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Vous avez sélectionné:
Des Jules Demersseman
Partitions à imprimer
4 partitions trouvées
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Flûte traversière et Piano
#
INTERMÉDIAIRE
#
Classique
#
Jules Demersseman
#
Paul Wehage
#
Jules Demersseman : Deuxi&egra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual p...
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Flute,Instrumental Solo,Piano - Level 3 - SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55 ≈
10.39€
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Hautbois, Piano (duo)
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INTERMÉDIAIRE
#
Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxi&egra
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standa...
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55 ≈
10.39€
Jules Demersseman: Douze Études (Twelve Etudes) in all keys for any saxophone
Jules Demersseman: Douze Études (Twelve Etudes) in all keys for any saxophone
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3 Saxophones (trio)
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Classique
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Jules Demersseman
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Paul Wehage
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Jules Demersseman: Douze Étud
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Musik Fabrik
#
SheetMusicPlus
Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period, Etudes and Exercises, Recital. Score. 44 pages. Published by Musik Fabrik (S0.144203). ...
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Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period, Etudes and Exercises, Recital. Score. 44 pages. Published by Musik Fabrik (S0.144203). - Score - Romantic Period,Etudes and Exercises,Recital - Musik Fabrik
$16.95 ≈
15.25€
Air varie brillant
Air varie brillant
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Jean- Louis Tulou
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Co
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Air varie brillant
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Schott Music - Digital
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SheetMusicPlus
Flute and piano - intermediate to advanced - Op. 98. Composed by Jean- Louis Tulou (1786-1865). Edited by Edmund Wachter and Elisabeth Weinzierl. Thi...
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Flute and piano - intermediate to advanced - Op. 98. Composed by Jean- Louis Tulou (1786-1865). Edited by Edmund Wachter and Elisabeth Weinzierl. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 19 pages. Schott Music - Digital #Q53376. Published by Schott Music - Digital
Jean-Louis Tulou, a pupil of Johann Georg Wunderlich, was one of the leading flautists of his time: he was principal flautist at the opera and a professor at the Conservatoire. His pupils included legendary flautists such as Henri Altes, Jules Demersseman and Eugene Walckiers. He composed over 130 flute pieces and wrote a flute tutorial method. He forbade his students to play the newly constructed flute designed by Theobald Bohm and even made a few adaptations to the traditional flute himself. Only after his retirement in 1856 could the Bohm flute that is familiar today come in to use under his successor Dorus. This Air varie brillant op. 98 was published in collaboration by Brandus &. Cie, Paris and Schott, Mainz. An alternative setting of the accompaniment for chamber ensemble (two violins, viola, cello, double bass, two oboes, two horns and two bassoons) is only listed by Brandus. .
Plate no. 8873 / published in 1851.
$4.99 ≈
4.49€
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Des Jules Demersseman
