Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
£
£
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Don´t Be Too Sure
Non classifié
11
Piano & claviers
2 Pianos, 4 mains
21
Piano Facile
5
Piano, Voix
5
Piano seul
5
Piano, Voix et Guitare
2
Accordéon
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
4
Guitare
2
Voix
Chorale SATB
3
Chorale SSAA
1
Chorale 2 parties
1
Vents
Flûte traversière
3
Saxophone Tenor et Piano
2
Clarinette et Piano
2
Hautbois, Piano (duo)
2
Saxophone Alto
2
Saxophone Alto et Piano
2
Saxophone Tenor
2
Saxophone Baryton
2
Saxophone Soprano
2
Saxophone Soprano et Piano
2
Flûte traversière et Piano
2
Clarinette
2
Saxophone Baryton, Piano
2
Hautbois
2
3 Clarinettes (trio)
1
2 Flûtes traversières (duo)
1
Hautbois (partie séparée)
1
+ 12 instrumentations
Retracter
Cuivres
Tuba
4
Tuba et Piano
3
Trompette, Piano
2
Trombone
2
Trombone et Piano
2
Trompette
2
Cor
2
Cor et Piano
2
Cor (partie séparée)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 5 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violoncelle
3
Violoncelle, Piano
3
Violon et Piano
3
Alto seul
2
Contrebasse, Piano (duo)
2
Contre Basse
2
Violon
2
Alto, Piano
2
+ 4 instrumentations
Retracter
Percussions & orchestre
Orchestre à Cordes
7
Batterie
1
Ensemble Jazz
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
PARTITIONS GRATUITES
188 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Don´t Be Too Sure
Partitions à imprimer
152 partitions trouvées
<
1
26
51
....
151
Don´t Be Too Sure
Don´t Be Too Sure
#
Accordéon
#
INTERMÉDIAIRE
#
Neil Baker
#
Neil Baker
#
Don´t Be Too Sure
#
Neil A. Baker
#
SheetMusicPlus
Accordion - Level 3 - SKU: A0.1188700 By Neil Baker. By Neil Baker. Arranged by Neil Baker. Folk,Traditional. Score. 1 pages. Neil A. Baker #788315. Pub...
(+)
Accordion - Level 3 - SKU: A0.1188700 By Neil Baker. By Neil Baker. Arranged by Neil Baker. Folk,Traditional. Score. 1 pages. Neil A. Baker #788315. Published by Neil A. Baker (A0.1188700). This Music is inspired by the American Two-Step and can be found in Book 4 of The Swedish Accordion Collectionconsisting of 10 chosen numbers, which will save you 50% compared to buying each piece separatly.This one I wrote for my dear aunty and uncle back home in Wales.
$1.99 ≈
£1.51
Don't Work Too Hard GateWay Editions Jazz Ensemble Series
Don't Work Too Hard GateWay Editions Jazz Ensemble Series
#
Ensemble Jazz
#
Michael Bomier
#
Don't Work Too Hard GateWay Ed
#
Michael Butkus-Bomier
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael B...
(+)
Jazz Ensemble Jazz Ensemble - SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael Butkus-Bomier #2033003. Published by Michael Butkus-Bomier (A0.862528). The IImin7-V7-IMaj7 chord progression is the first and most basic set of chords in tonal jazz. So, let's see how far they can be layered, stretched, and interwoven to create some nicely contrasting harmonic and melodic colors. OK, it Might take a BIT more work that the title suggests. Irony is IN right now... The saxes state the theme in octave unison, while the brass comment and accompany. Then the saxes take over for a full chorus of soli. None of the phrases is more than three measures in length, so the players can blow through without blowing themselves out. The soloists are the trumpet, accompanied by a trombone background, and the piano, with saxophones behind it. SampleSolos are provided. The trumpet shows how Woody Shaw might have played this piece with pentatonic scales, a bit of a contrast to the tonal nature of the changes. The piano has a rapid, multi-noted solo with lots of chromatics, with fingerings, to show what the Tatum-style of pianistic technique is all about. Running time is just over 4 mins at suggested tempo. The rhythm section Uni-Part is included with every GateWay Edition Jazz Ensemble Series chart. Drum part is notated as heard on the audio clip. MBB.
$20.00 ≈
£15.18
Toot, Toot, Tootsie!
Toot, Toot, Tootsie!
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Gus Kahn, Ernie Erdman and Dan
#
F
#
Toot, Toot, Tootsie!
#
Sweetwater Brass Press
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th...
