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Vous avez sélectionné:
Distant Drums
Partitions à imprimer
16 partitions trouvées
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1
Distant Early Warning
Distant Early Warning
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Batterie
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INTERMÉDIAIRE
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Rock
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Rush
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Evan Aria Serenity
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Distant Early Warning
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Jaslow Drum Sheets
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SheetMusicPlus
Drum Set,Drums - Level 3 - SKU: A0.1335510 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Evan Aria Serenity. Pop,Rock. Score. 6 pages...
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Drum Set,Drums - Level 3 - SKU: A0.1335510 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Evan Aria Serenity. Pop,Rock. Score. 6 pages. Jaslow Drum Sheets #921344. Published by Jaslow Drum Sheets (A0.1335510). Drum tab sheet music transcription for Distant Early Warning by Rush, from the album Grace Under Pressure (1984). Drums by Neil Peart. Progressive rock, difficulty 3/5.jdrumsheets.com
$4.99 ≈
4.46€
Distant Early Warning
Distant Early Warning
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Guitare Tab, Voix, Basse, Batterie
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Rock
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Rush
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Distant Early Warning
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Hal Leonard
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SheetMusicPlus
Bass Voice, Drums, Guitar, Keyboard - By Rush. This edition: scorch. Rock. Transcribed Score. 16 pages. Hal Leonard #958869. Published by Hal Leonard...
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Bass Voice, Drums, Guitar, Keyboard - By Rush. This edition: scorch. Rock. Transcribed Score. 16 pages. Hal Leonard #958869. Published by Hal Leonard
$5.99 ≈
5.35€
Distant Drums
Distant Drums
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Ligne De Mélodie, (Paroles) et Accords
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Country
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Jim Reeves
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Distant Drums
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Hal Leonard - Digital
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SheetMusicPlus
C Instrument,Voice - SKU: HX.789086 By Jim Reeves. This edition: scorch. Country. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #1950...
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C Instrument,Voice - SKU: HX.789086 By Jim Reeves. This edition: scorch. Country. Real Book - Melody/Chords/Lyrics. 1 pages. Hal Leonard - Digital #195075. Published by Hal Leonard - Digital (HX.789086).
$1.99 ≈
1.78€
Distant Drums
Distant Drums
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Piano, Voix et Guitare
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Country
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Jim Reeves
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Distant Drums
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Hal Leonard - Digital
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SheetMusicPlus
By Jim Reeves. This edition: scorch. Country, Standards. Score. 3 pages. Hal Leonard - Digital #195075. Published by Hal Leonard - Digital...
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By Jim Reeves. This edition: scorch. Country, Standards. Score. 3 pages. Hal Leonard - Digital #195075. Published by Hal Leonard - Digital
$4.99 ≈
4.46€
Distant Early Warning
Distant Early Warning
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Batterie
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Rock
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Rush
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Distant Early Warning
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.457829 By Rush. Rock. Drum Transcription. 10 pages. Published by Hal Leonard - Digital (HX.457829). ...
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SKU: HX.457829 By Rush. Rock. Drum Transcription. 10 pages. Published by Hal Leonard - Digital (HX.457829).
$2.99 ≈
2.67€
Rush: Distant Early Warning - drums
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Batterie
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INTERMÉDIAIRE
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Rock
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Rush
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Virtualsheetmusic
Instantly printable sheet music by Rush for drums of MEDIUM skill level. / rock
Instantly printable sheet music by Rush for drums of MEDIUM skill level. / rock
$6.97 ≈
6.23€
Distant Drums by Jim Reeves - Easy Piano
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Piano Facile
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FACILE
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Country
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Jim Reeves
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Distant Drums
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Musicnotes
Performed by: Jim Reeves: Distant Drums Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this...
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Performed by: Jim Reeves: Distant Drums Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 5 pages -- Country~~Country-Pop~~Nashville Sound/Countrypolitan~~Traditional Country
$4.25 ≈
3.80€
Mobile for prepared piano
Mobile for prepared piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Michelle Agnes Magalhaes
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Mobile for prepared piano
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Michelle Agnes Magalhaes
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published ...
