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Dialogues: Flute
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Vous avez sélectionné:
Dialogues: Flute
Partitions à imprimer
33 partitions trouvées
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Conflusion - Suite - Wind Ensemble - Flute 2
Conflusion - Suite - Wind Ensemble - Flute 2
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Flute (partie séparée)
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AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - SKU: A0.567883 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. 8 pages. Thomas Gra...
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Woodwind Ensemble Flute - Level 5 - SKU: A0.567883 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. 8 pages. Thomas Graf - the-hit-factory.com #1986085. Published by Thomas Graf - the-hit-factory.com (A0.567883). Conflusion - Suite - Wind Ensemble Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00 ≈
$4.06
Dialogues and Fancies
Dialogues and Fancies
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Contemporain
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Philip Orem
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Dialogues and Fancies
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Philip Orem
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.872663 Composed by Philip Orem. Contemporary. Score and parts. 39 pages. Philip Orem ...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.872663 Composed by Philip Orem. Contemporary. Score and parts. 39 pages. Philip Orem #3626199. Published by Philip Orem (A0.872663). There are three dialogues in this set, which are conversations between the flute and harp. Each is followed by a fancy, a pretty lyrical piece. Written for my friends Ed and Marcia to play at nursing homes. The recording is of the first fancy, The Bird Outside My Window.For further information contact me at po4musik@aol.com orhttps://po4musik.wixsite.com/website
$20.00 ≈
$27.08
Nocturnal Dialogues for Flute and Piano
Nocturnal Dialogues for Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Ayala Asherov
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Nocturnal Dialogues for Flute
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Mix Meter Music Publishing Company
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.960822 Composed by Ayala Asherov. Concert,Contemporary,Standards,World. Score and pa...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.960822 Composed by Ayala Asherov. Concert,Contemporary,Standards,World. Score and parts. 19 pages. Mix Meter Music Publishing Company #5718387. Published by Mix Meter Music Publishing Company (A0.960822). Great for an advanced student recital, both in flute or in piano. A beautiful and melodic dialogue between the flute and piano in three movements. Each movement has a different challenge to it for the player. For a midi recording -1 to practice with, please contact the composer AyalaAsherov@mac.com.
$15.99 ≈
$21.65
Dialogues (Dialoge) (1966) for Flute and Violoncello
Dialogues (Dialoge) (1966) for Flute and Violoncello
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Flûte, Violoncelle
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INTERMÉDIAIRE
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Contemporain
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Fridolin Dallinger
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Dialogues
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Paladino Editions
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SheetMusicPlus
Cello,Flute,Instrumental Duet - Level 3 - SKU: A0.1274122 Composed by Fridolin Dallinger. 20th Century,Classical,Contemporary. 6 pages. Paladino Edition...
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Cello,Flute,Instrumental Duet - Level 3 - SKU: A0.1274122 Composed by Fridolin Dallinger. 20th Century,Classical,Contemporary. 6 pages. Paladino Editions #866257. Published by Paladino Editions (A0.1274122). Austrian composer Fridolin Dallinger’s Dialoge for flute and cello are a welcome addition to the small original repertoire for this duo combination. Dating from 1966, the three short pieces are not too difficult for advanced students, yet sophisticated in their atonal expression. They are printed for the first time, just in time to celebrate Dallinger’s 85th birthday on 16 February 2018. A student of Helmut Eder and Robert Schollum, Dallinger has been awarded numerous awards, including the Österreichischer Staatspreis, and was a renowned pedagogue.
$13.99 ≈
$18.94
Dialogues
Dialogues
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Flûte traversière et Piano
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AVANCÉ
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Kenneth D
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Dialogues
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KFS Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.699774 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and part. 24 pages. KFS Publishing #3052699. Publis...
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Flute,Piano - Level 5 - SKU: A0.699774 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and part. 24 pages. KFS Publishing #3052699. Published by KFS Publishing (A0.699774). Scored for flute and piano.
$16.50 ≈
$22.34
Dialogues
Dialogues
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Flûte traversière et Piano
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AVANCÉ
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Kenneth D
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Dialogues
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KFS Publishing
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.699639 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and part. 24 pages. KFS Publishing #3013975. Publis...
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Flute,Piano - Level 5 - SKU: A0.699639 Composed by Kenneth D. Friedrich. Concert,Contemporary. Score and part. 24 pages. KFS Publishing #3013975. Published by KFS Publishing (A0.699639). Original music for flute and piano.
