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Vous avez sélectionné:
December Morning
Partitions à imprimer
51 partitions trouvées
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51
December. Christmas Morn.
December. Christmas Morn.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Frederic Cowen
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W
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December. Christmas Morn.
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RÄ“sFacta Editions
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.1307533 Composed by Frederic Cowen. Arranged by W.C. Rohl. Christmas,Classical,Holiday,Romantic Period. Score and P...
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String Orchestra - Level 4 - SKU: A0.1307533 Composed by Frederic Cowen. Arranged by W.C. Rohl. Christmas,Classical,Holiday,Romantic Period. Score and Parts. 17 pages. RÄ“sFacta Editions #896798. Published by RÄ“sFacta Editions (A0.1307533). Originally for solo piano, Sir Frederic Cowen's The Months is a collection of 12 pieces, each dedicated to a specific month of the year and is intended to evoke the unique characteristics and atmosphere associated with that time of the year. The final movement, DECEMBER. Christmas Morn. captures the frosty and tranquil atmosphere of a Christmas morning, evoking a delicate, serene snowfall.
$30.00 ≈
27.64€
Morning Quietness - English Horn & Piano
Morning Quietness - English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Morning Quietness - English Ho
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James M Stevens Music ASCAP
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.573926 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sa...
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English Horn,Piano - Level 3 - SKU: A0.573926 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #6191111. Published by James M Stevens Music ASCAP (A0.573926). Written December 8, 2020, this an original English horn & piano composition written in a quiet and ambient style in the key of B flat major. There is a separate horn part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Morning Quietness Piano Track.
$6.99 ≈
6.44€
Morning Quietness - Trombone & Piano
Morning Quietness - Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Morning Quietness - Trombone &
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.573924 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred...
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Piano,Trombone - Level 3 - SKU: A0.573924 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #6191047. Published by James M Stevens Music ASCAP (A0.573924). Written December 8, 2020, this an original trombone & piano composition written in a quiet and ambient style in the key of B flat major. There is a separate trombone part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Morning Quietness Piano Track.
$6.99 ≈
6.44€
Morning Quietness - Flute & Piano
Morning Quietness - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Morning Quietness - Flute &
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.573923 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,We...
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Flute,Piano - Level 3 - SKU: A0.573923 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #6190903. Published by James M Stevens Music ASCAP (A0.573923). Written December 8, 2020, this an original flute & piano composition written in a quiet and ambient style in the key of B flat major. There is a separate flute part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Morning Quietness Piano Track.
$6.99 ≈
6.44€
Morning Quietness - French Horn & Piano
Morning Quietness - French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Morning Quietness - French Hor
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James M Stevens Music ASCAP
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.573925 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sac...
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French Horn,Piano - Level 3 - SKU: A0.573925 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #6191095. Published by James M Stevens Music ASCAP (A0.573925). Written December 8, 2020, this an original French horn & piano composition written in a quiet and ambient style in the key of B flat major. There is a separate horn part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Morning Quietness Piano Track.
$6.99 ≈
6.44€
Morning Quietness - Oboe & Piano
Morning Quietness - Oboe & Piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Morning Quietness - Oboe &
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James M Stevens Music ASCAP
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SheetMusicPlus
Oboe,Piano - Level 3 - SKU: A0.573922 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wed...
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Oboe,Piano - Level 3 - SKU: A0.573922 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score and part. 7 pages. James M Stevens Music ASCAP #6190867. Published by James M Stevens Music ASCAP (A0.573922). Written December 8, 2020, this an original oboe & piano composition written in a quiet and ambient style in the key of B flat major. There is a separate oboe part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Morning Quietness Piano Track.
$6.99 ≈
6.44€
Morning Quietness - Violin & Piano
Morning Quietness - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Morning Quietness - Violin &am
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.573921 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,W...
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Piano,Violin - Level 3 - SKU: A0.573921 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. 7 pages. James M Stevens Music ASCAP #6190825. Published by James M Stevens Music ASCAP (A0.573921). Written December 8, 2020, this an original violin & piano composition written in a quiet and ambient style in the key of B flat major. There is a separate violin part in the score and the piano part as seen can serve as an independent solo. The accompaniment track as heard is available under Morning Quietness Piano Track.
$6.99 ≈
6.44€
The blasts of chill December
The blasts of chill December
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Chorale SATB
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James Bassi
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The blasts of chill December
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193703476 Composed by James Bassi. Score. 11 pages. Oxford University Press Digital #9780193703476. Published by Oxford University Press Dig...
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SKU: OX.9780193703476 Composed by James Bassi. Score. 11 pages. Oxford University Press Digital #9780193703476. Published by Oxford University Press Digital (OX.9780193703476). ISBN 9780193703476.For SATB and piano. This rousing carol sets a text by Norval Clyne. It perfectly captures the contrast between light and darkness in the text, with simple vocal lines underscored by a busy piano part culminating in a powerful ending evoking the peels of church bells on Christmas morning. An orchestral accompaniment is available on rental.
