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Dance In The Dark
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Vous avez sélectionné:
Dance In The Dark
Partitions à imprimer
246 partitions trouvées
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THE LAST MY FLOWER (THE WOLF AND THE WITCH)
THE LAST MY FLOWER (THE WOLF AND THE WITCH)
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Piano seul
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Contemporain
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Monica Bergo
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THE LAST MY FLOWER
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). ...
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Piano Solo - SKU: A0.1012709 Composed by Monica Bergo. Contemporary. Score. 13 pages. Moni Bergo #5742973. Published by Moni Bergo (A0.1012709). Music and song composed by meTHE LAST MY FLOWER (the wolf and the witch) I look at my last flower It loses its scentand I do not know what to do I protect you with warmthof this other story I have to tell creatures alone and desperate many scars heal a witch and a wolf do not know yet that their destinies are to merge and starts this magical storysweet as ancient fable in a forest with no place and no age out of touch and the time is stopped and does not move a breath and the heart, explodes and skip a beat and look you recognize like not having never lost and the wolf that is injured a white rose in red has turned He is bleeding along with drops of pain his red eyes burning with love and the witch instead hides because she isn't beautiful and it is not important nobody in the world has never belonged and a caress he never touched she care and caresses the soul he looks at her and his anger dominates and one year only lasts a moment lost in eternity and the wolf tells tales and the witch makes magic potions and exchange promises useless that the night guard and she will dance will dance naked and the wolf with his heart on his sleevelying by the fire that lights up, so free unobstructed and are reflected in the magic lake and do not feel that cold shiver... not last, do not you feel it too?cold around us Abracadabra !! from caterpillar to butterfly Alakazam !! and I too am beautiful do not you wonder how and why I started to talk to me snow fallsbut we are in August and there is nothing that you find a place this my music speaks for it self this is the strangest tale that is I stop here It will end well I can not tell the end of a love that is not written yet I stop here It will end well in a vacuum and the absence these days my silence and inconstancy in your feeling sthe flower dies already go wolf go stop thinking about her from your pack you will need to return and then runs away witch will if you want to transform changes role an actress who artand you will have new flowers day step into the dark caverns of regret Mix them with potions and transform everything into tears like a cat in the night I try the food in the trashno sun, no light no god here that help me body and spirit dentedas a glass stuckinside my poor heart the memory of a love He never really lived so alive in the mind is my animal instinct that makes me ache while another dream diesthe witch in the lake you slidethe water lapping against the planin his eyes the wolf that is now already far a fairy tale real or invented in between my hidden truth all my stories strange and weird over this skin are now tattooed I watc.
$5.00 ≈
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Dances of the three daughters of Night and Darkness
Dances of the three daughters of Night and Darkness
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Violon et Piano
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Dr Anthony Costandius
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Dances of the three daughters
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Anthony Costandius Music
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SheetMusicPlus
Instrumental Solo,Piano,Violin - SKU: A0.938341 Composed by Dr Anthony Costandius. 20th Century,African,Contemporary,World. Score and individual part. 3...
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Instrumental Solo,Piano,Violin - SKU: A0.938341 Composed by Dr Anthony Costandius. 20th Century,African,Contemporary,World. Score and individual part. 36 pages. Anthony Costandius Music #35773. Published by Anthony Costandius Music (A0.938341). A piece for solo violin and piano. Old Night and his wife Darkness live in a cave deep in the Ghost Mountains of the Kalahari Desert. They had three daughters and lived their quiet life deep in the stone cave while the whole world was covered in cold and darkness. The three daughters were called Mountains, Plains and Waters. These daughters loved to dance and their parents enjoyed watching them. Often people from far away would come and visit them, just to watch the girls dance. There are five parts: The Cave of Old Night and darkness Dance of Mountains and her tortoise shell necklace Dance of Plains and her seed-filled calabashes Dance of Waters and her dried Springbok ears, filled with tiny bone fragments Encore.