(+)
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
£5.31
Surface Pressure
Surface Pressure
#
Piano seul
#
DÉBUTANT
#
Film Walt Disney
#
Jessica Darrow
#
Joan Bujacich
#
Surface Pressure
#
Joan Bujacich
#
SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.893927 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Joan Bujacich. Contemporary. Score. 7 pages. Joan Bujacich #...
(+)
Easy Piano - Level 1 - SKU: A0.893927 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Joan Bujacich. Contemporary. Score. 7 pages. Joan Bujacich #6759253. Published by Joan Bujacich (A0.893927). Joan Bujacich's arrangement of this upbeat pop song from the Disney Movie, Encanto is fun and easy, Elementary level! It uses ALPHA NOTES and includes the LYRICS, too. The LH uses mainly 5ths on the downbeats while the RH captures the melody with nothing faster than an eighth note. Though it is simplified it does include the verse, chorus and fun rap like section middle section that people love! (so catchy). It is 6 pages in length. Ms. Bujacich has several arrangements from this movie including her popular arrangements of We Don't Talk About Bruno and What Else Can I Do?. She has duet versions and versions on different levels from Easy, Alphs Note versions to Junior and Intermediate levels. Check them all put here on Sheet Music Plus! Plus, she has the synthesia tutorials on youtube, so be sure to subscribe to her Youtube channel, too.
$4.99 ≈
£3.79
Don't You Worry Child
Don't You Worry Child
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Swedish House Mafia Featuring
#
Winston Feliz
#
Don't You Worry Child
#
Winston Feliz
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1224787 By Swedish House Mafia Featuring John Martin. By Axel Hedfors, Martin Lindstrom, Michel Zitron, Sebastian Ingross...
(+)
Piano Solo - Level 4 - SKU: A0.1224787 By Swedish House Mafia Featuring John Martin. By Axel Hedfors, Martin Lindstrom, Michel Zitron, Sebastian Ingrosso, and Steve Angello. Arranged by Winston Feliz. 21st Century,Disco,Instructional,Pop. Score. 4 pages. Winston Feliz #820896. Published by Winston Feliz (A0.1224787). Looking for a fun and engaging sheet music arrangement for your next recital or event? Look no further than the Swedish House Mafia hit Don't You Worry Child!This late intermediate level piece arranged by Winston Feliz is perfect for musicians looking to challenge themselves with a contemporary pop song that has taken the world by storm. And with an experienced arranger at the helm, you can be sure that this sheet music will capture all the excitement and energy of the original recording.For those unfamiliar with the Swedish House Mafia, this powerhouse group of producers and DJs took the electronic dance music world by storm with their high-energy, chart-topping hits. Don't You Worry Child was one of their biggest hits, and its soaring melodies and infectious beats make it the perfect choice for any musician looking to inject some energy into their repertoire.So whether you're a seasoned performer looking to take your skills to the next level, or just starting out and looking for a fun and accessible song to play, Don't You Worry Child is the perfect choice. With its unforgettable hooks and driving rhythms, this sheet music arrangement is sure to be a hit with audiences of all ages and musical backgrounds.
$9.99 ≈
£7.58
Don't Stop Believin'
Don't Stop Believin'
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Rock
#
Glee Cast
#
Sarah Cellobat Chaffee
#
Don't Stop Believin'
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.526387 By Glee Cast. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Sar...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.526387 By Glee Cast. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 25 pages. Sarah Cellobat Chaffee #6623631. Published by Sarah Cellobat Chaffee (A0.526387). Don't Stop Believin' is truly a song that needs no introduction! Widely recognized as one of the best rock anthems of all time, this song became everyone's favorite upon its release in 1983, when its instantly recognizable synth intro and catchy sing-along choruses helped it hit the top 10 on the Billboard charts. It soon went on to become the best-selling digital track of the 20th century and was named one of Rolling Stone's Greatest Songs Of All Time -- so you really can't go wrong having this one in your gig books! This Cellobat arrangement for your string quartet was originally written for a wedding reception, and with its powerful driving beat, catchy hooks, and soaring melodies, you're sure to get everyone singing along! I have played this song hundreds of times in my career, so I wanted to make my arrangement different -- I got tired of all the extensions and intonation issues in the song's original key of EM, so this version is actually transposed down to CM. My friends have loved playing this chart and prefer it over the usual ones, so I hope you do too! :) Rated intermediate; this will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99 ≈
£12.90
It Must Be Love
It Must Be Love
#
Chorale SSAA
#
INTERMÉDIAIRE
#
Madness
#
Liz Garnett
#
It Must Be Love
#
Liz Garnett
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Publi...
