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Vous avez sélectionné:
Dramatic Episode
Partitions à imprimer
33 partitions trouvées
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26
Dramatic Episode
Dramatic Episode
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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William F
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Dramatic Episode
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William F Rayer
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 4 - SKU: A0.1233274 Composed by William F. Rayer. 20th Century. Score and part. 10 pages. William F Rayer #828893. Publishe...
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B-Flat Trumpet,Piano - Level 4 - SKU: A0.1233274 Composed by William F. Rayer. 20th Century. Score and part. 10 pages. William F Rayer #828893. Published by William F Rayer (A0.1233274). This is a solo for trumpet and piano. The style is contemporary with quartel harmony and a declarative trumpet style.
$5.99 ≈
5.44€
Monteverdi Madrigals Book 6 - 08. SESTINA
Monteverdi Madrigals Book 6 - 08. SESTINA
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi Madrigals Book 6 -
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767277 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 79 pages. Lyons Music Services #3218695. Published by Lyons Music Services (A0.767277). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The songs starting from no 8 form a set of 6 to which Monteverdi gave a separate title Sestina Within this set of songs Monteverdi creates a little dramatic episode which foreshadows many of the developments that we find in his early operas: Monody/recitative, dialogue between chorus and soloist, a tendency to give the high parts strong melodic lines and a clear division of the roles of the singers. For the time being, until someone asks, I am not going to release the separate songs from Sestina individually as some of them are a little short. A sestina is a complicated verse form of six stanzas each of six lines with rules about repeating the last line of the first stanza. The poetic form is of little use to us as instrumentalists, but the dramatic mourning, cries of anguish and the feelings of loss embodied in the music will come through regardless of the lack of words. As with all things madrigalian, the lyrics are rife with double entendres.
$15.99 ≈
14.52€
The Execution of Pugatchev
The Execution of Pugatchev
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Rodion Shchedrin
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The Execution of Pugatchev
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Schott Music - Digital
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SheetMusicPlus
Mixed chorus (SSAATTTBBB) with soloists and 3 boys’ voices (SSA) - difficult - SKU: S9.Q9132 For mixed choir with soloists and 3 boys (SSA) a ...
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Mixed chorus (SSAATTTBBB) with soloists and 3 boys’ voices (SSA) - difficult - SKU: S9.Q9132 For mixed choir with soloists and 3 boys (SSA) a cappella. Composed by Rodion Shchedrin. This edition: choral score. Schott Chamber Choir. Downloadable, Choral score. Duration 12 minutes. Schott Music - Digital #Q9132. Published by Schott Music - Digital (S9.Q9132). Russian.This dramatic episode is taken from Pushkin’s novella about the execution of a Russian social revolutionary in 1775 and presented by the composer as an acoustic scene. Here is something really special for a large and very able chorus.
$15.99 ≈
14.52€
Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone et Piano
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AVANCÉ
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
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Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
31.77€
The Lonely Man
The Lonely Man
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Joseph Harnell
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Scott Hagarty
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The Lonely Man
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Scagarty Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.939491 Composed by Joseph Harnell. Arranged by Scott Hagarty. Contemporary. Score and parts. 11 pages. Scagarty Music...
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Brass Ensemble - Level 4 - SKU: A0.939491 Composed by Joseph Harnell. Arranged by Scott Hagarty. Contemporary. Score and parts. 11 pages. Scagarty Music #6575605. Published by Scagarty Music (A0.939491). At the end of most of the episodes from the 1978 TV Series, The Incredible Hulk, the main character, David Banner, is shown leaving whatever town or city he was in, walking alone down the highway, sometimes hitch-hiking, as he has typically destroyed buildings, human lives, and relationships as his Hulk persona earlier in the episode and can no longer show his face in town. The music that accompanies this ending scene is the tragic and sad The Lonely Man. It is so stereotypically and overly dramatic, that it has become something of an internet meme, being featured on an episode of Family Guy as well as numerous Youtube videos. This setting for brass quintet stays faithful to the original version for solo piano by Joe Harnell and captures the mournful and sad atmosphere perfectly.