$10.00 ≈
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Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
Bartók: Rumanian Folk Dances Sz.56 (Complete) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Contemporain
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances
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SheetMusicPlus
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Fol...
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Advanced - Composed by Bela Bartok (1881-1945). Arranged by Ray Thompson. 20th Century, Folk, Recital. Score, Set of Parts. 26 pages. Published by RayThompsonMusic
Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Bla Bartk in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76.
It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute.
The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartk when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartk rarely ever used key signatures.
This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses):
Bot tnc / Jocul cu btand#259; (Stick Dance)The melody of the first movement, according to Bartk, came from the Mezand#337;szabad (present-day Voiniceni) village that was part of Mezand#337;csvs (present-day Ceuaand#537;u de Cmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it.
Brul (Sash Dance)The second movement is a typical dance from Romania called Brul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriand#537;), in the Banat region.
Topog / Pe loc (In One Spot)The third dance comes also from Egres (Igriand#537;), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4]
Bucsum tnc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Als-Fehr County (today Bucium, Alba county in Romania)
Romn polka / Poarga Romneascand#259; (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belnyes (present-day Beiuand#351;, in Bihor county), near the border between Hungary and Romania.
Aprz / Mand#259;runand#539;el (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belnyes (present-day Beiuand#537;) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca?without a break between movements.
$15.99 ≈
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Moondances
Moondances
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Jason Taurins
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Moondances
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Jason Allan Taurins
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SheetMusicPlus
Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Publis...
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Piano,Trumpet - Level 4 - SKU: A0.934482 Composed by Jason Taurins. Concert,Contemporary. Score and part. 18 pages. Jason Allan Taurins #3379657. Published by Jason Allan Taurins (A0.934482). Moondances is a set of 6 bagatelles for trumpet and piano. Aimed at the advancing high school or college trumpet player, the six movements can be played in their entirety or in subsets. At 8:30 in length, it would be perfect for a recital!The musical material for much of the piece is based on pieces I wrote for my undergraduate composition courses at Western Michigan University, but reworked and expanded. The fifth and sixth movements are entirely brand new music I composed to round out the suite. Underpinning all movements is a dark and sad feeling, but with rhythmic energy.Movement I, titled Moondrunk, is a reference to Schoenberg’s Pierrot Lunaire. It’s an absurd, dissonant, and drunk-feeling dance. Movement II, A Stroll in the Moonlight, shows off the lyrical, expressive, and reflective nature of the trumpet with cup mute. The title is a reference to Hogwarts teacher Professor Lupin, who, within the Harry Potter universe, is a werewolf. The music does not reflect this. In Movement III, Death Dances in the Dark, I experimented with using a highly-chromatic melody which is incorrectly harmonized by D minor chords. The piano and trumpet combine at shocking points in octaves and rhythmic unison to create an unsettling effect. Movement IV, titled Melancholy Memories, is based on a movement of a song cycle I wrote in college. It is at points lovely and unsettling, with a sense of nostalgia.Movement V, titled Dimensions (Pablo’s Dream), is a tribute to my love of the paintings of Pablo Picasso. His cubist works attempted to show multiple perspectives of objects simultaneously. The whole movement is a large palindrome, with smaller palindromes placed in it. To accomplish this musically, I used a twelve-tone row, parallelism in the piano part, and various palindromes in the form. The row is intervallically the same forward and backward. I composed the rhythmic material in the first section stream-of-conscious style, and filled in the pitches. The piano accompaniment is in parallel major chords on each note of the row. The melody at letter H uses the row transposed up a tritone, and parallel minor chords in the accompaniment.The final movement, Chase, shows off the virtuosity of the trumpeter. A common theme of dreams is the chase. These are often quite terrifying, at least in my experience. The back-and-forth nature of chases is explored rhythmically in the opening bars. Phrases of different length and dissonant harmonies are unsettling. A bold cry of terror is heard throughout the movement, harmonized by a chord with a perfect fifth and an augmented fifth. Descending and ascending scales wake up the terrified dreamer, and the music never fully resolves.
