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Vous avez sélectionné:
Confrontation
Partitions à imprimer
166 partitions trouvées
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October 1974, Cohoes (Confrontation and Finale)
October 1974, Cohoes (Confrontation and Finale)
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Voix Baryton, Piano
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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October 1974, Cohoes
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Sonata Grendel Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publish...
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Baritone Horn TC,Vocal Solo,Voice - Level 4 - SKU: A0.837499 Composed by Brett L. Wery. Concert,Contemporary,Halloween. 13 pages. Sonata Grendel Publishing #5792331. Published by Sonata Grendel Publishing (A0.837499). Letters From Cohoes was originally conceived for Baritone, flute, harp and string Quartet. The first movement is set in Eva Tanguay’s voice and works well dramatically for mezzo-soprano. Eva Tanguay (1879-1947) was born in Canada and billed herself as the girl who made vaudeville famous. She was known for her suggestive songs and extravagant costumes. She has been likened to Madonna or Lady Gaga. Her one recording was I Don’t Care in 1922. Her parents moved to Holyoke, Massachusetts in the 1880’s and she began her career as a teenager at the Cohoes Music Hall. At the age of nineteen she made her debut in New York City. Tanguay was the highest paid woman of her day but was said to have lost more than two million dollars in the Wall Street crash of 1929. Tanguay had a reputation for outlandish behavior and was once fined $50 in Louisville, Kentucky for throwing a stagehand down a flight of stairs. She died, blind and nearly destitute, at the age of 68 in Hollywood. In 1953 Mitzi Gaynor portrayed Eva Tanguay in a fictionalized version of her life in the motion picture, The I Don’t Care Girl. Her ghost is said to still haunt Cohoes Music Hall in upstate New York. Letters from Cohoes is a highly fictionalized, musical portrayal of Eva Tanguay’s ghost. In its original form it was scored for flute (doubling on alto flute, contrabass flute and piccolo), harp, string quartet and solo baritone. It is in four movements, taking the form of letters. Letter 4. October 1974, Cohoes (duration – 4:56) Confrontation and Finale The stage manager finally confronts the ghost residing in the hall. Your innocence was stolen but your youth was yours to lose. The croaking raven doth bellow for revenge,And so I stand for sacrifice.
$9.99 ≈
8.95€
Confrontation Incantation
Confrontation Incantation
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Orchestre à Cordes
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FACILE
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Justin Haarz
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Confrontation Incantation
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Haarz Studio
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SheetMusicPlus
String Orchestra - Level 2 - SKU: A0.999752 Composed by Justin Haarz. Contemporary,Instructional. Score and parts. 28 pages. Haarz Studio #6411993. Publ...
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String Orchestra - Level 2 - SKU: A0.999752 Composed by Justin Haarz. Contemporary,Instructional. Score and parts. 28 pages. Haarz Studio #6411993. Published by Haarz Studio (A0.999752). Come join a world of toil and trouble with Confrontation Incantation. In this exhilarating, fun, and energetic piece, prepare for a journey of many lifetimes. This piece introduces C-Sharps and C-Naturals to help prepare your students for accidentals in delightfully catchy melodies. Included are flexible parts to allow any instrument play any of the parts! Perfect for: String Ensembles, Violin Ensembles, Cello Choirs, and Quartets. .
$34.99 ≈
31.36€
Confrontation with Fate
Confrontation with Fate
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Tim Neumark
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Confrontation with Fate
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Tim Neumark
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.781699 Composed by Peter Ilyich Tchaikovsky. Arranged by Tim Neumark. 20th Century,Contemporary,New Age,Romantic Period. ...
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Piano Solo - Level 4 - SKU: A0.781699 Composed by Peter Ilyich Tchaikovsky. Arranged by Tim Neumark. 20th Century,Contemporary,New Age,Romantic Period. Score. 5 pages. Tim Neumark #6037983. Published by Tim Neumark (A0.781699). Confrontation with Fate is Tim Neumark's original arrangement of the second movement of Pyotr Ilyich Tchaikovsky's Symphony No. 5.
$5.50 ≈
4.93€
Confrontation
Confrontation
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Giesbrecht
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Confrontation
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Benjamin Giesbrecht
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1025112 Composed by Benjamin Giesbrecht. Contemporary. Score and parts. 15 pages. Benjamin Giesbrecht #4727279. Publi...
