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Change In The Making
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Vous avez sélectionné:
Change In The Making
Partitions à imprimer
361 partitions trouvées
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Change In The Making
Change In The Making
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Bowen
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Jeffrey Bowen
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Jeffrey Bowen
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Change In The Making
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.573905 Composed by Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and parts. 56 pages. Musi...
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Concert Band - Level 4 - SKU: A0.573905 Composed by Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and parts. 56 pages. Music Arrangement Services Inc. #183068. Published by Music Arrangement Services Inc. (A0.573905). By Jeffrey Bowen. This Concert Band Score accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. The song is about changing oneself on the inside to become a better person. The song refers to inner change, self reflection, self worth, letting go, self awareness and inner growth. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:55.
$19.99 ≈
18.00€
Change In The Making
Change In The Making
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Jeffrey Bowen, this song is ab
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Jeffrey Bowen
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Jeffrey Bowen
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Change In The Making
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Music Arrangement Services Inc.
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.573902 Composed by Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Octavo. 16 pages. Music ...
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Choral Choir (SATB) - Level 4 - SKU: A0.573902 Composed by Jeffrey Bowen. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Octavo. 16 pages. Music Arrangement Services Inc. #183037. Published by Music Arrangement Services Inc. (A0.573902). By Jeffrey Bowen, this song is about changing oneself on the inside to become a better person. The song refers to inner change, self reflection, self worth, letting go, self awareness and inner growth. This arrangement is designed for high school or college show choir, concert choir or community choir. Band Score accompaniment also available. Performance time is approximately 3:55.
$3.99 ≈
3.59€
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
I Saw Three Ships (Come Sailing In)(Solo Guitar with TAB)
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Musique Sacrée
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Traditional English Carol
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Antony Cull
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I Saw Three Ships
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Antony Cull
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Ta...
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Guitar - Level 3 - SKU: A0.896159 Composed by Traditional English Carol. Arranged by Antony Cull. Christian,Christmas,Praise & Worship,Sacred. Guitar Tab. 2 pages. Antony Cull #3382729. Published by Antony Cull (A0.896159). 'I Saw Three Ships (Come Sailing In)' arrangement for solo guitar by Antony Cull.IntroductionThis arrangement is aimed at intermediate level guitarists with a good control of natural harmonics and basic fingerstyle. The whole piece has the harmonic structure written in the chords above, which can be strummed by another player to turn the piece into a duet. Alternatively you can use these chords to accompany a singer and add the solo guitar arrangement as a introduction.Performance NotesThe first section outlines the basic harmony, often omitting notes from the chords above, to outline the melody. To keep each section distinct, keep the pace of this section slow and expressive.The next section has a celtic inspired feel, with the constant quavers throughout to drive the piece forward. Note the increase in tempo, but adjust to a comfortable speed for your ability as you are mostly aiming to play faster then the introduction. Practice this section slowly at first, taking time to choose the most comfortable finger position. Once you have the fingering locked in, work on making the melody pop out from the over all picking pattern, relax the attack on the thumb to help this.The third section uses natural harmonics to play the melody. To play a natural harmonic place you fretting finger lightly on the string above the stated fret. As you pick the string, remove your you finger and you should get a bell like tome that sounds a different pitch to the open string. Let each string ring out after each harmonic is played over the subsequent notes until another note is played on that string. In bar 19 and 23 there is a single fretted note so be prepared to switch technique on a dime. This will create a rich harp like feel to the piece that will give a really christmassy feel.The only big change in the coda is a gentle ritardando and an arppegiated harmonic across three strings. Gently place a finger across the three strings and role them off the as they are picked. Final ThoughtsI am a really big fan of tight arrangements and love constructing arrangements for my students. One of my greatest challenges is creating performance pieces for guitarists that don't sing. This is especially ponient during the holidays when everyone wants to hear all the classics. This piece is extremely musical and the harmonics are a real crowd pleaser. If you would like to know more about my music and the other arrangements and transcriptions, you can visit my website at www.antonycull.co.uk .