$9.99 ≈
$13.60
Dark Angels (1990, rev. 1994) for viola and cello
Dark Angels (1990, rev. 1994) for viola and cello
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Alto, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Dark Angels
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869352 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 16 pages. Thomas Oboe Lee #13495. Published by Thomas Oboe Lee (A0.869352). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99 ≈
$13.60
Dark Angels (1990, rev. 1994) for viola and cello
Dark Angels (1990, rev. 1994) for viola and cello
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Alto, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Dark Angels
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Thomas Oboe Lee
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Roma...
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Instrumental Duet Cello,Instrumental Duet,Viola - Level 4 - SKU: A0.869310 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Lamentoso ... Nureyev III. 14 pages. Thomas Oboe Lee #32295. Published by Thomas Oboe Lee (A0.869310). Program note:The title, Dark Angels, has a double meaning. On the one hand, it describes the low, dark, ominous, brooding sound characteristic of the viola and the cello. On the other, these are musical portraits of three charismatic dancers - Nijinsky, Nureyev, and Baryshnikov. Male danseurs in ballet must exhibit an emotional range bordering on schizophrenia. They must be strong and tender, solid and agile, energetic and graceful, raw and gentle. They must fly. But they must land like a feather. Narcissistic to the core. In them, madness is indeed a plus. The titles of the movements are: I. Lunacy ... Nijinsky II. Lamentoso ... Nureyev III. Mad scherzo ... Baryshnikov Enjoy!!!
$9.99 ≈
$13.60
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Sta...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Standards. 42 pages. Last Resort Music Publishing #28467. Published by Last Resort Music Publishing (A0.529976). This is the second part in the Intermediate Music for Four, Volume 1 Series. Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Other parts available: Part 1 Flute or Oboe or Violin Part 1 Clarinet or Soprano Sax in Bb Part 1 Alto Sax in Eb Part 2 Flute or Oboe or Violin Part 2 Clarinet or Trumpet in Bb Part 2 Alto Sax in Eb Part 3 Violin in C Part 3 Viola Part 3 Clarinet or Trumpet in Bb Part 3 Tenor Sax in Bb Part 3 French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Part 4 Baritone Sax in Eb Keyboard or Guitar Score (Parts 1-4 in C) Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Nore Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel).
$18.50 ≈
$25.18
String Quartet No. 5 From The Frieze Of Life (parts)
String Quartet No. 5 From The Frieze Of Life (parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No. 5 From The
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938388 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 29 pages. Colin Bayliss #6141. Published by Colin Bayliss (A0.938388). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$10.00 ≈
$13.61
String Quartet No. 5 From The Frieze Of Life (score and parts)
String Quartet No. 5 From The Frieze Of Life (score and parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No. 5 From The
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938387 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 66 pages. Colin Bayliss #6139. Published by Colin Bayliss (A0.938387). This work was written in 1999 for an international competition for quartets reflecting in music the visions in three of Edvard Munch's paintings. It is dedicated to the composer's wife, Rayna. 1. The Scream - Moderato - There are 51 versions of The Scream and the movement is in 51 sections grouped roughly into sonata form. The development is largely textural, and the movement hinges about a chord formed of open fifths a major third apart which will also re-appear in the other movements to give the quartet its sense of unity. The screaming is both audible and silent, and the footsteps on the bridge are portrayed both in a sense of passing by and also of running away. 2. Melancholy - Andante - Munch gave other titles to this painting, namely Jappe by the Shore and Jealousy . As jealousy and melancholy are retrospective emotions, tonal and modal music is employed, using the Norwegian folk song Millom bakkar og berg ut met havet set in a minor key for the first section. The A-B-A form then partially loses tonality for Jealousy, while returning to it for Melancholy itself. 3. The Dance of Life - Allegro - This movement is in rondo form, with hints of Norwegian country dances for the dancers in the painting. The two women are portrayed as one looking nostalgically to the light-heartedness of the old waltz and the other brooding on the darkness and latent sexuality of the new tango, the melodies for both of which are also corruptions of the country dances. The Munch chord alters the perspective on the scene as the movement progresses and eventually dissolves at the end as though the onlooker is passing on to another, equally unresolved future. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/.
