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Come Go with Me: Low Brass
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Vous avez sélectionné:
Come Go with Me: Low Brass
Partitions à imprimer
9 partitions trouvées
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1
Come Go with Me: Low Brass & Woodwinds #2 - Bass Clef
Come Go with Me: Low Brass & Woodwinds #2 - Bass Clef
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Fanfare
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Methodes
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Clarence Quick
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Doug Adams
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Come Go with Me: Low Brass &am
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016479_LBW2BC Low Brass & Woodwinds #2 - Bass Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instructio...
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Marching Band - SKU: AX.00-PC-0016479_LBW2BC Low Brass & Woodwinds #2 - Bass Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016479_LBW2BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016479_LBW2BC). UPC: 038081474212.One of the most popular songs from the doo-wop era finds a home in a playable and rock-solid new arrangement by Doug Adams. Everyone will recognize this tune after just the first couple bars. Another great chart from the pen of Doug Adams! (1:40).
$3.00 ≈
$4.15
Come Go with Me: Low Brass & Woodwinds #1 - Treble Clef
Come Go with Me: Low Brass & Woodwinds #1 - Treble Clef
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Fanfare
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Methodes
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Clarence Quick
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Doug Adams
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Come Go with Me: Low Brass &am
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016479_LBW1TC Low Brass & Woodwinds #1 - Treble Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instruct...
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Marching Band - SKU: AX.00-PC-0016479_LBW1TC Low Brass & Woodwinds #1 - Treble Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016479_LBW1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016479_LBW1TC). UPC: 038081474212.One of the most popular songs from the doo-wop era finds a home in a playable and rock-solid new arrangement by Doug Adams. Everyone will recognize this tune after just the first couple bars. Another great chart from the pen of Doug Adams! (1:40).
$3.00 ≈
$4.15
Come Go with Me: Low Brass & Woodwinds #1 - Bass Clef
Come Go with Me: Low Brass & Woodwinds #1 - Bass Clef
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Fanfare
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Methodes
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Clarence Quick
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Doug Adams
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Come Go with Me: Low Brass &am
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016479_LBW1BC Low Brass & Woodwinds #1 - Bass Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instructio...
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Marching Band - SKU: AX.00-PC-0016479_LBW1BC Low Brass & Woodwinds #1 - Bass Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016479_LBW1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016479_LBW1BC). UPC: 038081474212.One of the most popular songs from the doo-wop era finds a home in a playable and rock-solid new arrangement by Doug Adams. Everyone will recognize this tune after just the first couple bars. Another great chart from the pen of Doug Adams! (1:40).
$3.00 ≈
$4.15
Come Go with Me: Low Brass & Woodwinds #2 - Treble Clef
Come Go with Me: Low Brass & Woodwinds #2 - Treble Clef
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Fanfare
#
Methodes
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Clarence Quick
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Doug Adams
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Come Go with Me: Low Brass &am
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Marching Band - SKU: AX.00-PC-0016479_LBW2TC Low Brass & Woodwinds #2 - Treble Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instruct...
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Marching Band - SKU: AX.00-PC-0016479_LBW2TC Low Brass & Woodwinds #2 - Treble Clef. Composed by Clarence Quick. Arranged by Doug Adams. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016479_LBW2TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016479_LBW2TC). UPC: 038081474212.One of the most popular songs from the doo-wop era finds a home in a playable and rock-solid new arrangement by Doug Adams. Everyone will recognize this tune after just the first couple bars. Another great chart from the pen of Doug Adams! (1:40).
$3.00 ≈
$4.15
Click Go The Shears Brass Band Score and Parts PDF
Click Go The Shears Brass Band Score and Parts PDF
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Ensemble de cuivres
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Traditional Australian Folkson
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Brendan Elliget MAGA 537
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Duration = 2:40 Mins.
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Click Go The Shears Brass Band
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BJE Music
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.750872 Composed by Traditional Australian Folksong. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 30 p...
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Brass Ensemble - Level 3 - SKU: A0.750872 Composed by Traditional Australian Folksong. Arranged by Brendan Elliget MAGA 537. Folk. Score and parts. 30 pages. BJE Music #4323757. Published by BJE Music (A0.750872). Click go the shears boys, click, click click, Wide is his blow and his hands move quick The ringer looks around and is beaten by a blow And curses the old snagger with the bare-bellied yoe.​This is a relatively straight forward, light-hearted arrangement of the traditional Australian folksong Click go the Shears for brass band. If you use this arrangement let me know how it goes. Comments/feedback welcome! Listen to the MP3!​Grade: 3 Duration = 2:40 Mins. Key Bb Major.