$17.50 ≈
$23.69
Dialogues
Dialogues
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Barbara Heller
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Dialogues
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Schott Music - Digital
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SheetMusicPlus
2 clarinets in Bb - SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performa...
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2 clarinets in Bb - SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performance score. Schott Music - Digital #Q22488. Published by Schott Music - Digital (S9.Q22488). The clarinettist Irith Gabriely was inspired by her love of Barbara Heller’s Dialogues (for violin and viola) to arrange these duets for two Bb clarinets. The result is a set of varied concertante dialogues that present clarinettists with a few challenges, requiring stamina, breath control, intense and contrasting dynamics, chromatic passages, whole tone passages, sensitive tone production, leaps across wide intervals, fast playing, disciplined rhythmic control and listening to one another closely. In this edition all tempo indications and dynamic markings are intended for guidance: these duets may equally well be interpreted in other ways. This edition therefore also includes a second section where all the pieces are reproduced without such markings, ready for individual interpretation. The Dialogues lend themselves very well to chamber performances; they are also short enough to serve as brief interludes at readings or exhibitions. Their expressive qualities, brevity and range of musical and technical demands make them highly suitable material for youth music competitions. A flute or oboe might well be played with the clarinet as alternative instrumentation for these duets (ED 22017).
$16.99 ≈
$23.00
Dialogues
Dialogues
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Flûte, Clarinette (duo)
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Classique
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Barbara Heller
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Dialogues
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Schott Music - Digital
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SheetMusicPlus
9 Duets. Composed by Barbara Heller (1936-). This edition: performance score. Downloadable, Performance score. Duration 10 minutes. Schott Music - Dig...
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9 Duets. Composed by Barbara Heller (1936-). This edition: performance score. Downloadable, Performance score. Duration 10 minutes. Schott Music - Digital #Q41945. Published by Schott Music - Digital
$15.99 ≈
$21.65
Dialogues: Flute
Dialogues: Flute
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Flute (partie séparée)
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Methodes
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Douglas E
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Dialogues: Flute
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music...
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By Douglas E. Wagner. For Concert Band. Instructional. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$3.00 ≈
$4.06
Canon K555
Canon K555
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Flûte, Hautbois, Clarinette, Basson
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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André Nusa
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Canon K555
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Andre_Nusa
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1242558 Composed by Wolfgang Amadeus Mozart. Arranged by André Nus...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1242558 Composed by Wolfgang Amadeus Mozart. Arranged by André Nusa. Chamber,Classical,Wedding. 7 pages. Andre_Nusa #837695. Published by Andre_Nusa (A0.1242558). Experience the timeless beauty of Mozart's Canon K. 555 with this captivating arrangement for woodwind quartet. This sheet music brings the exquisite harmonies and delicate interplay of the original composition to life, allowing you to immerse yourself in the elegance and sophistication of Mozart's music. The four voices of the wind quartet blend together in perfect harmony, creating a rich and resonant sound that showcases the intricate musical dialogues. From the very first note, you'll be transported to a world of serenity and musical mastery. The flowing melodies and mesmerizing harmonies create a sense of tranquility and emotional depth, drawing you into the timeless beauty of Mozart's composition. Perfect for performances, weddings, or chamber music enthusiasts, this arrangement allows you to showcase the talents of a woodwind quartet and bring the elegance and sophistication of Canon K. 555 to your audience. Whether you're a professional string quartet or an advanced ensemble, this arrangement invites you to explore the intricate harmonies and musical subtleties of Mozart's composition. The combination of flute, oboe, clarinet and bassoon allows each player to contribute their unique voice, resulting in a rich and captivating performance.