$15.00 ≈
$20.41
Dancing In The Dark
Dancing In The Dark
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Piano seul
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AVANCÉ
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Artie Shaw & His Orchestra
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Dancing In The Dark
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1444558 By Artie Shaw & His Orchestra. By Arthur Schwartz and Howard Dietz. Arranged by Timothy Stapay/Carmen Cavallaro. ...
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Piano Solo - Level 5 - SKU: A0.1444558 By Artie Shaw & His Orchestra. By Arthur Schwartz and Howard Dietz. Arranged by Timothy Stapay/Carmen Cavallaro. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 14 pages. Timothy Stapay #1024455. Published by Timothy Stapay (A0.1444558). Dancing in the Dark is a popular American song, with music by Arthur Schwartz and lyrics by Howard Dietz. Arranged as performed by famous pianist, Carmen Cavallaro. One of the central themes of Dancing in the Dark is the power of love and longing. Dancing in the Dark also highlights the transformative power of dance as a means of self-expression. Carmen Cavallaro was an American pianist who established himself as one of the most accomplished and admired light music pianists of his generation.Cavallaro developed a piano-playing style of glittering and rippling arpeggios to augment his melody, which was often arranged in thick and lush triple- and quadruple-octave chords. His musical interests and arrangements included dance music, particularly Latin rhythms, tangos and strict tempo dancing styles, as well as some pop and jazz arrangements of classical melodies.
$9.99 ≈
$13.60
Let Me Be a Light in the Darkness
Let Me Be a Light in the Darkness
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Chorale SATB
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John Carter
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Let Me Be a Light in the Darkn
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - SKU: H1.C5535DP Composed by John Carter. Piano with Optional Guitar, Organ, Percussion, Piano. General Worship, Christ's Presence, ...
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Choral SATB Chorus - SKU: H1.C5535DP Composed by John Carter. Piano with Optional Guitar, Organ, Percussion, Piano. General Worship, Christ's Presence, Encouragement, Guidance, Renewal. Octavo. 8 pages. Hope Publishing - Digital #C5535DP. Published by Hope Publishing - Digital (H1.C5535DP). Mary Kay Beall. Matthew 5:16.Original anthem With a text based on Matthew 5:16 by Mary Kay Beall and original music by John Carter, this new anthem addresses the theme of Christian friendship and hope for tomorrow. The gentle, slow-gospel style combined with its positive message of letting our light shine in this world makes this an all around useful anthem for choirs of all ages. The Rhythm Parts: Piano, Electric Guitar, Electric Bass, Hammond B3 Organ, and Drum Kit.
$2.95 ≈
$4.01
Let Me Be a Light in the Darkness
Let Me Be a Light in the Darkness
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John Carter
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Let Me Be a Light in the Darkn
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Hope Publishing - Digital
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SheetMusicPlus
Guitar, Organ, Percussion, Piano - SKU: H1.C5535RDP Composed by John Carter. Piano with Optional Guitar, Organ, Percussion, Piano. General Worship, Chri...
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Guitar, Organ, Percussion, Piano - SKU: H1.C5535RDP Composed by John Carter. Piano with Optional Guitar, Organ, Percussion, Piano. General Worship, Christ's Presence, Encouragement, Guidance, Renewal. Rhythm Parts. 11 pages. Hope Publishing - Digital #C5535RDP. Published by Hope Publishing - Digital (H1.C5535RDP). Mary Kay Beall. Matthew 5:16.Original anthem With a text based on Matthew 5:16 by Mary Kay Beall and original music by John Carter, this new anthem addresses the theme of Christian friendship and hope for tomorrow. The gentle, slow-gospel style combined with its positive message of letting our light shine in this world makes this an all around useful anthem for choirs of all ages. The Rhythm Parts: Piano, Electric Guitar, Electric Bass, Hammond B3 Organ, and Drum Kit.
