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Vous avez sélectionné:
Cello Suite for solo Clarinet
Partitions à imprimer
66 partitions trouvées
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Cello Suite for solo Clarinet
Cello Suite for solo Clarinet
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Darren Lloyd
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Cello Suite for solo Clarinet
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Darren Lloyd
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SheetMusicPlus
Clarinet Solo - Level 4 - SKU: A0.855979 Composed by Johann Sebastian Bach. Arranged by Darren Lloyd. Baroque,Concert,Instructional,Standards. Individua...
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Clarinet Solo - Level 4 - SKU: A0.855979 Composed by Johann Sebastian Bach. Arranged by Darren Lloyd. Baroque,Concert,Instructional,Standards. Individual part. 11 pages. Darren Lloyd #4745445. Published by Darren Lloyd (A0.855979). J S Bach's famous Cello suite arranged for solo Clarinet. Transcribed into the same keys. One small transposition made to suit advanced intermediate/advanced players. Great for developing breath control, stamina and general technique. I have purposely left out articulations, so you can add your own (try different ones)!
$4.99 ≈
¥34.99
The Music of J.S. Bach - Works for Unaccompanied Clarinet
The Music of J.S. Bach - Works for Unaccompanied Clarinet
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Clarinette
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Kathryne Pirtle
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Baroque masterpieces by J
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The Music of J.S. Bach - Works
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Rubank Publications
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SheetMusicPlus
Clarinet SKU: HL.4470004 By Kathryne Pirtle. By Johann Sebastian Bach. Rubank CD. Baroque, Classical. CD only. Published by Rubank Publications (HL.44700...
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Clarinet SKU: HL.4470004 By Kathryne Pirtle. By Johann Sebastian Bach. Rubank CD. Baroque, Classical. CD only. Published by Rubank Publications (HL.4470004). ISBN 9780634086823. UPC: 073999700046. 5x5.5 inches. J.S. Bach/performed by Kathryne Pirtle.Now available on CD – Baroque masterpieces by J.S. Bach performed by renowned Chicago clarinetist Kathryne Pirtle. Taken from Voxman's legendary Classical Studies for Clarinet (04470840), these transcriptions of unaccompanied violin and cello solos are artfully performed by Pirtle, making this unique recording a valuable addition to any music library. Also available as a package with Classical Studies for Clarinet (04470003).
Song List
: Suite I - Prelude (Bach, arr Pirtle) Suite I - Courante (Bach, arr Pirtle) Suite I - Minuets I and II (Bach, arr Pirtle) Suite I - Gigue (Bach, arr Pirtle) Suite II - Prelude (Bach, arr Pirtle) Suite II - Gigue (Bach, arr Pirtle) Suite III - Allemande (Bach, arr Pirtle) Suite III - Bourees I and II (Bach, arr Pirtle) Suite III - Courante (Bach, arr Pirtle) Suite III - Gigue (Bach, arr Pirtle) Suite IV - Prelude (Bach, arr Pirtle) Suite IV - Allemande (Bach, arr Pirtle) Suite IV - Courante (Bach, arr Pirtle) Suite IV - Bourees I and II (Bach, arr Pirtle) Suite IV - Gigue (Bach, arr Pirtle) Suite VI - Courante (Bach, arr Pirtle) Suite VI - Gigue (Bach, arr Pirtle) Partita in B Minor - Corrente (Bach, arr Pirtle) Partita in B Minor - Double 9/8 (Bach, arr Pirtle) Partita in B Minor - Double 2/2 (Bach, arr Pirtle) Sonate II in A Major - Allegro (Bach, arr Pirtle) Second Little Prelude - Moderato (Bach, arr Pirtle)
$12.95 ≈
¥90.80
Saint-Saëns: The Swan for Bass Clarinet & Piano
Saint-Saëns: The Swan for Bass Clarinet & Piano
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...
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Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥231.03
The Swan, (Le Cygne), by Saint-Saens, Duet for Clarinet
The Swan, (Le Cygne), by Saint-Saens, Duet for Clarinet
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2 Clarinettes (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Clarinet Duet Clarinet - Level 4 - SKU: A0.587374 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Stan...