$2.49 ≈
2.24€
The Door
The Door
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Carter Datz
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The Door
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Carter Datz
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1415908 Composed by Carter Datz. 21st Century,Classical,Contemporary,Thriller. 11 pages. Carter Datz...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1415908 Composed by Carter Datz. 21st Century,Classical,Contemporary,Thriller. 11 pages. Carter Datz #997602. Published by Carter Datz (A0.1415908). The Door weaves a story of someone who feels stuck - they'd like to make a change in their life but it's easier to stay inside their comfort zone, far away from the fear monster that guards the door. Eventually they decide to stand and go through the door, but they find themselves unable to vanquish the fear monster. They realize that the only way through is by accepting their fear! The moral of the story is that true courage isn't the absence of fear - it's being scared out of your mind and making the tough decision anyway. I wrote this piece in collaboration with the Wentzville Liberty Chamber Choir - the students came up with the idea for the piece and contributed lyric and musical ideas. They wanted a roller coaster of a piece, and I did my best to deliver.
$2.99 ≈
2.69€
The Fog Meets the Storm for small wind band and percussion
The Fog Meets the Storm for small wind band and percussion
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Publis...
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Concert Band - Level 4 - SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00 ≈
45.03€
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.1
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402227 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985434. Published by ACORDO Sheet Music (A0.1402227). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
11.35€
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
Toccata and Fuge in d-Moll BWV 565 for Violin & Viola, Ver.2
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Violon, Alto (duo)
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata and Fuge in d-Moll BWV
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet...
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Instrumental Duet,Viola,Violin - Level 5 - SKU: A0.1402228 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 19 pages. ACORDO Sheet Music #985435. Published by ACORDO Sheet Music (A0.1402228). Toccata and Fugue in D Minor, BWV 565 by Johann Sebastian Bach (1685-1750) is a famous piece for the organ. Surprisingly, it wasn't very popular when Bach was alive. It was first published in 1833 by Felix Mendelssohn in a collection called noch wenig bekannte Orgelcompositinen. Mendelssohn performed it in 1840, which made it more well-known. This piece is different from Bach's later works in style and composition; for example, the fugue is relatively simple. Music expert Peter Williams suggested in his 2003 book The Organ Music of J. S. Bach that it might have originally been written for solo violin. Following his idea, some people tried to adapt it for solo violin, with some versions in A minor based on his suggestion.While it's unsure if Williams' idea is correct, it implies that this piece might work well for string instruments. We decided to arrange it for a Violin and Viola Duet, trying to stay close to the original organ version. However, because of technical reasons, we had to remove some parts. Our first arrangement was liked at a small concert in 2022. During this, we realized that the music could be good for string ensembles. We also found that removing some notes made the remaining ones stand out, sometimes making a special beauty. This suggests that the music might have been meant for string instruments originally.We first planned to publish this arrangement in 2020, but we changed our minds. We wanted as many people as possible to enjoy this wonderful piece, so we decided to publish two versions. Version 1 is similar to the organ score, sounding familiar but being technically hard. In contrast, Version 2 skips some notes, making it easier technically. Players will still experience the unique beauty of string ensembles with intentional note removal. The choice between the two depends on what players prefer and their skill level.To help players understand better, we've used colored notes. Different colors show different voices, helping players know each instrument's role. In Version 2, green notes show parts where both instruments play the same thing. While these notes are optional, playing them will help synchronize the two parts.Turning pages can be hard because there aren't many rests. We suggest using a tablet or arranging music stands side by side with all six pages in a row. If that's not possible, we suggest connecting pages 1-3 and 4-6 horizontally with cardboard. Put pages 1-3 in front and 4-6 in the back. For specific instructions during the piece:- The Violin plays the Viola part in bar 74, shown by solid parentheses. Turn the page after playing the third beat of bar 75 and don't play the Violin part in bar 76 (marked with dashed brackets), as the Viola will play it.- The Viola turns the page right after playing bar 73. Instead of playing the part in dashed parentheses in bar 74 (which the Violin will play), play the Violin part of bar 75 (marked with actual parentheses).
