,†is available for purchase through: SHEET MUSIC PLUSSHEET MUSIC DIRECTAdditionally, a Piano/Vocal arrangement of IWOMAH? (DO YOU STILL LOVE ME?) featuring Chinese lyrics by Mr. Hu Xing-Ting is also available at Sheet Music Plus and Sheet Music Direct.Published by White Piano International PublishingRobert is a member of ASCAPWebsite: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99 ≈
¥35.02
Easy On Me
Easy On Me
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Adele
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Anne Denis
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Easy On Me
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Piano Stack Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.590678 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Anne Denis. Pop. Score. 4 pages. Piano Stack Music #199809...
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Piano Solo - Level 4 - SKU: A0.590678 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Anne Denis. Pop. Score. 4 pages. Piano Stack Music #199809. Published by Piano Stack Music (A0.590678). Early Advanced Piano arrangement of Adele's hit song. This arrangement was created by pianist and teacher Anne Denis of the Piano Stack YouTube channel. Comfortable to play, this arrangement sounds big yet won't take the early advanced/advanced player a long time to learn, as it is pianistically written. A great option for weddings, parties, recitals , and simply to enjoy great music!
$5.99 ≈
¥42.04
Who's Afraid Of Little Old Me?
Who's Afraid Of Little Old Me?
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Piano Facile
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DÉBUTANT
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Taylor Swift
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RIS
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Who's Afraid Of Little Old Me?
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RISsounds
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1438320 By Taylor Swift. By Taylor Swift. Arranged by RIS. Contemporary,Country,Folk,Pop,Singer/Songwriter. Score. 4 page...
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Easy Piano - Level 1 - SKU: A0.1438320 By Taylor Swift. By Taylor Swift. Arranged by RIS. Contemporary,Country,Folk,Pop,Singer/Songwriter. Score. 4 pages. RISsounds #1018336. Published by RISsounds (A0.1438320). 🎹 Calling all piano enthusiasts! 🎶 Get ready to master Taylor Swift's captivating tune, Who's Afraid of Little Old Me, with our exclusive lead sheet music! 🌟Designed with both beginners and advanced players in mind, our lead sheet provides a unique learning experience. 🎵 The melody is beautifully notated on the staff for the right hand, guiding beginners through each note with clarity and precision. 🎼 Meanwhile, the left hand offers the perfect opportunity for improvisation, allowing more experienced pianists to add their own flair and creativity to the piece. 💫With our lead sheet music, you'll unravel the song's charm effortlessly, whether you're just starting your musical journey or seeking to refine your skills. 🎹 Don't miss this chance to explore the magic of Who's Afraid of Little Old Me - download our lead sheet music today and let the music take you on a delightful adventure! 🎶✨.
$4.99 ≈
¥35.02
Abide With Me, 'Tis Eventide/Silent Night
Abide With Me, 'Tis Eventide/Silent Night
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Franz Gruber, Harrison Millard
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Julie Jacobson
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Abide With Me, 'Tis Eventide/S
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Julie Jacobson
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.932672 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacr...
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Piano,Viola - Level 4 - SKU: A0.932672 Composed by Franz Gruber, Harrison Millard. Arranged by Julie Jacobson. Christian,Christmas,Praise & Worship,Sacred. Score and part. 6 pages. Julie Jacobson #6609441. Published by Julie Jacobson (A0.932672). This emotional arrangement of the hymns Silent Night and Abide With Me, 'Tis Eventide will be an unforgettable addition to any Christmas program or church service. The arrangement begins prayerfully with Abide With Me, 'Tis Eventide then flows into a reverent rendition of Silent Night. The music then becomes desperate and pleading, finally climaxing triumphantly with the reminder that when one calls upon the Lord to abide with them in their night, He will always answer, All is calm, all is bright. Sleep in heavenly peace. Both viola and piano parts are advanced intermediate. Climax features double stops in the viola part that can easily be simplified with little sacrifice to expression.
$1.99 ≈
¥13.97
IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement
IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal Arrangement
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Piano, Voix
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INTERMÉDIAIRE
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Chinese Lyrics by HU XING - TI
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ROBERT VAN HORNE
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IWOMAH?