(+)
Choral Choir (SSAA) - Level 3 - SKU: A0.856211 By Madness. By Labi Siffre. Arranged by Liz Garnett. Oldies. Octavo. 6 pages. Liz Garnett #4313717. Published by Liz Garnett (A0.856211). This song was made famous for people of my generation by Madness, but those just a little older may remember the original version as sung by Labbi Siffre himself.This arrangement draws on the Madness version in the rhythmic feel of its riffs, but honours the song-writer's request to use all the correct lyrics (and I've highlighted the place where Madness don't so you can make sure to get it right too).N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal RangesTenor: E flat 4 - F5Lead: B flat 3 - C5Bari: B flat 3 - B flat 4Bass: E flat 3 - F4www.HelpingYouHarmonise.com
$2.99 ≈
£2.27
Imagining Quietly
Imagining Quietly
#
Piano seul
#
INTERMÉDIAIRE
#
Joshua Sharo
#
Imagining Quietly
#
Joshua Sharo
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.957954 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096361. Published by Joshua Sharo...
(+)
Piano Solo - Level 3 - SKU: A0.957954 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096361. Published by Joshua Sharo (A0.957954). Practice Tips: In order to play this piece, you must be able to play octave chords with multiple notes and be able to fluidly switch hand positions. Keep in mind that an F-flat is an E, an E double-flat is a D, and a B double-flat is an A. The third beat of measure 22, then, is a third: A-C. The right hand ostinato (repeating pattern) will get annoying if you play the B-flats too loudly. Instead, voice the lower notes whenever the pattern appears. The left hand has the melody in the second two lines of the piece. Make sure to voice the top of all of the chords. When the right hand enters with the same melody, it also continues some of the opening ostinato – make sure that the theme is clearly heard. Don't get too loud in measure 15. Remember that the loudest section is still to come! There are a lot of notes in measures 21-26. If you're not careful, it will sound muddy and dull. Give the most attention to the top note of the right hand and the bottom note of the left hand – this will help make your sound more clear. If you are having problems with some of the jumps (such as the left hand in measure 23), make sure you have a good fingering and then drill it multiple times. Start at a very slow metronome speed and gradually move up by 5 BPM until it gets too hard. If you do this day after day, you should eventually be able to play it! If this piece is too difficult, there exists an alternate version in C major. Most of the hard jumps have been removed. The end is also slightly different and should be easier to voice.
$1.99 ≈
£1.51
I Ain't Got Weary Yet
I Ain't Got Weary Yet
#
Piano, Voix
#
Percy Wenrich
#
I Ain't Got Weary Yet
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - SKU: LV.23663 Composed by Percy Wenrich. Cartoons, Campaigns & battles, War work, Courtship, Leisure, Military hospitals, Silhouettes,...
(+)
Piano and voice - SKU: LV.23663 Composed by Percy Wenrich. Cartoons, Campaigns & battles, War work, Courtship, Leisure, Military hospitals, Silhouettes, Satire, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23663). I Ain't Got Weary Yet. Latest Hit by the Writers of Where Do We Go From Here. Patriotic War Edition. Words by Howard Johnson. Music by Percy Wenrich. Published 1918 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Campaigns & battles, War work, Courtship, Leisure, Military hospitals, Silhouettes, Satire, World War I. First line reads Johnny Dunn, grabbed his little gun, sailed away, just to fight the Hun.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.55
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
Nocturne Op 48 No 1 EXCERPT (arranged for guitar)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Frederic Chopin
#
Brian Streckfus
#
Nocturne Op 48 No 1 EXCERPT
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,...
(+)
Guitar - Level 4 - SKU: A0.1181680 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Contemporary,Instructional,Romantic Period. Guitar Tab. 2 pages. Brian Streckfus #781456. Published by Brian Streckfus (A0.1181680). Disclaimer: This is a two page excerpt with mostly only the beginning and end of the original piece. This is still a work in progress, the middle section is going to be difficult, if not impossible on guitar. Some may see this as more of an homage to Chopin rather than a historically accurate version. That being said, both this arrangement and the original are incredible pieces of music, and it may be my favorite piece of all time, and I think jaws would drop if the average person hears a guitarist effortlessly playing Chopin as if it was meant for guitar. 1. Arranged for guitar. 2. Guitar Tablature added. 3. Key changed 4. Notes removed and and inverted chords changed to be idiomatic for guitar.5. Slurs added. 6. Chord nomenclature added. 7. Piano pedal and phrase markings are a bit unnecessary for a guitarist so they are not included. Slurs and ties are more important for a guitarist, so I don't want a ton of swoops symbols obscuring slurs and ties. As with the other Chopin arrangement I made, I want super romantic music while making sure it isn't super difficult to play. If I wanted a super hard version, I would just find the public domain version and read treble and bass clef in a difficult key for free. There could also be a lot more mantaining of historical accuracy if this was arranged for a 7 or 8 string guitar. Having a low E and Eb would really changed the trajectory of the arrangement. Sure a guitar can play an Eb chord, but it always sounds too high pitched, when really the original has a low powerful bass note as the music inflects a different key. So that's why I took some liberty with the bass notes for guitar. It's incredibly grimy sounding even though A minor isn't typically seen as a dark and low key.Tips:1. A Bb chord in the key of a minor is an example of a Neopolitan chord, named after a city in Italy. This is one main essence of Chopin, and constantly using them allows him to really toy around with the key and suspense. To Do:1. Measure 10 is glitched out. Sorry. It is correct in a way but it is strangely spaced. It is a challenge because at times it looks like measures have the incorrect amount of beats, but I think Chopin's freedom of rhythm is the reason why, and bizarre triplets and quintuplets are being forced into the measure. 2. Combination version without tab?3. The full piece?4. Add rhythm to tab?
