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Dance Suite Rustic Dance
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Vous avez sélectionné:
Dance Suite Rustic Dance
Partitions à imprimer
7 partitions trouvées
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1
Dance Suite - Rustic Dance
Dance Suite - Rustic Dance
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4 Guitares (Quatuor)
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Mark Houghton
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Dance Suite - Rustic Dance
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Les Productions d'OZ - Digital
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SheetMusicPlus
By Mark Houghton. For 4 guitars. Level 2.5. 8 pages. Published by Les Productions d'OZ - Digital ...
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By Mark Houghton. For 4 guitars. Level 2.5. 8 pages. Published by Les Productions d'OZ - Digital
$7.95 ≈
£6.10
Chabrier: Suite Pastorale II.Danse Villageoise - wind dectet/bass
Chabrier: Suite Pastorale II.Danse Villageoise - wind dectet/bass
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Contemporain
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Alexis Emmanuel Chabrier
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Ray Thompson
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Chabrier: Suite Pastorale II.D
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - SKU: A0.722853 Composed by Alexis Emmanuel Chabrier. Arranged by Ray Thompson. 20th Century. Score and parts. 27 pages. RayTh...
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Large Ensemble - Level 4 - SKU: A0.722853 Composed by Alexis Emmanuel Chabrier. Arranged by Ray Thompson. 20th Century. Score and parts. 27 pages. RayThompsonMusic #331197. Published by RayThompsonMusic (A0.722853). Emmanuel Chabrier composed a set of ten pieces for piano called Pièces pittoresques (Picturesque pieces) . Four of the set were later orchestrated by the composer to make his Suite Pastorale. This is my arrangement of mvt 2 Danse Villageoise (Village Dance) It is arranged for double wind quintet/bass. Flute 2 plays piccolo and flute. The Clarinet parts are for Clarinet in A. Danse villageoise (Village dance) It is in A minor, 2/4; Allegro risoluto (dedicated to Yvonne de Montesquieu) Danse villageoise, in a more traditional ternary form, provides a slightly heavy-footed contrast and illustrates the rustic spirit of Chabrier yet with precise polyphony (with some elements of Beethoven's Piano Sonata No. 25). The decisive scherzo is in A minor while the hesitating trio is in A major.
$14.95 ≈
£11.47
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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Instruments en Do
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FACILE
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Renaissance
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Various
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael...
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C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or ?choirs? of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.
Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.
I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.
At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at
https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS
As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the ?standards? that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46 ≈
£8.80
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00 ≈
£21.49
All in Tune: Christmas Carol for mixed voices (S A Bar) and keyboard
All in Tune: Christmas Carol for mixed voices (S A Bar) and keyboard
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Chorale 3 parties
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FACILE
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Noël
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Alan Bullard
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All in Tune: Christmas Carol f
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1105281 Composed by Alan Bullard. Christian,Christmas,Holiday. Octavo. 8 pages. Colne Edition / BullardMusic #708...
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Choral Choir (SAB) - Level 2 - SKU: A0.1105281 Composed by Alan Bullard. Christian,Christmas,Holiday. Octavo. 8 pages. Colne Edition / BullardMusic #708526. Published by Colne Edition / BullardMusic (A0.1105281). With a rustic, medieval flavour, this bright and rhythmic carol is a setting of an old English text which sings God's praise through dance, music, and friendship. It can be sung by mixed voices in three parts (S A Bar) and is accompanied by piano or organ, and optional flute or treble recorder.A version for equal voices in two or three parts is also available. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$1.99 ≈
£1.53
All in Tune: Christmas Carol for equal voices in two or three parts
All in Tune: Christmas Carol for equal voices in two or three parts
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Chorale 3 parties
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FACILE
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Noël
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Alan Bullard
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All in Tune: Christmas Carol f
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (3-Part) - Level 2 - SKU: A0.1037444 Composed by Alan Bullard. Children,Christmas,Classical,Contemporary,Praise & Worship. Octavo. 8 pages....
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Choral Choir (3-Part) - Level 2 - SKU: A0.1037444 Composed by Alan Bullard. Children,Christmas,Classical,Contemporary,Praise & Worship. Octavo. 8 pages. Colne Edition / BullardMusic #642413. Published by Colne Edition / BullardMusic (A0.1037444). With a rustic, medieval flavour, this bright and rhythmic carol is a setting of an old English text which sings God's praise through dance, music, and friendship. It can be sung by equal voices in two or three parts and is accompanied by piano or organ, and optional flute or treble recorder.A version for mixed voices in three parts (S A Bar) is also available. Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a growing reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$1.99 ≈
£1.53
Romantic Classics ~ a Collection of 20 Piano Solos
Romantic Classics ~ a Collection of 20 Piano Solos
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Piano seul
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INTERMÉDIAIRE
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Mariage/Ballade
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Various
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Romantic Classics ~ a Collecti
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Intermediate - Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Christian, Valentine's Day, Wedding. Sheet ...
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Piano Solo - Intermediate - Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Christian, Valentine's Day, Wedding. Sheet Music Single. 73 pages. Published by Sharon Wilson
This collection of intermediate piano solos includes 20 arrangements of some of the most romantic songs from ages past. These beautiful, lyrical songs are perfect for weddings, easy listening repertoire, personal enjoyment, and even a few for church worship services.
These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players (comes in handy when asked to perform on short notice). Another feature of these arrangements is they are consistent at the intermediate to advanced-intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures, timings, and fingerings. Complimentary interludes and introductions were added when appropriate and melodies modified to create a more contemporary sound.
Each of the 20 arrangements is also available separately with accompanying preview pages and audio samples. The audio sample plays ?Starlight Serenade? by Alexander Ilyinsky.
Titles in this collection include:
Aura Lea ~ by George Poulton
Butterfly Serenade ~ Impromptu (Op. 90, No. 3) by Franz Schubert
Cherish the Moments ~ Rondo from Pathétique by Ludwig van Beethoven
Dance with Me ~ Valse Lente from ?Coppelia? by Leo Delibes
Dream with Me ~ Andante from Piano Concerto No. 21 by Wolfgang Amadeus Mozart
Evening Breezes ~ Intermezzo from Carmen Suite No. 1 by Georges Bizet
A Journey of Love ~ Sicilienne by Gabriel Fauré
The Joys of Love ~ Plaisir d?Amour by Jean-Paul Martini
Jupiter from ?The Planets? ~ by GustavHolst
Love?s Greeting ~ Salut d?Amour by Edward Elgar
Melody of Love ~ by Hans Engelmann
Moonlight Sonata ~ Adagio from Sonata Op. 27, No. 2 by Ludwig van Beethoven
Nightingale Serenade ~ Serenata by Enrico Toselli
O Lord Most Holy ~ Panis Angelicus by Cesar Auguste Franck
Orange Blossoms in Spring ~ Intermezzo from Cavalleria Rusticana by Pietro Mascagni
A Romanian Love Song ~ Rumänisches Liebesleben by Iosif Ivanovici
Spring ~ Allegretto from Songs without Words by Felix Mendelssohn
Starlight Serenade ~ Berceuse Op. 13, No. 7 by Alexander Ilyinsky
Waves of the Danube ~ Donauwellen by Iosif Ivanovici
Yearning for Love ~ Adagio from Pathétique by Ludwig van Beethoven
$18.99 ≈
£14.57
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Dance Suite Rustic Dance