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White Piano International Publishing
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HORNE. Arranged by...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1415786 Composed by Chinese Lyrics by HU XING - TING 胡ç»å»· and Music by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Instructional,Multicultural,New Age,Romantic Period,Singer/Songwriter,World. Score. 6 pages. White Piano International Publishing #997105. Published by White Piano International Publishing (A0.1415786). IWOMAH? (DO YOU STILL LOVE ME?) Piano/Vocal by ROBERT VAN HORNE & HU XING - TING 胡ç»å»·6 pagesIWOMAH? (DO YOU STILL LOVE ME?) was initially composed and published as a piano solo back in 1993. Currently featured on Robert's album “CHINA LOVE,†this piece is available as an early and advanced intermediate piano solo for purchase on SHEET MUSIC PLUS and SHEET MUSIC DIRECT.The term IWOMAH? spoken phonetically in Mandarin, with the appropriate accents, translates to Do You Still Love Me? I found this invented phrase to be a fitting title for this composition, as it captures the theme of love and the challenges lovers face in traditional Chinese songs.In the early 2000s, Mr. Hu Xing-Ting 胡ç»å»·, a well-known lyricist from Beijing, China, penned lyrics for IWOMAH? (DO YOU STILL LOVE ME?) as well as other tracks from “CHINA LOVE.†His visit to California in 2004, part of a cultural exchange program, provided an opportunity for me to meet him, a honor indeed.Despite my lack of proficiency in Chinese, his lyrics are universally regarded as warm and profound. The Piano/Vocal Sheet Music of IWOMAH? (DO YOU STILL LOVE ME?) includes a clearly notated piano accompaniment alongside vocal parts and chord symbols, offering comprehensive guidance for singers (proficient in Chinese characters) and pianists aiming for an expressive rendition.IWOMAH? (DO YOU STILL LOVE ME?) is a beautifully melodic piece suitable for vocalists who give concerts and recitals, appealing even to those unfamiliar with Mandarin. Currently, there are no English lyrics to this piece. Originally in the key of E Flat, it boasts universal charm.For those interested, a performance of Robert playing IWOMAH? (DO YOU STILL LOVE ME?) as a piano solo without vocals can be enjoyed on YouTube at: http://www.youtube.com/watch?v=zgjmV4yl9zEPublished by White Piano International PublishingRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$4.99 ≈
¥35.02
Abide with Me
Abide with Me
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Piano seul
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William Henry Monk
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Colleen Adent
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Abide with Me
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Colleen Adent
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SheetMusicPlus
Piano Solo - SKU: A0.835955 Composed by William Henry Monk. Arranged by Colleen Adent. Christian,Concert,Sacred. Score. 7 pages. Colleen Adent #5995247....
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Piano Solo - SKU: A0.835955 Composed by William Henry Monk. Arranged by Colleen Adent. Christian,Concert,Sacred. Score. 7 pages. Colleen Adent #5995247. Published by Colleen Adent (A0.835955). This well-known, classic hymn has been artfully arranged for early advanced solo piano, and is suitable for church use as well as special services such as weddings and funerals. While not a showy piece, it would work very well in a concert or recital setting. My goal as an arranger is to provide a musically satisfying, heart stirring experience for performer and listener alike. Visit me at colleenadent.com.
$4.99 ≈
¥35.02
Don't You Want Me
Don't You Want Me
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Ukulele
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FACILE
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Pop musique
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The Human League
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Michael Butzen
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Don't You Want Me
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Michael Butzen
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SheetMusicPlus
Ukulele - Level 2 - SKU: A0.1462961 By The Human League. By Adrian Wright, Jo Callis, and Phil Oakey. Arranged by Michael Butzen. Pop. Score. 11 pages. ...
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Ukulele - Level 2 - SKU: A0.1462961 By The Human League. By Adrian Wright, Jo Callis, and Phil Oakey. Arranged by Michael Butzen. Pop. Score. 11 pages. Michael Butzen #1041688. Published by Michael Butzen (A0.1462961). Uke (B2A)- Includes chord frames for beginners to simply strum along to the song (ala Hal Leonard's Strum & Sing format) in addition to a more advanced arrangement in tab/notation. Lyrics are provided to make navigation of the song easier.Michael Butzen- Hal Leonard Guitar editor/transciber (1995-2023) Guitar One Magazine monthly/feature columnist (2004-2007) Guitar Edge feature columnist (2007-2010).