$1.99 ≈
£1.51
Imagining Quietly (Alternate Version in C Major)
Imagining Quietly (Alternate Version in C Major)
#
Piano Facile
#
FACILE
#
Joshua Sharo
#
Imagining Quietly
#
Joshua Sharo
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.957955 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096365. Published by Joshua Sharo...
(+)
Easy Piano - Level 2 - SKU: A0.957955 Composed by Joshua Sharo. Contemporary,Standards. Score. 2 pages. Joshua Sharo #3096365. Published by Joshua Sharo (A0.957955). Practice Tips: The left hand has the melody in the second two lines of the piece. Make sure to voice the top of all of the chords. When the right hand enters with the same melody, it also continues some of the opening ostinato – make sure that the theme is clearly heard. Don't get too loud in measure 15. Remember that the loudest section is still to come! This is an alternate version of the composition Imagining Quietly. It is in C major and most of the hard jumps have been removed. The end is also slightly different and should be easier to voice. In this version, note that the third beat of measure 22 is a third: Eb-Gb (F#)
$1.99 ≈
£1.51
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
#
Chorale 2 parties
#
Musique Sacrée
#
Dan Cutchen
#
Choral - "O Give Thanks t
#
Dan Cutchen Music
#
SheetMusicPlus
Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0...
(+)
Choral Choir (2-Part) - SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99 ≈
£1.51
Unaccompanied Tuba Suite #2 in B-flat Major
Unaccompanied Tuba Suite #2 in B-flat Major
#
Tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Jason Allie
#
Unaccompanied Tuba Suite #2 in
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #310...
(+)
Tuba Solo - Level 4 - SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99 ≈
£12.14
Unaccompanied Tuba Suite #3: Rhapsody in A
Unaccompanied Tuba Suite #3: Rhapsody in A
#
Tuba
#
AVANCÉ
#
Jason Allie
#
Unaccompanied Tuba Suite #3: R
#
Joaba LLC
#
SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba L...
(+)
Tuba Solo - Level 5 - SKU: A0.991806 Composed by Jason Allie. Romantic Period,World. Individual part. 14 pages. Joaba LLC #3129601. Published by Joaba LLC (A0.991806). Description Total Duration: 11 minutes. A vigorous, advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. In an enjoyable and delightful manner, tubists will build dexterity, endurance, expressiveness, effective volume and range (going up to D/C# above the staff). This work will charm, captivate, and rouse/impress audiences. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba in whole or in part. Please send feedback, praises and more to contact@joaba.com. Performance Notes from the Composer Édesen Édesen translates to sweetly in Hungarian, and is this movement’s purpose: to be a centering, calming moment before the following tumult.The first 10 bars serve as an introduction to warm up to the melody. The melody has three contrasting articulations that must be respected: staccato, legato, and normal. The melody easily leads to high and low range notes-excellent for beginner/intermediate tubists to expand and solidify their range. Give more air for the range’s extremities so pitches don’t become too thin or muddled. The second theme in the dominant (E major) should be played with luscious legato and bright staccato. LassanLassan translates to slowly in Hungarian usually conveying stateliness or seriousness. This argumentative movement breaks the former’s idyll and sets the case for the next movement’s defiance and victory.The first section is to be played serious and strong. Increase air support for the higher pitches. Make the descending scales resound and bounce off the lowest notes. The second theme starting at 81 should be played with great charm and ease. For the solo passages, show-off but slow the tempo into the fermatas: (m77-80, m102-103, and m132-133). Friska Friska translates to fresh in Hungarian and in this case, it’s a duality of turbulence and final elation.Start the piece fast, but not too boisterous-embellishments are added in the repeat demanding boisterousness. Epitomizing the turbulence, the con moto sections (at m161 & m260) emphasize a 1 beat per measure feel-accelerate the tempo as is comfortable. The digressionary, crab-like sections (at m176 & m275) should be played as light as possible to help build up to the elated sections. The first elated section (m188) should be played as if gleefully discovered but not yet won; the second elated section (m291), with a victorious finality that cannot be diminished or tarnished.