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Clarinet Duet Clarinet - Level 4 - SKU: A0.587374 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. 2 scores. 4 pages. David McKeown #3222137. Published by David McKeown (A0.587374). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for two Clarinets. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.25
Bach Cello Suite No. 1 - Clarinet Solo
Bach Cello Suite No. 1 - Clarinet Solo
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Johann Sebastian Bach
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Ygor Nunes
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Bach Cello Suite No. 1 - Clari
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Ygor Nunes
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - SKU: A0.1468816 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical,Film/TV,W...
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B-Flat Clarinet Solo - Level 4 - SKU: A0.1468816 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical,Film/TV,Wedding. Individual part. 4 pages. Ygor Nunes #1047002. Published by Ygor Nunes (A0.1468816). Here is an easy and beautiful arrangement of Bach Cello Suite No. 1 for clarinet  solo.
$3.99 ≈
¥27.98
Bach Cello Suite No. 1 - Clarinet in A
Bach Cello Suite No. 1 - Clarinet in A
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Johann Sebastian Bach
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Ygor Nunes
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Bach Cello Suite No. 1 - Clari
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Ygor Nunes
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SheetMusicPlus
A Clarinet Solo - Level 4 - SKU: A0.1468815 Composed by Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical,Film/TV,Wedding. Individual par...
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A Clarinet Solo - Level 4 - SKU: A0.1468815 Composed by Johann Sebastian Bach. Arranged by Ygor Nunes. Baroque,Classical,Film/TV,Wedding. Individual part. 4 pages. Ygor Nunes #1047001. Published by Ygor Nunes (A0.1468815). Here is an easy and beautiful arrangement of Bach Cello Suite No. 1 for clarinet in A solo.
$3.99 ≈
¥27.98
Cello Suite No.1 - I.Prelude (for Bass Clarinet) / J.S.Bach BWV1007
Cello Suite No.1 - I.Prelude (for Bass Clarinet) / J.S.Bach BWV1007
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Clarinette Basse
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Daisuke Uchiyama
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Cello Suite No.1 - I.Prelude
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Aya Music Publishing
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SheetMusicPlus
Bass Clarinet - Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Daisuke Uchiyama. Baroque Period. Solo Part. 2 pages. Publ...
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Bass Clarinet - Intermediate - Composed by Johann Sebastian Bach (1685-1750). Arranged by Daisuke Uchiyama. Baroque Period. Solo Part. 2 pages. Published by Aya Music Publishing
Cello Suite No.1 - I.Prelude (for Bass Clarinet) / J.S.Bach BWV1007
$2.99 ≈
¥20.96
Classical Studies for Clarinet
Classical Studies for Clarinet
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Himie Voxman
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Classical Studies for Clarinet
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Rubank Publications
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SheetMusicPlus
Book Only Clarinet SKU: HL.4470840 Clarinet Method. Composed by Himie Voxman. Woodwind Method. Studies. Clarinet studies book (softcover). With st...
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Book Only Clarinet SKU: HL.4470840 Clarinet Method. Composed by Himie Voxman. Woodwind Method. Studies. Clarinet studies book (softcover). With standard notation. 72 pages. Rubank Publications #RUBL139. Published by Rubank Publications (HL.4470840). ISBN 9781458417961. UPC: 073999373189. 9x12 inches. Edited by H. Voxman.This wonderful set of studies presents the solo sonatas, partitas and suites of J.S. Bach and G.F. Handel for unaccompanied violin and cello, arranged by master teacher H. Voxman. They provide the serious student a wealth of fine music well-suited to the study of phrasing and articulation, and unlimited possibilities in the development of musicianship.
Song List
: Allegro Allegro Maestoso Sarabande Allegro from Violin Sonata II Allegro Assai from Violin Sonata III Presto from Violin Sonata I Partita I in B Minor Partita II in D Minor Partita III in E Cello Suite I Cello Suite II Cello Suite III Cello Suite IV Cello Suite VI Moderato Allegro from Flute Sonata in E Gigue
$10.99 ≈
¥77.06
The Swan, (Le Cygne), by Saint-Saens, for Clarinet and Piano
The Swan, (Le Cygne), by Saint-Saens, for Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.587363 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. S...
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Clarinet,Piano - Level 3 - SKU: A0.587363 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and part. 7 pages. David McKeown #3221139. Published by David McKeown (A0.587363). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saëns’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version for Clarinet with Piano accompaniment has been arranged to best suit the key and pitch of the solo instrument. The pdf file contains both the piano accompaniment and the separate solo part. Musicians at an intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the piano accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.25
The Swan, (Le Cygne), by Saint-Saens, Duet for Violin and Clarinet
The Swan, (Le Cygne), by Saint-Saens, Duet for Violin and Clarinet
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Clarinette, Violon (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - SKU: A0.587379 Composed by Camille Saint-Saens. Arranged by David McKeown. Instructional...