$20.00 ≈
$27.69
Komm, Jesu, Komm for Trombone or Low Brass Octet
Komm, Jesu, Komm for Trombone or Low Brass Octet
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Classique
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Eric Burger Music
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Komm, Jesu, Komm for Trombone
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. E...
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Brass Ensemble,Chamber Orchestra Euphonium,Trombone,Tuba - Level 5 - SKU: A0.508209 Arranged by Eric Burger Music. Baroque. Score and parts. 40 pages. Eric Burger Music #3514925. Published by Eric Burger Music (A0.508209). Come, Jesus, Come - BWV 229, Liepzig (1731) It was composed in Leipzig, and received its first performance by 1731–1732. Bach scored the motet for double choir. It was probably composed for a funeral, as others of his motets but exact dates of composition and performance are not known. It is his only motet without biblical text. He set a poem by Paul Thymich, which Johann Schelle set as a funeral aria in 1684. Also unusually, the motet is not closed by a chorale, but by an aria which is harmonized like a chorale. The work has been described as having a confident, intimate and tender character, and making more use of polychorality (interplay of the two choirs) than polyphony (interplay of the voices), containing no fugue. The theme of the text is death as the happy moment when man, tired of earthly life, can confide in Jesus, who is seen as Truth and Life and the only way to eternal life. (From Wikipedia) View the score with playback at:https://youtu.be/iOjStrr-vO8 This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Ensemble works is arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my works, write me directly for a replacement.
$15.00 ≈
$20.77
Come, Let Us Dance and Sing Together for Trombone or Low Brass Quartet
Come, Let Us Dance and Sing Together for Trombone or Low Brass Quartet
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Classique
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Eric Burger Music
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Come, Let Us Dance and Sing To
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.508255 Arranged by Eric Burger Music. Romantic Period. Score and parts. 16 pages. Eric Burger...
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Brass Ensemble Euphonium,Trombone,Tuba - Level 2 - SKU: A0.508255 Arranged by Eric Burger Music. Romantic Period. Score and parts. 16 pages. Eric Burger Music #3562651. Published by Eric Burger Music (A0.508255). View the score with playback at: https://youtu.be/TqYIgZhWd50 Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trombone and Low Brass Quartet works are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty, or go to my website and download the spreadsheet with ranges, keys, tempos and other important information. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$10.00 ≈
$13.84
Anew
Anew
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Jonathan P
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Anew
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Jonathan Kochik Music, LLC
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SheetMusicPlus
Euphonium,Low Brass Quartet,Tuba - Level 3 - SKU: A0.1451869 Composed by Jonathan P. Kochik (ASCAP). Chamber. 29 pages. Jonathan Kochik Music, LLC #1031...
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Euphonium,Low Brass Quartet,Tuba - Level 3 - SKU: A0.1451869 Composed by Jonathan P. Kochik (ASCAP). Chamber. 29 pages. Jonathan Kochik Music, LLC #1031179. Published by Jonathan Kochik Music, LLC (A0.1451869). Times of change are not always easy to go through in life. Maybe you have become comfortable with the way things are or, perhaps, you are so scared of change that just thinking about it gives you anxiety, but not all change is bad change. If we take a moment to observe the natural occurrences that take place around us every day – sunrises and sunsets, tides coming in and going out, the transformation of winter to spring – we can begin to see that change is a necessary part of growing and developing into who we. However, these moments in your life are not always easy ones. Anew explores the journey of someone experiencing a moment of great change in their life. What sort of emotions are they feeling? What thoughts are going through their head? As someone who has gone through a big shift in my career path, I wanted to compose a piece to help me process my emotions and organize the thoughts in my head on why I felt this change needed to happen. Having the motto “words fail music speaks,” I was inspired as a composer by way of ostinato rhythms, melodic extension, and juxtaposed musical styles to help unpack what words simply could not quantify.
$50.00 ≈
$69.22
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE
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Patriotique
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant?s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly?s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can?t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board?s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James?s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it?s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let?s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn?t have a title. What do we call it?
If you were a proper Victorian, there?s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill?s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP?s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger?s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there?s another variant on the name for it. It doesn?t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger?s original comments.
The references to Londonderry Air that I?ve seen don?t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby?s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn?t come into the war in 1940.
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