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Vous avez sélectionné:
Childlike
Partitions à imprimer
114 partitions trouvées
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101
A Childlike Faith
A Childlike Faith
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Chorale SATB
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Musique Sacrée
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John A
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A Childlike Faith
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Monarch Music
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SheetMusicPlus
SATB choir with optional Oboe (With Optional Oboe) - Moderately easy - SKU: LX.10-2405M Composed by John A. Ray and Susan Naylor Callaway. Sacred Anthem...
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SATB choir with optional Oboe (With Optional Oboe) - Moderately easy - SKU: LX.10-2405M Composed by John A. Ray and Susan Naylor Callaway. Sacred Anthem, Family Days, General. Octavo. 8 pages. Monarch Music #e10/2405M. Published by Monarch Music (LX.10-2405M). UPC: 000308052480.A simple message is delicately wrapped in warm, expressive choral lines that transition from a bold statement of faith to a tender conclusion.
$2.40 ≈
2.16€
Childlike Shepherds' Carol
Childlike Shepherds' Carol
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Chorale 3 parties
#
INTERMÉDIAIRE
#
Edwin Roberts
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Childlike Shepherds' Carol
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Edwin Roberts
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1019940 Arranged by Edwin Roberts. Christian,Christmas. Octavo. 5 pages. Edwin Roberts #4776561. Published by Edw...
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Choral Choir (SSA) - Level 3 - SKU: A0.1019940 Arranged by Edwin Roberts. Christian,Christmas. Octavo. 5 pages. Edwin Roberts #4776561. Published by Edwin Roberts (A0.1019940). Three part treble; the shepherds are encouraged to hurry to Bethlehem, and most of the words that rhyme with hurry (scurry, flurry, etc.) are incorporated. The melody (traditional German - Kommet ihr Hirten - switches from voice to voice; the final statement is slow and serious with a few new harmonies.
$2.00 ≈
1.80€
Lover Is Childlike
Lover Is Childlike
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Guitare notes et tablatures
#
Rock Alternatif
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Hunger Games
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Pop
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Lover Is Childlike
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Hunger Games (Movie) and The Low Anthem. Alternative; Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music ...
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By Hunger Games (Movie) and The Low Anthem. Alternative; Pop; Rock. Guitar TAB. 10 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Lover Is Childlike
Lover Is Childlike
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Piano, Voix et Guitare
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Rock Alternatif
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The Low Anthem and Hunger Game
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Pop
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Lover Is Childlike
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By The Low Anthem and Hunger Games (Movie). Alternative; Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music ...
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By The Low Anthem and Hunger Games (Movie). Alternative; Pop; Rock. Piano/Vocal/Guitar. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Lullaby
Lullaby
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Piano seul
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Classique
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Contemporain
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Erik Satie
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Lullaby
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Schott Music
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SheetMusicPlus
From Colorfully Childlike. Composed by Erik Satie (1866-1925). Edited by Monika Twelsiek. Copyright 2010 Schott Music GmbH & Co. KG, Mainz. 1 pages. Publ...
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From Colorfully Childlike. Composed by Erik Satie (1866-1925). Edited by Monika Twelsiek. Copyright 2010 Schott Music GmbH & Co. KG, Mainz. 1 pages. Published by Schott Music (S9.Q12338). - - - Schott Music
$2.99 ≈
2.69€
Childlike by YoungMin You - Piano Solo
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Piano seul
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YoungMin You
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Childlike
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Musicnotes
Performed by: YoungMin You: Childlike Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, in...
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Performed by: YoungMin You: Childlike Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Piano/Chords, instruments: Piano; 5 pages -- Contemporary Instrumental~~Solo Instrumental~~New Age
$9.99 ≈
9.00€
Lover Is Childlike by The Low Anthem - Piano/Vocal/Chords, Singer Pro
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Piano, Voix
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The Low Anthem
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Lover Is Childlike
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Musicnotes
Performed by: The Low Anthem: Lover Is Childlike Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Performed by: The Low Anthem: Lover Is Childlike Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 10 pages -- Alternative Country~~Folk~~Contemporary Folk~~Movie/TV~~Soundtrack
$5.95 ≈
5.36€
Carol Anne's Theme
Carol Anne's Theme
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Orchestre d'harmonie
#
INTERMÉDIAIRE
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Jerry Goldsmith
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Patrick Jillett
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Carol Anne's Theme
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Patrick Jillett
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1472599 Composed by Jerry Goldsmith. Arranged by Patrick Jillett. 20th Century,Film/TV,Halloween. 36 pages. Patrick Jil...