$34.95 ≈
$47.57
Mountain Goats And Other Creatures
Mountain Goats And Other Creatures
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Vessela Stoyanova
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Mountain Goats And Other Creat
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Vessela Stoyanova
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela St...
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String Orchestra - Level 4 - SKU: A0.1201464 By Vessela Stoyanova. By Vessela Stoyanova. Folk,Multicultural,World. Score and parts. 89 pages. Vessela Stoyanova #798931. Published by Vessela Stoyanova (A0.1201464). “Mountain Goats and Other Creatures†was Commissioned by Rachel Jayson and the Lexington High School Symphony Orchestra.It was inspired by the folk music of my native land of Bulgaria, informed by my experience as a rock musician, reimagined through the lense of my place inside of a community of like-minded artists and musicians, where I have made my real home today. The first movement - Mountain Goats - is a sort of celebration of renewal, promise, and hope. It represents the tenacious will of grass growing through the snow of early spring, the powerful longing for human connection, the warmth of the sun against your skin on a bright chilly day. It carries both the pristine optimism of youth, and the nervous energy of trying something for the first time. The second movement - Samodivi - in contrast is dark, heavy and full of passion and desire. According to Balkan myths, Samodivi are gorgeous nymphs who live in the woods and often seduce men with their beautiful song and dance. They are feared and envied at the same time. The music of the second movement represents the mysterious dark forest at night - lower strings create the moss under your feet, higher strings use extended techniques to simulate the noise of branches clicking the wind, a few soloists represent different creatures - both real and imaginary - scurry through the woods above your head. Then you hear the lone song of a Samodiva in the distance, your heart is beating hard, your steps are leading you straight towards the call against your better judgement. It is the ancient story of fear and desire, of self control and complete abandon. You, the listener, become witness to a wild dance, fire in the woods, snakes in their long blond hairs, slender bodies dressed in white clouds dancing to an imaginary beat.  Then it all ends abruptly and you left to wonder: Was it real? Did I see it? Am I safe?The third and final movement of the piece is based on a popular rhythmic folk dance in Bulgaria called Kopanitsa, while the melody creates a fugue between the different voices of the orchestra. The Kids are the little of the mountain goats - free to frolic high above tree line, above any human traces, as close to the clouds as one can get and still be touching the ground below. They are carefree, daring, and somewhat naive, yet safe under the watchful gaze of their parent. The movements ends in cascading repetitions of a musical motif in 5/8 representing the relentless passing of time or at least our perception of it.
$100.00 ≈
$136.10
The Last Time I Saw Paris
The Last Time I Saw Paris
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Piano seul
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AVANCÉ
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Classique
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101 String Orchestra
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Timothy Stapay
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The Last Time I Saw Paris
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,...
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Piano Solo - Level 5 - SKU: A0.1227903 By 101 String Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 10 pages. Timothy Stapay #823903. Published by Timothy Stapay (A0.1227903). This arrangement of The Last Time I Saw Paris is written as played by piano artist, Liberace. It contains an introduction, by Liberace, using parts of the French song, Clair De Lune by Claude Debussy.The Last Time I Saw Paris is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.By December 1940, six versions of the song were on the charts, with Kate Smith having exclusive radio rights for the song for six weeks. The song catered to a wartime nostalgia for songs about European cities following the Second World War Battle of France (which brought Paris under Nazi control), with A Nightingale Sang in Berkeley Square also proving popular.The song won the Academy Award for Best Original Song in 1941. This was Kern's second Academy Award for Best Original Song (following his success with The Way You Look Tonight in 1936), and Hammerstein's first. Władziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!Lyrics:(Verse)A lady known as ParisRomantic and charmingHas left her old companionsAnd faded from viewLonely men with lonely eyes are seeking her in vainThe streets are where they wereBut there's no sign of herShe has left the Seine(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHеr trees were dressеd for springAnd lovers walked beneath those treesAnd birds had songs to singI dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my ears The last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn(Bridge)Children who applauded Punch and Judy in the parkAnd those who danced at night and kept our Paris brightTill the town went dark(Chorus)The last time I saw ParisHer heart was warm and gayI heard the laughter of her heartIn every street cafeThe last time I saw ParisHer trees were dressed for springAnd lovers walked beneath those treesAnd birds had songs to sing I dodged the same old taxicabsThat I had dodged for yearsThe chorus of their squeaking hornsWas music to my earsThe last time I saw ParisHer heart was warm and gayNo matter how they change herI'll remember her that wayI'll think of happy hoursAnd people who shared themOld women selling flowersIn markets at dawn
$8.99 ≈
$12.24
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standard...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #3602199. Published by Last Resort Music Publishing (A0.530438). Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)
$18.50 ≈
$25.18
Intermediate Music for Four, Volume 2, Part 2 - Alto Saxophone in Eb 72125DD
Intermediate Music for Four, Volume 2, Part 2 - Alto Saxophone in Eb 72125DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529972 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Roman...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529972 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #1915519. Published by Last Resort Music Publishing (A0.529972). Part 2 Eb Alto Saxophone - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer  Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)www.lastresortmusic.com.
