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Vous avez sélectionné:
Cat Debussy century
CONTEMPORAIN - 20-21EME SIECLE
Partitions à imprimer
25 partitions trouvées
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1
Toccata Number 1
Toccata Number 1
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Piano seul
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AVANCÉ
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Contemporain
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Kevin Longley
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Toccata Number 1
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Kevin Longley
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1019354 Composed by Kevin Longley. 20th Century,Contemporary. Score. 15 pages. Kevin Longley #3535701. Published by Kevin...
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Piano Solo - Level 5 - SKU: A0.1019354 Composed by Kevin Longley. 20th Century,Contemporary. Score. 15 pages. Kevin Longley #3535701. Published by Kevin Longley (A0.1019354). Toccata Number 1 was composed in 1988. Heavily influenced by Ravel, Debussy and Block it is one of my favorite compositions for Piano. The performance is from 1988 at Notre Dame College. My playing is a bit rushed but gives an overall impression of the piece. Note that at page 9 there are alternate measures that can be found at the end. In my performance I played the alternate measures.
$3.99 ≈
¥28.38
18/04/'21 A Reflection
18/04/'21 A Reflection
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Contemporain
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Jeremy Hart
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18/04/'21 A Reflection
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 page...
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Small Ensemble B-Flat Bass Clarinet,Percussion,Soprano voice - Level 4 - SKU: A0.1102258 Composed by Jeremy Hart. 20th Century. Score and parts. 13 pages. Jeremy Graham Hart #705661. Published by Jeremy Graham Hart (A0.1102258). 18/04/’21: A Reflection is written as a tentative expression of the tumultuous emotions experienced by the composer, upon watching so many landmarks of their home be threatened or destroyed by the fire which ravaged Table Mountain on the 18th and 19th of April 2021. The most impactful symbol of this tragedy is, for the composer, the heart-rending body of images showing the Jagger Reading Room ablaze. The score expresses the composer’s experiences in a collage, drawing from C. Debussy’s La Cathedral Engloutie and W. A. Mozart’s Requiem in evocation of the emotions surrounding the burning library, and enacts them in a three-part narrative. The opening is articulated as a collection of sporadic outbursts heard against a slower melody and a rising bell motif. This is an evocation of the shifting uncertainty of the early hours of the fire shortly after it had consumed the Rhodes Memorial Restaurant. This slowly becomes the evocation of horror and dismay that characterises the second section, as the fire takes hold of Mostert’s Mill, various parts of the University of Cape Town forcing students into a full evacuation of their residences, and eventually the Jagger Reading Room. The finality of the second section’s ending is followed by the muted resignation and mourning of the third and final section. The slowed melody from the first section returns, without the frenetic outbursts. All the listener is left with is the certainty of what has happened. The melody tries to rise to triumph, as the fire is held back from any further destruction, but ultimately falls back down and limps its way to an unsatisfactory and inconclusive closing statement.
$14.95 ≈
¥106.32
Prelude No. 1 In E Major
Prelude No. 1 In E Major
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Kevin Longley
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Prelude No. 1 In E Major
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Kevin Longley
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1019355 Composed by Kevin Longley. 20th Century,Contemporary. Score. 8 pages. Kevin Longley #3436335. Published by Kevin ...
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Piano Solo - Level 3 - SKU: A0.1019355 Composed by Kevin Longley. 20th Century,Contemporary. Score. 8 pages. Kevin Longley #3436335. Published by Kevin Longley (A0.1019355). The Inspiration The music is an impressionistic work based on a landscape painting by Joanne Springfield Longley. The painting, which is the first page of this piece, depicts the field where she grew up as a young woman and which is now the location of our home. A beautiful piece of art capturing the forest as the sun set in East Derry, NH. The Music Composed in 1985 which beyond its inspiration from the painting was clearly influenced by Debussy's La cathédrale engloutie. The recording is from 1987 with the composer performing at a small college in New Hampshire.
$3.50 ≈
¥24.89
Diamonds in the Sand Book
Diamonds in the Sand Book
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Piano seul
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Contemporain
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Catherine Crawley
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Catherine Crawley
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Diamonds in the Sand Book
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Catherine Crawley
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SheetMusicPlus
By Catherine Crawley. By Catherine Crawley Claude Debussy Frederick Chopin. Arranged by Catherine Crawley. 20th Century, Classical, Romantic Period, W...