$12.99 ≈
£9.86
Sunday Bloody Sunday
Sunday Bloody Sunday
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE/AVANCÉ
#
Celtique/Irlandais
#
U2
#
Kyle Pudenz
#
Sunday Bloody Sunday
#
ViolinVagabond Music
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. ...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
£15.18
On the Seashore of Endless Worlds (Orchestral score and parts)
On the Seashore of Endless Worlds (Orchestral score and parts)
#
Colin Kirkpatrick
#
On the Seashore of Endless Wor
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick Publications #60...
(+)
Choral Choir (4-Part) - Level 4 - SKU: A0.522061 Composed by Colin Kirkpatrick. Holiday,Patriotic. Octavo. 171 pages. Colin Kirkpatrick Publications #6028589. Published by Colin Kirkpatrick Publications (A0.522061). This choral work is sure to add excitement to your concert and it was given splendid reviews when it was first performed at London’s Royal Albert Hall. It was later performed at Croydon’s Fairfield Halls just outside London where it received a rapturous reception from the large audience. The work is ideal for music festivals (for which it was originally written) or any important event which needs a celebratory piece for choir and orchestra. The piece celebrates the endless joy of life and light, as children play on the seashore. The choral parts are not difficult and parts of the soprano could also be sung by children’s chorus if necessary. The words of the soprano solo part have a reflective, maternal quality as she watches the children playing on the shore. Singers are sure to enjoy the catchy melodies, the expressive soprano solo and the dramatic middle section of this work. Parts of the piece use several irregular time signatures. Don’t let them put you off! They are good deal easier than they look and the score contains indicates how they break down into simple groups of two and three beats.The orchestration is standard and requires: 2 flutes and piccolo, 2 oboes, 2 clarinets in B flat, 2 bassoons; 4 horns in F, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion (4 players), violin 1, violin 2, viola, cello, double bass. The full score and all the orchestral parts are contained in a single PDF file. A high-quality audio file containing the orchestral accompaniment is also available separately. The choral score with piano reduction is available separately too, from SMP.
$69.95 ≈
£53.11
Blue Moon
Blue Moon
#
Contemporain
#
Elvis Presley
#
Phil Thrift
#
Blue Moon
#
Phil Thrift
#
SheetMusicPlus
Brass Ensemble Trombone - Level 4 - SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 page...
(+)
Brass Ensemble Trombone - Level 4 - SKU: A0.955729 By Elvis Presley. By Richard Rodgers. Arranged by Phil Thrift. Contemporary. Score and parts. 15 pages. Phil Thrift #5769067. Published by Phil Thrift (A0.955729). Blue Moon is best performed by not telling your audience what is coming! Many listeners will be unfamiliar with the almost recitative-style opening that follows the four-measure intro. So when the well-known tune is finally heard at measure 23, some at least will be pleasantly surprised. But don’t decorate the melody too much here; just enjoy it as it is, let that warm trombone sound shine through! The 2nd trombone can decorate the melody a little more from measure 31 onward, but don’t let any swing feeling creep in before measure 38. You may wish to speed up a bit more than I have indicated at measures 47 and 62, but don’t play the swing sections too fast – this is not an up-tempo version. Just strengthen the swing feeling a little each time. This piece will test your quartet’s ability to play an easy swing really tight – especially when the melody is being pulled around, the lead player is playing a little behind the beat. As is usual with my arrangements, every player has the lead at some point, and maybe the chance to introduce a few of their own ideas. This arrangement gives you plenty of opportunity to exploit those all-important trombone characteristics: slide vibrato, bends, and smears, but above all, a warm sound!Listen to a full-length licensed recording on SoundCloud:
$14.99 ≈
£11.38
Powder Your Face With Sunshine
Powder Your Face With Sunshine
#
Piano, Voix et Guitare
#
Guy Lombardo
#
Powder Your Face With Sunshine
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Musi...