$7.99 ≈
$10.82
O Jesu Christ, meins Lebens Licht (Motet BWV 118)
O Jesu Christ, meins Lebens Licht (Motet BWV 118)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Johann Sebastian Bach
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Isabel Oliveira Hill
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O Jesu Christ, meins Lebens Li
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Cunaguaro Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1254456 By Johann Sebastian Bach. By Johann Sebastian Bach. Arra...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1254456 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Isabel Oliveira Hill. Baroque,Chamber,Christmas. 16 pages. Cunaguaro Music #848028. Published by Cunaguaro Music (A0.1254456). Immerse yourself in the timeless beauty of Johann Sebastian Bach's masterpiece with our captivating arrangement of Motet 118, now available for Wind Quintet. This specially crafted adaptation retains the essence of the original composition while allowing the individual voices of the wind instruments to shine. The interplay between flute, oboe, clarinet, bassoon, and horn creates a delicate balance and highlights the intricate musical dialogues within the piece.Our Wind Quintet version offers a versatile and accessible approach to experiencing Bach's profound musicality. Whether you're a chamber ensemble, concert performer, or music educator, this arrangement provides an opportunity to explore the refined elegance and emotional depth of Motet 118. Audiences will be captivated by the enchanting melodies, intricate harmonies, and masterful counterpoint brought to life by this arrangement.
$2.49 ≈
$3.37
Egomia, for Woodwind Quintet
Egomia, for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Panagiotis Theodossiou
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Egomia, for Woodwind Quintet
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Panagiotis Theodossiou
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis T...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday. It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual. It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg
$20.00 ≈
$27.08
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Gra...
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Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00 ≈
$13.54
Conflusion - Suite - Woodwind Ensemble
Conflusion - Suite - Woodwind Ensemble
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Classique
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00 ≈
$108.31
Conflusion - Suite - Wind Ensemble
Conflusion - Suite - Wind Ensemble
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
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Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00 ≈
$108.31
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00 ≈
$13.54
Is innocence so void of cares
Is innocence so void of cares
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Daniel Purcell
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Early Music Scores
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Is innocence so void of cares
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Early Music Scores
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SheetMusicPlus
Continuo,Flute,High Voice - SKU: A0.791792 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque,Classical,Opera. 7 pages. Early Music Sco...
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Continuo,Flute,High Voice - SKU: A0.791792 Composed by Daniel Purcell. Arranged by Early Music Scores. Baroque,Classical,Opera. 7 pages. Early Music Scores #6504937. Published by Early Music Scores (A0.791792). Soprano voice, two flutes and continuoComposed by Daniel Purcell (c.1664-1717). From A Collection of the choicest Songs and Dialogues, London, 1715. Baroque period. Edited by Felipe Dias. 5 pages.
$7.99 ≈
$10.82
Pangolino (Parts)
Pangolino (Parts)
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Nadin Polyakova
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Pangolino
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Nadin
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896177 Composed by Nadin Polyakova. Contemporary,Multicultu...
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Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896177 Composed by Nadin Polyakova. Contemporary,Multicultural,World. Score and parts. 21 pages. Nadin #3130211. Published by Nadin (A0.896177). Pangolino (Parts) is a 5 min 15 seconds instrumental piece written by composer Nadin Polyakova in 2017. The composition was created in classical style for 5 players and 11 instruments: C Flute, Clarinet in Bb, Sleigh Bells, Castanets, Triangle, Snare Drum, Glockenspiel, Wood Blocks, Slapstick, Piano and Violoncello. Tempo Moderato, dance-rhythmical figure, alternating short phrase with a long ones, presence of various percussion makes character of music a kind of choreographic. Composer's intention here was to involve every instrument on variety of its traditional functions, techniques and registers, using them in several ways as accompanied or unaccompanied, melody and harmony, polyphony and dialogues, building a different structures and textures. Piece is suggested for schools, students, amateurs and professional performers. Score can be bought separately.Â
$2.99 ≈
$4.05
Pangolino (Score)
Pangolino (Score)
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Nadin Polyakova
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Pangolino
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Nadin
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896176 Composed by Nadin Polyakova. Contemporary,Multicultu...
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Small Ensemble Cello,Clarinet,Flute,Multi-Percussion,Piano Accompaniment - Level 3 - SKU: A0.896176 Composed by Nadin Polyakova. Contemporary,Multicultural,World. Score and parts. 21 pages. Nadin #3130205. Published by Nadin (A0.896176). Pangolino (Score) is a 5 min 15 seconds instrumental piece written by composer Nadin Polyakova in 2017. The composition was created in classical style for 5 players and 11 instruments: C Flute, Clarinet in Bb, Sleigh Bells, Castanets, Triangle, Snare Drum, Glockenspiel, Wood Blocks, Slapstick, Piano and Violoncello. Tempo Moderato, dance-rhythmical figure, alternating short phrase with a long ones, presence of various percussion makes character of music a kind of choreographic. Composer's intention here was to involve every instrument on variety of its traditional functions, techniques and registers, using them in several ways as accompanied or unaccompanied, melody and harmony, polyphony and dialogues, building a different structures and textures. Piece is suggested for schools, students, amateurs and professional performers. Parts can be bought separately.Â
$6.99 ≈
$9.46
Sonata for Piano Quintet
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 9...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00 ≈
$54.15
Alto dos Schuenck - Waltz for Piccolo and Piano
Alto dos Schuenck - Waltz for Piccolo and Piano
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Thiago Osorio
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Alto dos Schuenck - Waltz for
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Thiago Osorio Music
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SheetMusicPlus
Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. Score and indivi...