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Piano Solo - Level 4 - SKU: A0.944160 Composed by Michelle Agnes Magalhaes. Contemporary. Score. 17 pages. Michelle Agnes Magalhaes #5989239. Published by Michelle Agnes Magalhaes (A0.944160). ABOUT MOBILE (by Ricardo Descalzo, pianist) Few compositions have impressed me as much in my life as this genius work by the Brazilian composer, pianist and improviser. I remember that when I found it a few years ago I did not give credit to what I was listening and I could not imagine how those sounds were produced without any electronic manipulation. The idea of using cylindrical neodymium magnets inside the piano, shows that there are no limits in the imagination of the composers and that the resources to be used in our instrument are unlimited, even if there is an increasingly frequent number of people in our professional environment who hate these practices. The idea of combining precise writing with improvised fragments seems to me to fit perfectly with the spirit of the work, which was born from the improvisational world of the composer herself. Mobile is a tribute to John Cage (hence the classic screws and washers) and is inspired by the sculpture of Richard Lippold Gemini that, at the same time, served as inspiration for the Sonatas XIV and XV of the American composer. Mobile evokes an imaginary metal sculpture, a sound automaton and its cyclic movements. The result is a gorgeous universe of bells, ghostly echoes and distant ritual drums. Mobile is an essential part of my concert programs since it entered my life and one of the pieces that every year I work with my students in Musikene. I’m sure that it will become a classic of new piano music. I can only say: thanks, Michelle for creating something so beautiful, so original and so pleasant to play.
$8.00 ≈
7.15€
Flexible Ensemble - Celtic Lullaby
Flexible Ensemble - Celtic Lullaby
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Mike Lyons
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Flexible Ensemble - Celtic Lul
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Lyons Music Services
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Drums,Euphonium,Flute,Horn,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.767582 Composed...
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Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Drums,Euphonium,Flute,Horn,Oboe,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.767582 Composed by Mike Lyons. 20th Century,Contemporary,Standards. Score and parts. 36 pages. Lyons Music Services #6459597. Published by Lyons Music Services (A0.767582). A short piece for flexible ensemble, featuring the 3rd part. It opens with part 3, playing the theme, then one-by-one the others join in along with a drone effect making it sound a little like distant bagpipes. Theoverall dynamic increases to a climax when the higher parts take the main theme and then it dramatically returns to a single solo line which then fades. The soloist and glockenspiel echo gently as the music fades away to nothing, with snare rolls whispering.I imagined an Ancient Celtic woman singing a lullaby to her baby son as his father and other men go off to fight in their ships. The music contains her sadness and some descriptive touches of the harsh environment in which she lives. Her pride in her people swells as the music progresses and, afer the climax, sinks into a melancholy loneliness as she contemplates her child's likely fate.3 1/2 minutes in length.Parts supplied,Part 1 in Bb/CPart 2 in Bb/CPart 3(Solo) in Eb/F/C(Alto)Part 4 in Eb/F/C(Alto)Part 5 in Eb/Bb/C(Bass)Part 6 in Bb/C(Bass)Part 7 in Eb/Bb/C(Bass)GlockenspielDrum kit.
$25.00 ≈
22.33€
Almost May Score and Parts
Almost May Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoi...
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99 ≈
22.32€
Almost May for Piano Solo
Almost May for Piano Solo
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Piano seul
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Song...
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Piano Solo - Level 2 - SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99 ≈
3.56€
Almost May Lead Sheet
Almost May Lead Sheet
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Instruments en Do
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FACILE
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/So...
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C Instrument - Level 2 - SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99 ≈
2.67€
Distant Drums
Distant Drums
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Piano Facile
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Country
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Jim Reeves
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Standards
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Distant Drums
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jim Reeves. For easy piano. Country; Standards. 5 pages. Published by Hal Leonard - Digital Sheet Music...
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By Jim Reeves. For easy piano. Country; Standards. 5 pages. Published by Hal Leonard - Digital Sheet Music
$3.99 ≈
3.56€
Jim Reeves: Distant Drums - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Country
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Jim Reeves
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Virtualsheetmusic
Instantly printable sheet music by Jim Reeves for voice, piano or guitar of MEDIUM skill level. / country,standards
Instantly printable sheet music by Jim Reeves for voice, piano or guitar of MEDIUM skill level. / country,standards
$5.97 ≈
5.33€
Jim Reeves: Distant Drums - voice & other instruments (real book with lyrics)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Country
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Jim Reeves
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Virtualsheetmusic
Instantly printable sheet music by Jim Reeves for voice & other instruments (real book with lyrics) of MEDIUM skill level. / country
Instantly printable sheet music by Jim Reeves for voice & other instruments (real book with lyrics) of MEDIUM skill level. / country
$2.97 ≈
2.65€
Cindy Walker: Distant Drums for piano solo
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Piano seul
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FACILE
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Country
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Cindy Walker
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Virtualsheetmusic
Instantly printable sheet music by Jim Reeves for piano solo of EASY skill level. / country,standards,children
Instantly printable sheet music by Jim Reeves for piano solo of EASY skill level. / country,standards,children
$5.97 ≈
5.33€
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Distant Drums