$12.60 ≈
11.35€
Canon in Minor
Canon in Minor
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Pachelbel
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Colby A
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Canon in Minor
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Colby Aguilar
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1028777 Composed by Johann Pachelbel. Arranged by Colby A. Aguilar. Baroque,Contemporary. 68 pages. Colby...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1028777 Composed by Johann Pachelbel. Arranged by Colby A. Aguilar. Baroque,Contemporary. 68 pages. Colby Aguilar #3928165. Published by Colby Aguilar (A0.1028777). Here is a wonderful of arrangement of Johann Pachelbel's Canon in D, but in minor. Various minor keys, that is. There are four key changes throughout the duration of the song, and is composed of 11 parts.With the parts, the choir will have to stagger breathe throughout the piece. The violin that's an octave up, put that back down the octave, and change the harp to a piano, or violin and cello respectively. Sorry for the inconvenience, but now that I've learnt more about the harp, I'm making a proper, separate composition. Due to the level of intensity, I advise against beginner students, but may be played with as a starting or finale experienced personnel- these are just suggestions, of course, though. The piece is also very lengthy- at a time approximate of 10 minutes, and so should be performed as a starting or finale piece, but again, at your disposal. As are the dynamics, make the piece your own.
$20.99 ≈
18.90€
In The Name Of Pele (for Symphonic Band)
In The Name Of Pele (for Symphonic Band)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Becca Schack
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In The Name Of Pele
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Ingenue Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1028005 Composed by Becca Schack. Contemporary,Folk,World. Score and parts. 111 pages. Ingenue Music #3140847. Publishe...
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Concert Band - Level 4 - SKU: A0.1028005 Composed by Becca Schack. Contemporary,Folk,World. Score and parts. 111 pages. Ingenue Music #3140847. Published by Ingenue Music (A0.1028005). Commissioned by The Association for Music in International Schools AMIS. Premiered in Bangkok, Thailand in January 2011, conducted by Dimosthenis Dimitrakoulakos. Program Notes: The image of Pele, the Hawaiian goddess of fire and volcanoes, kept reappearing in my mind as the main focus for this piece. According to myth, the islands of Hawaii owe their existence to Pele who ran away from her jealous sister, a sea goddess, to these tiny islands. Her sister sent tidal waves and Pele answered by sending fiery lava into the ocean, making new land as it cooled. The spirit of Pele lives on in the craters of the volcano, watching over the islands, reminding us that fiery eruptions and emotional upheavals are followed by new life and change. Pele, unpredictable and powerful, makes her entrance with a loud bang of brass and percussion, followed by the entire ensemble joining in. As the trumpets trail off, words from the ancient Hawaiian chant E Pele, E Pele are heard moving between each section in contrasting rhythms, as the tuba and low brass unfold the main theme. This chant is performed in Hawaiian culture accompanied by hula kahiko, an ancient style of hula dancing. The vibraphone plays a tranquil melody reminiscent of a Hawaiian wind chime softly blowing in the wind. The congas and rainstick evokes a tribal element. The piece is meant to juxtapose the multi-faceted natures of Pele. Syncopated rhythms in the winds paired with big brass and percussion represent her passion and violent temper. The playful, quiet, lingering sections led by the flute and vibraphone represent her irresistible and enchanting mystery as she creates new land and the living things that inhabit these magnificent islands. Hawaiian Chant: E Pele e Pele ka`uka`ulï ana Ha`ina ka inoa no Pele la ea English Translation: O Pele o Pele, moving along In the name of Pele
$60.00 ≈
54.04€
Eric To The Rescue
Eric To The Rescue
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Piano seul
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INTERMÉDIAIRE
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Alan Menken
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Eric
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Eric To The Rescue
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Overture & Storybook Musical Arrangements
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1464125 Composed by Alan Menken. Arranged by Eric. R. Broadway,Contemporary,Film/TV,Musical/Show. Score. 10 pages. Overtu...
