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Come Together Score Only
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Vous avez sélectionné:
Come Together Score Only
Partitions à imprimer
132 partitions trouvées
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126
Come Together - Score Only
Come Together - Score Only
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
The Beatles
#
Steve Hackman
#
Come Together - Score Only
#
Steve Hackman Productions
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1455635 By The Beatles. By John Lennon and Paul McCartney. Arranged by Steve Hackman. 20th Century,Classical,Pop. 25 ...
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Full Orchestra - Level 4 - SKU: A0.1455635 By The Beatles. By John Lennon and Paul McCartney. Arranged by Steve Hackman. 20th Century,Classical,Pop. 25 pages. Steve Hackman Productions #1034729. Published by Steve Hackman Productions (A0.1455635).
$49.99 ≈
¥362.50
Chording to Consort Full Score Version with chords Book 2 - Score Only
Chording to Consort Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to Consort Full Score
#
Wold Meridian
#
SheetMusicPlus
Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig ...
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Level 2 - SKU: A0.1245199 By Various. By Anonymous, Claude Gervaise, Henry VIII, Jacotin, Jacques (Jacob) Arcadelt, Jan de Lublin, John Dowland, Ludwig Senfl, Michael Praetorius, Pierre Attaignanant, Pierre Bonnet, and Tielman Susato. Arranged by Alastair Lodge. Classical,Early Music,Historic,Medieval,Renaissance. 43 pages. Wold Meridian #840108. Published by Wold Meridian (A0.1245199). This is a companion to my earlier volume Chording to Consort which presented 35 Renaissance Dance band tunes and Chansons and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited the remaining 17 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. Â You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkPO9vTOgEoG_kRJlJ5nUHnxComposers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on.Working with this publicationFor those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
¥87.02
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman ...
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Level 3 - SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
¥87.02
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina,...
(+)
Level 3 - SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
¥87.02
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCER
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00 ≈
¥130.52
Come Together
Come Together
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Piano Facile
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FACILE
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The Beatles
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Matt Arnett
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Come Together
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Matt Arnett Music
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1455978 By The Beatles. By John Lennon and Paul McCartney. Arranged by Matt Arnett. Rock. Score. 7 pages. Matt Arnett Mus...
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Easy Piano - Level 2 - SKU: A0.1455978 By The Beatles. By John Lennon and Paul McCartney. Arranged by Matt Arnett. Rock. Score. 7 pages. Matt Arnett Music #1035134. Published by Matt Arnett Music (A0.1455978). This song is part of my Easy Piano series. Arrangements in this series only use one note at a time in each hand, making it highly accessible for beginners. If you are serious about learning piano, consider finding a piano teacher to help you develop good technique and music reading ability. If you liked this arrangement, check out my YouTube channel EPICpianomatt for more songs.
$4.99 ≈
¥36.18
Come Together
Come Together
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Beatles
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Kevin Robison
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Come Together
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Kevin Robison Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Drums - Level 4 - SKU: A0.891608 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kevin Robison. Rock. Score an...
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Small Ensemble Bass Guitar,Drums - Level 4 - SKU: A0.891608 By The Beatles. By John Lennon and Paul McCartney. Arranged by Kevin Robison. Rock. Score and parts. 5 pages. Kevin Robison Music #6253487. Published by Kevin Robison Music (A0.891608). INSTRUMENTAL PACK ONLY. For use with H0.970531-SC000016334. Does not include choral or piano part. Blank pages are intentional to facilitate distribution and page turns.
$4.99 ≈
¥36.18
Come To The Manger
Come To The Manger
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3 Clarinettes (trio)
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Noël
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Traditional
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Dana F
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Come To The Manger
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Clarinet trio - Grade 3 - SKU: DX.118316 Composed by Traditional. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score ...
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Clarinet trio - Grade 3 - SKU: DX.118316 Composed by Traditional. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 13 pages. David E. Smith - Digital Sheet Music #118316. Published by David E. Smith - Digital Sheet Music (DX.118316). An accompanied clarinet trio opening with an exciting motive. The first rendition is in block harmonies with occasional rhythmic punctuations. The next section has subtle contrapuntal statements amongst all parts giving a joyous texture. After a modulation the ensemble alternates between solo statements and full ensemble giving contrasts in texture and color. Another modulation ensues where imitative motives take place through the voices only to come together in a solid fashion for an exciting ending.Key of Ab, C, F.