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Concert Band - Level 3 - SKU: A0.1472599 Composed by Jerry Goldsmith. Arranged by Patrick Jillett. 20th Century,Film/TV,Halloween. 36 pages. Patrick Jillett #1050249. Published by Patrick Jillett (A0.1472599). A Haunting Lullaby: Carol Anne’s Theme from Poltergeist”Arranged for concert band. This iconic theme from the Metro-Goldwyn-Mayer and Amblin Pictures Poltergeist. Composed by Jerry Goldsmith,“Carol Anne’s Theme” is a childlike lullaby for a little girl, evoking the bliss of suburban life and the young Carol Anne character. Share this haunting musical delight with your audience, as they enjoy a unique arrangement of this readily identifiable piece. This theme has become an integral part of horror movie history, evoking a haunting fear in listeners worldwide.
$52.00 ≈
46.83€
That Little Boy in You
That Little Boy in You
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Aaron Corley and Words by Lisa
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That Little Boy in You
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Transdimensional Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1421815 Composed by Aaron Corley and Words by Lisa Gundling. 20th Century,Contemporary,Country,Folk,Pop. Sc...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1421815 Composed by Aaron Corley and Words by Lisa Gundling. 20th Century,Contemporary,Country,Folk,Pop. Score. 7 pages. Transdimensional Music #1003161. Published by Transdimensional Music (A0.1421815). 'That Little Boy in You' is a love song about a woman's admiration for the childlike qualities in her lover.Approximate performance time is 3:41.
$3.99 ≈
3.59€
El Condor Pasa (If I Could)
El Condor Pasa (If I Could)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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DÉBUTANT
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Daniel Alomia Robles, Jorge Mi
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00 ≈
13.51€
Carol Anne's Theme
Carol Anne's Theme
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Jerry Goldsmith
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Patrick Jillett
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Carol Anne's Theme
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Patrick Jillett
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Flute - Level 3 - SKU: A0.1396527 Composed by Jerry Goldsmith. Arranged by Patrick Jillett. 20th Centur...
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Flute - Level 3 - SKU: A0.1396527 Composed by Jerry Goldsmith. Arranged by Patrick Jillett. 20th Century,21st Century,Chamber,Film/TV,Halloween. 14 pages. Patrick Jillett #979865. Published by Patrick Jillett (A0.1396527). This woodwind quintet arrangement from the Metro-Goldwyn-Mayer and Amblin Pictures Poltergeist. Composed by Jerry Goldsmith, “Carol Anne's Theme†is a childlike lullaby for the little girl, evoking the bliss of suburban life and the young Carol Anne character. Share this haunting musical delight with your audience, as they enjoy a unique arrangement of this readily identifiable piece. (2:47 min.)Instrumentation: Flute 1- 2, Bb Clarinet 1 – 2, Bb Bass Clarinet.
$18.99 ≈
17.10€
Simple Dreams - French Horn & Piano
Simple Dreams - French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Simple Dreams - French Horn &a
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James M Stevens Music ASCAP
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.573999 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedd...
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French Horn,Piano - Level 3 - SKU: A0.573999 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6228775. Published by James M Stevens Music ASCAP (A0.573999). Written January 9, 2021, this an original French horn & piano composition with a simple and childlike style with subtle mood changes in the key of B flat major. There is a separate horn part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard can be found under Simple Dreams Piano Track.
$6.99 ≈
6.30€
Simple Dreams - English Horn & Piano
Simple Dreams - English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Simple Dreams - English Horn &
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James M Stevens Music ASCAP
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.573998 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wed...
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English Horn,Piano - Level 3 - SKU: A0.573998 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #6228595. Published by James M Stevens Music ASCAP (A0.573998). Written January 9, 2021, this an original English horn & piano composition with a simple and childlike style with subtle mood changes in the key of B flat major. There is a separate horn part in the score and the piano part as seen can serve as an independent solo. The piano accompaniment as heard can be found under Simple Dreams Piano Track.
$6.99 ≈
6.30€
Toys Parade
Toys Parade
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Piano seul
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INTERMÉDIAIRE
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Classique
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Jose Valladares
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Jose Valladares
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Toys Parade
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Circlesquare Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1368442 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 6 pages. Circlesquare Musi...