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Piano Solo - Level 3 - SKU: A0.1464125 Composed by Alan Menken. Arranged by Eric. R. Broadway,Contemporary,Film/TV,Musical/Show. Score. 10 pages. Overture & Storybook Musical Arrangements #1042839. Published by Overture & Storybook Musical Arrangements (A0.1464125). 'Eric to the Rescue' is the score for the climax scene from The Little Mermaid (1989), in which Eric battles Ursula. This is the first villain battle score from Alan Menken's extensive repertoire of Disney animated film scores. 'Eric to the Rescue' includes musical motifs from Poor Unfortunate Souls, Part of Your World, Flotsam and Jetsam, as well as The Storm, and weaves them all together in Menken's signature thematic style. The Little Mermaid (1989) score garnered Alan Menken his first 2 Academy Awards (best original score and best original song), with many more Oscar winnings to follow. This arrangement for solo piano is a reduction of the full orchestra, and is suited for intermediate pianists. It has some extended versions of certain themes, and fewer time signature changes than the final recording - making it more natural to play as a solo on the piano.
$6.00 ≈
5.40€
The Witch on the Broom (a Halloween variation of Wheels on the Bus for Easy Piano)
The Witch on the Broom (a Halloween variation of Wheels on the Bus for Easy Piano)
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Piano Facile
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DÉBUTANT
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Halloween
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Traditional
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Amanda Dills
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The Witch on the Broom
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1106008 Composed by Traditional. Arranged by Amanda Dills. Halloween,Holiday,Instructional,Spiritual,Standards. Score. 1 ...
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Easy Piano - Level 1 - SKU: A0.1106008 Composed by Traditional. Arranged by Amanda Dills. Halloween,Holiday,Instructional,Spiritual,Standards. Score. 1 pages. Amanda Dills #709156. Published by Amanda Dills (A0.1106008). This minor-key variation on Wheels on the Bus features lots of accidentals and humorous Halloween lyrics.  The song changes between middle C and regular C positions (with one tiny chromatic passage in the right hand), making it perfect for beginning players who are starting to change hand positions.. Arrangement Details: • Number of Pages: 1 • Duration: approx 1 min • Hand Position: middle C and regular C • Key: C minor • Includes: 2 verses with original lyrics • Features: finger numbers, funny lyrics, accidentals, and articulation markings • Great For: sight reading, teaching major and minor, Halloween recitals and lessons, moving out of a single hand position, introducing chromatics, beginners, self-taught, group lessons About the Arranger: Amanda Dills is a composer and arranger (and educator and instructional designer) from Oklahoma City.  She has a degrees in Music Education and Music Composition, and teaching experience in settings ranging from private violin and piano instruction to K12 Vocal Music to college music theory courses.  For more information (including full composition and arrangement catalogue and fun freebies!), visit www.amandasmusicshop.com Looking for other minor key variations or humorous Halloween pieces? Here are some other pieces by this arranger you may like: • Black Bat, Black Bat (Sheet Music Plus | Sheet Music Direct) • The Spooky Scary Spider (Sheet Music Plus | Sheet Music Direct) • Seven Sinister Songs for Easy Piano (Sheet Music Plus | Sheet Music Direct) • Pumpkin Spiced: intermediate arrangement of the Coffee Dance from the Nutcracker (Sheet Music Plus | Sheet Music Direct)
$1.99 ≈
1.79€
Tears Dry On Their Own
Tears Dry On Their Own
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Chorale SATB
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FACILE
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Amy Winehouse
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Jacob Klingsten
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Tears Dry On Their Own
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1349517 By Amy Winehouse. By Amy Winehouse, Nickolas Ashford, and Valerie Simpson. Arranged by Jacob Klin...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.1349517 By Amy Winehouse. By Amy Winehouse, Nickolas Ashford, and Valerie Simpson. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Jazz,R & B. 15 pages. Jacob Klingsten #934269. Published by Jacob Klingsten (A0.1349517). Tears Dry On Their Own by Amy Winehouse is a wonderful R&B selection that has just the right amount of sass and sway for an exceptional work of music. This arrangement is for SATB a cappella groups, and sits at an easy-intermediate difficulty for high school/collegiate groups. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one.This arrangement features quite repetitive jazz harmonies and relatively limited ranges in the vocal parts, making the learn quite easy. Additionally, the bass part features a groovy bass line that everyone can move to. Additional Details: Key: E major // C# minor 15 Pages Length: 3m 4s Ranges: Solo: E3-B4 Soprano: E4-C#5 Alto: B3-A4 Tenor: G#3-E4 Bass: E2-G#3 (optional C#2-D#2) This piece was commissioned for Jewop A Cappella at UW-Madison in Madison, Wisconsin. If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$1.99 ≈
1.79€
The Girl I Mean To Be
The Girl I Mean To Be
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Orchestre
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/...