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Instrumental Solo,Piano,Piccolo - Level 3 - SKU: A0.946705 Composed by Thiago Osorio. Concert,Graduation,Instructional,Standards,World. Score and individual part. 17 pages. Thiago Osorio Music #6440759. Published by Thiago Osorio Music (A0.946705). ''Alto dos Schuenck'' (in english: ''Schuenck's Altitude Lands'') is a gracious waltz for Piccolo and Piano in homage to the great flute player from Nova Friburgo, Rubem Schuenck. In the 19th century, Nova Friburgo received German settlers. Among these Germans, the Schuenck family settled in the district of Amparo to grow coffee. As it is a region in the mountains, the place was named Alto dos Schuenck (Alto refers to altitude).A composition that demands dexterity from Piccolo, mentioning the challenges of the road that leads to the location, but which at the same time has the lightness in its themes, piano counterpoints and dialogues between the instruments. A great opportunity to expand your repertoire with Piccolo soloist with piano accompaniment.
$10.00 ≈
$13.54
"Rhapsody On the River"
"Rhapsody On the River"
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Orchestre de chambre
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Margin
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"Rhapsody On the River&qu
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Margin Alexander
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944120 Composed by Margin. B Alexander. 20th Century,Contemporary,Film/TV. Score and parts. 30 pages. Margin Alexander #4885...
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Chamber Orchestra - SKU: A0.944120 Composed by Margin. B Alexander. 20th Century,Contemporary,Film/TV. Score and parts. 30 pages. Margin Alexander #4885967. Published by Margin Alexander (A0.944120). A trio for clarinet, flute and piano. It lasts about less than 10 min and it is a neo-romantic piece. It stands out for its long phrases and contrapuntal harmonies that change drastically throughout the performance. The dialogues between the instruments are very intertwined, but yet loyal to their own nuances.
$10.00 ≈
$13.54
Atlantean Waltz
Atlantean Waltz
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Musical Mythology
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Musical Mythology
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Atlantean Waltz
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Musical Mythology
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Harp,Piano - Level 3 - SKU: A0.518921 By Musical Mythology. By Musical Mythology. Arranged by Musical Mythology. Classical...
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Small Ensemble Clarinet,Flute,Harp,Piano - Level 3 - SKU: A0.518921 By Musical Mythology. By Musical Mythology. Arranged by Musical Mythology. Classical,Film/TV,Romantic Period. Score and parts. 2 pages. Musical Mythology #129590. Published by Musical Mythology (A0.518921). I originally wanted to compose a short, bittersweet waltz, and the mythological city of Atlantis seemed perfect for this. The waltz I ended up with is not really meant for dancing, but rather used as a way for storytelling. This story, however, is one of my own fabrications but is still loosely based on the Atlantis mentioned by Plato's dialogues: Critias and Timaeus. This piece outlines two Atlanteans that, with the end in sight, decide to dance one last waltz together as their gleaming city collapses around them. It's a tragic farewell to a utopia that once was and could've been, but remains now as only a memory – a relic lost at the bottom of the sea.
$1.99 ≈
$2.69
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages....
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Chamber Orchestra - Level 4 - SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00 ≈
$4.06
Conflusion - Suite - Wind Ensemble - Bassoon 2
Conflusion - Suite - Wind Ensemble - Bassoon 2
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Basson
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Bassoon Solo - Level 4 - SKU: A0.567876 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Individual part. 8 pages. Thom...
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Bassoon Solo - Level 4 - SKU: A0.567876 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Individual part. 8 pages. Thomas Graf - the-hit-factory.com #1986057. Published by Thomas Graf - the-hit-factory.com (A0.567876). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00 ≈
$4.06
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Dialogues: Flute