$3.65 ≈
3.36€
Joy for Every Morning!
Joy for Every Morning!
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Chorale 3 parties
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Victor C Johnson
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Joy for Every Morning!
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Heritage Music Press
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SheetMusicPlus
SSA choir, Piano - SKU: LX.15-3782H Composed by Victor C Johnson. Secular Christmas. Octavo. 8 pages. Heritage Music Press #e15/3782H. Published by Heri...
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SSA choir, Piano - SKU: LX.15-3782H Composed by Victor C Johnson. Secular Christmas. Octavo. 8 pages. Heritage Music Press #e15/3782H. Published by Heritage Music Press (LX.15-3782H). ISBN 9780787770310.A joyful celebration of the sights and sounds of winter, this piece will sparkle in your December concerts! Victor Johnson created a tightly woven harmony and paid careful consideration to voice leading, with optional divisi in the last five measures. Rollicking compound-duple meter sets a spirited background for the image-rich lyrics based on text from Kenneth Grahame's classic The Wind in the Willows..
$2.40 ≈
2.21€
The Dance of the Doll with the Morning Sunshine ("Dansul păpușii cu razele dimineții") - arr. for
The Dance of the Doll with the Morning Sunshine ("Dansul păpușii cu razele dimineții") - arr. for
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Andrei Lucian Dragoi
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simplified arr
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The Dance of the Doll with the
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harp,Oboe,Piano,Violin - Level 2 - SKU: A0.913136 Composed by Andrei Lucian Dragoi. 20th Century,Contemporary,Standards. 3 pages. ...
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Clarinet,Flute,Guitar,Harp,Oboe,Piano,Violin - Level 2 - SKU: A0.913136 Composed by Andrei Lucian Dragoi. 20th Century,Contemporary,Standards. 3 pages. Andrei-Lucian Dragoi #6639017. Published by Andrei-Lucian Dragoi (A0.913136). Music (December 2009) & simplified arr. for G-clef piano/harp (GCP/GCH) (5.12.2021): dr. Andrei Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)
$1.99 ≈
1.83€
Morning Quietness
Morning Quietness
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Piano seul
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INTERMÉDIAIRE
#
James Michael Stevens
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James Michael Stevens
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Morning Quietness
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573920 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wed...
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Piano Solo - Level 3 - SKU: A0.573920 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #6190701. Published by James M Stevens Music ASCAP (A0.573920). Written December 8, 2020, this an original piano composition written in a quiet and ambient style in the key of B flat major.
$3.99 ≈
3.68€
December Morning
December Morning
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Rick Moose
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Richard Mousseau
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December Morning
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Moose Hide Music Publishing
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SheetMusicPlus
Acoustic Guitar,Drum Set,Electric Bass Guitar,Electric Guitar,Voice - Level 3 - SKU: A0.1269051 By Rick Moose. By Richard Mousseau. Arranged by Richard ...
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Acoustic Guitar,Drum Set,Electric Bass Guitar,Electric Guitar,Voice - Level 3 - SKU: A0.1269051 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Rock,Singer/Songwriter. Full Performance. Duration 215. Moose Hide Music Publishing #861588. Published by Moose Hide Music Publishing (A0.1269051). Folk Rock. New release by Canadian Songwriter. Full score available from publisher.
$1.99 ≈
1.83€
December Morning
December Morning
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Rick Moose
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Richard Mousseau
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December Morning
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Moose Hide Music Publishing
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1269049 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Rock,Singer/Songwriter....
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C Instrument - Level 3 - SKU: A0.1269049 By Rick Moose. By Richard Mousseau. Arranged by Richard Mousseau. Contemporary,Folk,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 3 pages. Moose Hide Music Publishing #861585. Published by Moose Hide Music Publishing (A0.1269049). Folk Rock. New release by Canadian Songwriter. Full score available from publisher. MP3. down load available on sheetmusicplus. Song available on major streaming services.
$3.00 ≈
2.76€
December Morning
December Morning
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Ensemble Jazz
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INTERMÉDIAIRE
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Bruce Abbott
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bass read from chord symbols
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December Morning
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Bruce Abbott
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1223903 Composed by Bruce Abbott. Jazz,Latin. Score and Parts. 45 pages. Bruce Abbott #820036. Published...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1223903 Composed by Bruce Abbott. Jazz,Latin. Score and Parts. 45 pages. Bruce Abbott #820036. Published by Bruce Abbott (A0.1223903). Appropriate for middle school through professional ensembles. Piano, guitar & bass read from chord symbols. Solos assigned to alto sax and trumpet. Additional sheets with solo changes and chord scales provided so that solos can be assigned to any instrument. Slow samba-canção, half-note = 90bpm. Length 3:30 with one solo (longer with optional additional solos).  Composed by Bruce Abbott (BMI). www.BruceAbbottMusic.com.