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By Catherine Crawley. By Catherine Crawley Claude Debussy Frederick Chopin. Arranged by Catherine Crawley. 20th Century, Classical, Romantic Period, Wedding. Score and individual part. 22 pages. Catherine Crawley #679020. Published by Catherine Crawley
$15.95 ≈
¥113.43
Homecoming Piano Solo Score
Homecoming Piano Solo Score
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Deborah Johnson
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Vocals: Deborah &
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Homecoming Piano Solo Score
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Deborah Johnson
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.877804 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 29 pages. Deborah Johnson #3310...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.877804 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 29 pages. Deborah Johnson #33105. Published by Deborah Johnson (A0.877804). Homecoming piano solo score is a captivating and melodious piano solo presented at a medium intermediate level, featured in Deborah Johnson's Wayfarer’s Journey album. This composition, part of a collection that introduces new classically-inspired piano and instrumental solos, mirrors the style of Debussy and is ideal for special occasions. Homecoming piano solo score version includes 29 pages that includes the separate parts and cover. Parts include piano solo, vocal bkgs, synth bkgs and violin obligato. Piano solo includes guitar chords. The term Homecoming signifies the act of returning home and also represents events at high schools, colleges, or universities where alumni are invited. Originating from Middle English, homcomyng replaced hamcume, originating from ham (home) and cyme (arrival), with the first known use dating back to the 14th century. Homecoming encapsulates the emotional essence of returning home, offering a nostalgic and evocative musical experience. Embracing Debussy's style, this piece resonates with sentimental associations and serves as an exquisite choice for special occasions, echoing the sentiments of home and reunion. Spotify link for MP3 download: https://open.spotify.com/track/6kssnmwb9Up3E2L8f9L2KM Also available is the piano solo version and full book of all Wayfarer Journey piano solo versions. Siigned copies of CD at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano, Synth: Deborah Johnson; Vocals: Deborah & David Johnson; Violin Obligato: Sandy Mackinga; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.
$6.99 ≈
¥49.71
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Brass Nonet + 2 Fl,Picc.)
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Brass Nonet + 2 Fl,Picc.)
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Contemporain
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
B-Flat Trumpet,Flute,Horn,Piccolo,Tenor Trombone,Tuba - SKU: A0.830732 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages...
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B-Flat Trumpet,Flute,Horn,Piccolo,Tenor Trombone,Tuba - SKU: A0.830732 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3535385. Published by Richard Byrnes (A0.830732).  JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence.  Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work.  This is an arrangement by Richard Byrnes for Piccolo, 2 Flutes, 3 Trumpets, 2 Horns, 2 Trombones, & 2 Tubas. Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to works by Turina, we offer works by J.S. Bach, Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Turina, & Vierne. Â
$29.99 ≈
¥213.28
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Clarinet Nonet + Fl,Picc,Cbn.)
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Clarinet Nonet + Fl,Picc,Cbn.)
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Ensemble de Clarinettes
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Contemporain
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.830733 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3536853. ...
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Woodwind Ensemble Clarinet - SKU: A0.830733 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3536853. Published by Richard Byrnes (A0.830733). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Picc,Fl,E-flatCl,6Cl,BCl,CalCl,Cbn). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99 ≈
¥213.28
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Flute Nonet + BCl,CalCl,Cbn.)
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Flute Nonet + BCl,CalCl,Cbn.)
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Contemporain
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JuaquÃn Turina
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Richard Byrnes
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Strauss.
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Retrato
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Clarinet,Bass Flute,Contra Alto Clarinet,Contrabassoon,Piccolo - SKU: A0.830735 Composed by JuaquÃn Turina. Arrange...
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Woodwind Ensemble Alto Flute,Bass Clarinet,Bass Flute,Contra Alto Clarinet,Contrabassoon,Piccolo - SKU: A0.830735 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3538757. Published by Richard Byrnes (A0.830735). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Picc,5Fl,AFl,2BFl,BCl,CalCl,Cbn). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99 ≈
¥213.28
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Woodwind Choir)
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Woodwind Choir)
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Contemporain
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - SKU: A0.830738 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31...
