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Vous avez sélectionné:
Does It Matter?
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Sonata in a Simple Scale for Viola and Piano
Sonata in a Simple Scale for Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniell Mattern
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Sonata in a Simple Scale for V
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Daniell Mattern
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Dani...
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Piano,Viola - Level 4 - SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close.
$8.00 ≈
£6.19
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
£1.54
I See You
I See You
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Chorale SATB
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INTERMÉDIAIRE
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49 ≈
£1.93
Peaceful Fun-time.
Peaceful Fun-time.
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Folklorique/Traditionel
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MattersonW
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MattersonW
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Peaceful Fun-time.
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MattersonW
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SheetMusicPlus
Instrumental Duet Bass Guitar,Instrumental Duet - SKU: A0.1027966 Composed by MattersonW. Arranged by MattersonW. Folk. Score and parts. 21 pages. Matte...
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Instrumental Duet Bass Guitar,Instrumental Duet - SKU: A0.1027966 Composed by MattersonW. Arranged by MattersonW. Folk. Score and parts. 21 pages. MattersonW #3111157. Published by MattersonW (A0.1027966). I believe that this song can be something great. I done, a lot with this song so it needs another artist's touch. Its its up beat acoustic song with guitars doing so many different stuff. One guitar does this, that guitar does that. its very different than the previous song I did.
$50.00 ≈
£38.70
Em Rock
Em Rock
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Rock
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MattersonW
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MattersonW
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Em Rock
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MattersonW
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SheetMusicPlus
Small Ensemble Bass Guitar,Drum Set,Drums,Hand Percussion - SKU: A0.1027967 Composed by MattersonW. Arranged by MattersonW. Rock. Score and parts. 9 pag...
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Small Ensemble Bass Guitar,Drum Set,Drums,Hand Percussion - SKU: A0.1027967 Composed by MattersonW. Arranged by MattersonW. Rock. Score and parts. 9 pages. MattersonW #3114617. Published by MattersonW (A0.1027967). Its a sweet dark rock sound that doesn't have any singing. If you have an idea where is should go then take it and be creative with it.
$25.00 ≈
£19.35
South Bay Angle for violin and piano
South Bay Angle for violin and piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Robert M
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South Bay Angle for violin and
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Robert M. Greenberg
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SheetMusicPlus
Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 page...
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Instrumental Solo,Piano,Violin - Level 5 - SKU: A0.987851 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and individual part. 29 pages. Robert M. Greenberg #100609. Published by Robert M. Greenberg (A0.987851). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 6 1/2 minutes Year of composition: 2011 Program Note: Titles, like mold-scum atop month-old cottage cheese, can take on a life of their own. South Bay Angle was originally composed in 1991 during an Astor Piazzolla-inspired fit of tango-madness. While a more appropriate title for the piece would have been something on the lines of I Can Write One of Those! or This Gringo’s Token Tango, circumstances conspired in another titular direction. The piece was originally intended for performance on a program produced by Composers, Inc., a new-music collective in which I was (and remain) an artistic director. Composers Inc. was then in its seventh season. In those days when newspapers still mattered, Composers, Inc. sought to receive as many print reviews as possible. To that end, the organization invited Paul Hertelendy - who was then the music critic for the San Jose Mercury News - to cover its concerts. He said he would do so provided that there was some sort of south-bay angle which addressed the specific needs of his south-bay readership. Thinking myself clever, I thus entitled the piece South Bay Angle. Hertelandy would get his angle and Composers, Inc. would get its coverage. It didn’t work out that way. The piece was never performed; Hertelendy never got his angle; and Composers, Inc. never received a review from the San Jose Mercury News. Instead, twenty years later, I returned to South Bay Angle and rewrote it from the ground up. The piece is cast as a large-scale A-B-A form. The violin is a willing participant in the tango during the A sections, but a rather reluctant tangoista in the B section, during which it tries mightily to turn the music into a waltz. It does not succeed, and the piece ends as it began, in a blaze of rhythmic fury.
$28.00 ≈
£21.67
Celebration
Celebration
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Chorale 3 parties
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FACILE
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Paul James Mccartney
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Jon Arterton
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Celebration
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Jon Arterton
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1368082 Composed by Paul James Mccartney. Arranged by Jon Arterton. Classical,Pop. 4 pages. Jon Arterton #...
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Choral Choir,Choral (SAB) - Level 2 - SKU: A0.1368082 Composed by Paul James Mccartney. Arranged by Jon Arterton. Classical,Pop. 4 pages. Jon Arterton #952436. Published by Jon Arterton (A0.1368082). This beautiful little gem forms the final movement of Paul McCartney’s 1997 classical composition Standing Stone. About it, he said: “I don’t divide my tastes into liking rock music or classical music. I just like good music.†Its music is as haunting as its lyrics: “High above this overcrowded place a little blackbird flies through space, and all he does is search for love. Love is all that matters in the end.â€.