$8.00 ≈
¥58.01
Come To The Manger
Come To The Manger
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3 Saxophones (trio)
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INTERMÉDIAIRE
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Noël
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Traditional
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Dana F
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Come To The Manger
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Saxophone trio - Grade 3 - SKU: DX.129321 Composed by Traditional. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score...
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Saxophone trio - Grade 3 - SKU: DX.129321 Composed by Traditional. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 17 pages. David E. Smith - Digital Sheet Music #129321. Published by David E. Smith - Digital Sheet Music (DX.129321). An accompanied sax trio (A-A-A/T) opening with an exciting motive. The first rendition is in block harmonies with occasional rhythmic punctuations. The next section has subtle contrapuntal statements amongst all parts giving a joyous texture. After a modulation the ensemble alternates between solo statements and full ensemble giving contrasts in texture and color. Another modulation ensues where imitative motives take place through the voices only to come together in a solid fashion for an exciting ending.Key of Ab, C, F.
$8.00 ≈
¥58.01
EASIER SCHOOL ORCHESTRA SERIES 12 O Come All Ye Faithful
EASIER SCHOOL ORCHESTRA SERIES 12 O Come All Ye Faithful
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Orchestre
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FACILE
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John Beale
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EASIER SCHOOL ORCHESTRA SERIES
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John Beale
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.984870 Arranged by John Beale. Christian,Christmas. Score and parts. 18 pages. John Beale #4797955. Published by John...
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Full Orchestra - Level 2 - SKU: A0.984870 Arranged by John Beale. Christian,Christmas. Score and parts. 18 pages. John Beale #4797955. Published by John Beale (A0.984870). I arranged music for my school's musicians to come together and perform in our school concerts. I chose and arranged many well-known pieces but, unfortunately, can only publish the public domain music. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. The melody is in the Flute, Recorder and Violin1.
$10.00 ≈
¥72.51
The Little Drummer Boy - Score Only
The Little Drummer Boy - Score Only
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Ensemble de Percussions
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FACILE
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Kathrine Kennicott Davis
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William R Parker III
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The Little Drummer Boy - Score
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William Parker
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1321460 Composed by Kathrine Kennicott Davis. Arranged by William R Parker III. Children,Christmas,Holiday. 3 pa...
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Percussion Ensemble - Level 2 - SKU: A0.1321460 Composed by Kathrine Kennicott Davis. Arranged by William R Parker III. Children,Christmas,Holiday. 3 pages. William Parker #909919. Published by William Parker (A0.1321460). This is a fun piece for Elementary School drums. Using the glockenspiel, resonance bells, boom whackers, hand drums, tambourine, and triangle, students will be able to work together to play a holiday classic at an acheiveable level! The piece is only 32 bars but can be easily modified to fit your needs. If you want it longer... repeat. If not, than play it as is. There is a spark in the eyes of students when they realize that they are working as a team to make a song come to life. Please enjoy!!
$5.99 ≈
¥43.44
Groovin Funk - Score Only
Groovin Funk - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Wesley Besancon
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Wesley Besancon
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Groovin Funk - Score Only
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Wesley Besancon
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1150931 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Funk. Score and parts. 15 pages. Wesley Be...
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Concert Band - Level 4 - SKU: A0.1150931 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Funk. Score and parts. 15 pages. Wesley Besancon #751117. Published by Wesley Besancon (A0.1150931). What does Earth Wind And Fire, Funkadelic, and this piece have in common? They are all funk music! This piece utilizes some of the greatest funk sounds in history, like the syncopated sixteenths. And there is a fun surprise of a dotted eighth rhythm throughout the piece. And the alto sax improv makes the piece come together. I hope you enjoy Groovin Funk!
$4.99 ≈
¥36.18
Groovin Funk - Score Only
Groovin Funk - Score Only
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Funk
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Wesley Besancon
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Wesley Besancon
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Groovin Funk - Score Only
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Wesley Besancon
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1151767 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Funk. Score and parts. 28 pages. Wesley ...