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Woodwind Ensemble Clarinet,Contrabassoon,Flute,Oboe,Piccolo - SKU: A0.830738 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3542555. Published by Richard Byrnes (A0.830738).  JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work.  This arrangement is scored for Piccolo, 2 Flutes, 2 Oboes, 3 Clarinets, 3 Bassoons, & Contrabassoon.  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to many works by J.S. Bach, we offer works by Brahms, Debussy, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne. Â
$29.99 ≈
¥213.28
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (String Orchestra + Picc,Cbn.)
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (String Orchestra + Picc,Cbn.)
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Orchestre à Cordes
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Contemporain
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
String Orchestra - SKU: A0.830737 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. Score and parts. 31 pages. Richard Byrnes #35...
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String Orchestra - SKU: A0.830737 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. Score and parts. 31 pages. Richard Byrnes #3541705. Published by Richard Byrnes (A0.830737). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Piccolo, 5 Violins, 2 Violas, 2 Celli, Bass, Contrabassoon). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Brahms, Debussy, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99 ≈
¥213.28
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Double Reed Choir + Fl,Picc)
Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Double Reed Choir + Fl,Picc)
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Contemporain
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JuaquÃn Turina
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Richard Byrnes
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Retrato
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Richard Byrnes
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SheetMusicPlus
Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - SKU: A0.830734 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. S...
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Large Ensemble Contrabassoon,English Horn,Flute,Oboe,Piccolo - SKU: A0.830734 Composed by JuaquÃn Turina. Arranged by Richard Byrnes. 20th Century. Score and parts. 31 pages. Richard Byrnes #3538189. Published by Richard Byrnes (A0.830734). JuaquÃn Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Picc,Fl,3Ob,2EH,4Bn,Cbn). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss.
$29.99 ≈
¥213.28
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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S
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A
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S. Prokofiev: Fleetingness, op
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published ...
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Full Orchestra - Level 3 - SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00 ≈
¥711.17
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
¥277.00
String Quartet No. 1
String Quartet No. 1
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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Anthony Bannach
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String Quartet No. 1
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Anthony Bannach Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Ant...
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String Quartet Cello,String Quartet,Viola,Violin - SKU: A0.995180 Composed by Anthony Bannach. 20th Century,Contemporary. Score and parts. 76 pages. Anthony Bannach Music #4735689. Published by Anthony Bannach Music (A0.995180). My first string quartet draws a lot of inspiration from early 20th century composers, which perhaps might be my favorite era of classical music. I am oft inspired by the music from Stravinsky, Nielsen, and Debussy, among others. However, the composer to have the most influence on me for the past few years is Bartok, and I believe it is evident in this work as well. I loved Bartok's use of the tritone as a tonal center, the vast and frequent changes of tempo, and the multitude of textural colors and extended techniques in his works. Most of the extended techniques are found in the second movement, an example of which is the Bartok pizzacatto, which today is a commonly found and utilized articulation. But I also have some newer techniques such as aleotoric passages, originally created by composers such as Charles Ives and Henry Crowell and which saw more prominent usage through the likes of John Cage and Witold Lutosławski, are still quite new and fresh compositional tools. The third movement is much more song-like and tonal in nature than the first two movements, but really adapts Bartok's style of changing the tempo often to bridge different sections. Ultimately, I see the quartet as a microcosm of the music I want to continue writing in the future, not over-indulging in the intellectual exercises of mid-to-late 20th and 21st century classical music, while at the same time not relying on the tonal and emotional tropes of the past. .
$15.00 ≈
¥106.67
Gymnopedie No 2 for flute and piano
Gymnopedie No 2 for flute and piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Mark Reeves
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Gymnopedie No 2 for flute and
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Mark Reeves
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pa...
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Flute,Piano - Level 3 - SKU: A0.748672 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Concert,Film/TV,Wedding,World. Score and part. 5 pages. Mark Reeves #3022545. Published by Mark Reeves (A0.748672). Erik Satie's Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. This arrangement for flute with piano accompaniment would fit nicely into a school concert programme and is also perfect for wedding ceremonies. Performance time is approximately two and a half minutes. Breath marks are not indicated, as the long phrases should be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. More arrangements by Mark Reeves: www.sheetmusicplus.com/publishers/Mark-Reeves/1850 Facebook: www.facebook.com/MarkReevesPianist Twitter: https://twitter.com/MarkReeves001 Website: www.markreeves.co.uk Email: info@markreeves.co.uk
$3.99 ≈
¥28.38
Trois Gymnopedies for Flute and Piano
Trois Gymnopedies for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Mark Reeves
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Trois Gymnopedies for Flute an
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Mark Reeves
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part...