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Piano Solo - Level 3 - SKU: A0.1368442 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. Classical. Score. 6 pages. Circlesquare Music #952788. Published by Circlesquare Music (A0.1368442). Introducing Toys Parade, a whimsical and playful piano composition that brings to life the joyous spirit and innocent delight of a childhood fantasy. This charming piece, from the imaginative album A Celebration of Love, and Life by the creative artist and composer Jose Valladares, is a musical journey into a world where toys come to life, each with its own story and melody.With an upbeat tempo of 75, Toys Parade marches forth with a lively and buoyant rhythm that captures the essence of a jubilant procession of toys. The composition is a vibrant celebration, a colorful cavalcade of sounds that evoke images of toy soldiers marching, dolls twirling, and toy trains chugging along on their merry adventure. Each note is infused with wonder and merriment, painting a vivid musical picture of a parade filled with laughter, playfulness, and the magic of make-believe.Toys Parade is more than just a piece of music; it's an invitation to reconnect with the childlike wonder and imagination that reside within us all. It beckons listeners to take part in this joyous parade, to revel in the carefree moments and embrace the simple pleasures that life offers. This composition is perfect for those seeking a cheerful and spirited melody to brighten their day, for pianists who wish to convey the light-hearted and whimsical narrative of a joyful procession, and for anyone who loves to indulge in the nostalgia and happiness of childhood memories.Let Toys Parade transport you to a place of pure joy and boundless imagination. Allow this piece to be your musical companion in times of celebration and play, a lively reminder of the happiness that comes from letting your inner child dance freely. This composition is a tribute to the innocence of youth, a lively serenade to the joy of play, and a celebration of the timeless delight that comes from a parade of toys.
$8.99 ≈
8.10€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.59€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
22.51€
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.69€
The First Witnesses
The First Witnesses
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Chorale SATB
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INTERMÉDIAIRE
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Samuel Micah Hunter
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The First Witnesses
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Samuel Hunter
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.877669 Composed by Samuel Micah Hunter. A Cappella,Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 2 pages...
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Choral Choir (SATB) - Level 3 - SKU: A0.877669 Composed by Samuel Micah Hunter. A Cappella,Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 2 pages. Samuel Hunter #3417659. Published by Samuel Hunter (A0.877669). A small, simple, and sensitive work for a capella SATB choir, The First Witnesses explores the birth of Jesus from the perspective of the animals present in the stable in Bethlehem. Each verse presents Jesus as both newborn baby and Lord of all creation, including the very animals who were the first witnesses to his birth. This piece was premiered by the Chamber Choir of Stillwater Christian School in December of 2016, a mere three weeks after its composition. Hunter says of the piece: It was presented to the choir as a 'read through' piece in rehearsal, but instantly became a favorite and was added to our concert program at the last minute. It has since become a staple of our Christmas literature, and has consistently been a Christmas favorite for both our choirs and our audiences. Easy to learn, fun to sing, and celebrating a childlike imagination of the first Christmas, The First Witnesses is a true singer's song, which makes it enjoyable to rehearse and perform. The simple, pentatonic melody lends the piece a folk flavor, and the men and women both get chances to shine in their respective soli sections. A beautiful ooh refrain ends each verse, including the last.
$1.99 ≈
1.79€
Los Pastores a Belen - 2 Voices and Piano - D major
Los Pastores a Belen - 2 Voices and Piano - D major
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Chorale 2 parties
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FACILE
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Traditional
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Los Pastores a Belen - 2 Voice
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Music-Scores.com
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.721685 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Children,Christmas,Concert,Sacred. Oc...
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Choral Choir (SA) - Level 2 - SKU: A0.721685 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Children,Christmas,Concert,Sacred. Octavo. 6 pages. Music-Scores.com #4969391. Published by Music-Scores.com (A0.721685). Los Pastores a Belen: This is a jolly, childlike Villancico, a traditional Spanish Christmas song. For 2 Voices (SA) and Piano, D major.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$3.95 ≈
3.56€
An Evening in December
An Evening in December
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Chorale
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Musique Sacrée
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David Huntsinger, Robert Sterl
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Choral Worship Cantata
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An Evening in December
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred - SKU: JX.00-29421 Orchestration. Composed by David Huntsinger, Robert Sterling, and Thomas Fettke. This edition: Orchestration. Cho...
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Choir Sacred - SKU: JX.00-29421 Orchestration. Composed by David Huntsinger, Robert Sterling, and Thomas Fettke. This edition: Orchestration. Choral (Sacred); Choral Worship Cantata; Larger Works; Performance Music Ensemble; Worship Resources. Christmas; Sacred; Winter. Part(s); Score. 653 pages. Jubilate Music Group - Digital #00-29421. Published by Jubilate Music Group - Digital (JX.00-29421). English.Full Orchestration Parts. How can we adequately tell the story of our transcendent God becoming a human being . . . becoming the poorest of the poor and the weakest of the weak . . . in order to give us His boundless, everlasting life? How can we celebrate such an event? The story should be retold both with time-honored tradition and with the newness of here and now. It should be celebrated with unbridled joy and with deep, quiet reflection. It should be sung with great power and with heartfelt tenderness and exalt our magnificent God with boldness and with childlike humility. Such a retelling, such a celebration is our prayer for An Evening in December. May it give you a new glimpse of Emmanuel, God with Us, and fill your heart with a new song of thankfulness and praise. Duration: 39 minutes, 44 seconds.
