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Children's Story Timpani PART
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Vous avez sélectionné:
Children's Story Timpani PART
Partitions à imprimer
5 partitions trouvées
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1
Children's Story/Timpani PART
Children's Story/Timpani PART
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Thomas Naszalyi
#
Children's Story/Timpani PART
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Thomas Naszalyi
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SheetMusicPlus
Percussion Solo,Timpani - Level 2 - SKU: A0.989399 Composed by Thomas Naszalyi. 20th Century,Contemporary,Film/TV. Individual part. 1 pages. Thomas Nasz...
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Percussion Solo,Timpani - Level 2 - SKU: A0.989399 Composed by Thomas Naszalyi. 20th Century,Contemporary,Film/TV. Individual part. 1 pages. Thomas Naszalyi #2849985. Published by Thomas Naszalyi (A0.989399).
$1.99 ≈
1.84€
Ah, My Children for orchestra
Ah, My Children for orchestra
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Ah, My Children for orchestra
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Burke & Bagley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.787311 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 80 pages. Burke & ...
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Full Orchestra - Level 4 - SKU: A0.787311 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 80 pages. Burke & Bagley #50565. Published by Burke & Bagley (A0.787311). Ah, My Children is an adaptation for orchestra of the opening scene of the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. In the opening scene of Act Two, Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and that he has now been caught and executed. For orchestra: 1111 4111 Timpani & Strings. Duration ca. 8'20. A Back to School 2015 feature.
$24.99 ≈
23.10€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
#
Silvano A
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Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.90€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Jazz
#
Silvano A
#
Introduction, Theme and Variat
#
Soundnotation
#
SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.90€
Nutcracker Suite (for Brass Quintet, Organ and Percussion)
Nutcracker Suite (for Brass Quintet, Organ and Percussion)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Tchaikovsky, Peter Ilyich
#
Craig Garner
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Nutcracker Suite
#
Dorm 40 Music
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.740287 Composed by Tchaikovsky, Peter Ilyich. Arranged by Craig Garner. Children,Christmas...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.740287 Composed by Tchaikovsky, Peter Ilyich. Arranged by Craig Garner. Children,Christmas,Romantic Period. Score and parts. 108 pages. Dorm 40 Music #6233323. Published by Dorm 40 Music (A0.740287). This arrangement is part of the Chicago Gargoyle Brass and Organ Ensemble Signature Series. Tchaikovsky’s Nutcracker is universally popular and has become one of his most famous compositions. The ballet tells the story of a young girl who receives a nutcracker (in the form of a soldier) for Christmas. She falls asleep and dreams that all the Christmas presents come to life. Since the music of the Suite is so familiar, there is hardly any need to offer any additional description beyond the titles of each movement: March, Dance of the Sugar Plum Fairy, Russian Dance (Trepak), Arabian Dance (Coffee) Chinese Dance (Tea), Spanish Dance (Chocolate) and Waltz of the Flowers. This arrangement has been carefully edited and abridged to showcase the colors and dynamics of brass and organ. Your ensemble may perform just one movement, all 7, or any combination you wish. And, for the price, 7 movements is a real bargain!! Trumpets are asked to double on Flugelhorns (optional). This arrangement comes with a percussion part (timpani, suspended cymbal, tambourine, castanets and triangle). The percussion part may be played by one performer. Performance time: 14:00. Published by Dorm 40 Music,  www.dorm40music.com.
$25.00 ≈
23.11€
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Children's Story Timpani PART