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Flute,Piano - Level 3 - SKU: A0.748673 Composed by Erik Satie. Arranged by Mark Reeves. 20th Century,Film/TV,Multicultural,Wedding,World. Score and part. 13 pages. Mark Reeves #3029515. Published by Mark Reeves (A0.748673). Erik Satie's Trois Gymnopedies were written for piano solo but lend themselves perfectly to being played by other musical instruments too. Indeed, Claude Debussy arranged the first and third Gymnopedies for orchestra. These arrangements for flute with piano accompaniment would fit nicely into a school concert programme and are also perfect for wedding ceremonies. Performance time for each piece is approximately 2.5 to 3 minutes. Breath marks are not indicated, as the long phrases should ideally be played in one breath if possible. A separate part is supplied for the soloist. The composer's original autographed manuscripts have been used as the initial source material, along with the very first printed editions published in 1888 and 1895. Obvious errors in these first editions have been corrected and Satie's unconventional preference for distributing the notes of chords across both staves has been ignored in favour of grouping the notes together to facilitate chord recognition and performance. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger with years of experience. More of his arrangements can be downloaded here: http://www.sheetmusicplus.com/publishers/Mark-Reeves/1850 For further information email: info@markreeves.co.uk or follow Mark on Twitter @MarkReeves001
$14.99 ≈
¥106.60
Naturszenen Op. 3, No. 14 "Die Waldkathedrale"
Naturszenen Op. 3, No. 14 "Die Waldkathedrale"
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Piano seul
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AVANCÉ
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Contemporain
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Michael Swedberg
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Naturszenen Op. 3, No. 14 &quo
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Niska Music Publishing
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1073968 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishi...
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Piano Solo - Level 5 - SKU: A0.1073968 By Michael Swedberg. By Terrence Niska. 20th Century,Classical,Contemporary. Score. 4 pages. Niska Music Publishing #678234. Published by Niska Music Publishing (A0.1073968). The most Impressionistic of Opus 3, the cathedral in this instance is the forest rather than the sunken one from Debussy’s prelude. The canopy of the trees is the vaulted ceiling and the trunks serve as the columns. As one walks down the colonnade, the spaces between the trees serve as windows onto the magnificence of nature. From a musical standpoint, the thick, rich chords of the right hand create a feeling of majesty and awe broken by the melismatic figures of the wind through the boughs. Once again, it is of great importance to balance the chords to bring forth the melody.
$3.99 ≈
¥28.38
Suite for Piano
Suite for Piano
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Piano seul
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AVANCÉ
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Contemporain
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Francis Kayali
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Suite for Piano
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Francis Kayali
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published...
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Piano Solo - Level 5 - SKU: A0.973026 Composed by Francis Kayali. 20th Century,Concert,Contemporary. Score. 26 pages. Francis Kayali #5718759. Published by Francis Kayali (A0.973026). Composed between January and March 2003, the Suite for Piano was written for a recital by pianist Qi Liu (1976-2017), at Stony Brook University, in March of 2003.The opening of the first movement evokes bells, not unlike those in Rachmaninoff’s RusÂsian Easter (the finale of his First Suite for Two Pianos). This is contrasted with a short and murky rising gesture. The middle section incorporates pianistic patterns (some reminiscent of Debussy), a yearning IbeÂrian melody, and a barely-recognizÂable snippet of Chopin used for a climax. The murky gesture eventually returns, introducing a triumphant stateÂment of the opening bells.Early on, I had decided the piece should include references to the other pieces on the reÂcital’s program: Beethoven’s Piano Sonata No. 18 (op. 31, No. 3) and Brahms’s F minor SoÂnata (op. 5). As soon as I had word from Qi that she was going to play the Beethoven, I immediÂately wanted to hear it. I wasn’t familiar with the piece, and since I didn’t have a score or a reÂcording of it at home, I decided to download it in MIDI format from the internet. Unbeknownst to me, the computer’s rendition transformed the lively secÂond movement scherzo into a slow-moving hymn which reminded me of the Ode to Joy. I was quite surÂprised the next mornÂing when I went to the muÂsic library and listened to a reÂcording played by a human. Nonetheless, I was drawn to the melody, and I found the slow effect interesting, so I deÂcided to base my middle