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Brass Ensemble - Level 4 - SKU: A0.1151767 By Wesley Besancon. By Wesley Besancon. Arranged by Wesley Besancon. Funk. Score and parts. 28 pages. Wesley Besancon #751967. Published by Wesley Besancon (A0.1151767). What does Earth Wind And Fire, Funkadelic, and this piece have in common? They are all funk music! This piece utilizes some of the greatest funk sounds in history, like the syncopated sixteenths. And there is a fun surprise of a dotted eighth rhythm throughout the piece. And the alto sax improv makes the piece come together. I hope you enjoy Groovin Funk! And now in the brass band format!
$12.99 ≈
¥94.20
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. P...
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Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95 ≈
¥122.91
Song for a New Day - Concert Band Score and Parts
Song for a New Day - Concert Band Score and Parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rock
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Brendan Elliget MAGA 537
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Song for a New Day - Concert B
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.751079 Composed by Brendan Elliget MAGA 537. Pop,Rock. Score and parts. 88 pages. BJE Music #6607857. Published by BJE ...
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Concert Band - Level 3 - SKU: A0.751079 Composed by Brendan Elliget MAGA 537. Pop,Rock. Score and parts. 88 pages. BJE Music #6607857. Published by BJE Music (A0.751079). Song for a New Day – Concert BandAn original composition for Concert Band composed back in 1983 and only revised and expanded during the time of the global pandemic of 2020-2021 – Reflecting a more hopeful future! It has a light rock feel. There are three main tunes used throughout this composition that come together at the end of the piece…The audio was recorded with NotePerformer 3.Grade = 3 Duration = 4:33 mins.
$30.00 ≈
¥217.54
Westerly for flute, violin and string orchestra (SCORE only)
Westerly for flute, violin and string orchestra (SCORE only)
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David Warin Solomons
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Westerly for flute, violin and
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David Warin Solomons
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SheetMusicPlus
Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 page...
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Cello,Double Bass,Flute,Viola,Violin - Level 4 - SKU: A0.576981 Composed by David Warin Solomons. 20th Century,Contemporary,Multicultural,World. 27 pages. David Warin Solomons #566727. Published by David Warin Solomons (A0.576981). Westerly is inspired by the old English folk song Westron Wynde and by the Renaissance masses based on that folk song It is an expanded version of Celebration originally written for James Pellerite and his North American Native flute [NAF] In order to make the piece accessible to a wider range of performers this version uses a concert flute, with wider range and with just a few of the NAF decorations, and the violin solo part has also been expanded, resulting in a miniature Double Concerto. Â Westerly uses four distinct themes and weaves them into a joyful whole. The flute soloist introduces himself with the traditional call of the North American Native flute (a repeated minor third phrase), which reappears from time to time in the rest of the piece, and then embarks upon a sort of jig in E flat major (second theme). The violin soloist copies these flute phrases but then introduces the third theme of the work in the related key of C minor, and the string orchestra comes in. Â This third tune is based on the old Westron Wynde melody but it uses an unusual rhythm (3 3 2) and the excitement gradually begins to mount. Â So the two soloists rhapsodise on the various tunes and permutations along with the orchestral strings, mixing the various tunes together. Â In due course the fourth theme comes in, and it is quite surprising how it fits in with the E flat major - C minor interplay, since it is merely a 12 tone row. It follows some of the traditions of the 20th Century atonal composers, but, due to the context in which it is set, it takes on a warmth seldom found in atonal music.
$10.00 ≈
¥72.51
Love Will Keep Us Together
Love Will Keep Us Together
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Piano Facile
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DÉBUTANT
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Pop musique
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The Captain & Tennille
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Susan Staples Bell
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Love Will Keep Us Together
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Susan Staples Mast Bell
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SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.749598 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by Susan Staples Bell. Contemporary. Sco...
