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Concertino for Tuba and Piano
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Vous avez sélectionné:
Concertino for Tuba and Piano
Partitions à imprimer
17 partitions trouvées
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1
Concertino for Tuba (piano reduction)
Concertino for Tuba (piano reduction)
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Tuba et Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Publishe...
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band ?Pershing?s Own? in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition ? Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.92€
Concertino for Tuba and Piano
Concertino for Tuba and Piano
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Tuba et Piano
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Thom Ritter George
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Concertino for Tuba and Piano
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba solo with piano - SKU: CX.TEP10335 Composed by Thom Ritter George. Score. 29 pages. Published by Tuba-Euphonium Press (CX.TEP10335). ...
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Tuba solo with piano - SKU: CX.TEP10335 Composed by Thom Ritter George. Score. 29 pages. Published by Tuba-Euphonium Press (CX.TEP10335).
$20.00 ≈
17.92€
Concertino for Tuba and Piano
Concertino for Tuba and Piano
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Tuba et Piano
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Thom Ritter George
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Concertino for Tuba and Piano
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba solo with piano SKU: TE.TEP10335 Composed by Thom Ritter George. Score. Published by Tuba-Euphonium Press (TE.TEP10335). ...
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Tuba solo with piano SKU: TE.TEP10335 Composed by Thom Ritter George. Score. Published by Tuba-Euphonium Press (TE.TEP10335).
$20.00 ≈
17.92€
Concertino for Tuba or Piano
Concertino for Tuba or Piano
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Tuba et Piano
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AVANCÉ
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Classique
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Ernst Sachse
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Charles Vernon
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Concertino for Tuba or Piano
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Gordon Cherry
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SheetMusicPlus
Piano,Tuba - Level 5 - SKU: A0.811247 Composed by Ernst Sachse. Arranged by Charles Vernon. Classical,Romantic Period. Score and part. 24 pages. Gordon ...
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Piano,Tuba - Level 5 - SKU: A0.811247 Composed by Ernst Sachse. Arranged by Charles Vernon. Classical,Romantic Period. Score and part. 24 pages. Gordon Cherry #6520037. Published by Gordon Cherry (A0.811247). Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed by E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone. Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family.Charles Vernon has arranged an excellent sounding edition for Tuba and Piano of about 12 minutes in length for advanced performers.
$32.50 ≈
29.12€
Concertino
Concertino
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Tuba et Piano
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Carl Maria von Weber
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Ifor James
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Concertino
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Editions Marc Reift - Digital
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SheetMusicPlus
Tuba & Piano - Grade 6 - SKU: R0.53345 Op. 45. Composed by Carl Maria von Weber. Arranged by Ifor James. Tuba & Piano. Score and parts. 21 pages....
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Tuba & Piano - Grade 6 - SKU: R0.53345 Op. 45. Composed by Carl Maria von Weber. Arranged by Ifor James. Tuba & Piano. Score and parts. 21 pages. Duration 13'48. Editions Marc Reift - Digital #53345. Published by Editions Marc Reift - Digital (R0.53345).
$22.95 ≈
20.56€
Concertino Es-Dur
Concertino Es-Dur
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Tuba et Piano
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Carl Maria von Weber
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Yutaka Kono
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Concertino Es-Dur
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Cimarron Music Press - Digital
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SheetMusicPlus
Tuba solo with piano - SKU: CX.CM2340 Composed by Carl Maria von Weber. Arranged by Yutaka Kono. 18 pages. Published by Cimarron Music Press - Digital (...
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Tuba solo with piano - SKU: CX.CM2340 Composed by Carl Maria von Weber. Arranged by Yutaka Kono. 18 pages. Published by Cimarron Music Press - Digital (CX.CM2340). Originally for Clarinet.
$24.00 ≈
21.50€
Concertino for Bass Trombone and Piano
Concertino for Bass Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Classique
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Ernst Sachse
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Charles Vernon
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Concertino for Bass Trombone a
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.1043020 Composed by Ernst Sachse. Arranged by Charles Vernon. Romantic Period. Score and part. 24 pages. Gordon Cherr...