movement (the slow movement) around the theme of BeethoÂven’s scherzo, making it the hidÂden theme for a short set of variations. The end of the movement also contains less direct referÂences to the music of Brahms (very short alluÂsions to the Sonata and to the Variations on a Theme by Haydn).The last movement explores fast and light fingerwork, in a sort of toccata or capriccio, proÂviding a flashy ending to the piece. As in the first movement, the form is A-B-A. Before the return of the first section, a little dance evokes the opening of the piece. (The murky gesture from the first movement also finds its way into this last movement).Each of the three movements experiments at one point with using the sustain pedal in order to create a wash of sound. This effect is used most prominently in the second movement.Movement I: https://www.youtube.com/watch?v=n-NKcs076UIMovement II: https://www.youtube.com/watch?v=XSxkOcdlpiYMovement III: https://www.youtube.com/watch?v=CntmWYdOA9Y
$12.00 ≈
¥85.34
Nebbia sui ciliegi in fiore
Nebbia sui ciliegi in fiore
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Piano seul
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FACILE
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New Age
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Contemporain
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Aldo Roberto Pessolano
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Nebbia sui ciliegi in fiore
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Aldo Roberto Pessolano
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1267170 By Aldo Roberto Pessolano. By Aldo Roberto Pessolano. 21st Century,Classical,Contemporary,New Age. Score. 3 pages...
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Piano Solo - Level 2 - SKU: A0.1267170 By Aldo Roberto Pessolano. By Aldo Roberto Pessolano. 21st Century,Classical,Contemporary,New Age. Score. 3 pages. Aldo Roberto Pessolano #859809. Published by Aldo Roberto Pessolano (A0.1267170). Be transported into a world of mystery and beauty with this evocative piece for beginner piano. The title Nebbia sui ciliegi in fiore translates to Fog on the Flowering Cherry Trees. This piece captures the melancholy of a foggy spring morning. Dissonant harmonies and ethereal melodies evoke the mist gently enveloping the blooming cherry branches.Despite its apparent simplicity, this piece conceals a complexity that will fascinate novice piano students. The hands move softly over the keyboard, creating a dreamy atmosphere. The slow, steady rhythm is suitable for beginners, while the harmonic progressions gradually challenge the ear.The elusive colors of the finale may recall the atmospheres of Debussy, leaving the listener lost in their thoughts. This is the ideal piece to introduce piano students to musical romanticism and to develop artistic sensitivity. Allow yourself to be carried away!
$1.99 ≈
¥14.15
Hisser les voiles
Hisser les voiles
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Violoncelle
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INTERMÉDIAIRE
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Contemporain
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Sonia Mokhtari
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Hisser les voiles
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Sonia Mokhtari
#
SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1243326 By Sonia Mokhtari. By Sonia Mokhtari. 20th Century,Classical,Contemporary. Individual part. 1 pages. Sonia Mokhta...
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Cello Solo - Level 3 - SKU: A0.1243326 By Sonia Mokhtari. By Sonia Mokhtari. 20th Century,Classical,Contemporary. Individual part. 1 pages. Sonia Mokhtari #838285. Published by Sonia Mokhtari (A0.1243326). Hisser les voiles is a mesmerizing musical composition inspired by the influential style of Debussy. This evocative piece employs the C Dorian mode and the whole-tone scale to create a captivating sense of sailing across the vast expanse of the sea. Through the artful use of melodic and harmonic choices, the music skillfully imitates the rhythmic undulations of waves, immersing the listener in a journey of serenity and adventure.
$1.99 ≈
¥14.15
Haiku No. 6 "Moonlight Flowers' Fragrances"
Haiku No. 6 "Moonlight Flowers' Fragrances"
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Adrian Gagiu
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Haiku No. 6 "Moonlight Fl
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Adrian Gagiu
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1004725 Composed by Adrian Gagiu. 20th Century,Contemporary. Score. 2 pages. Adrian Gagiu #6204625. Published by Adrian G...
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Piano Solo - Level 4 - SKU: A0.1004725 Composed by Adrian Gagiu. 20th Century,Contemporary. Score. 2 pages. Adrian Gagiu #6204625. Published by Adrian Gagiu (A0.1004725). Haiku No. 6 in G sharp minor Moonlight Flowers' Fragrances (2020) is an evocative, nocturnal, Impressionistic piece for solo piano, with complex chords inspired in part by Debussy and Sub-Saharan traditional music. Appropriate for advanced students interested in modern harmony. Duration: 4 min. Performing Rights Organization: SOCAN.