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Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99 ≈
54.03€
The Girl I Mean To Be
The Girl I Mean To Be
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Orchestre d'harmonie
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Sh...
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Concert Band - Level 2 - SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$79.99 ≈
72.04€
That they may rest in peace (voice with piano acc.)
That they may rest in peace (voice with piano acc.)
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Chorale SATB
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INTERMÉDIAIRE
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Hubert Parry
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Brock Lupton (1948-)
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That they may rest in peace
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Brock Lupton
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic ...
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Choral Choir (Mixed) - Level 3 - SKU: A0.942423 Composed by Hubert Parry (1848-1918). Arranged by Brock Lupton (1948-). Christian,Contemporary,Romantic Period,Sacred. Octavo. 6 pages. Brock Lupton #4764195. Published by Brock Lupton (A0.942423). This setting is ideal for Remembrance Day: it is also suitable for a funeral or celebration of life. It is singable as a congregation hymn, as an anthem for unison voices, or as a vocal solo (range A below middle C to D a ninth above middle C). The text is by Canadian poet Frederick George Scott (1861-1944). The original title is Requiescant (Let them rest). The source is Christian Poetry in Canada (ed David A. Kent ed, Anglican Book Center and ECW Press, Toronto, Canada, 1993) page 54. Scott was a military chaplain during World War I. This poem was, in the poet’s own words, [b]egun while I was lying awake in a sleeping-bag under a tarpaulin at Brielen, near Ypres…. during the gas attack on April 22nd, 1915…. As I lay awake, I wondered what all our comrades who had passed over were doing now…. I finished the poem at a little village called Robec. As I wrote it, I could see through the window, my host, who was a carpenter, making a baby’s coffin. (http://www.canadianpoetry.ca/confederation/FGScott/collected_poems/notes.htm) I have made a few slight changes: awful has become awe-filled Dear Christ became O Christ, and the line A weary road these men have trod has been altered to A weary road these warriors trod. Both the music and the original text are in the public domain in Canada, where copyright expires 50 years after the death of the author or composer.A brass quintet arrangement compatible with the voice part is available separately.
$5.00 ≈
4.50€
How Deep The Father's Love For Us
How Deep The Father's Love For Us
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Piano seul
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Nichole Nordeman
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Brian Buda
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How Deep The Father's Love For
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budaful music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1309546 By Nichole Nordeman. By Stuart Townend. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Re...
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Piano Solo - Level 3 - SKU: A0.1309546 By Nichole Nordeman. By Stuart Townend. Arranged by Brian Buda. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 19 pages. Budaful music #898708. Published by budaful music (A0.1309546). This solo piano hymn arrangement of 'How Deep the Father's Love For Us' is a fresh and exciting interpretation that will be a joy for the pianist as well as the listeners. The first 2 verses are soft and thoughtful leading into an optional majestic 3rd verse. Beautiful notes and chords for a truth-filled hymn. Performance time varies from 2-3+ minutes depending on which ending is implemented (see performance notes on the 1st page of music).There are 3 ways provided in the music to end this arrangement. This solo implements all 3 stanzas making this a longer than normal instrumental piece. The easiest way to end this arrangement would be to 1) perform the 1st 2 pages as written (Intermediate, 2 verses). 2) this option proceeds to V3 without a key change. 3) this option proceeds to V3 with an exciting key change, recommended over Opt.2.Also note, Eb is my preferred key of this arrangement however, included in this download is the same arrangement transposed up to D and E.