$20.00 ≈
$27.22
String Quartet No. I, "The Mydnyte Sun".
String Quartet No. I, "The Mydnyte Sun".
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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David Jaedyn Conley
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String Quartet No. I, "Th
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Mydnyte Publishing
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. ...
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String Quartet String Quartet - Level 5 - SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. Score and parts. 113 pages. Mydnyte Publishing #2016293. Published by Mydnyte Publishing (A0.1006442). This is a programmatic piece about nightfall, night, and the dawn. Having worked primarily nightshift for the past few years, my life began a somewhat alternative nature – my day time was illuminated by the moon, and I watched the sun rise every day for three and a half years…I saw the city through different eyes, and watched as various denizens of the night would emerge and cavort beneath The Midnight Sun. I was exposed to an entirely different culture and learned that the city really didn’t sleep after all. The piece starts with the decline of the sun as the shadows grow longer and the creatures of the night begin to emerge beneath the stars. Secondly, we observe the midnight moon which acts as our illumination in the dark of night. Continuing on, the piece begins its celestial dance among the stars of the Northern hemisphere and finally ends with the emergence of dawn – the night slipping away like fragile tendrils of fog, or the vague ether of a dream. David Jaedyn Conley, 2005 Composer David Jaedyn Conley moves easily between the stridency of the Moderns and the sweetness of the Romantics. He is equally adept at writing polyrhythmic ensemble percussion and lyrical contrapuntal melodies. The result is both lush and austere, always evocative. CNET.COM.
$50.00 ≈
$68.05
Scott Joplin The Ragtime Dance, arranged for concert band by Paul Wehage - score only
Scott Joplin The Ragtime Dance, - concert band by Paul Wehage - score only
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Paul Wehage
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Scott Joplin The Ragtime Dance
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.533123 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 19 pages...
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Concert Band - Level 3 - SKU: A0.533123 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 19 pages. Musik Fabrik Music Publishing #1750493. Published by Musik Fabrik Music Publishing (A0.533123). “The Ragtime Dance†was first performed in Sedalia, Missouri in 1899 as a “folk ballet†set to ragtime music. The narrator describes a “dark town†ball which ends with a cakewalk. Tis version includes choreography for four couples. The piece was then published in this version in 1902. In 1906, a shorter version for piano solo was published, which uses fewer thems and omits the narration. This version uses the original 1902 version as a basis. This is the full score. The score plus the complete parts is available as another item. The individual parts are available as well. The work may be performed as a concert band number, or the orchestration may be used to perform the original ballet. The “stoptime†effects at the end of the piece are especially effective in the version with dancers. Instrumentation : Piccolo Flute I and II Oboe I and II Bassoon 1 and II Bb clarinet I, II and III Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I and II F Horn I and II Trombone Baritone Tuba Percussion 1: snare drum Percussion II: bass drum, triangle.