(+)
Piano/Vocal/Chords - SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000010. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000010). ISBN 9780739068540. UPC: 038081386140.This songbook contains more than 50 of the biggest hits of the 1940s. Each song is sure to spark a memory or create a new one for pianists and vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: The Anniversary Waltz (Vera Lynn) * As Time Goes By (Dooley Wilson) * At Last (Glenn Miller) * Ballerina (Vaughn Monroe) * Blues in the Night (Woody Herman) * Chattanooga Choo Choo (Glenn Miller) * Don't Fence Me In (Bing Crosby and The Andrews Sisters) * Don't Sit Under the Apple Tree (The Andrews Sisters) * Elmer's Tune (Glenn Miller) * Enjoy Yourself (Guy Lombardo) * Fools Rush In (Glenn Miller) * A Gal in Calico (Johnny Mercer) * How About You? (Tommy Dorsey) * How Are Things in Glocca Morra? (Buddy Clark) * How High the Moon (Benny Goodman) * I Fall in Love Too Easily (Frank Sinatra) * I'll Walk Alone (Dinah Shore) * I'm in Love (Doris Day) * Imagination (Glenn Miller) * It's Magic (Doris Day) * I've Heard That Song Before (Harry James) * La Vie en Rose (Edith Piaf) * Laura (Woody Herman) * Mam'selle (Art Lund) * The More I See You (Dick Haymes) * Near You (Francis Craig) * New York, New York (Gene Kelly, Frank Sinatra, & Jules Munshin) * Oh! What It Seemed to Be (Frank Sinatra) * The Old Lamp-Lighter (Sammy Kaye) * Only Forever (Bing Crosby) * Paper Doll (The Mills Brothers) * Powder Your Face with Sunshine (Guy Lombardo) * Red Roses for a Blue Lady (Vaughn Monroe) * Serenade in Blue (Glenn Miller) * Speak Low (Guy Lombardo) * Straighten Up and Fly Right (Nat King Cole) * Swinging on a Star (Bing Crosby) * Take the A Train (Duke Ellington) * Taking a Chance on Love (Benny Goodman) * That Lucky Old Sun (Frankie Laine) * Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) (Bing Crosby) * The Trolley Song (Judy Garland) * You'd Be So Nice to Come Home To (Dinah Shore) * You'll Never Know (Dick Haymes) * Zip-a-Dee-Doo-Dah (James Baskett).
$3.99 ≈
£3.03
Waltz Op 69 No 2 (Arranged for Guitar)
Waltz Op 69 No 2 (Arranged for Guitar)
#
Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Classique
#
Frederic Chopin
#
Brian Streckfus
#
Waltz Op 69 No 2
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Inst...
(+)
Guitar - Level 3 - SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99 ≈
£1.51
Yebba's Heartbreak
Yebba's Heartbreak
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Drake Feat
#
Sarah Cellobat Chaffee
#
Yebba's Heartbreak
#
Sarah Cellobat Chaffee
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1316934 By Drake Feat. Yebba. By Abbey Smith and James Francies. Arranged by Sarah ...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1316934 By Drake Feat. Yebba. By Abbey Smith and James Francies. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Soul. 13 pages. Sarah Cellobat Chaffee #905614. Published by Sarah Cellobat Chaffee (A0.1316934). Drake released his album Certified Lover Boy in September of 2021, and as he had done several times on previous albums, he included a musical interlude featuring a guest artist. On this album, the interlude was the song Yebba's Heartbreak (sung by Grammy-winning singer-songwriter Yebba), which soon became a fan favorite despite the fact that Drake does not appear at all on the track. Written as an ode to the singer's late mother, who suffered from depression, the song is a haunting tribute that remains in the minds and hearts of everyone who listens to it. This Cellobat arrangement for your string quartet maintains the pensive atmosphere, unconventional harmonies, ephemeral melodies, and unexpected chord changes of the original for a chart that will definitely give your audience chills -- and don't worry, it has been transposed to the string-friendly key of A minor (from its original key of G# minor)! Rated intermediate; there isn't anything too difficult in this chart, just make sure to pay attention to the accidentals! This will be playable for students and easily sightreadable for professionals.Sarah Cellobat Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their Deuces Are Wild residency at The Park MGM Theater, and she regularly performs at Allegiant Stadium as a member of the house band for the Las Vegas Raiders football team. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a world-renowned 14-piece dance band, and she plays regularly for Premiere Wedding Music, Bella Electric Strings, and the Femmes Of Rock. Sarah has performed and recorded with many other artists including Halsey, Disturbed, Mötley Crüe, Celine Dion, Michael Bublé, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at: http://www.cellobat.com http://www.instagram.com/cellobat http://www.youtube.com/c/SarahCellobatChaffee.
$16.99 ≈
£12.90
Everlong
Everlong
#
Foo Fighters
#
Brian Streckfus
#
Everlong
#
Brian Streckfus
#
SheetMusicPlus
Guitar - Level 2 - SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian St...