$20.00 ≈
18.42€
December Morning by Jim Brickman - Piano Solo
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Piano seul
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Jim Brickman
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December Morning
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Musicnotes
Performed by: Jim Brickman: December Morning Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file,...
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Performed by: Jim Brickman: December Morning Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 3 pages -- New Age
$5.50 ≈
5.07€
1917: The Halifax Disaster
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
21.18€
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
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Orchestre de chambre
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INTERMÉDIAIRE
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages....
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Chamber Orchestra - Level 3 - SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00 ≈
18.42€
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Choir
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Choir
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Chorale 3 parties
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INTERMÉDIAIRE
#
MarcAntoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit p
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KVAMusic Edition
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38...
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Choral Choir (SSA) - Level 3 - SKU: A0.768508 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas,Sacred. Octavo. 38 pages. KVAMusic Edition #4717677. Published by KVAMusic Edition (A0.768508). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$7.00 ≈
6.45€
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Orche
Charpentier: Messe de Menuit pur Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Orche
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Chorale 3 parties
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INTERMÉDIAIRE
#
MarcAntoine Charpentier
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Roar Kvam
#
Charpentier: Messe de Menuit p
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KVAMusic Edition
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.768507 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas. Octavo. 112 pages...
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Choral Choir (SSA) - Level 3 - SKU: A0.768507 Composed by MarcAntoine Charpentier. Arranged by Roar Kvam. Baroque,Christian,Christmas. Octavo. 112 pages. KVAMusic Edition #4717675. Published by KVAMusic Edition (A0.768507). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s fresnhess and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$50.00 ≈
46.06€
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Clarinette et Piano
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INTERMÉDIAIRE
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Rock
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest
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Keith Terrett
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.747032 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. ...
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Clarinet,Piano - Level 3 - SKU: A0.747032 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902603. Published by Keith Terrett (A0.747032). Arranged for Bb Clarinet & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.ARRANGERSKeith Terrett.
$9.99 ≈
9.20€
For Ever I Will Sing (Ps. 89) (Christmas Vigil Version) [Octavo - Complete Package] (based on "O Lit
For Ever I Will Sing (Ps. 89) (Christmas Vigil Version) [Octavo - Complete Package] (based on "O Lit
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Chorale SATB
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FACILE
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Cher & Gene Klosner
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For Ever I Will Sing
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Cher & Gene Klosner
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.869916 By Cher & Gene Klosner. By Lewis H. Redner, ad. Cherolyn Klosner-Lane. Arranged by Cherolyn Klosne...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.869916 By Cher & Gene Klosner. By Lewis H. Redner, ad. Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane, Gene Klosner. Christmas,Sacred. 12 pages. Cher & Gene Klosner #6026451. Published by Cher & Gene Klosner (A0.869916). Featured on Cher & Gene Klosner's NPM (National Association of Pastoral Ministers) Lunchtime Concert:https://youtu.be/QjX1ljNIKDI?si=AO545zAKfUK9Sn-9Responsorial Psalm. USCCB-approved for Catholic and liturgical use. Verbatim Text on refrain and verses. Contemporary setting of Psalm 89 based on O Little Town of Bethlehem with Psalm Tone verses. Use for: 4th Sunday of Advent B (adv4B)Christmas Vigil Mass ABC (xmvigABC)December 24*, Mass in the Morning (adv1224AM)Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â *not on Sundays Official Liturgical text: For ever I will sing the goodness of the Lord. Sheet music available in Octavo complete package; coming soon in Soloist/Small Group format. Also coming soon: MP3s available w/Alto or Tenor verses. Includes different sets of verses for each different day/occasion. www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosner
$1.99 ≈
1.83€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.83€
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Tuba et Piano
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INTERMÉDIAIRE
#
Rock
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest
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Keith Terrett
#
SheetMusicPlus
Piano,Tuba - Level 3 - SKU: A0.747034 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keit...
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Piano,Tuba - Level 3 - SKU: A0.747034 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902611. Published by Keith Terrett (A0.747034). Arranged for Baritone, Euphonium, Trombone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99 ≈
9.20€
Sorry Seems To Be The Hardest Word
Sorry Seems To Be The Hardest Word
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Trompette
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INTERMÉDIAIRE
#
Rock
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Elton John
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Keith Terrett
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Sorry Seems To Be The Hardest
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Keith Terrett
#
SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.747033 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. K...
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Piano,Trumpet - Level 3 - SKU: A0.747033 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902609. Published by Keith Terrett (A0.747033). Arranged for Bb Trumpet & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.
$9.99 ≈
9.20€
On That Cross
On That Cross
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Chorale SSATTB
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FACILE
#
Musique Sacrée
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Pra...
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Choral Choir,Choral - Level 2 - SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
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December Morning