$12.99 ≈
11.79€
Deadly Pleasures
Deadly Pleasures
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John Casken
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Deadly Pleasures
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Schott Music - Digital
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SheetMusicPlus
Ssax(tsax)-tpt-pno-vln saxophone, trumpet, piano, violin and amplified narrator - SKU: S9.Q19663 For narrator and instrumental ensemble. Composed...
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Ssax(tsax)-tpt-pno-vln saxophone, trumpet, piano, violin and amplified narrator - SKU: S9.Q19663 For narrator and instrumental ensemble. Composed by John Casken. This edition: score. Egypt - destiny - D.M. Thomas - Drama - dramatic - poem - Cleopatra - Life - poetry - fate - death - dead. Downloadable, Score. Duration 25 minutes. Schott Music - Digital #Q19663. Published by Schott Music - Digital (S9.Q19663). English.This work’s title comes from DM Thomas’s dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for which they must forfeit their lives the next morning. Three men step forward, the last of which is the son she had by her brother Ptolemy, whom she gave away at birth. Unaware that Cleopatra is his mother, he gives her wine laced with mandragora and makes his escape before daybreak. The grisly tale provided the composer many opportunities for dramatic characterisation. The use of a narrator necessitated an episodic structure in which the music captures the atmosphere suggested by the text, and mirrors the different moods as the journey unfolds and the three characters live out their different fates.The title Deadly Pleasures was suggested by the content of D.M. Thomas’s dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for which they must forfeit their lives the next morning. Three men step forward, the last of which (unbeknownst to all) is the son she had by her brother Ptolemy, whom she gave away at birth. Unaware that Cleopatra is his mother he gives her wine laced with the drug mandragora and escapes his grisly death before daybreak. The music of Deadly Pleasures skilfully captures the diff erent episodic moods of the text as the journey unfolds, and the three characters live out their diff erent fates.
$25.99 ≈
23.59€
Deadly Pleasures
Deadly Pleasures
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John Casken
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Deadly Pleasures
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Schott Music - Digital
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SheetMusicPlus
Ssax(tsax)-tpt-pno-vln saxophone, trumpet, piano, violin and amplified narrator - SKU: S9.Q19673 For narrator and instrumental ensemble. Composed...
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Ssax(tsax)-tpt-pno-vln saxophone, trumpet, piano, violin and amplified narrator - SKU: S9.Q19673 For narrator and instrumental ensemble. Composed by John Casken. This edition: set of parts. Destiny - D.M. Thomas - DM Thomas - dramatic - poem - faith - Cleopatra - Life - fate - death. Downloadable, Set of parts. Duration 25 minutes. Schott Music - Digital #Q19673. Published by Schott Music - Digital (S9.Q19673). English.The title Deadly Pleasures was suggested by the content of DM Thomas’s dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for which they must forfeit their lives the next morning. Three men step forward, the last of which is the son she had by her brother Ptolemy, whom she gave away at birth. Unaware that Cleopatra is his mother, he gives her wine laced with mandragora and makes his escape before daybreak. The grisly tale provided the composer many opportunities for dramatic characterisation. The use of a narrator necessitated an episodic structure in which the music captures the atmosphere suggested by the text, and mirrors the different moods as the journey unfolds and the three characters live out their different fates.
$46.99 ≈
42.66€
Dances of the Dead - Score Only
Dances of the Dead - Score Only
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Robert A
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Dances of the Dead - Score Onl
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Robert A. Howard
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SheetMusicPlus
SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #1049261. Published by ...