(+)
Guitar - Level 2 - SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian Streckfus #1063740. Published by Brian Streckfus (A0.1486675). Key: B minorPages: 2The aim of this version was not historical accuracy. The aim was to create a great solo unplugged coffee-house version with no page turns, though it could still be really useful for any situation. The melody is left intact, some liberties with the harmonies were taken when there is singing. I'm very proud and happy with how it turned out, sometimes you get lucky and the sections fall perfectly into place (which is suprising since there are some odd 3 measure phrases in here). Features:1. Beginner friendly. The chords are so accurate to what the sheet music is doing, that you don't even really need to read sheet music to play this!2. Harmonies that take difficulty, style, voice leading, and melody into consideration3. Condensed lead sheet version that fits on 2 pages to avoid a page turn; yet it is packed with details and naunces.4. Beautifully engraved sections that visually make sense on the page.Tips:1. Measures 8-16 I named that chords as if both guitars were taken into consideration. I'm guilty of sometimes saying, Oh it's just a rock song with power chords, but then you look into the details, and the chords are actually quite jazzy.2. Maybe She sang needs a fermata?3. If a song is in B minor and never changes key, fret 1 will never happens! Be in position 2 for this song! That's why I didn't put fingerings in, they would have been as helpful as confusing.4. Maybe it's a given, but I recommend forcing melody notes on to the chord in one way or another. Sometimes I go on spurts of notating many complex chords to account for the melody, other times I just show one chord per measure but kind of assume that you'll make the guitar work more fancy with the melody notes. Maybe this is overthinking the arrangement, but there is great voicings I'm doing that I want to get across, but sometimes I won't do it because the score will get too busy looking. Just food for thought, depends on your agenda I suppose.
$2.99 ≈
£2.27
Twice on Sunday
Twice on Sunday
#
Piano, Voix
#
INTERMÉDIAIRE
#
Cheryl Prazak
#
Jon Burr, with lyrics by Chery
#
Jon Burr
#
Twice on Sunday
#
jbQ Media
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #96572...
(+)
Piano,Vocal,Voice - Level 3 - SKU: A0.1380997 By Cheryl Prazak. By Jon Burr. Arranged by Jon Burr. Country,Pop,Wedding. Score. 9 pages. JbQ Media #965725. Published by jbQ Media (A0.1380997). Piano/vocal arrangement of Twice On SundayGrade 3 pop for alto voice and pianoThis compelling song is a reminiscence of a long, successful marriage, which would work especially well at a wedding anniversary celebration.Composed by Jon Burr, with lyrics by Cheryl Prazak, with vocal on the video and mp3 by Samantha Jane. The lyric is: Just your smile, was when our love began.Don’t know how it happened, it wasn’t in my planKnowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday.When I looked into your eyes, I saw something more than blue,My reflection in your eyes told me you saw something, too.Knowing now what I didn’t know way back thenWould I do it all again?Every day of the week and twice on Sunday.Would I take you again, to be my dearest friend?My buddy and my love right through until the end,Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on Sunday..At first I didn't know, I was very unsurewhen you asked for my hand, I felt so insecureTook it on faith, somehow I just knewit could work out getting married to youFrom the moment when we danced, when I put my trust in you,Magic came into my heart, I knew our love would stay true.Knowing now what I didn’t know way back then,Would I do it all again?Every day of the week and twice on SundayEvery day of the week and twice on Sundayon Sundayon Sunday Â
$4.99 ≈
£3.79
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
Ah, scostati!...Smanie implacabili (Dorabella) from Così fan tutte - Accessible Accompaniments Ed.
#
Classique
#
Classique
#
Wolfgang Amadeus Mozart
#
Nicole Elyse DiPaolo
#
Ah, scostati!...Smanie implaca
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pa...
