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Vous avez sélectionné:
Cute: Mallets
Partitions à imprimer
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A Touch of Jazz: Mallets
A Touch of Jazz: Mallets
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Orchestre
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Jazz
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Jerry Brubaker
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A Touch of Jazz: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017094_M1 Mallets. Arranged by Jerry Brubaker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-001...
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Full Orchestra - SKU: AX.00-PC-0017094_M1 Mallets. Arranged by Jerry Brubaker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_M1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00 ≈
£2.34
A Touch of Jazz!: Mallets
A Touch of Jazz!: Mallets
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Orchestre d'harmonie
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Jazz
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Jerry Brubaker
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A Touch of Jazz!: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017086_M1 Mallets. Arranged by Jerry Brubaker. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-00170...
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Concert Band - SKU: AX.00-PC-0017086_M1 Mallets. Arranged by Jerry Brubaker. Jazz. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017086_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017086_M1). UPC: 029156156577.In the words of the great Duke Ellington, 'It Don't Mean a Thing (If It Ain't Got That Swing),' and that song title is just one of the tasty morsels in this concert band salute to the world of jazz. The medley just plain cooks when these other classics are added to the pot: The Swingin' Shepherd Blues * 'Round Midnight * Take Five * Li'l Darlin' * C Jam Blues * Cute. Cool, man! (6:25)Concert/Contest.
$3.00 ≈
£2.34
Vectors: Mallets
Vectors: Mallets
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Orchestre d'harmonie
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Methodes
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Vince Gassi
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Vectors: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017038_M1 Mallets. Composed by Vince Gassi. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC...
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Concert Band - SKU: AX.00-PC-0017038_M1 Mallets. Composed by Vince Gassi. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017038_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017038_M1). UPC: 038081506166.Melodies are like vectors. They have direction and magnitude that play with, and against, each other. This new work begins with vector 1 (woodwinds) followed by vector 2 (brass) fluidly issuing forth in contrary motion. Against a static vector (horn and percussion), euphonium and bassoon execute the prime vector. Other vectors interact throughout; slow vectors, fast vectors, and eventually, terminating vectors. Let the energy and drive in this dynamic work inspire your band to scale new heights. (3:30)Concert/Contest; Festival.
$3.00 ≈
£2.34
One Hour to Madness
One Hour to Madness
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Ensemble de Percussions
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AVANCÉ
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Contemporain
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Dan Heslink
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One Hour to Madness
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Publishe...
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Percussion Ensemble - Level 5 - SKU: A0.935385 Composed by Dan Heslink. Contemporary. Score and parts. 36 pages. Pharaoh Publications #5775261. Published by Pharaoh Publications (A0.935385). One Hour to Madness for percussion septet. by Dan Heslink From its opening motto to its bold closing summation, One Hour to Madness explores a high degree of musical energy. The title is loosely inspired by Walt Whitman’s marvelous poem, One Hour to Madness and Joy (Leaves of Grass). The music presents a dark and exciting expression couched in pervasive contrapuntal development. A high degree of dissonance is contrasted with the second theme’s clear Bb major tonality. The work’s contrapuntal nature is distilled into a fugato in the second half. Predominantly a mallet ensemble composition, scoring is for orchestra bells (2 mallets), xylophone (2 mallets), vibraphone (4 mallets), 3 marimbas (each with 2 mallets) and timpani. The timpani part is best performed on the standard set of 4 drums (23-24, 25-26, 28-29, 32-30). The marimba 1 part requires the standard range of 3 ½ or 4 octaves; the marimba 2 part can be executed on the standard 4-octave instrument by omitting a few octave doublings, or on a 5-octave instrument if one is available; marimba 3 requires a 5-octave instrument. The composer assigns a difficulty level of advanced. It will serve any concert or recital very well. Audiences and performers alike will enjoy the flashy passage work and musical impetus afforded by One Hour to Madness. Duration is 3:41. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$4.99 ≈
£3.88
Silent Night Prelude for percussion octet
Silent Night Prelude for percussion octet
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Ensemble de Percussions
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FACILE
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Noël
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Franz Xaver Gruber
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Dan Heslink
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Silent Night Prelude for percu
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. ...