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SKU: A0.1471488 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Halloween,Thriller. 30 pages. Robert A. Howard #1049261. Published by Robert A. Howard (A0.1471488). This work aims to depict a common theme of certain pieces by some classical composers: that of deathly or devilish dances, and the like. This piece is an extended single movement structure for a mixed chamber ensemble that is an octet of oboe, 2 clarinets, bassoon, piano, viola, cello, and double bass. The form is divided into a series of contrasting dances (labelled as Dance, Folk Lament, Jig, Meditation, and Funeral March), all of which are interspersed with differing statements of an ostinato-based 'chorale' idea on the piano. The whole work is framed by an 'intrada', which builds the germinal motif on which the whole piece is based, characterised by semitones and fourths. Indeed, the 'devil's interval' of the augmented fourth has a particular function and significance. The piece actually ends with an 'epilogue', which features mysterious and ghostly reminiscences of the previous main sections. The title of this work also refers to the episode 'Dance of the Dead' from the 1960s cult TV series 'The Prisoner'. In part, the piece attempts to capture the mystery and atmosphere of the series, and of that specific episode. Indeed, the music's series of related but contrasting sections act almost as an original sequence of dramatic TV incidental music cues. The work is accessible to both performers and audience alike. The attached document is the full score only, with audio provided.Duration: 11 minutes 40 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$8.99 ≈
8.16€
Rondeau in E flat for Harp or Pianoforte (Benton 613)
Rondeau in E flat for Harp or Pianoforte (Benton 613)
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Piano seul
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INTERMÉDIAIRE
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Classique
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Ignaz Josef Pleyel
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Allan Badley
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Rondeau in E flat for Harp or
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Artaria Editions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1487252 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. Score. 11 pages. Artaria Editions #1064226. ...
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Piano Solo - Level 3 - SKU: A0.1487252 Composed by Ignaz Josef Pleyel. Arranged by Allan Badley. Classical. Score. 11 pages. Artaria Editions #1064226. Published by Artaria Editions (A0.1487252). Ignaz Pleyel (1757-1831) was at one time the most famous composer in the world. The popularity of his music eclipsed that of even his teacher Haydn and publishers vied to bring out his latest works as soon as they were finished. Some 2000 separate prints of Pleyel works had appeared by 1800 and his fame extended to every corner of Europe and as far afield as North America. Pleyel's career as a composer spanned less than thirty years with the majority of his works composed in the 1780s. He founded a successful publishing house in Paris in the mid-1790s and later began manufacturing keyboard instruments. With increasing demands on his time from his business concerns Pleyel's productivity as a composer dropped sharply and he ceased composing around 1805. Pleyel wrote very little solo keyboard music preferring instead to compose accompanied sonatas (i.e. piano trios). The attractive Rondeau in E flat (Benton 613), suitable for performance by either harp or fortepiano, illustrates many of Pleyel's strengths as a composer. It is attractive, technically resourceful and unerring in its sense of dramatic pace. Its principal theme is lively and distinctive, not too difficult technically and yet rewarding to play. The principal theme and the episodic material are elegantly constructed and reveal a sensitivity to the tone colour of the instrument. The minore section is dramatic and the octave doublings lend it a strength and power which contrasts effectively with the gentle rondeau theme. The final episode, the most technically challenging, adds a thrilling touch of drama to the closing phase of the piece.
$25.00 ≈
22.69€
Give Me Everything (Tonight)
Give Me Everything (Tonight)
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pitbull Featuring Ne-Yo, Afroj
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Alison Gillies
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Give Me Everything
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quartetpad.com
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SheetMusicPlus
String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1446930 By Pitbull Featuring Ne-Yo, Afrojack & Nayer. By Armando Perez, Nick Van De Wall, and Shaffer...