$14.95 ≈
$20.35
Scott Joplin: The Ragtime Dance, arranged for concert band by Paul Wehage, score and complete parts
Scott Joplin: The Ragtime Dance, - concert band by Paul Wehage, score and complete parts
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Paul Wehage
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Scott Joplin: The Ragtime Danc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.533124 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 86 pages...
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Concert Band - Level 3 - SKU: A0.533124 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 86 pages. Musik Fabrik Music Publishing #1750495. Published by Musik Fabrik Music Publishing (A0.533124). “The Ragtime Dance†was first performed in Sedalia, Missouri in 1899 as a “folk ballet†set to ragtime music. The narrator describes a “dark town†ball which ends with a cakewalk. Tis version includes choreography for four couples. The piece was then published in this version in 1902. In 1906, a shorter version for piano solo was published, which uses fewer thems and omits the narration. This version uses the original 1902 version as a basis. This is the full score and complete parts. The full score by itself is available as another item. The individual parts are available as well. The work may be performed as a concert band number, or the orchestration may be used to perform the original ballet. The “stoptime†effects at the end of the piece are especially effective in the version with dancers. Instrumentation : Piccolo Flute I and II Oboe I and II Bassoon 1 and II Bb clarinet I, II and III Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I and II F Horn I and II Trombone Baritone Tuba Percussion 1: snare drum Percussion II: bass drum, triangle.
$69.95 ≈
$95.20
Dancing In The Dark
Dancing In The Dark
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Chorale SATB
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INTERMÉDIAIRE
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John Barker
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Scott S
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Dancing In The Dark
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955854 By John Barker. By Arthur Schwartz. Arranged by Scott S. Stewart. Contemporary. 12 pages. Scott S....
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.955854 By John Barker. By Arthur Schwartz. Arranged by Scott S. Stewart. Contemporary. 12 pages. Scott S. Stewart #6453933. Published by Scott S. Stewart (A0.955854). Dancing in the Dark, by duo Howard Dietz and Arthur Schwartz, is a staple in The Great American Songbook perhaps for its ‘sensual and dramatic’ feel. Debuting in 1931 at a low point of the Great Depression, its longevity and public appeal is evident by the diversity of performers and ensembles that have recorded it or have it on their repertoire lists. This arrangement is for 4-part SATB ensemble with piano accompaniment. It features a variety of ‘dance rhythms’ and has a section that features the pianist with choral accompaniment. Performance time: 3:38+. A nice fit for a concert of ‘dance’ music, or an outdoor evening recital.
$2.99 ≈
$4.07
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk D
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Centur...
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95 ≈
$27.15
Concerto grosso in G minor op. 6 no. 6
Concerto grosso in G minor op. 6 no. 6
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Adrian Gagiu
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2
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Concerto grosso in G minor op.
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Adrian Gagiu
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1151660 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 59 pages. Adria...
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String Quartet String Quartet - Level 4 - SKU: A0.1151660 Composed by George Frideric Handel. Arranged by Adrian Gagiu. Baroque,Chamber. 59 pages. Adrian Gagiu #751855. Published by Adrian Gagiu (A0.1151660). Handel’s great set of 12 Concerti grossi (= Grand Concertos, in the first edition) op. 6 are somehow a bit related in spirit, through their power and diversity, with Beethoven’s string quartets. Therefore, here they are arranged for the more ‘abstract’ and ‘timeless’ medium of the string quartet, allowing also for an addition to the repertoire of the respective ensembles. Articulation, tempo and dynamics indications were specified or added where needed, and all the trills were indicated to start with the upper auxiliary note, not only according to the Baroque performance practice but also fitting to the melodic contour. Concerto grosso in G minor, op. 6 no. 6: 1. Largo affettuoso – dark and tragic; 2. A tempo giusto – a severe, angular and peculiar fugue; 3. Musette (Larghetto) – lengthy, pastoral and elegiac, with a rather agitated middle section; 4. Allegro – energetic, in the style of Vivaldi; 5. Allegro – dance-like but serious and with some brusque gestures. Total duration 13 min 30 sec. The mp3 audio clip is the second movement. Performing Rights Organization: SOCAN.