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Piano Solo - Level 1 - SKU: A0.749598 By The Captain & Tennille. By Howard Greenfield and Neil Sedaka. Arranged by Susan Staples Bell. Contemporary. Score. 7 pages. Susan Staples Mast Bell #6680495. Published by Susan Staples Mast Bell (A0.749598). Love Will Keep Us TogetherEasy Piano Soloby Howard Greenfield, Neil SedakaArranged by Susan Staples Bell, ASCAPThis #1 smash hit for the Captain & Tennille in 1975, is an all time favorite. Here’s a fresh new arrangement, that’s sure to please! Perfect for recitals or just plain fun.Let’s keep everyone together in this fun Elementary Solo! Written in the Happy Key of C, and frolics at 132 BPM. Here’s what you’ll find this duet:Both hands stay in Middle C position, and only plays the melody throughout; using 1 hand at a time. Rhythm may need to be taught by rote- though, it’s not too difficult. Comes with optional, Teacher accompanying duet.This arrangement is also available for Multi Leveled Piano Ensemble, or as these independent parts: Elementary Solo, Late Elementary Solo, Intermediate Duet and Advanced Intermediate Solo.Susan Staples Bell has been a Piano Instructor for over 30 years. In all her compositions, she strives to educate as well as delight.This is a Single Use License.Love Will Keep Us Togetherby Howard Greenfield, Neil SedakaArranged by Susan Staples Bell, ASCAPTime length. (02.30). Perfect for Recitals. Pop. Ballad.Like what you hear? Check out other compositions by Susan Staples Bell available on Sheet Music Plus:Also, selected pieces are now available on JW Pepper for a print option: https://www.jwpepper.com/myscore/SusanStaplesBellSusan Bell Youtube:https://www.youtube.com/channel/UCGLKCgMtPyUB7ba7lsmoycg
$4.99 ≈
¥36.18
Feliz Navidad for Pedal Harp, Score & Parts
Feliz Navidad for Pedal Harp, Score & Parts
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2 Harpes (duo)
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INTERMÉDIAIRE
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Noël
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Jose Feliciano
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Feliz Navidad for Pedal Harp,
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SheetMusicPlus
Harp duet, Harp Ensemble, Chamber, Small Ensemble - Intermediate - Digital Download By Jose Feliciano. Arranged by Serena O’Meara. Score, Set of Pa...
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Harp duet, Harp Ensemble, Chamber, Small Ensemble - Intermediate - Digital Download By Jose Feliciano. Arranged by Serena O’Meara. Score, Set of Parts. 23 pages. Published by O'Meara Music
Puerto Rican singer and songwriter, Jose Feliciano, wrote this delightful bilingualChristmas greeting in 1970. It has become one of the most commonly downloadedpop Christmas songs of all time.
It is in the key of D. There are lever changes for chromatics within therefrain sections. The melody is divided evenly between parts. Dynamics areclearly marked. You willreceive the Pedal Score, Harp I, and Harp II. The lever and pedalarrangements can be played together.
$12.00 ≈
¥87.02
Sync (Flute Part Only)
Sync (Flute Part Only)
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Contemporain
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips M...
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Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024748 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465400. Published by Will Phillips Music (A0.1024748). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99 ≈
¥28.93
Sync (Cello Part Only)
Sync (Cello Part Only)
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Contemporain
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Will Phillips
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the final sync point.
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Sync
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Will Phillips Music
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips M...
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Small Ensemble Cello,Double Bass,Flute - SKU: A0.1024749 Composed by Will Phillips. 20th Century,Contemporary. Score and parts. 5 pages. Will Phillips Music #3465402. Published by Will Phillips Music (A0.1024749). Sync, for flute, cello, and bass trio, is a complex piece which includes a variety of time signatures, virtuosic flute lines, driving cello rhythms, and jazz-influenced pizzicato bass lines. The title derives from the phasing that occurs as a result of multiple pulses that align, dis-align, and re-align throughout. The rhythms that drive the piece are heavily syncopated, yet often times, even non-syncopated rhythms are perceived as such as a result of the offsetting phasing of the pulse. The rhythmic figures are constructed as not just a variety of attacks, but also note lengths, which alternate between combinations of accents, legato, and staccato phrases. Each section is glued together using transitions which guide the individual pulses to their next point of alignment. Throughout the bridge sections, all three instruments take on differing roles: the flute plays ethnically influenced over-arching melodies, while the cello underscores the flute with double and triple-stop chords, and the bass maintains a steady but syncopated pulse. Finally, the piece comes to a close with each instrument rallying together as one; the final sync point.