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String Trio Cello,Viola,Violin - Level 4 - SKU: A0.1446930 By Pitbull Featuring Ne-Yo, Afrojack & Nayer. By Armando Perez, Nick Van De Wall, and Shaffer Smith. Arranged by Alison Gillies. Contemporary,Film/TV,Pop,Wedding. 15 pages. Quartetpad.com #1026700. Published by quartetpad.com (A0.1446930). Give Me Everything (Tonight) by Pitbull Featuring Ne-Yo, Afrojack & Nayer arranged for string trio (optional violin 2 OR viola) by Alison Gillies.A stripped back cover of this song was used in a pivotal scene in episode 4 of Bridgerton season 3 and is sure to be a bit hit with listeners! This arrangement borrows elements from both the Archer Marsh cover (dramatic pauses, anyone?) and the original track. It is same key as the hit single.Other Bridgerton arrangements by Alison Gillies:- Wildest Dreams (Taylor Swift) - Halo (Beyoncé)- Wrecking Ball (Miley Cyrus) - Sign of the Times (Harry Styles)- What About Us (P!nk) - Dancing On My Own (Robyn) - Material Girl (Madonna) - Thank U, Next (Ariana Grande)- Girls Like You (Maroon 5)- In My Blood (Shawn Mendes) - Bridgerton Theme (Kris Bowers)- Cheap Thrills (Sia)- abcdefu (Gayle)- Dynamite (BTS)See more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
$16.99 ≈
15.42€
Give Me Everything (Tonight)
Give Me Everything (Tonight)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Pitbull Featuring Ne-Yo, Afroj
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Alison Gillies
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Give Me Everything
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quartetpad.com
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1448315 By Pitbull Featuring Ne-Yo, Afrojack & Nayer. By Armando Perez, Nick Van De Wall, and Shaffer...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1448315 By Pitbull Featuring Ne-Yo, Afrojack & Nayer. By Armando Perez, Nick Van De Wall, and Shaffer Smith. Arranged by Alison Gillies. Contemporary,Film/TV,Hip-Hop,Pop. 8 pages. Quartetpad.com #1028255. Published by quartetpad.com (A0.1448315). Give Me Everything (Tonight) by Pitbull Featuring Ne-Yo, Afrojack & Nayer arranged for string duo by Alison Gillies.A stripped back cover of this song was used in a pivotal scene in episode 4 of Bridgerton season 3 and is sure to be a bit hit with listeners! This arrangement borrows elements from both the Archer Marsh cover (dramatic pauses, anyone?) and the original track. It is same key as the hit single.Other Bridgerton arrangements by Alison Gillies:- Wildest Dreams (Taylor Swift) - Halo (Beyoncé)- Wrecking Ball (Miley Cyrus) - Sign of the Times (Harry Styles)- What About Us (P!nk) - Dancing On My Own (Robyn) - Material Girl (Madonna) - Thank U, Next (Ariana Grande)- Girls Like You (Maroon 5)- In My Blood (Shawn Mendes) - Bridgerton Theme (Kris Bowers)- Cheap Thrills (Sia)- abcdefu (Gayle)- Dynamite (BTS)See more arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
$10.99 ≈
9.98€
Give Me Everything (Tonight)
Give Me Everything (Tonight)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Pitbull Featuring Ne-Yo, Afroj
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Alison Gillies
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Give Me Everything
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quartetpad.com
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1440521 By Pitbull Featuring Ne-Yo, Afrojack & Nayer. By Armando Perez, Nick Van De...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1440521 By Pitbull Featuring Ne-Yo, Afrojack & Nayer. By Armando Perez, Nick Van De Wall, and Shaffer Smith. Arranged by Alison Gillies. Contemporary,Film/TV,Pop,Wedding. 15 pages. Quartetpad.com #1020489. Published by quartetpad.com (A0.1440521). Give Me Everything (Tonight) by Pitbull Featuring Ne-Yo, Afrojack & Nayer arranged for string quartet by Alison Gillies.A stripped back cover of this song was used in a pivotal scene in episode 4 of Bridgerton season 3 and is sure to be a bit hit with listeners! This arrangement borrows elements from both the Archer Marsh cover (dramatic pauses, anyone?) and the original track. It is same key as the hit single.Browse more arrangements by Alison Gillies (including all the Bridgerton hits!) at quartetpad.comInstagramFacebookTikTok
$16.99 ≈
15.42€
A, B & C
A, B & C
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Piano seul
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AVANCÉ
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Robert A
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A, B & C
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.998801 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 8 pages. ...
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Piano Solo - Level 5 - SKU: A0.998801 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 8 pages. Robert A. Howard #6056443. Published by Robert A. Howard (A0.998801). A, B & C is a set of three related piano pieces. The work shares its title with, and relates to, an episode of the cult 1960's British TV series 'The Prisoner'. The music is conceived, in the manner of my other Prisoner-inspired pieces, almost to act as dramatic TV incidental music cues. The piece is highly accessible and is appropriate for advanced pianists, including students and professional players.
$5.99 ≈
5.44€
Holy Worthy Lamb
Holy Worthy Lamb
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Piano, Voix
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Musique Sacrée
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Stephen R Dalrymple
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Stephen R Dalrymple
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Holy Worthy Lamb
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.818204 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship...