$4.99 ≈
¥35.02
The Constantly Pulsing Universe Inside Me
The Constantly Pulsing Universe Inside Me
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Piano seul
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AVANCÉ
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Rebecca Oswald
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The Constantly Pulsing Univers
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Rebecca Oswald
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1176011 By Rebecca Oswald. By Rebecca Oswald. Contemporary,Instructional,New Age. Score. 6 pages. Rebecca Oswald #776137....
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Piano Solo - Level 5 - SKU: A0.1176011 By Rebecca Oswald. By Rebecca Oswald. Contemporary,Instructional,New Age. Score. 6 pages. Rebecca Oswald #776137. Published by Rebecca Oswald (A0.1176011). Sheet music single for advanced solo piano. After the free, spacious opening, a constant, complex (3+4+3) meter takes over and continues hypnotically through to the end. Broad sections modulate, moving variously through major, minor, and exotic modal passages. Near the end, the right hand crosses to create several dramatic, dynamic moments. The piece ends with hands crossed for nine measures, both playing the complex meter's characteristic motive, and in contrary motion. From composer/pianist Rebecca Oswald's album Whereas, you can find this song on Spotify, Apple Music, Tidal, Pandora, Amazon Music, YouTube Music, Qobuz, or wherever you enjoy listening to music.Find out more about Rebecca Oswald at her website, RebeccaOswald.com
$4.99 ≈
¥35.02
Caledonia
Caledonia
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Dougie Maclean, VOCES8
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Blake Morgan
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Caledonia
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Blake Morgan
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SheetMusicPlus
Choir ? SATB Divisi - Advanced Intermediate - By Dougie Maclean, VOCES8. Arranged by Blake Morgan. Octavo, Score. 16 pages. Published by Blake Morgan ...
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Choir ? SATB Divisi - Advanced Intermediate - By Dougie Maclean, VOCES8. Arranged by Blake Morgan. Octavo, Score. 16 pages. Published by Blake Morgan
Made popular by British vocal octet VOCES8, this arrangement of Dougie Maclean's heartwarming tune invites a slice of Scotland into the choral rehearsal room. "Caledonia" was the Latin name the Romans used for Scotland, and Dougie's original song has become somewhat of an unofficial anthem for the country. In an arrangement here by Blake Morgan, the textures throughout range from the signature "blended" sound of VOCES8 to a roaring climb through the Scottish highlands before returning to the final refrain in a hymn-like harmonization, bringing us to back to the place we call home. "Let me tell you that I love you, and I think about you all the time; Caledonia, you're calling me, and now I'm going home.".
$3.50 ≈
¥24.56
Call Me [advanced] by Jennifer Eklund - Piano Solo
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Piano seul
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Jennifer Eklund
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Call Me [advanced]
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Musicnotes
Sheet Music for Call Me [advanced] by Jennifer Eklund arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes. ...
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Sheet Music for Call Me [advanced] by Jennifer Eklund arranged for Instrumental Solo in D Minor. Digital sheet music from Musicnotes.
$5.79 ≈
¥40.64
Al Circo (To the Circus) for Trombone and Harp
Al Circo (To the Circus) for Trombone and Harp
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Contemporain
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Stout, David
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Setzer, Louis
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Al Circo
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Cherry Classics Music
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SheetMusicPlus
Trombone, Harp - Advanced - Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Clas...
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Trombone, Harp - Advanced - Composed by Stout, David. Arranged by Setzer, Louis. 20th Century, Contemporary Classical, Modern, Post- Modern, Neo-Classical. Set of Parts. 22 pages. Published by Cherry Classics Music
Al Circo (To the Circus) was written in 1968 by David Stout, dedicated to Emory Remington and was premiered by Trombonist Fred Boyd on a recital at the Eastman School of Music with Carolyn Kuban performing on the Harp. The work is in two movements, both in a lighter nature and humorous. Mute colors are an important part of the mood of the work.
David Stout writes about his work:
"I wrote this when I was a junior at the Eastman School of Music. Fred Boyd, a bass trombonist, wanted to play it. At the bottom of page 4, on the trombone part, where it says ?hand in bell? he had a problem. With a bass trombone he couldn?t reach around far enough to put his hand in deep enough to distort the tone enough. So, he calls me into his practice room one day and tells me to turn around so I can?t see him. He then plays that passage. ?Is that the sound you want?? he asks. ?Yeah that?s it. Perfect!? I reply. I turn around. He shows me a large plastic fish that he had used to shove in the bell. So on his part, we mark those notes, ?con sardino.?