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Percussion Ensemble - Level 2 - SKU: A0.935383 Composed by Franz Xaver Gruber. Arranged by Dan Heslink. Christian,Christmas. Score and parts. 20 pages. Pharaoh Publications #5363007. Published by Pharaoh Publications (A0.935383). Silent Night Prelude for Percussion Octet arr. by Dan Heslink This work is based on the well-loved Christmas carol, composed in 1818 by Franz Xaver Gruber. This theme is so popular that it was declared an intangible cultural heritage by UNESCO in 2011. And the version sung by Bing Crosby in 1935 is the fourth best-selling single recording of all-time. It’s sure to motivate your audience close to Christmas. The Prelude begins with a brisk tempo. Although notated in 3, as is customary in more modern renditions (the original theme was notated in 6), the tempo must be fast enough that two measures of 3 create a binary pairing (like 6/4 in two). It may be necessary to slightly slow down the roll speed to avoid a frenetic sound. The difficulty level is easy. There are no changes of key, and the timpani part requires only two drums (Bb, F) with no tuning changes. The vibe part could be played with two mallets, but might execute more comfortably with three. The other keyboard parts use only two mallets each. The expression of this beautiful tune will be greatly enhanced by exaggerating the contrasts of dynamics. Accompaniment and ornamental figures must at all times be sublimated to the familiar theme. At the last strain, players should sing the well-known words in order to lead the audience or congregation in group singing. It would be helpful for the conductor to turn and face the audience at this point. This closing passage may be repeated for any number of sung verses. Use a smooth, relaxed stroke to elicit as much legato as possible. At points a continuous arpeggio accompaniment is divided among the instruments. Care must be taken to keep the sixteenth note speed consistent. The opening runs should be performed half-pedal on the vibes for clarity. Prelude on Silent Night would serve equally well in recital or in a church service. Duration is 3:10. The arranger, Dan Heslink, can be contacted at dan@dheslink.com
$4.99 ≈
£3.88
Christmas Calypso for Percussion Sextet
Christmas Calypso for Percussion Sextet
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Ensemble de Percussions
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FACILE
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Noël
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Dan Heslink
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Christmas Calypso for Percussi
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. P...
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Percussion Ensemble - Level 2 - SKU: A0.935389 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 18 pages. Pharaoh Publications #6117159. Published by Pharaoh Publications (A0.935389). Christmas Calypso for Percussion Sextet . . . . . . . . . . . . . . arr. Dan Heslink The calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99 ≈
£3.88
Christmas Calypso for Marimba Quartet
Christmas Calypso for Marimba Quartet
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Ensemble de Percussions
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Noël
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Dan Heslink
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Christmas Calypso for Marimba
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Pharaoh Publications
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SheetMusicPlus
Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published b...
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Percussion Ensemble - SKU: A0.935390 Arranged by Dan Heslink. Christian,Christmas. Score and parts. 16 pages. Pharaoh Publications #6117165. Published by Pharaoh Publications (A0.935390). Christmas Calypso for Marimba Quartet . . . . . . . . . . . . . . arr. Dan HeslinkThe calypso style referenced in the title is not the calypso of Afro-Caribbean music from Trinidad and Tobago. Rather, it is the especially toned-down but still rhythmic commercial variant popularized by folk singers. Couched in this style, the arrangement offers Christmas favorites Deck the Halls, Angels We Have Heard On High, God Rest Ye Merry Gentlemen and Good Christian Men, Rejoice. This if one of two versions of the calypso arrangement by Dan Heslink, both of which are available through Sheet Music Plus. The other arrangement, for percussion sextet, follows similar musical contours and is available separately. Both versions are intended to elicit one primary response from both performers and audience – fun. It does not tax the players technically, but delivers a satisfying sound with carols that the performers likely know and love. General audiences will be enchanted by the familiar melodies delivered in percussion, especially at Christmas time. The introduction opens with a brisk and rhythmic introduction based on Deck the Halls, and establishes the fun calypso rhythm immediately. Deck the Halls is the much-loved welsh air that was arranged by Haydn, Nos galan (Hob. XXXIb:29, 1803). Then, Angels We Have Heard on High breaks out in double-stops with a continuation of the rhythmic impetus. The birth of Jesus Christ as narrated in the Gospel of Luke is the subject of Angels We Have Heard on High, a traditional French song of unknown origin. The gloria section provides some flowing contrast, portraying the shepherds’ impressions as they encounter a multitude of angels singing and praising. The performers are encouraged to use a relaxed stroke to glide through these passages. Following is God Rest Ye Merry Gentlemen, a 16th century English traditional Christmas carol also known under the title, The old Christmas Carol. It provides a contrast in tonality (minor mode) and texture. The xylophone part likely will lay most comfortably when executed with four mallets, although there are no three or four mallet chords in these passages. Good Christian Men, Rejoice is the closing selection in this Christmas medley. It’s title is an English translation of In dulci jubilo (Latin for In sweet rejoicing). The work ends happily with a summation of the calypso rhythm. This medley will be especially effective programmed on a winter holiday concert. Duration is 2:30. The arranger, Dan Heslink, assigned a difficulty level of medium easy, and can be contacted at dan@dheslink.com.
$4.99 ≈
£3.88
Cute: Mallets
Cute: Mallets
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Orchestre d'harmonie
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Methodes
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Neal Hefti
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Roy Phillippe
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Cute: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Neal Hefti. Arranged by Roy Phillippe. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music ...
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By Neal Hefti. Arranged by Roy Phillippe. For Concert Band. Instructional. Part. 2 pages. Published by Alfred Music - Digital Sheet Music
$3.00 ≈
£2.34
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Cute: Mallets