$350.00 ≈
315.23€
I Am Going Home To Glory (solo voice)
I Am Going Home To Glory (solo voice)
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Piano, Voix
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FACILE
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Richard Joseph Barber
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I Am Going Home To Glory
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Barber Music Company
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.915701 Composed by Richard Joseph Barber. Christian,Contemporary,Gospel,Sacred. Score. 9 pages. Barber Music Compa...
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Piano,Vocal,Voice - Level 2 - SKU: A0.915701 Composed by Richard Joseph Barber. Christian,Contemporary,Gospel,Sacred. Score. 9 pages. Barber Music Company #4727367. Published by Barber Music Company (A0.915701). DedicationSometime in the 1980's, Richard Tober, a brother in Christ who was also an appliance repair man, came to our house on Hill Street in Coloma, Michigan to fix our kitchen range. He knew that I was a composer, and during the course of his time with us that day he told about his love for Jesus and his aspiration to write poetry with music to express that love. He didn't feel he was equipped to put music to his words, but he did have a poem that he gave me, wondering if I would set it to music for him. It was a difficult task because Richard's poetry was not set up in any formal poetic fashion; it was, however, a fulfilling task because his poem was such a simple, childlike, personal expression of his love for the Lord. I Am Going Home to Glory is the result of our collaboration. He was thrilled with the outcome. Now that Richard has left this world to be with Jesus, I am happy that God allowed and enabled me to set Richard's poem to music. -Richard Barber
$3.99 ≈
3.59€
Autumn for violoncello and piano
Autumn for violoncello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Christopher Reed
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Autumn for violoncello and pia
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Barefoot Compositions
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.933739 Composed by Christopher Reed. Concert,Contemporary,Holiday,Standards. Score and part. 6 pages. Barefoot Compositi...
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Cello,Piano - Level 3 - SKU: A0.933739 Composed by Christopher Reed. Concert,Contemporary,Holiday,Standards. Score and part. 6 pages. Barefoot Compositions #2888323. Published by Barefoot Compositions (A0.933739). Autumn for violoncello and piano duet is a beautiful reflection on an Autumn day. This piece was inspired by the changeable weather of the Oregon coast in October. Throughout the piece you see different moods from a rainy, windy day, to the childlike joy of jumping in a pile of leaves, and finally an autumn storm being enjoyed from the glow of a fire.Perfect for advanced players this can be used for both school concerts and church services. This piece runs approximately 6'30For more information on pieces by Christopher Reed check out www.barefootcomposer.com or like us on Facebook www.facebook.com/barefootcomposermusic
$4.95 ≈
4.46€
Make Believe
Make Believe
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jerome Kern
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Rebecca J
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Make Believe
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Rebecca J. Wood
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #583...
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Choral Choir (SSAA) - Level 4 - SKU: A0.996572 Composed by Jerome Kern. Arranged by Rebecca J. Wood. Contemporary. Octavo. 6 pages. Rebecca J. Wood #5835855. Published by Rebecca J. Wood (A0.996572). Beginning in a childlike, sing-song style to set up the make-believe theme, this arrangement is full of beautiful chords and my most-often signature, a modulation. Though I hear this as a quartet arrangement, I think it can be used as a Chorus arrangement. I recommend that in the Intro, in the Bari part, where they have the repeated notes and the one note that goes up a third, keep the upper note at the same mental level as the repeated notes, so there's not a note note note note SKIP, rather note note note note skip. I know directors know that, but, I'm a control freak and love to develop the beauty of music. ALSO, at mm 11 and 19, I give the low note to the Basses, for smooth flow of voices. This is a fun piece and I hope you will try it.
$12.99 ≈
11.70€
Viktor Kosenko: Four Children's Songs for Flute
Viktor Kosenko: Four Children's Songs for Flute
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Flûte traversière et Piano
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FACILE
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Viktor Kosenko
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Robert Debbaut
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Viktor Kosenko: Four Children'
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ROBERT DEBBAUT
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SheetMusicPlus
Flute,Piano - Level 2 - SKU: A0.939427 Composed by Viktor Kosenko. Arranged by Robert Debbaut. 20th Century,World. Score and part. 26 pages. ROBERT DEBB...
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Flute,Piano - Level 2 - SKU: A0.939427 Composed by Viktor Kosenko. Arranged by Robert Debbaut. 20th Century,World. Score and part. 26 pages. ROBERT DEBBAUT #6351891. Published by ROBERT DEBBAUT (A0.939427). These four lovely melodies were composed with young pianists in mind, but they work well for flute. The haunting Melody, the spritely minuet Olden Dance, the lively Scherzino, and the childlike and raucous March would make for a great program for a young flutist or good filler pieces for a professional's recital. Viktor Kosenko (1896-1938) was an early pioneer in educational music in the Soviet Union. His death in 1938 remains a mystery. There are dozens of works he wrote for young pianists.
$9.95 ≈
8.96€
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