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Brass Ensemble - Level 4 - SKU: A0.1025112 Composed by Benjamin Giesbrecht. Contemporary. Score and parts. 15 pages. Benjamin Giesbrecht #4727279. Published by Benjamin Giesbrecht (A0.1025112). Notes:Confrontation started as a purely academic work, striving to mimic the styles and forms of video game music. As such, it is intentionally repetitive and built so that individual repeats, larger sections, and the entire work can be looped to vary the length of performance. Performance Notes:Given the intended purpose of the piece, all repeats may be looped or omitted as the performing group wishes. The bass trombone part was written as such for the more aggressive timbre, but tuba could adequately cover the part.
$7.99 ≈
7.16€
Confrontations: 1st B-flat Clarinet
Confrontations: 1st B-flat Clarinet
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Orchestre d'harmonie
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Methodes
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Jack Bullock
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Festival.
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Confrontations: 1st B-flat Cla
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014371_C1 1st B-flat Clarinet. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet...
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Concert Band - SKU: AX.00-PC-0014371_C1 1st B-flat Clarinet. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014371_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014371_C1). UPC: 038081374314.Defined, to oppose a challenge or standing in the way of opposition. In general usage it insinuates that this can likely be resolved and is not as serious as a fight or war. In this music, the composer suggests that a confrontation could be described as a non-harmonic discord which is quickly changed to a pleasing resolution. Energetic percussion contributions enhance this bold new contemporary composition.Concert/Contest; Festival.
$3.00 ≈
2.69€
Confrontations: Bassoon
Confrontations: Bassoon
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Orchestre d'harmonie
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Methodes
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Jack Bullock
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Festival.
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Confrontations: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014371_B1 Bassoon. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-P...
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Concert Band - SKU: AX.00-PC-0014371_B1 Bassoon. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014371_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014371_B1). UPC: 038081374314.Defined, to oppose a challenge or standing in the way of opposition. In general usage it insinuates that this can likely be resolved and is not as serious as a fight or war. In this music, the composer suggests that a confrontation could be described as a non-harmonic discord which is quickly changed to a pleasing resolution. Energetic percussion contributions enhance this bold new contemporary composition.Concert/Contest; Festival.
$3.00 ≈
2.69€
Confrontations: Flute
Confrontations: Flute
#
Orchestre d'harmonie
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Methodes
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Jack Bullock
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Festival.
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Confrontations: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014371_F1 Flute. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-...
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Concert Band - SKU: AX.00-PC-0014371_F1 Flute. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014371_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014371_F1). UPC: 038081374314.Defined, to oppose a challenge or standing in the way of opposition. In general usage it insinuates that this can likely be resolved and is not as serious as a fight or war. In this music, the composer suggests that a confrontation could be described as a non-harmonic discord which is quickly changed to a pleasing resolution. Energetic percussion contributions enhance this bold new contemporary composition.Concert/Contest; Festival.
$3.00 ≈
2.69€
Confrontations: Oboe
Confrontations: Oboe
#
Orchestre d'harmonie
#
Methodes
#
Jack Bullock
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Festival.
#
Confrontations: Oboe
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014371_O1 Oboe. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0...
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Concert Band - SKU: AX.00-PC-0014371_O1 Oboe. Composed by Jack Bullock. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014371_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014371_O1). UPC: 038081374314.Defined, to oppose a challenge or standing in the way of opposition. In general usage it insinuates that this can likely be resolved and is not as serious as a fight or war. In this music, the composer suggests that a confrontation could be described as a non-harmonic discord which is quickly changed to a pleasing resolution. Energetic percussion contributions enhance this bold new contemporary composition.Concert/Contest; Festival.
$3.00 ≈
2.69€
Confrontations: Score
Confrontations: Score
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Orchestre d'harmonie
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Methodes
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Jack Bullock
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Festival.
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Confrontations: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PR-0002690 Score. Composed by Jack Bullock. Instructional. Score. 32 pages. Alfred Music - Digital Sheet Music #00-PR-0...
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Concert Band - SKU: AX.00-PR-0002690 Score. Composed by Jack Bullock. Instructional. Score. 32 pages. Alfred Music - Digital Sheet Music #00-PR-0002690. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002690). UPC: 038081374314.Defined, to oppose a challenge or standing in the way of opposition. In general usage it insinuates that this can likely be resolved and is not as serious as a fight or war. In this music, the composer suggests that a confrontation could be described as a non-harmonic discord which is quickly changed to a pleasing resolution. Energetic percussion contributions enhance this bold new contemporary composition.Concert/Contest; Festival.