$6.99 ≈
6.30€
Who I Thought You Were - Music for Worship (In Bb, C, & D major)
Who I Thought You Were - Music for Worship (In Bb, C, & D major)
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Piano, Voix et Guitare
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FACILE
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Olivia Lane
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Kenneth Martin
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Who I Thought You Were - Music
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Martin Music Editions
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1453199 By Olivia Lane. By Olivia Lane. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Pra...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1453199 By Olivia Lane. By Olivia Lane. Arranged by Kenneth Martin. 21st Century,Christian,Contemporary,Praise & Worship,Religious. Score. 70 pages. Martin Music Editions #1032426. Published by Martin Music Editions (A0.1453199). # Discover the New Worship Song Arrangement: Who I Thought You Were by Olivia LaneImmerse yourself in the transformative power of music with our latest arrangement of Who I Thought You Were by the acclaimed Christian artist, Olivia Lane. Known for her heartfelt lyrics and inspiring journey, Olivia Lane's music is a testament to her faith and personal transformation.## About Olivia LaneOlivia Lane's journey to faith is as compelling as her music. Once an atheist, Olivia experienced a profound spiritual awakening that she shared openly with the world. Her conversion story is a powerful narrative of finding hope and belief, making her one of the most inspiring figures in contemporary Christian music. Her journey from skepticism to faith resonates deeply with many, and her music reflects this profound change.## The Song: Who I Thought You WereWho I Thought You Were is a beautiful worship song that captures Olivia Lane's embrace of her new faith. The lyrics reflect her spiritual journey and newfound relationship with God, making it a moving and uplifting piece for any worship setting.## Arrangement DetailsOur arrangement of Who I Thought You Were is designed to suit various musical needs and preferences. The song is arranged for voice, piano, guitar, and bass, ensuring a rich and full sound. In addition to the full arrangement, chord charts are included to facilitate easy play and adaptability for different instruments and skill levels.### Key Features:- **Voice, Piano, Guitar, and Bass Arrangement:** Perfect for solo performances, church services, and worship bands.- **Chord Charts Included:** Simplifies playing and allows for flexibility in worship sessions.- **Available in Three Keys:** Bb Major, C Major, and D Major, to accommodate different vocal ranges and musical preferences.## Enhance Your Worship ExperienceWhether you're looking to perform Who I Thought You Were in a church service or include it in your personal worship sessions, our arrangement offers versatility and ease of use. This song not only highlights Olivia Lane's vocal prowess and songwriting talent but also serves as a powerful tool for worship, reflection, and spiritual growth.## Get Your Copy TodayExperience the uplifting message and beautiful melody of Who I Thought You Were by Olivia Lane. Download the sheet music and chord charts now to bring this inspiring worship song to your congregation or personal practice.**Keywords:** Olivia Lane, Who I Thought You Were, Christian music, worship song, sheet music, chord charts, voice, piano, guitar, bass, Bb Major, C Major, D Major, faith journey, Christian artist, worship arrangement, spiritual transformation.
$10.00 ≈
9.01€
In Bleak Midwinter's Moonlight - Full Orchestra
In Bleak Midwinter's Moonlight - Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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Noël
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French Canadian Carol and Gust
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Mark R Lewis
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In Bleak Midwinter's Moonlight
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Mark R Lewis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sac...
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Full Orchestra - Level 3 - SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99 ≈
31.51€
In Bleak Midwinter's Moonlight
In Bleak Midwinter's Moonlight
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Cloches
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INTERMÉDIAIRE/AVANCÉ
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French Canadian Folk Song and
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Mark R Lewis
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In Bleak Midwinter's Moonlight
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Mark R Lewis
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SheetMusicPlus
Handbell - Level 4 - SKU: A0.1358497 Composed by French Canadian Folk Song and Gustav Holst. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Tra...
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Handbell - Level 4 - SKU: A0.1358497 Composed by French Canadian Folk Song and Gustav Holst. Arranged by Mark R Lewis. Christmas,Folk,Holiday,Sacred,Traditional. Score. 8 pages. Mark R Lewis #942954. Published by Mark R Lewis (A0.1358497). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for 3-5 octave bell choir and goes back and forth between the two carols several times. Every time there is a key change, sometimes between related major and minor keys, and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice.Season: ChristmasRange: 3-5 octaves.