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Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 4 - SKU: A0.587379 Composed by Camille Saint-Saens. Arranged by David McKeown. Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #3222147. Published by David McKeown (A0.587379). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for one Violin and one Clarinet. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.25
The Swan, (Le Cygne), by Saint-Saens, Duet for Flute and Clarinet
The Swan, (Le Cygne), by Saint-Saens, Duet for Flute and Clarinet
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Flûte, Clarinette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.587377 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instru...
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Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - SKU: A0.587377 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #3222143. Published by David McKeown (A0.587377). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for one Flute and one Clarinet. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.25
The Swan, (Le Cygne), by Saint-Saens, Duet for Clarinet and Alto Saxophone
The Swan, (Le Cygne), by Saint-Saens, Duet for Clarinet and Alto Saxophone
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Saxophone, Clarinette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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David McKeown
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The Swan,
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David McKeown
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - SKU: A0.587373 Composed by Camille Saint-Saens. Arranged by David McKeown. Conce...
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Instrumental Duet Alto Saxophone,Clarinet,Instrumental Duet - Level 4 - SKU: A0.587373 Composed by Camille Saint-Saens. Arranged by David McKeown. Concert,Instructional,Romantic Period,Standards. Score and parts. 4 pages. David McKeown #3222135. Published by David McKeown (A0.587373). Le Cygne, or The Swan, is the penultimate movement of Camille Saint-Saens’ 1886 suite, Carnival of the Animals. Most often played as a solo piece for cello with piano, the original version was scored for solo instrument and two pianos. It was the only movement for the Carnival that the composer allowed to be heard in public during his lifetime. This version is arranged as a duet for one Clarinet and one Alto Saxophone. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in its constant semiquaver arpeggios. The overall performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to help with expressive playing. The legato in both parts demand precise fingers. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
¥32.25
Elegy Sentimentale for Orchestra
Elegy Sentimentale for Orchestra
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
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Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00 ≈
¥210.34
Elegy Sentimentale for Concert Band
Elegy Sentimentale for Concert Band
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Orchestre d'harmonie
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Keith Terrett
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Elegy Sentimentale for Concert
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Keith Terrett
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SheetMusicPlus
Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749).
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Concert Band - SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00 ≈
¥210.34
Cello Suite No. 1 (Prelude) For Solo Clarinet
Cello Suite No. 1 (Prelude) For Solo Clarinet
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Clarinette
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Classique
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Johann Sebastian Bach
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Ivan de Andrade
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Cello Suite No. 1
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Finesse Music
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SheetMusicPlus
Clarinet Solo - SKU: A0.482216 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ivan de Andrade. Baroque,Classical,Instructional,Traditio...
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Clarinet Solo - SKU: A0.482216 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Ivan de Andrade. Baroque,Classical,Instructional,Traditional,Wedding. Individual part. 4 pages. Finesse Music #100260. Published by Finesse Music (A0.482216). Features breath marks, phrasing ideas and articulation recommendations. Key signature (concert Bb / written C) and octave placement according to the instrument range and most natural performance. Proper page turn and easy-to-read layout. Formatted for A4 paper print or table view. Stand out from the crowd by adding this beautiful and worldwide celebrated piece to your repertoire!
$3.99 ≈
¥27.98
J. S. Bach - Cello Suite No. 1 in G major arranged for clarinet in A
J. S. Bach - Cello Suite No. 1 in G major - clarinet in A
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Clarinette
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Nicholas D'Silva
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J. S. Bach - Cello Suite No. 1
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Nicholas D'Silva
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SheetMusicPlus
A Clarinet Solo - Level 4 - SKU: A0.945302 Composed by Johann Sebastian Bach. Arranged by Nicholas D'Silva. Baroque,Instructional,Standards. Individual ...