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Piano,Vocal,Voice - SKU: A0.818204 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 37 pages. Stephen R Dalrymple #3070535. Published by Stephen R Dalrymple (A0.818204). Holy Worthy Lamb - original song by Stephen R Dalrymple (Worship Team Edition)♫ CCLI Song # 7150774♫ music © 2005, 2023 (© registered in 'Sacred Songs 2000-2005’ collection)♫ recording ℗ 2023 Stephen R Dalrymple♫ presentation © 2023 Stephen R Dalrymple♫ sequenced by the composer♫ based on Revelation 5:1-6:2♫ Over the years, several lovely worship songs exalting the worthiness of the Lamb have been created from Revelation 5:12-14. As I studied Revelation 5, I was moved by the context of the Worthy is the Lamb statements. This episode is the beginning of dramatic judgments that the earth and its inhabitants will face. These verses depict not only the glory and worthiness of the Lamb, but the failure of mankind and resulting judgment of God.♫ The verse is set in the Dorian Mode.♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50 ≈
4.08€
Sonata #4 in B minor
Sonata #4 in B minor
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Piano seul
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Contemporain
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James Domine
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Sonata #4 in B minor
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Earth Music, Ltd.
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SheetMusicPlus
Piano Solo - SKU: A0.976505 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 24 pages. Earth Music, Ltd. #2081739. Published by Earth...
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Piano Solo - SKU: A0.976505 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 24 pages. Earth Music, Ltd. #2081739. Published by Earth Music, Ltd. (A0.976505). Composed in 2008, the Piano Sonata #4 in B minor is a somewhat lengthier and more extended work than its predecessors in the genre. The principal theme is a march-like Pesante with an upward motion that reaches its zenith in a chromatic passage that swells up from the depths, subsiding into the flowing tranquillo of the transitional episode. The gentle warmth of the subordinate theme grows into a romantic rhapsody that fades away like a dream. The first section of the development is a sequence built upon the Pesante theme that erupts into an arpeggiated fantasia using the tranquillo episodic motive. The recapitulation is reached after a frenzied cadenza, and the sonata concludes in a dramatic if tragic mode. This sonata in orchestral garb serves as the foundation for the first movement of Domine’s Symphony #4.
$8.95 ≈
8.12€
A Dazzling End
A Dazzling End
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Film/TV
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Murray Gold
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Diana Mayne
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viola parts.
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A Dazzling End
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Diana Mayne
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.958244 By Murray Gold. By Murray Gold. Arranged by Diana Mayne. Film/TV. Score and parts. 11 pages. Di...
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String Quartet String Quartet - Level 3 - SKU: A0.958244 By Murray Gold. By Murray Gold. Arranged by Diana Mayne. Film/TV. Score and parts. 11 pages. Diana Mayne #6357501. Published by Diana Mayne (A0.958244). String quartet arrangement of A Dazzling End (from Doctor Who), the dramatic music that plays when Donna Noble prepares to go reset the timeline in the episode Turn Left from Series 4. Key of C Major. Includes some fast string crossings and chromatics for the violins. Fairly simple cello & viola parts. Approx. 2:10 in length. Complete score & individual parts included with purchase.
$12.99 ≈
11.79€
Marcha Cadiz
Marcha Cadiz
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Orchestre d'harmonie
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Contemporain
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Joaquin Valverde y Federico Ch
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Marc Oliver
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Marcha Cadiz
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - SKU: A0.733068 Composed by Joaquin Valverde y Federico Chueca. Arranged by Marc Oliver. Contemporary. Score and parts. 63 pages. Ayotte C...
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Concert Band - SKU: A0.733068 Composed by Joaquin Valverde y Federico Chueca. Arranged by Marc Oliver. Contemporary. Score and parts. 63 pages. Ayotte Custom Musical Engravings #2966795. Published by Ayotte Custom Musical Engravings (A0.733068). Cádiz is a comic-lyric-dramatic national episode (zarzuela) in two acts, divided into nine paintings, with music by Federico Chueca and JoaquÃn Valverde, with a libretto by Javier de Burgos. It premiered at the Teatro Apolo in Madrid, on November 20, 1886. Cádiz (which is pronounced KAH-dis and not KAY-dis) is a Spanish seaport and naval base on the Southwest shore of the Atlantic Ocean, between the Portuguese border and the Strait of Gibraltar. (Cadiz, which is pronounced KAY-dis, is a little town in Western Kentucky on Interstate 24, about 20 miles west of Hopkinsville.) This march is one of many popular military marches in Spain.