$3.99 ≈
¥28.38
Mirage – for solo piano
Mirage – for solo piano
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Piano seul
#
Contemporain
#
Ben Trigg
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Mirage – for solo piano
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OlivePress Music
#
SheetMusicPlus
Piano Solo - SKU: A0.1002400 Composed by Ben Trigg. 20th Century,Contemporary. Score. 3 pages. OlivePress Music #6618023. Published by OlivePress Music ...
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Piano Solo - SKU: A0.1002400 Composed by Ben Trigg. 20th Century,Contemporary. Score. 3 pages. OlivePress Music #6618023. Published by OlivePress Music (A0.1002400). Written in early 2002, the music draws on the influences of Debussy and Liszt, fused with a more contemporary, harmonically dissonant style. It is intended to be evocative and picture-painting as an instrumental 'tone-poem'. The technique required is mostly not complicated, with the dynamics demanding the most control. .
$2.49 ≈
¥17.71
Within Whispers
Within Whispers
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Piano seul
#
INTERMÉDIAIRE
#
New Age
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Contemporain
#
Sharon Fendrich
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Within Whispers
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Sharon Fendrich
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.944591 Composed by Sharon Fendrich. 20th Century,Concert,Contemporary,New Age. Score. 4 pages. Sharon Fendrich #6342819. ...
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Piano Solo - Level 3 - SKU: A0.944591 Composed by Sharon Fendrich. 20th Century,Concert,Contemporary,New Age. Score. 4 pages. Sharon Fendrich #6342819. Published by Sharon Fendrich (A0.944591). From the multi-award winning 2019 New Age Neo-Classical album, Red Sky Prairie. Beautiful, flowing, contemplative solo piano piece ideal for weddings, church services, solo performances. Composer influences: David Lanz, Jim Brickman, Ludovico Einaudi, Enya. 10 additional titles from the album are available.The song evokes a delicate intimacy, but acknowledges there is a struggle to maintain closeness with another amid internal and external obstacles. The middle section is a tribute to Debussy’s orchestration of Satie’s Gymnopédie #1.
$4.99 ≈
¥35.49
Drifting Along with the Tide
Drifting Along with the Tide
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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FACILE
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Contemporain
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George Gershwin
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Bill Wilson
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Drifting Along with the Tide
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - SKU: A0.775101 Composed by George Gershwin. Arranged by Bill Wilson. 20th Century. 12 pages. Alexander Wilson #3454115. Publis...
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Brass Quintet - Level 2 - SKU: A0.775101 Composed by George Gershwin. Arranged by Bill Wilson. 20th Century. 12 pages. Alexander Wilson #3454115. Published by Alexander Wilson (A0.775101). George Gershwin's Drifting Along with the Tide is a Tin Pan Alley song, but clearly shows evidence of the influence of the impressionist French composers Maurice Ravel and Claude Debussy. The verse is largely quite ethereal, while the verse retains some of the ethereality and the verse but also demonstrates some straight-ahead Tin Pan Alley song characteristics. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:45. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00 ≈
¥28.45
Brief Prelude for Violin and Piano
Brief Prelude for Violin and Piano
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Violon et Piano
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Contemporain
#
Stanley M
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Brief Prelude for Violin and P
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stanleymhoffman.com
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SheetMusicPlus
Piano,Violin - SKU: A0.924816 Composed by Stanley M. Hoffman. 20th Century,Contemporary. 4 pages. Stanleymhoffman.com #3911867. Published by stanleymhof...
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Piano,Violin - SKU: A0.924816 Composed by Stanley M. Hoffman. 20th Century,Contemporary. 4 pages. Stanleymhoffman.com #3911867. Published by stanleymhoffman.com (A0.924816). This piece was composed for Vox Novus' 15 Minutes of Fame series. While it was not chosen for performance by Andrey Iliushkin and Leonid Zhelezny, this miniature can add to the atmospheric mood of recitals or concerts. This gentle prelude is inspired by rhythms and contours from Ich bin der Welt abhanden gekommen (Mahler), and the open fifth interval from La cathédrale agouties (Debussy). Otherwise the harmonies and melodies are very much the composer's own.
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