$2.35 ≈
£1.82
Mode Piece
Mode Piece
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Piano seul
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FACILE
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Contemporain
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David Rubinstein
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Mode Piece
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David Rubinstein
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.823021 Composed by David Rubinstein. 20th Century,Contemporary. Score. 4 pages. David Rubinstein #6078153. Published by D...
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Piano Solo - Level 2 - SKU: A0.823021 Composed by David Rubinstein. 20th Century,Contemporary. Score. 4 pages. David Rubinstein #6078153. Published by David Rubinstein (A0.823021). From a series of piano pieces entitled Thumbnail Sketches.This piece doesn't belong to a normal major/minor scale and I sensedthat it might fit into a musical mode. I have since been informed by Mr. Manuel Op de Coul,an expert on such matters, that it fits in with an Indian raga known as Cintamani.However it was not my intention to be writing an Indian piece or a raga piece. .
$3.99 ≈
£3.09
Bohemian Rhapsody - Piano Solo
Bohemian Rhapsody - Piano Solo
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Queen
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Mario Stallbaumer
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Bohemian Rhapsody - Piano Solo
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer...
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Piano Solo - Advanced Intermediate - Digital Download By Queen. Arranged by Mario Stallbaumer. 6 pages. Published by Mario Stallbaumer
With these piano sheets, you can play ?Bohemian Rhapsody? on piano!
It?s an accurate piano arrangement of the whole piece, including all parts, full melody & instrumental solos.
I believe this is the most accurate piano arrangement of the song you will find anywhere.
It?s a ?Bohemian Rhapsody? piano version in the song?s original key, it?s playable, and it sounds fantastic!
I also created sheet music of the same piano arrangement with the song?s full lyrics - you can get it here: https://www.sheetmusicplus.com/title/21155920
?Bohemian Rhapsody? was, of course, written by the one and only Freddie Mercury.
It was included on Queen?s 1975 album ?A Night at the Opera? and became one of Queen?s biggest hits. Today, it is considered by many to be the best classic rock song of all time.
There?s a good reason why the 2018 biographical film about Freddie Mercuy (played by Rami Malek) is named after this song - arguably his greatest composition.
?Bohemian Rhapsody? is famous for its diverse parts: from the a-capella-intro to rock ballad verses, from hard rock guitar solos to operatic sections.
?Bohemian Rhapsody? really is the whole package - and all parts of it can sound surprisingly great on piano, if played right!
In my experience, many arrangements of the song seem to be lacking something: They are not accurate, don?t sound powerful enough, there are important parts or even whole sections missing.
So I took my time to create a piano arrangement of the song which I feel does justice to this wonderful piece.
I hope you enjoy playing it as much as I do!
Here are the full lyrics to ?Bohemian Rhapsody?:
?Is this the real life?
Is this just fantasy?
Caught in a landslide
No escape from reality
Open your eyes
Look up to the skies and see
I'm just a poor boy, I need no sympathy
Because I'm easy come, easy go
A little high, little low
Anyway the wind blows, doesn't really matter to me, to me
Mama, just killed a man
Put a gun against his head
Pulled my trigger, now he's dead
Mama, life had just begun
But now I've gone and thrown it all away
Mama, oh oh
Didn't mean to make you cry
If I'm not back again this time tomorrow
Carry on, carry on, as if nothing really matters
Too late, my time has come
Sends shivers down my spine
Body's aching all the time
Goodbye everybody I've got to go
Gotta leave you all behind and face the truth
Mama, oh oh (anyway the wind blows)
I don't want to die
Sometimes wish I'd never been born at all
I see a little silhouetto of a man
Scaramouch, Scaramouch will you do the Fandango
Thunderbolt and lightning very very frightening me
Gallileo, Gallileo, Gallileo, Gallileo, Gallileo, figaro, magnifico
I'm just a poor boy and nobody loves me
He's just a poor boy from a poor family
Spare him his life from this monstrosity
Easy come easy go will you let me go
Bismillah, no we will not let you go, let him go
Bismillah, we will not let you go, let him go
Bismillah, we will not let you go, let me go
(Will not let you go) let me go (never, never let you go) let me go (never let me go)
Oh oh no, no, no, no, no, no, no
Oh mama mia, mama mia, mama mia let me go
Beelzebub has a devil put aside for me for me for me
So you think you can stop me and spit in my eye
So you think you can love me and leave me to die
Oh baby can't do this to me baby
Just gotta get out just gotta get right outta here
Oh oh oh yeah, oh oh yeah
Nothing really matters
Anyone can see
Nothing really matters
Nothing really matters to me
Anyway the wind blows?
$4.99 ≈
£3.86
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Does It Matter?