$59.99 ≈
54.46€
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
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David Catherwood
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Jack's Journey - A new Musical
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Opus 3 Music
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 3 - SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583...
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Choral Piano,Vocal,Voice - Level 3 - SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50 ≈
8.62€
Toasting Mother Earth
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00 ≈
31.77€
Fantasia gregoriana
Fantasia gregoriana
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Bertold Hummel
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Fantasia gregoriana
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 · 1 - P. S. (Vibr. · Trgl. · 3 hg. Beck. · Sizzle-Beck. · ...
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3 (3. auch Picc.) · 2 · Engl. Hr. · 2 · Bassklar. · 2 - 4 · 3 · 3 · 1 - P. S. (Vibr. · Trgl. · 3 hg. Beck. · Sizzle-Beck. · Gong · Tamt.) (2 Spieler) - Hfe. - Str. orchestra - SKU: S9.Q7087 Für großes Orchester. Composed by Bertold Hummel. This edition: study score. Music Of Our Time. Downloadable, study score. Op. 65. Duration 8 minutes. Schott Music - Digital #Q7087. Published by Schott Music - Digital (S9.Q7087). The brief Fantasia gregoriana, op.65, is based on the Gregorian Easter Hallelujah. Like a mosaic, the individual heterogenic episodes, lyrical, dance-like, hymnal and dramatic in turn, are combined through the permanent presence of the theme into a unified whole. The Gregorian Hallelujah is present as a type of mode in every bar of the work. The subdued introduction, characterised by the tritonically transposed structure of the original material, is followed by a sharply accentuated presentation of the theme in the bass. Over the partially engarlanded resolved variants, a first bitonal climax is reached (F minor and D major simultaneously). The dramatic development is repeated, interspersed with arioso interruptions, until the main idea is brought to culmination in brilliant instrumentation. The final chord consists of all notes of the theme.
$22.99 ≈
20.87€
The Harp that once through Tara's Halls
The Harp that once through Tara's Halls
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Anonymous
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John Groarke
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The Harp that once through Tar
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Botany Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1381534 Composed by Anonymous. Arranged by John Groarke. Celtic,Historic,Irish,Traditional. Brass Band. 25 pages. Botany Music #966244. Published by Botany Music (A0.1381534). This is an arrangement for brass band of the powerful Irish song (lyrics by Thomas Moore) which laments the loss of past glories and the determination to endure and again achieve freedom. The piece recalls historical episodes and features all sections of the band. Dramatic, romantic, sad, optimistic - with a melody which will remain in your heart!
$25.00 ≈
22.69€
Triumvirate
Triumvirate
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Daniel Burwasser
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Triumvirate
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Head and Stem
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SheetMusicPlus
Bassoon,Drum Set,Piano - Level 4 - SKU: A0.1355909 Composed by Daniel Burwasser. 21st Century,Classical,Rock. 39 pages. Head and Stem #940632. Published...
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Bassoon,Drum Set,Piano - Level 4 - SKU: A0.1355909 Composed by Daniel Burwasser. 21st Century,Classical,Rock. 39 pages. Head and Stem #940632. Published by Head and Stem (A0.1355909). Notes on TRIUMVIRATE The term Triumvirate goes back to the time of Julius Caesar and is roughly defined as a group of three men holding political power. In the case of this musical work, it refers to three performers holding great musical power and with equal responsibility. The idea for Triuvirate was sparked at the suggestion of colleague and composer/bassoonist, Kenneth Lieberson who has also composed a duo for bassoon and drum set. Triumvirate represents the closest artistic merger between my rock roots and classical roots that I have ever produced. As in a Triumvirate, the three parts compliment each other. The piano is the centerpiece, providing rhythmic propulsion as well as the harmonic element, the drums provide pulse, dramatic color and pure rhythmic thrust, and the bassoon supplies a prominent melodic role. The work is in the form of a fantasy based on a single one-bar riff heard at the very outset of the piece. As the work unfolds, the riff gets tossed around and is morphed into other motives and more extended episodes. A couple of slower and softer sections offer relief from the more energetic moments. The piece concludes with a prominent statement of the opening main riff. Daniel Burwasser NYC, January, 2024
$15.00 ≈
13.62€
The Legend of Ramund
The Legend of Ramund
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Chorale SATB
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Mogens Eliasen
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The Legend of Ramund
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Soverenity Enterprises Inc.