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Piano,Trombone - Level 5 - SKU: A0.1043020 Composed by Ernst Sachse. Arranged by Charles Vernon. Romantic Period. Score and part. 24 pages. Gordon Cherry #647718. Published by Gordon Cherry (A0.1043020). Not much is known about the origins of the Concertino, except that the three-movement work was most likely first written and performed by E-flat Cornet in the mid-19th Century by Sachse himself. Since that time, the work has been edited for Trombone and Bass Trombone. Along with the David Concertino, the two works are great examples of German Romantic solo writing for the brass family. Charles Vernon has arranged an excellent sounding edition for Bass Trombone or Tuba and Piano of about 12 minutes in length for advanced performers.
$30.00 ≈
26.88€
Concertino para Tuba y Piano
Concertino para Tuba y Piano
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Concertino para Tuba y Piano
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SheetMusicPlus
About s s are downloadable sheet music files that can be viewed directly ...
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About s s are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you don’t have to be connected to the internet. Just purchase, download and play! PLEASE NOTE: Your will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students)
Song List
: 1. Allegro jocoso 2. Largo - andante lirico 3. Allegro - burlesco
$15.00 ≈
13.44€
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
26.83€
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
69.84€
Rubank Treasures for Tuba
Rubank Treasures for Tuba
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Various
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Rubank Treasures for Tuba
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Rubank Publications
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SheetMusicPlus
Tuba - Grade 2-4 SKU: HL.196892 Book with Online Audio (stream or download). Composed by Various. Edited by H. Voxman. Rubank Book/Audio Products....
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Tuba - Grade 2-4 SKU: HL.196892 Book with Online Audio (stream or download). Composed by Various. Edited by H. Voxman. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.196892). ISBN 9781495075100. UPC: 888680645052. 9x12 inches.Available for the first time: easy to advanced solo works from the Rubank archives with online performance and accompaniment recordings, printable piano accompaniments, and PLAYBACK+ audio tools. This new collection of 12 Rubank solos includes many that have long been unavailable. All are suitable for contest and festival performance (grades 2-4). Purchase includes exceptional performance tracks (recorded by pro players), accompaniment tracks for practice, and PDF piano accompaniments for use at contest. Includes: Adagio and Finale from Concertino for Trombone (Gaucet) • Andante and Allegro (Clerisse) • Andante Cantabile from Concerto for Trombone (Rimsky-Korsakov) • Behemoth (VanderCook) • Blow the Man Down - Shanty and Variations (Walters) • Concertpiece (Painpare) • Emmett's Lullaby - Theme and Variations (Wm. Bell) • Hero of the Brass (Worth) • In the Hall of the Mountain King (Grieg) • The Leprechauns' Patrol (Walters) • The Mariner (Mattei) • Toreador's Song from Carmen (Bizet).
Song List
: Toreador's Song Leprechaun's Patrol Andante & Allegro (Clerisse) Andante Cantabile(Tbn.Con.) In The Hall Of The Mountain King Blow The Man Down Andante Cantabile Adagio And Finale Concertpiece Andante And Allegro Behemoth Blow The Man Down (Sea Shanty And Variations) Emmett's Lullaby The Mariner Serpent Of The Brass
$17.99 ≈
16.12€
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble) - Score Only
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble) - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Publi...
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Concert Band - Level 4 - SKU: A0.1339375 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 31 pages. Motch Music #925066. Published by Motch Music (A0.1339375). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$50.00 ≈
44.79€
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble)
Shadow in a harlequin (Concertino for Alto Saxophone and Wind Ensemble)
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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Shadow in a harlequin
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Publi...