Dr. Louis Setzer, the author of Solo Literature for Trombone and Harp - An Annotated Bibliography, rediscovered the work and received permission from the composer to edit the composition from the original pencil manuscript. He believes this work is the oldest known original composition for Trombone and Harp
This fine work is appropriate for advanced performers and is about 7 minutes in length.
$25.00 ≈
¥175.46
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
#
Classique
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septime regrettent!!!, Petite Valse,Ftes galantes, and Prlude ?L?Histoire de Tristan?
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥273.37
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prlude,Premire Fanfare, and La Mort de Cordlia,Toomai des lphants, Rodrigue et Chimne: Prlude l?acte 1p. Le Martyre de Saint Sbastien: La Passion , and No-ja-li ou Le Palais du Silence
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pellas et Mlisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orphe-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint Sbastien and La Bote joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95 ≈
¥273.37
A Hymn A Day Volume 3
A Hymn A Day Volume 3
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Harpe, Voix
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INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
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Hugh Callison
#
A Hymn A Day Volume 3
#
SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan ...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship. 108 pages. Published by Afghan Press Music for the Harp
This valuable collection of hymns is the third in a series of five! You will find many wonderful titles arranged for harp, from well-known favorites to songs that are lesser known yet equally important. Mr. Callison came to the harp as an adult after retiring from 40 years as a music educator. His arrangements are interesting and have lovely harmonies. The left hand in a few of the tunes is quite active.
Table of Contents: Lord Jesus Think on Me, Blessed Jesus, at Thy Word, All Praise to Thee, My God This Night, From Greenland?s Icy Mountains, Cleanse Me, Praise the Savior, Ye Who Know Him, O Master Let Me Walk with Thee, More Love to Thee, O Christ, Nearer, My God, to Thee, Come, Thou Font of Every Blessing, Rise Up, O Men of God, Sun of My Soul, My Faith has Found a Resting Place, The King of Love, My Shepherd Is, Savior, Like a Shepherd Lead Us, How Sweet the Name of Jesus Sounds, May the Grace of Christ Our Savior, At the Name of Jesus, Glorious Things of Thee Are Spoken, A Charge to Keep I Have, Join All the Glorious Names, Almighty God, Thy Lofty Throne, What a Friend We Have in Jesus, Blessing and Honor and Glory and Power, Great God, Attend, While Zion Sings, How Lovely Is Thy Dwelling Place, Trust and Obey, I Am Not Skilled to Understand, Jesus Loves Me, Brethren, We Have Met to Worship, Come, Let Us Tune Our Loftiest Song, Rescue the Perishing, Have Thine Own Way, Lord!, Thy Faithfulness, Lord, Each Moment We Find, To God Be the Glory, Fill Thou My Life, O Lord My God, God of Our Fathers, Known of Old, Jesus Call Us, Let Thy Blood in Mercy Poured, O Jesus, King Most Wonderful, Not What These Hands Have Done, Under His Wings I Am Safely Abiding, Shepherd of Eager Youth, Lamb of God!, Just a Closer Walk with Thee, Open My Eyes, That I May See, O Splendor of God?s Glory Bright, The Lord Is King, For All the Saints, A Mighty Fortress Is Our God, Thy Works, Not Mine, Thee Will I Love, My Strength, My God, How Wonderful Thou Art, O Christ, Our True and Only Light, Teach Me, My God and King, Zion to Thy Savior Singing, O Christ, Our King, Creator, Lord, God of the Earth, the Sky, the Sea, In Christ, There Is No East or West, How Lovely Shines the Morning Star, God, in the Gospel of His Son, Praise, My Soul, the King of Heaven, Gentle Jesus, Meek and Mild, Songs of Thankfulness and Praise, Who is This So Weak and Helpless, Savior of the Nations, Come, O Dearest Jesus, O Lord, How Shall I Meet Thee, O Lord of Heaven and Earth and Sea, Jesus, Thou Joy of Loving Hearts, O Perfect Love, I Heard the Voice of Jesus Say
$25.00 ≈
¥175.46
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