$9.00 ≈
8.07€
Confrontation (from Jekyll & Hyde)
Confrontation (from Jekyll & Hyde)
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Piano, Voix et Guitare
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Comédie Musicale
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Confrontation
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Hal Leonard - Digital
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: HX.1399242 This edition: scorch. Broadway,Musical/Show. Score. 7 pages. Hal Leonard - Digital #17603. Published by Hal L...
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Guitar,Piano,Vocal,Voice - SKU: HX.1399242 This edition: scorch. Broadway,Musical/Show. Score. 7 pages. Hal Leonard - Digital #17603. Published by Hal Leonard - Digital (HX.1399242).
$4.99 ≈
4.47€
String Quintet "Confrontation to the Consummate" by Wendell Rosa
String Quintet "Confrontation to the Consummate" by Wendell Rosa
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Wendell Rosa
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String Quintet "Confronta
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Wendell Rosa
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.915186 Composed by Wendell Rosa. 20th Century,Contemporary,World. Score and parts. 56 pages. Wendell ...
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String Ensemble,String Quintet - Level 4 - SKU: A0.915186 Composed by Wendell Rosa. 20th Century,Contemporary,World. Score and parts. 56 pages. Wendell Rosa #6137443. Published by Wendell Rosa (A0.915186). Against the designs of divine the man nothing can do. Uprising is worthless. And so I live: impotently beholding what to me has been destined. Yet the desire for liberty transforms myself. The sudden metamorphosis of nature makes rise inside of me the wish to battle; battle against the voice of the fate. And when a single weightless carelessness of the Gods was enough, I rebelled myself in combat. Thirsty of this divine trance, which is fighting against my own fate, retrieve what from me was stolen, I want freedom.- Wesley Rosa.
$10.00 ≈
8.96€
The Final Confrontation (from the Motion Picture Dumbo)
The Final Confrontation (from the Motion Picture Dumbo)
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Piano seul
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Enfant
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Film Walt Disney
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The Final Confrontation
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.439417 Children,Disney,Film/TV. Piano Solo. 3 pages. Published by Hal Leonard - Digital (HX.439417). ...
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SKU: HX.439417 Children,Disney,Film/TV. Piano Solo. 3 pages. Published by Hal Leonard - Digital (HX.439417).
$4.99 ≈
4.47€
Confrontation in the Square - Piano Solo
Confrontation in the Square - Piano Solo
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Piano seul
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FACILE
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Ian Michael Larsen
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Confrontation in the Square -
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Ian Michael Larsen
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1094335 Composed by Ian Michael Larsen. Classical,Film/TV,Renaissance. Score. 3 pages. Ian Michael Larsen #698422. Publis...
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Piano Solo - Level 2 - SKU: A0.1094335 Composed by Ian Michael Larsen. Classical,Film/TV,Renaissance. Score. 3 pages. Ian Michael Larsen #698422. Published by Ian Michael Larsen (A0.1094335). An easy-intermediate piano arrangement of an original song inspired by the Mistborn series, specifically a scene in which the protagonist Kelsier is having a public showdown against a Steel Inquisitor.
$1.99 ≈
1.78€
Confrontation On Eadu
Confrontation On Eadu
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Piano seul
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Film/TV
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Michael Giacchino
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Confrontation On Eadu
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Hal Leonard - Digital
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SheetMusicPlus
Piano Solo,Piano and Keyboard - Interactive Download SKU: HX.369586 Composed by Michael Giacchino. This edition: Interactive Download,scorch. Classical,F...
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Piano Solo,Piano and Keyboard - Interactive Download SKU: HX.369586 Composed by Michael Giacchino. This edition: Interactive Download,scorch. Classical,Film/TV. Score. 2 pages. Hal Leonard - Digital #282663. Published by Hal Leonard - Digital (HX.369586).
$4.99 ≈
4.47€
Confrontation On Eadu
Confrontation On Eadu
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Piano Facile
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Film/TV
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Michael Giacchino
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Confrontation On Eadu
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Hal Leonard - Digital
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SheetMusicPlus
Interactive Download SKU: HX.369632 Composed by Michael Giacchino. This edition: Interactive Download. Classical,Film/TV. Easy Piano. 2 pages. Published ...