$20.00 ≈
$27.22
Waltz In the Wood, 13 original solos for Lever or Pedal Harp
Waltz In the Wood, 13 original solos for Lever or Pedal Harp
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Harpe
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INTERMÉDIAIRE
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New Age
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Contemporain
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Cindy Blevins
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Waltz In the Wood, 13 original
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Cindy Blevins
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SheetMusicPlus
Harp - Level 3 - SKU: A0.541856 Composed by Cindy Blevins. Contemporary,New Age. Score. 40 pages. Cindy Blevins #3132627. Published by Cindy Blevins (A0...
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Harp - Level 3 - SKU: A0.541856 Composed by Cindy Blevins. Contemporary,New Age. Score. 40 pages. Cindy Blevins #3132627. Published by Cindy Blevins (A0.541856). Waltz In the Wood contains 32 pages of beautiful original harp solos, in the approximate range of intermediate to late intermediate. There are 13 songs in the book. The book is for lever or pedal harp. There are several sample pages for you to view. The audio sample is an excerpt from Dark of Night.Songs in this book: A Minor Moment, Breezy, Long Way Home, Duette, Dark of Night, Waltz in the Wood, Love is a Circle, Kind of Like Dancing, Double Or Nothing, A Voice In My Head, Double-Strung Waltz, The Secret and Double Dorian Dance.These pieces are different. They originated from my original music for double-strung harp. I have re-arranged them more to suit single-course harps, but the original interesting character of double-strung music is still there.This book has not been recorded. You can purchase the single songs (sheet music) here on Sheet Music Plus. Each of those listings includes a long music sample and a digital audio sample.My website: https://www.blevinsmusic.com
$17.95 ≈
$24.43
Christmas Time (don't Let The Bells End)
Christmas Time (don't Let The Bells End)
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Piano seul
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INTERMÉDIAIRE
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Noël
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The Darkness
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Catherine Wilson
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Christmas Time
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Catherine Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1103675 By The Darkness. By Daniel Hawkins, Ed Graham, Frankie Poullain, and Justin Hawkins. Arranged by Catherine Wilson...
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Piano Solo - Level 3 - SKU: A0.1103675 By The Darkness. By Daniel Hawkins, Ed Graham, Frankie Poullain, and Justin Hawkins. Arranged by Catherine Wilson. Christmas,Contemporary. Score. 4 pages. Catherine Wilson #706944. Published by Catherine Wilson (A0.1103675). Do you want to learn more up-to-date Christmas pieces that are short enough to easily share on social media? Do you want to play a well known Christmas song but still be challenged? Do you want a Christmas arrangement that's specifically designed to be pianistic? If so, here’s Christmas Time (Don't Let the Bells End), for level 3 piano! Pianists can focus on: - Expanding technique - Improving fluency - Expressive playing Christmas Time (Don't Let the Bells End) can be used for: - Sharing on social media, for example as a reel - Recitals / Concerts - Broadening repertoire - Playing for fun! Approximate duration (including any repeats): Just over 1 minute Approximate Guidance for American / UK and Australian levels: Level 1 = Easy or Beginner / Grade 0 - 1 Level 2 = Early Intermediate / Grade 2 - 3 Level 3 = Intermediate / Grade 4 - 5 Level 4 = Advanced Intermediate / Grade 6 - 7 Level 5 = Advanced / Grade 8+ Catherine lives in a small rural village in Shropshire, England and has over 25 years experience teaching piano. Since completing her Master’s Degree, specialising in composition, Catherine enjoys arranging existing melodies with pianistic accompaniments that focus on furthering technique as well as providing an opportunity to enjoy performing recognisable pieces. www.greensidemusic.co.uk Please check out Catherine’s other arrangements and original compositions here: www.sheetmusicplus.com/publishers/catherine-wilson/19224
$4.99 ≈
$6.79
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