$3.99 ≈
3.59€
If I Had A Hammer (the Hammer Song)
If I Had A Hammer (the Hammer Song)
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Cloches
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INTERMÉDIAIRE
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Contemporain
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Trini Lopez
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Mark R
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If I Had A Hammer
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Mark R Lewis
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SheetMusicPlus
Handbell - Level 3 - SKU: A0.1001565 By Trini Lopez. By Lee Hays and Pete Seeger. Arranged by Mark R. Lewis. Contemporary. Score. 8 pages. Mark R Lewis ...
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Handbell - Level 3 - SKU: A0.1001565 By Trini Lopez. By Lee Hays and Pete Seeger. Arranged by Mark R. Lewis. Contemporary. Score. 8 pages. Mark R Lewis #6433781. Published by Mark R Lewis (A0.1001565). This is an arrangement for 2-4 octave handbell choir of If I Had a Hammer.This protest song was written in 1950 in support of the progressive movement. The song was written by Pete Seeger and Lee Hays for the folk group The Weavers. It was made famous by the group Peter, Paul, and Mary and the singer Trini Lopez whose versions both charted in the top 10 on the charts in the 1960s.This version is arranged for 2-4 octave handbell choir and makes heavy use of mallets for most of the piece. There are some very quick changes between using mallets and normal ringing and there are a lot of syncopated rhythms throughout the piece. These challenges make this arrangement ideal for smaller bell choirs that are still at a intermediate or higher playing ability. Even though the song is not specifically intended for church services, the message of the song can be incorporated into quite a variety of religious themes.The arrangement is in the key of C with no accidentals. The piece would be classified as Level 3+ using the AGEHR guidelines. You can find other arrangements by Mark R Lewis at http://www.makingjoyfulmusic.com/storefront.html.
$4.99 ≈
4.49€
Rockin' Around The Christmas Tree
Rockin' Around The Christmas Tree
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Toby Keith
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John Wernega
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Rockin' Around The Christmas T
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John Wernega
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SheetMusicPlus
Choral Choir (4-Part) - Level 2 - SKU: A0.961461 By Toby Keith. By Johnny Marks. Arranged by John Wernega. A Cappella,Country. Octavo. 8 pages. John Wer...
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Choral Choir (4-Part) - Level 2 - SKU: A0.961461 By Toby Keith. By Johnny Marks. Arranged by John Wernega. A Cappella,Country. Octavo. 8 pages. John Wernega #4574417. Published by John Wernega (A0.961461). Your choir will have lots of fun singing this 1958 classic. This SSAB A cappella setting is in sort of a doo-wop style, having swing eighth notes. The three treble parts are pretty much entirely homophonic with an independent baritone line that will be great for building independence in your singers with changed voices. The baritone line does not go below an E flat or above a C#, making it easily accessible to newly changed voices. There is a key change toward the end, but instructions are included in how to avoid this if necessary.
$1.99 ≈
1.79€
I See Stars in Your Eyes
I See Stars in Your Eyes
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Harpe
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INTERMÉDIAIRE
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Eric Salazar
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I See Stars in Your Eyes
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Eric Joel Salazar
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SheetMusicPlus
Harp - Level 3 - SKU: A0.1029265 Composed by Eric Salazar. Concert,Contemporary,Instructional,Wedding. Score. 3 pages. Eric Joel Salazar #4793741. Publi...
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Harp - Level 3 - SKU: A0.1029265 Composed by Eric Salazar. Concert,Contemporary,Instructional,Wedding. Score. 3 pages. Eric Joel Salazar #4793741. Published by Eric Joel Salazar (A0.1029265). I SEE STARS IN YOUR EYESA BEAUTIFUL, RHAPSODIC PIECE FOR SOLO HARP I See Stars in Your Eyes is a rhapsodic piece for solo harp (lever or pedal) with an improvisatory feel. The melody is flowing, the harmonies are elegant, and the mood is hauntingly tender. This five minute work makes for a great addition to the repertoire of either student or freelancer, and is perfect as a contrasting piece on a recital, atmosphere for a cocktail hour, or a casual serenade for family & friends. As a composer, a goal for Salazar is to create scores that help encourage classically trained musicians to improvise by writing cadenza-like improvisations into his pieces, making it so anyone at any level can improvise in performance. This approach lends to the most unique aspect of I See Stars in Your Eyes: the simple, easily performed improvisation section in the middle of the piece. Rather than imposing chord changes or fixed rhythm, this section has a written ostinato in the bass voice that is coupled with the freedom to improvise in the upper voice - allowing the performer to showcase their own musical voice.