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A Clarinet Solo - Level 4 - SKU: A0.945302 Composed by Johann Sebastian Bach. Arranged by Nicholas D'Silva. Baroque,Instructional,Standards. Individual part. 8 pages. Nicholas D'Silva #5742131. Published by Nicholas D'Silva (A0.945302). This is an arrangement of J. S. Bach’s Cello Suite No. 1 in G major, BWV 1007 for clarinet in A. The A clarinet was chosen to assist with the greater development of stamina and breath support / control, as well as for its more suitable timbre and closer range. This arrangement can be used effectively for the purposes of exercise and/or performance. The key of the original version has been maintained and where applicable, additional notes representing the original version have been provided in brackets for informative purposes.
$7.99 ≈
¥56.02
The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
The Swan, (Le Cygne), by Saint-Saens, for Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint- Saens
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The Swan,
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David McKeown
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SheetMusicPlus
Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Peri...
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Piano Accompaniment, Alto Sax - Intermediate - Digital Download Composed by Camille Saint- Saens (1835-1921). Arranged by David McKeown. Romantic Period, Repertoire, General Instructional, Recital. Score, Solo Part. 7 pages. Published by David McKeown
Le Cygne, or The Swan, is the penultimate movementof Camille Saint-Saëns? 1886 suite, Carnivalof the Animals. Most often played as a solo piece for cello with piano,the original version was scored for solo instrument and two pianos. It was the only movement for the Carnivalthat the composer allowed to be heard in public during his lifetime. Thisversion for Alto Saxophone with Pianoaccompaniment has been arranged to best suit the key and pitch of the soloinstrument. The pdf file contains both the piano accompaniment and the separatesolo part.
Musicians at an intermediate level and above willfind this ideal for formal and informal performances. The melody is expressiveand legato; the piano accompaniment is challenging in its constant semiquaverarpeggios. The overall performance time is around three minutes. The linked full-length youtube performance is the Clarinet version of this arrangement.
Teacherswill enjoy using this arrangement as a fun way to help with expressive playing.The legato in both parts demand precise fingers.
$4.60 ≈
¥32.25
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano
Adagio No 1, My Salvation from An Adagio Suite for Solo Medium (Baritone, Bass Clef) Voice and Piano
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James Nathaniel Holland
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Adagio No 1, My Salvation from
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James Nathaniel Holland
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.730397 Comp...
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Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Medium Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.730397 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 17 pages. James Nathaniel Holland #3077739. Published by James Nathaniel Holland (A0.730397). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for medium voice (Baritone (Key of G, Range: C to high G), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo trumpet.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.Though naught to fame,or of great deeds reserved to claim,or that fortune's passed me by.
$5.50 ≈
¥38.56
F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
F. Poulenc - Napoli Suite, Orchestrated by A. Leytush - Score Only
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Orchestre
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Contemporain
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Francis Poulenc
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A
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F. Poulenc - Napoli Suite, Orc
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arka...
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Full Orchestra - SKU: A0.1364910 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 108 pages. Arkady Leytush #949205. Published by Arkady Leytush (A0.1364910). Napoli Suite for piano was written in 1922-25. The aesthetic attribute most praised by the French is that utterly indefinable quality known as â??charmâ??. Among its leading proponents among 20th-century composers is Francis Poulenc, whose picture-postcard piano suite Napoli whimsically evokes the seaside pleasures, the serene beauty and urban bustle of Italian life as seen through the lens of an urbane French tourist in Naples. All of the above-mentioned colorful virtues of this music moved me to orchestrate this suite for a symphony orchestra, combining it with chamber and solo episodes, where, along with a full symphony orchestra, complete freedom is given to the soloists of the orchestra and its groups. For example, the 1st part â?? Barcarolle - starts with Violin, Flute, Oboe, and Clarinet solo. The 2 part - Nocturne - is almost chamber ensemble consisting of Flute, Oboe, Clarinet, Bassoon, Harp, Tambourine, Cello and D. Bass. The Tutti orchestra wedges in contrast only in in the last 6 bars. The 3rd part - Caprice Italien â?? string septet is soloing in 2 episodes without a conductor amidst powerful and colorful full orchestra sound. I hope to arouse interest of conductors and soloists of the orchestra to perform this brilliant music.
$60.00 ≈
¥420.69
Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saëns: The Swan for
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$32.95 ≈
¥231.03
Cello Suite No. 1
Cello Suite No. 1
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Daniel E
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Cello Suite No. 1
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Daniel Self
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.1349518 Composed by Johann Sebastian Bach. Arranged by Daniel ...