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Interactive Download SKU: HX.369632 Composed by Michael Giacchino. This edition: Interactive Download. Classical,Film/TV. Easy Piano. 2 pages. Published by Hal Leonard - Digital (HX.369632).
$3.99 ≈
3.58€
The Hawkeye
The Hawkeye
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Jason Bailey
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The Hawkeye
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Jason Bailey
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1011866 Composed by Jason Bailey. Contemporary,Instructional. Score and parts. 48 pages. Jason Bailey #3554767. Publish...
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Concert Band - Level 3 - SKU: A0.1011866 Composed by Jason Bailey. Contemporary,Instructional. Score and parts. 48 pages. Jason Bailey #3554767. Published by Jason Bailey (A0.1011866). The Hawkeye is a program piece for Concert Bands, coming in at a grade 4, with heavy keyboard percussion. This work chronicles the Spaceship Hawkeye on her first voyage from Earth, heading into the stars for the first time and her initial confrontation with danger. The music reflects the impending confrontation with a subtle switch in harmony during the first sight of space. The ship will come away unscathed, and set off for her first adventure. This piece was written in loving memory of the composers father, George Hugh Bailey, Jr., who was tragically taken in a car accident in 2009. He was an avid fan of science fiction and space operas. His support and love throughout the years will never be forgotten, and this piece honors him with his own theme to his own ship.
$40.00 ≈
35.85€
Confrontation on Eadu from Rogue One: A Star Wars Story - Easy Piano
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Piano Facile
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FACILE
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Film/TV
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Confrontation on Eadu from Rog
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Musicnotes
Michael Giacchino - Confrontation on Eadu - from Rogue One Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital she...
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Michael Giacchino - Confrontation on Eadu - from Rogue One Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Movie/TV~~Soundtrack
$3.99 ≈
3.58€
Confrontation on Eadu from Rogue One: A Star Wars Story - Piano Solo
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Piano seul
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Film/TV
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Confrontation on Eadu from Rog
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Musicnotes
Michael Giacchino - Confrontation on Eadu - from Rogue One Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital she...
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Michael Giacchino - Confrontation on Eadu - from Rogue One Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 2 pages -- Soundtrack~~Movie/TV
$4.99 ≈
4.47€
Confrontation by Robert Cuccioli - Piano/Vocal/Chords
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Piano, Voix
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Comédie Musicale
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Robert Cuccioli
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Confrontation
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Musicnotes
Performed by: Bob Cuccioli: Confrontation Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (th...
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Performed by: Bob Cuccioli: Confrontation Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains partial lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 7 pages -- Show/Broadway~~Musical
$5.50 ≈
4.93€
Maiden x Dragon
Maiden x Dragon
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Christian Fortner
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Maiden x Dragon
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Christian Fortner Music
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SheetMusicPlus
Bassoon,Instrumental Duet,Soprano voice - Level 4 - SKU: A0.1462483 Composed by Christian Fortner. 21st Century,Classical,Contemporary,Folk. 8 pages. Ch...
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Bassoon,Instrumental Duet,Soprano voice - Level 4 - SKU: A0.1462483 Composed by Christian Fortner. 21st Century,Classical,Contemporary,Folk. 8 pages. Christian Fortner Music #1041243. Published by Christian Fortner Music (A0.1462483). Maiden x Dragon tells the story of a young woman and a dragon who meet and become allies after a chance encounter, with the woman being voiced by the soprano part and the dragon voiced by the bassoon part. The maiden, who has been exiled from her home, flees into a nearby forest, where she meets the dragon. After an initial hostile confrontation, upon further examination, they realize that they are very similar - both despised by the world they live in. This leads to the two joining forces to survive. Throughout most of the piece, the soprano and bassoon parts echo each other, signifying the similar thoughts they both have individually. At the end of the piece, the two voices finally become more in-sync with each other, just as the characters do in the story.
$24.95 ≈
22.36€
Piano Concerto No. 1 - Score Only
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00 ≈
22.41€
Anything You Can Do . . . for violin and vibraphone
Anything You Can Do . . . for violin and vibraphone
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Robert M
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Anything You Can Do . . . for
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and p...
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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
$28.00 ≈
25.09€
Piano Concerto No. 1 - FIRST movement [score and parts]
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
29.58€
Piano Concerto No. 1 - SECOND movement [score and parts]
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00 ≈
29.58€
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Confrontation
