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Deborah's Theme Violin
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Vous avez sélectionné:
Deborah's Theme Violin
Partitions à imprimer
9 partitions trouvées
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1
E Piu Ti Penso (Deborah's Theme) from Once Upon a Time in America for STRING ORCHESTRA
E Piu Ti Penso (Deborah's Theme) from Once Upon a Time in America for STRING ORCHESTRA
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Orchestre à Cordes
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INTERMÉDIAIRE
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Film/TV
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Ennio Morricone
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E Piu Ti Penso
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Flavio Regis Cunha
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SheetMusicPlus
Violin, Viola, Cello, Double Bass - Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 11 pages. ...
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Violin, Viola, Cello, Double Bass - Intermediate - Digital Download By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 11 pages. Published by Flavio Regis Cunha
The music of Once Upon a Time in America was composed by Sergio Leone's long-time collaborator, Ennio Morricone. Due to the film's unusually long production, Morricone had finished composing most of the soundtrack before many scenes had even been filmed. Some of Morricone's pieces were actually played on set as filming took place (a technique that Leone had used for Once Upon a Time in the West). "Deborah's Theme" was in fact originally written for another film in the 1970s but rejected; Morricone presented the piece to Leone, who was initially reluctant, considering it too similar to Morricone's main title for Once Upon a Time in the West.
$49.99 ≈
$67.42
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classi...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Horn,Viola,Violin - Level 4 - SKU: A0.869298 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Classical,Contemporary,Latin,Romantic Period. Score and parts. With Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. 46 pages. Thomas Oboe Lee #431091. Published by Thomas Oboe Lee (A0.869298). Instrumentation: Flute, Bb clarinet, Horn in F, Violin, Viola, Cello, Double Bass Program note: Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance: An instrumental version of the hymn. II. Grateful Chanting: Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk: The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered: A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida: The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance: The hymn is treated to a canonic transfiguration. VII. Grateful Groove: The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
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Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
Septet, opus 77 ... Variations on a Shaker Tune (1998) for flute, clarinet, horn, violin, viola, cel
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappell...
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Large Ensemble Cello,Clarinet,Double Bass,English Horn,Flute,Viola,Violin - Level 4 - SKU: A0.869348 Composed by Thomas Oboe Lee. 20th Century,A Cappella,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 46 pages. Thomas Oboe Lee #6073. Published by Thomas Oboe Lee (A0.869348). Septet, opus 77 ... Variations on a Shaker Tune was commissioned by Mark Ludwig for his educational series in the Berkshires of Massachusetts. When he approached me about writing a theme and variations work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from nearby Hancock Shaker Village. As it turns out Deborah Leath Rentz, a mezzo-soprano who is Mark's assistant at the Terezin Music Foundation, has been researching and transcribing a Shaker Hymnal, ca. 1850, created and compiled at the Hancock Shaker Village. (Deborah's project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.) So I asked her to put on DAT tape a number of these hymns for me. I immediately fell in love with the very first one on the tape: Grateful Remembrance. It had a soulful, melancholic core; an almost bluesy feeling to it. In this performance, Deborah will sing the hymn a cappella in the beginning. Then, seven variations will follow. I. Grateful Remembrance An instrumental version of the hymn. II. Grateful Chanting Featuring the B-flat clarinet in a pentatonic chant setting. III. Grateful Funk The bluesiness of the hymn is transformed into a funk riff. IV. Tango Remembered A four-note fragment from the hymn is transformed into a sultry tango. V. Sambinha agradecida The yearning flat 6th in the hymn is transformed into a samba Carmen Miranda would've loved. VI. Canonized Remembrance The hymn is treated to a canonic transfiguration. VII. Grateful Groove The pentatonic nature of the hymn is spun out in an Afro-cuban razzle dazzle finale!!! Enjoy!!!
$9.99 ≈
$13.47
Deborah's Theme - Violin & Piano by Silvio Caroli - Solo & Accompaniment
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Violon et Piano
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Film/TV
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Silvio Caroli
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Deborah's Theme - Violin & Pia
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Musicnotes
Performed by: Silvio Caroli: Deborah's Theme - Violin & Piano - (from Once Upon a Time in America) Digital Sheetmusic plus an interactive, downloadable...
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Performed by: Silvio Caroli: Deborah's Theme - Violin & Piano - (from Once Upon a Time in America) Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment;Instrumental Parts, instruments: Violin;Piano Accompaniment; 4 pages -- Movie/TV~~Solo Instrumental~~Soundtrack
$9.99 ≈
$13.47
E Piu Ti Penso - Score Only
E Piu Ti Penso - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Elio Cesari, Ennio Morricone,
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Flavio Regis Cunha
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E Piu Ti Penso - Score Only
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567344 Composed by Elio Cesari, Ennio Morricone, and Giulio Rapetti Mogol. Arranged by Flavio Regis Cunha. 20th Ce...
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Chamber Orchestra - Level 3 - SKU: A0.567344 Composed by Elio Cesari, Ennio Morricone, and Giulio Rapetti Mogol. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Pop,Wedding. Score and parts. 24 pages. FRC Music #176753. Published by FRC Music (A0.567344). TITLE E Più Ti Penso (Deborah's Theme) - Andrea Bocelli, Ariana Grande Version DESCRIPTION E Più Ti Penso (The more I think of you in English), alternatively titled E Più Ti Penso (from Once Upon a Time in America) is an Italian song originally written by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. This is a song recorded by the Italian operatic-pop trio Il Volo in 2010 in their first CD Il Volo in 2010. Later this song was recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. The song was released on 1 October 2015, and served as the lead single from Bocelli's album, Cinema (2015). INSTRUMENTS Piano Accompaniment, Oboe, Horn in F, Violin, Viola, Cello, Double Bass, Timpani, Percussion Ensemble, 1Ob.4Hn.Timp.Perc:Cyms.M.T.Hp.Pft.Str. FORMAT Score ONLY.