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Concert Band - Level 4 - SKU: A0.1339368 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 85 pages. Motch Music #925059. Published by Motch Music (A0.1339368). Original work by Masakazu Yamamoto.Concerto for solo alto saxophone and small wind ensemble. Composed in 2017. It premiered at the annual concert 2017 of the Japan Wind Ensemble (Momotaro Band).This work was commissioned by Keiko Kobayashi (the chief conductor of the orchestra) and Atsushi Nishimoto (chief concertmaster and saxophone player of the orchestra) and Musica Eterna LLC. Harlequin, a popular person who entertains people. Dressed in a quirky costume, what does he think under that makeup? Even if you indulge in thought or shed tears without knowing it, you have to continue playing the clown on the stage for the expectations of the audience. The composition seems to be the relationship between an individual and society, and it also applies to the relationship between solo and the band in this work. Duration: 9', Grade 4 (band only)[Instrumentation] Flutes (2) 1st also piccolo Oboe (1) Bb Clarinets (3) 3rd also Eb Clarinet Bb Bass Clarinet (1) Eb Alto Saxophones (2) Bb Tenor Saxophone (1) Bb Trumpets (2) F Horn (1) Trombone (1) Euphonium (1) Tuba (1) Percussion (1) Claves, Snare Drum, Triangle, Shaker, Suspended Cymbal  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$200.00 ≈
179.18€
Concertino in Eb for Tuba & Piano Trio
Concertino in Eb for Tuba & Piano Trio
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Classique
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Albrechtsberge, Johann Georg
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M
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Concertino in Eb for Tuba &
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dorm40music.com
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SheetMusicPlus
Small Ensemble Cello,Piano,Tuba,Violin - Level 5 - SKU: A0.785276 Composed by Albrechtsberge, Johann Georg. Arranged by M. Zavoski. Classical. Score and...
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Small Ensemble Cello,Piano,Tuba,Violin - Level 5 - SKU: A0.785276 Composed by Albrechtsberge, Johann Georg. Arranged by M. Zavoski. Classical. Score and parts. 56 pages. Dorm40music.com #2081557. Published by dorm40music.com (A0.785276). Johann Georg Albrechtsberger's Concertino in Eb scored for tuba and piano trio (piano, violin, cello). This work was originally for jaw harp around 1765.
$45.00 ≈
40.32€
Concertino for Tuba & Piano
Concertino for Tuba & Piano
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Tuba et Piano
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Patrick Nebbula
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6 pages (parts)
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Concertino for Tuba & Pian
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
By Patrick Nebbula. Tuba Solo and Piano accompaniment. For Tuba, Piano. Classical, Educational. Grade 6. Score and Set of Parts. 16 pages (score); 6 pages (part...
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By Patrick Nebbula. Tuba Solo and Piano accompaniment. For Tuba, Piano. Classical, Educational. Grade 6. Score and Set of Parts. 16 pages (score); 6 pages (parts). Published by FLEX Editions - Digital Sheet Music
$13.95 ≈
12.50€
Concertino
Concertino
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Karl Amadeus Hartmann
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Concertino
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Schott Music - Digital
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SheetMusicPlus
Trp. solo – 0 · 0 · 1 · Bassklar. · 1 · Kfg. – 1 · 1 · 0 · 1 Trumpet with 7 Solo-Instruments (Clarinet in B flat, BassClar...
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Trp. solo – 0 · 0 · 1 · Bassklar. · 1 · Kfg. – 1 · 1 · 0 · 1 Trumpet with 7 Solo-Instruments (Clarinet in B flat, BassClarinet in B flat, Bassoon, Contrabassoon, French Horn in F, Trumpet in C, Tuba) - difficult - SKU: S9.Q16433 Composed by Karl Amadeus Hartmann. This edition: piano reduction with solo part. La Tromba. Downloadable, Piano reduction with solo part. Duration 19 minutes. Schott Music - Digital #Q16433. Published by Schott Music - Digital (S9.Q16433). This piece, previously considered lost since its first performance, was described thus in reviews of that concert: ... The composition is modern and the humour appears to be that of the composer himself. Michel Nicolay, who has extraordinary technical skill and fabulous breathing control, leads this difficult work by the Munich composer Hartmann and is supported by the accompaniment of seven wind instruments. The bassoon provides rather a humorous bass line in the first section, with the whole work tending somewhat towards the burlesque. The second section contains some really astonishing passages..
$27.99 ≈
25.08€
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99 ≈
8.95€
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