$10.00 ≈
9.01€
We Are The Crystal Gems
We Are The Crystal Gems
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Piano seul
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AVANCÉ
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Steven Universe
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AJ Tan
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We Are The Crystal Gems
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AJTanPiano
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.759663 By Steven Universe. By Aivi Tran, Jeff Liu, Rebecca Rea Sugar, Rebecca Sugar, and Steven Velema. Arranged by AJ Ta...
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Piano Solo - Level 5 - SKU: A0.759663 By Steven Universe. By Aivi Tran, Jeff Liu, Rebecca Rea Sugar, Rebecca Sugar, and Steven Velema. Arranged by AJ Tan. Contemporary,Film/TV,Jazz,Latin. Score. 2 pages. AJTanPiano #5865717. Published by AJTanPiano (A0.759663). We Are the Crystal Gems is an upbeat song with rich harmony. There are a few different versions, and this is the Change Your Mind Version from Steven Universe, Vol. 2 (Original Soundtrack) album, which starts with the chorus and ends with it. In this arrangement, you will also find some fill-in lines in the left hand, rather than merely a supporting accompaniment with a repetitive pattern, making it interesting to play. Suitable for Grade 6 and above's learning.
$4.99 ≈
4.49€
EBENEZER - A Musical in One Act - reproducible libretto kit
EBENEZER - A Musical in One Act - reproducible libretto kit
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Chorale 2 parties
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Charles Dickens, Samuel Stokes
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SamuelStokesMusic
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EBENEZER - A Musical in One Ac
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SamuelStokesMusic.com
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SheetMusicPlus
Choral Choir (SA) - SKU: A0.561597 Composed by Charles Dickens, Samuel Stokes, William C. Dix, and William Morris. Arranged by SamuelStokesMusic.com. Ch...
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Choral Choir (SA) - SKU: A0.561597 Composed by Charles Dickens, Samuel Stokes, William C. Dix, and William Morris. Arranged by SamuelStokesMusic.com. Christian,Christmas,Contemporary,Hip-Hop,Musical/Show. Octavo. 47 pages. SamuelStokesMusic.com #3567955. Published by SamuelStokesMusic.com (A0.561597). EBENEZER is a one-act musical based on A Christmas Carol by Charles Dickens. The music is a blend of hip-hop and traditional Christmas carols. The adaptation is suitable for performance by adults or teens alike. Four of the lead roles take on the greatest musical challenge with their rap numbers, but the choir parts are more generally accessible as they are based on familiar carols, making the musical appropriate for colleges, high schools, middle schools, church groups, and community theatre groups.This libretto contains the full play script and vocal sheet music. Purchase of this libretto kit entitles the purchaser to reproduce the appropriate number of copies for the cast and crew of the production. Please note that royalties must also be paid for each performance (visit https://www.SamuelStokesMusic.com for royalty information). The musical is scored for 2-part choir and rap soloists with MP3 accompaniment tracks (available separately). If desired, the musical can also be performed with unison choir singing the melody only. There is the also the optional opportunity for two violins to perform onstage and for a percussionist to play the chimes offstage (MP3 tracks are also available for these underscoring cues).The musical demo available on this page is an excerpt from the number Jacob Marley - O Come, O Come, Emmanuel, in which Ebenezer Scrooge's former partner returns from the dead to warn him that he must change his ways or suffer the fate of eternally roaming the earth in chains. There is also a teaser video of this musical number at: https://youtu.be/4nPryAZUnDYNote on printing: this libretto has been formatted with pages intentionally left blank, so that it can be printed properly on the front and back of the paper. Also, there are one-inch margins on the left and right for ease of binding into folders or binders.
$89.99 ≈
81.05€
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Change In The Making