$29.99 ≈
$40.45
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
Septet, opus 77 ... Variations on a Shaker Tune (1998) - Score Only
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Thomas Oboe Lee
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Septet, opus 77 ... Variations
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Thomas Oboe Lee
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SheetMusicPlus
Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thom...
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Level 4 - SKU: A0.1190435 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary. 34 pages. Thomas Oboe Lee #790011. Published by Thomas Oboe Lee (A0.1190435). Instrumentation:FluteClarinet in BbHorn in FViolinViolaCelloDoiuble bassSeptet, opus 77 … “Variations on a Shaker Tune†was commissioned by Mark Ludwig for his educational series in the Western Berkshires of Massachusetts.  When he approached me about writing a “theme and variations†work for the purpose of illustrating musical form, texture and orchestration to a young audience, I thought what better thing to do than to use as a theme a Shaker hymn from near Hancock Shaker Village.  As it turns out Deborah Leah Rentz, a mezzo-soprano who is Mark’s assistant at the TerezÃn Music Foundation, has been researching into and transcribing from a Shaker Hymnal, ca. 1850, created and compiled for the Hancock Shaker Village.  (Deborah’s project is sponsored by the Hancock Shaker Village and the Richmond Performing Series.)   So I asked her to put on a DAT tape (those were the days before CDs or digital distribution… ) a number of these hymns for me.  I immediately fell in love with the very first one on the tape, “Grateful Remembrance.† It had a soulful, melancholic core; an almost “bluesy†feeling to it.  In this performance, Deborah will sing the hymn a cappella at the beginning.   Then, the seven variations will follow.I. Grateful Remembrance … An instrumental version of the hymn.II. Grateful Chanting … Featuring the B-flat clarinet in a pentatonic “chant†setting.III. Grateful Funk … The “bluesiness†of the hymn is transformed into a funk riff.IV. Tango Remembered … A four-note fragment from the hymn is transformed into a sultry tango.V. Sambinha agradecida … The yearning “flat 6th†in the hymn is transformed into a samba Carmen Miranda would’ve have liked.VI. Canonized Remembrance … The hymn is treated to a canonic transfiguration.VII. Grateful Groove … The pentatonic nature of the hymn is spun out in an Afro-cuban dazzle dazzle finale!
$9.99 ≈
$13.47
The Good Shepherd
The Good Shepherd
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Flute, harpe et violon
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INTERMÉDIAIRE
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Musique Sacrée
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Deborah Govenor
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The Good Shepherd
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Afghan Press Music for the Harp
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SheetMusicPlus
Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797329 Arranged by Deborah Govenor. Christian,Sacred. Score and parts. 57 pages. Afghan Press Music...
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Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797329 Arranged by Deborah Govenor. Christian,Sacred. Score and parts. 57 pages. Afghan Press Music for the Harp #4803809. Published by Afghan Press Music for the Harp (A0.797329). A marvelous compilation of various tunes all exemplifying the theme of Christ as the Good Shepherd. Most are in the keys of G and D major and have two or three pedal/lever changes. Although most are for harp with melody instrument, some have solo harp versions as well. Solos are simply elegant with intermediate type counting and pedal changes. These are perfect for soft wedding music or other such performances. The harmonies are elegant and absolutely beautiful. Includes: He Shall Feed His Flock (G.F. Handel) – Harp and C instrument, Jesus, Tender Shepherd (Evening Prayer) – Harp, two C instruments, and Harp Solo, My Shepherd Will Supply My Need (Resignation) - Harp and C instrument and Harp Solo, Savior, Like A Shepherd Lead Us (Bradbury) – Harp and C instrument and Harp Solo, Savior, Like A Shepherd Lead Us (Her Vil Ties) – Harp and C instrument, Sheep May Safely Graze (J.S. Bach) - Harp and C instrument, The Faithful Shepherd (G.F. Handel) – Harp and C instrument, The King of Love My Shepherd Is (St. Columbia) – Harp and 2 C instruments, The Lord’s My Shepherd (Brother James’ Air) – Harp and C instrument and Harp solo, and The Lord’s My Shepherd (Crimond) – Harp and C instrument.
$16.00 ≈
$21.58
Seven Steps To Heaven (2002) for string septet or string orchestra
Seven Steps To Heaven (2002) for string septet or string orchestra
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Sco...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99 ≈
$13.47
Anne-Louise Brillon de Jouy: Sonata in a minor for piano or harpsichord
Anne-Louise Brillon de Jouy: Sonata in a minor for piano or harpsichord
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Piano seul
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INTERMÉDIAIRE
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.534703 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Standards. S...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.534703 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Standards. Score and parts. 17 pages. Musik Fabrik Music Publishing #6341543. Published by Musik Fabrik Music Publishing (A0.534703). The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The manuscript of the Sonata in A minor, Madame Brillon’s only solo keyboard work, s in her hand. Crossed-out measures and partially abbreviated notation indicate that t was for her own use in salon performances. This is probably an early work, given the classical haronic vocabulary and typical classical balance of the forms. The second movement is more virtuosic, with an initial theme in four octaves, scales in doubled thirds and figures which are in alternate hands.
$9.10 ≈
$12.27
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Deborah's Theme Violin 