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Woodwind Ensemble,Woodwind Quintet A Clarinet,Bassoon,Flute,Horn,Oboe - Level 4 - SKU: A0.1349518 Composed by Johann Sebastian Bach. Arranged by Daniel E. Self. Baroque,Classical,Romantic Period. 20 pages. Daniel Self #934274. Published by Daniel Self (A0.1349518). A refreshing arrangement of Bach's most recognizable tunes, the Cello Suite No. 1 in G major originally for unaccompanied cello and reimagined for wind quintet. The original cello solo line is woven throughout tasteful harmonizations and countemelodies to produce a fun to play and beautiful to listen to rendition. Scored for flute, oboe, clarinet in A (with optional Bb part included), horn, and bassoon. Score and parts included (20 pages).
$15.00 ≈
¥105.17
David Warin Solomons Collidoscope Gavotte for Bb clarinet and piano
David Warin Solomons Collidoscope Gavotte for Bb clarinet and piano
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Clarinette et Piano
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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David Warin Solomons Collidosc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clarinet,Piano - Level 4 - SKU: A0.533886 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and part. 11 pages. Musik...
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Clarinet,Piano - Level 4 - SKU: A0.533886 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and part. 11 pages. Musik Fabrik Music Publishing #3062243. Published by Musik Fabrik Music Publishing (A0.533886). An amusing new look at a Gavotte from a Bach cello suite.
$9.10 ≈
¥63.80
Suite No.1 by Bach - Bb Clarinet Solo - Prelude (BWV1007)
Suite No.1 by Bach - Bb Clarinet Solo - Prelude (BWV1007)
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Clarinette
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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César Madeira
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Suite No.1 by Bach - Bb Clarin
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Sheet Music To Play Editions
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.1178128 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,I...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.1178128 Composed by Johann Sebastian Bach. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Instructional. Individual part. 3 pages. Sheet Music To Play Editions #778091. Published by Sheet Music To Play Editions (A0.1178128). Cello Suite No.1 (BWV 1007) by Bach for Bb Clarinet Solo. With Full Score (Prelude). Enjoy it!Johann Sebastian Bach (1685 - 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Brandenburg Concertos and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival, he has been generally regarded as one of the greatest composers of all time.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$5.99 ≈
¥42.00
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Treble) Voice and Piano
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Treble) Voice and Piano
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James Nathaniel Holland
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Adagio No 1, My Salvation from
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James Nathaniel Holland
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Low Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.730398 Compose...
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Large Ensemble Bassoon,Cello,Clarinet,English Horn,Flute,Low Voice,Oboe,Tenor Saxophone,Trombone,Trumpet,Viola,Violin - Level 3 - SKU: A0.730398 Composed by James Nathaniel Holland. Concert,Contemporary,Graduation. Score and parts. 20 pages. James Nathaniel Holland #3077765. Published by James Nathaniel Holland (A0.730398). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for low voice (Alto (Key of D, Range: G3 to D5), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), alto/bass instruments in C (cello, bassoon, trombone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) or viola part is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo violin.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.
$6.50 ≈
¥45.57
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Bass clef) Voice and Piano
Adagio No 1, My Salvation from An Adagio Suite for Solo Low (Bass clef) Voice and Piano
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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James Nathaniel Holland
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Adagio No 1, My Salvation from
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James Nathaniel Holland
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.730399 Composed by James Nathaniel Holland. Contemporary. Score. 20 pages. James Nathaniel Holland #3077775...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.730399 Composed by James Nathaniel Holland. Contemporary. Score. 20 pages. James Nathaniel Holland #3077775. Published by James Nathaniel Holland (A0.730399). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This beautiful piece arranged for low voice (Bass (Key of D, Range: G to D), piano (or harp or organ) and additional instrumental duets (Treble instruments in C (flute, oboe, viola or violin), Treble instruments in Bb (clarinet, trumpet, tenor saxophone), alto/bass instruments in C (cello, bassoon, trombone), bass instruments in C (cello, bassoon, trombone) or in F (horn or English horn) or viola part is adapted from the ballet the Wind in the Willows. This piece is perfect for funerals, graduations, or any solemn occasions. Text is non-religious, but expresses universal sentiments of one's helping others and impermanence. The sample here is presented with voice, piano and solo violin.Text:Those roads I have trodd'nAnd the faces I have known,If I've left a bit of good,That is my salvation.
$5.95 ≈
¥41.72
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Cello Suite for solo Clarinet