(+)
Mezzo-Soprano Voice,Vocal Solo - Level 5 - SKU: A0.1186002 Composed by Wolfgang Amadeus Mozart. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 10 pages. Nicole Elyse DiPaolo #785660. Published by Nicole Elyse DiPaolo (A0.1186002). The first of its kind, this is a much more readable and sight-playable piano/vocal reduction of Ah, scostati!...Smanie implacabili,†Dorabella’s first aria from Mozart’s Così fan tutte (1790). The sextuplets in the right hand found in most standard reductions have been condensed into triplets with a grace note, emphasizing that the gestural shape is what needs to be heard rather than every individual note, and the result is a much clearer and less note-filled score for the audition pianist. Some large spans in the left hand have also been reduced out and redistributed for more ergonomic playing on long audition days. When a grace note has an accidental that is then repeated later in the gesture, I’ve rewritten that accidental on the full-size note containing it for ease of reading (so the cue-size accidental is not the only indication of said accidental in the measure, which would make it too easy to miss). The recitative “Ah, scostati!†is also included with slight alterations and courtesy accidentals in the melodic minor scales.As with any Accessible Accompaniments edition that’s not also an audition/solo cut, I suggest bringing two copies to each audition: one Accessible Accompaniment and one copy of a standard edition. Audition pianists who don’t know the aria will almost always choose the cleaner look of the Accessible Accompaniment, but those who know “Smanie†well might prefer to play from the edition they learned it from. This will provide singers and their audition pianists every chance of a successful collaboration.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included additional courtesy accidentals.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. I’ve also replaced text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
£6.79
Easy Sailing for Piano
Easy Sailing for Piano
#
Piano Facile
#
FACILE
#
Contemporain
#
Alex Lewis
#
Easy Sailing for Piano
#
Houston-Piano Studio
#
SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1110128 Composed by Alex Lewis. Classical,Contemporary. Score. 2 pages. Houston-Piano Studio #712462. Published by Housto...
(+)
Easy Piano - Level 2 - SKU: A0.1110128 Composed by Alex Lewis. Classical,Contemporary. Score. 2 pages. Houston-Piano Studio #712462. Published by Houston-Piano Studio (A0.1110128). Easy Sailing for Piano was a composition I wrote a few months into the corona-virus pandemic. My dad talked to me about writing piano music like this and almost immediately the idea for this composition popped into my head. I've created maybe over twenty compositions so far in my life, and this was the first one where I knew exactly how it was going to sound from the moment I got the idea. With all the other pieces, I started out with a small idea and grew from there. But as I said, with Easy Sailing for Piano, I knew exactly how the piece would go. Well... There is one thing that's different. Originally, I wanted Easy Sailing for Piano to be a lot longer. The idea was to increase in difficulty the further into the music you went. The problem with that idea was that I also wanted this to be an easy song to learn. It was clear that if I continued the composition, I was going to make it unsuitable for beginners to play. The parts that survived sound really good though. Easy Sailing for Piano should be pleasant to listen to and play. Easy Sailing for Piano is technically a theme and variations. If you don't know, a theme and variations is a musical form. It starts with a melody that establishes the mood of the composition, and the variations basically play around with that theme. Now this piece only has the theme and the first variation. I'm pretty sure you need more than one variation for it to officially be a theme and variations. But, I don't think that matters too much since it's for beginners and not advanced students. In the future, I might write a sequal to this composition. I think I might call it Easy Sailing for Piano 2, or something along those lines. It will have a theme that's similar to this video's, but it will be much, much longer. If you purchase the sheet music for Easy Sailing for Piano, I hope you enjoy it! This is supposed to be a pleasant song to listen to and perform.
$1.99 ≈
£1.51
Test Drive
Test Drive
#
Alto seul
#
INTERMÉDIAIRE
#
Film/TV
#
John Powell
#
Glauco Fernandes
#
Test Drive
#
Glauco Fernandes
#
SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.1375879 By John Powell. By John Powell. Arranged by Glauco Fernandes. Film/TV. Individual part. 2 pages. Glauco Fernandes...
(+)
Viola Solo - Level 3 - SKU: A0.1375879 By John Powell. By John Powell. Arranged by Glauco Fernandes. Film/TV. Individual part. 2 pages. Glauco Fernandes #960429. Published by Glauco Fernandes (A0.1375879). Discover the magic of music with the exclusive arrangement of the iconic Test Drive by John Powell, from the epic movie How To Train Your Dragon. This score has been meticulously crafted to meet the needs of musicians of all levels and styles.Looking for an exciting challenge? This arrangement provides a captivating musical experience, perfect for students looking to expand their horizons and enrich their repertoires. With a combination of energetic rhythms and engaging melodies, Test Drive offers a unique opportunity to enhance your musical skills.Music teachers will find in this arrangement a valuable tool for their instrument or chamber music classes. The score offers a variety of techniques and nuances that can be explored together with students, encouraging musical growth and development.For professional musicians seeking a high-quality score, this is the ideal choice. The precision and detail of this score ensure an impressive performance at a variety of events, from recitals and concerts to wedding ceremonies. The captivating melody of Test Drive is sure to delight audiences and add a touch of magic to any occasion.Don't miss the opportunity to acquire this exceptional arrangement of Test Drive by John Powell. Immerse yourself in the beauty of music and let yourself be carried away by this thrilling sonic journey. Get your score now and bring this musical masterpiece to life in your own hands.
$4.99 ≈
£3.79
<
1
26
51
....
151
Don´t Be Too Sure