$3.99 ≈
¥28.93
When He Cometh (for 8-note Bells and Boomwhackers® with Black and White Notes)
When He Cometh (for 8-note Bells and Boomwhackers® with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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When He Cometh
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565362 By Sharon Wilson. By George Freder...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565362 By Sharon Wilson. By George Frederick Root. Arranged by Sharon Wilson. Children,Instructional,Romantic Period,Sacred. 12 pages. Sharon Wilson #4268949. Published by Sharon Wilson (A0.565362). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment (first verse only).  For the first verse, Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For the second verse, the Boomwhackers® play the melody while the Handbells play single note harmony. If you want to learn (practice) only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel.The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers®   * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
¥43.44
When He Cometh (for 8-note Bells and Boomwhackers® with Color Coded Notes)
When He Cometh (for 8-note Bells and Boomwhackers® with Color Coded Notes)
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Sharon Wilson
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Sharon Wilson
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When He Cometh
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Sharon Wilson
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SheetMusicPlus
Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565363 By Sharon Wilson. By George Freder...
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Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - SKU: A0.565363 By Sharon Wilson. By George Frederick Root. Arranged by Sharon Wilson. Children,Folk,Romantic Period,Sacred,Standards. 12 pages. Sharon Wilson #4268951. Published by Sharon Wilson (A0.565363). This arrangement is one of the 12 songs in the collection Twelve More Classic Hymns for 8-note Bells and Boomwhackers®This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating a 2-part instrumental ensemble (requires one set of each instrument). Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment (first verse only).  For the first verse, Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. For the second verse, the Boomwhackers® play the melody while the Handbells play single note harmony. If you want to learn (practice) only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure.Though this sheet music is notated for Handbells and Boomwhackers®, this arrangement is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
¥43.44
O Come, Little Children (with "O Come, All Ye Faithful") (Solo Instrumental Accompaniment Track - Ke
O Come, Little Children (with "O Come, All Ye Faithful") (Solo Instrumental Accompaniment Track - Ke
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Piano seul
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Musique Sacrée
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John F
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Stephen DeCesare
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O Come, Little Children
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Exultet Music
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SheetMusicPlus
Piano - SKU: A0.1052564 Composed by John F. Wade, Johann A.P. Schulz. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompa...
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Piano - SKU: A0.1052564 Composed by John F. Wade, Johann A.P. Schulz. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 212. Exultet Music #6038147. Published by Exultet Music (A0.1052564). Two of the most played Christmas carols have now been freshly arranged and joined together and scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Note: this track will only work with the solo instrumental arrangements that being in C-Major.
$3.99 ≈
¥28.93
O Come, Little Children (with "O Come, All Ye Faithful") (Solo Instrumental Accompaniment Track - Ke
O Come, Little Children (with "O Come, All Ye Faithful") (Solo Instrumental Accompaniment Track - Ke
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Piano seul
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Musique Sacrée
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John F
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Stephen DeCesare
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O Come, Little Children
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Exultet Music
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SheetMusicPlus
Piano - SKU: A0.1052563 Composed by John F. Wade, Johann A.P. Schulz. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompa...
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Piano - SKU: A0.1052563 Composed by John F. Wade, Johann A.P. Schulz. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Accompaniment. Duration 212. Exultet Music #6038211. Published by Exultet Music (A0.1052563). Two of the most played Christmas carols have now been freshly arranged and joined together and scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Note: this track will only work with the solo instrumental arrangements that being in D-Major.
$3.99 ≈
¥28.93
The King Shall Come (with "Come, Thou Long-Expected Jesus") (Solo Instrumental Accompaniment Track:
The King Shall Come (with "Come, Thou Long-Expected Jesus") (Solo Instrumental Accompaniment Track:
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Piano seul
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Traditional, Rowland W
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Stephen DeCesare
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The King Shall Come
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Exultet Music
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SheetMusicPlus
Piano - SKU: A0.1052512 Composed by Traditional, Rowland W. Prichard. Arranged by Stephen DeCesare. Advent,Christian,Sacred,Standards,Traditional. Accom...
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Piano - SKU: A0.1052512 Composed by Traditional, Rowland W. Prichard. Arranged by Stephen DeCesare. Advent,Christian,Sacred,Standards,Traditional. Accompaniment. Duration 136. Exultet Music #5970289. Published by Exultet Music (A0.1052512). Two of the most widely used hymns for Advent have now been freshly arranged and joined together and scored for a variety of arrangements. Accessible and appropriate for any church or concert setting. Note: this track will only work with the solo instrumental arrangements that begin in the key of Fm.
$3.99 ≈
¥28.93
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