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Publishe...
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Choral Choir (SATB) - SKU: A0.1007125 Composed by Mogens Eliasen. Folk,Romantic Period. Octavo. 40 pages. Soverenity Enterprises Inc. #2948289. Published by Soverenity Enterprises Inc. (A0.1007125). The 40-page score is a choral symphony with a powerful lesson to modern people, based on an old Danish folk song about the young super-hero Ramund. The score is dense with contents, both musically and lyrically, and alone for that reason, the 8-minute performance takes an advanced choir.The original folk song dates back to the Viking age and consist of many episodes ofRamund's life, almost like a personal saga. Some have undoubtedly been added later,making the total number of stanzas go up around 50, but the main idea of the song isto report about a young lad, whose ideas of what is right for him to do or not doare completely unaffected by other people's opinions, including those of royalties andcelebrities. The stories are in many regards comparable to those of Beowolf.Although the stories generally are dramatic and bloody, Ramund always retains hiscool attitude and shows how unimpressed he is with power demonstrations, even hisown when he is provoked to use his strength. It is a common element throughout thestories that Ramund detests evil and aggression, and he goes to great lengths to fightpower abusers and aggressive elements. He just wants to live in peace and not haveto be bothered by all those who like to abuse power!Included in this presentation for piano and 8 voices are 11 stanzas from what is believedto be original, in English translation, with focus on clarity of meaning, more so thanpoetical rules and rhymes. The first ruling concept has been to obtain clarity and agreat fit to the music. The second concept has been to add the inspiration this old folksong has created in the mind of a modern rebel who would like to see some ofRamund's attitude to power and power abusers put into action in our modern corruptsociety. Maybe in a less bloody version, but definitely with a similar effect! The added2 stanzas and the attached coda, as well as the added lyrics to the intermezzos and theincorporated commentaries to the action should serve that purpose.In addition, the original tune itself, as well as the lyrics and the intermezzo, haveinspired some musical development throughout the piece, to further accentuate themeaning and the messages about respecting each other, standing together againstabuse, and not letting power abusers get away with their crimes.The 8 voices cover ranges as follows: First sopranos: C4 through Bb5 (possibly G5); Second sopranos: C4 through E5; All altos: G3 through D5; All tenors: C3 through G#4(possibly F#4); First basses: F2 through D4; Second basses: D2 through B3
$7.00 ≈
6.35€
Concerto for Trombone and Piano
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50 ≈
24.96€
Prelude Impressions (for solo piano)
Prelude Impressions (for solo piano)
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Piano seul
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AVANCÉ
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Contemporain
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Paul SanGregory
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Prelude Impressions
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Distant Engraver Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant ...
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Piano Solo - Level 5 - SKU: A0.977031 Composed by Paul SanGregory. Contemporary. Score. 20 pages. Distant Engraver Music #3534597. Published by Distant Engraver Music (A0.977031). This set of three pieces is well-suited for advanced students or professional performers who enjoy creating and shaping mood, atmosphere and color on the piano. They were composed to commemorate the 150th anniversary of Claude Debussy’s birth. For that reason, they are based on various composing techniques and aesthetic ideas that he developed. Even so, there was no attempt to make them actually sound like Debussy’s music. In fact, while composing them I often felt like I was looking at Debussy’s techniques through the distorting lenses of music that came after him, but that he had influenced.I - Drifting Through ChangeOne sort of change in this piece comes from the interaction of two repeated rhythmic patterns of different lengths. Episodes of contrasting character then drift in and out of the piece creating more changes. The effect is as if one is floating quietly through empty space, but occasionally drifting past various objects or situations.II - Building CloudsTo me, the opening of this movement sounds like an idea from Debussy’s Nuages that has been turned inside out. Unlike Debussy’s more delicate clouds, however, the clouds of this piece grow turbulent and dramatic. III - Moonless HeathFor this movement, I imagine walking through an open untamed field on a dark moonless night and not being sure what I might be passing by. In terms of color and technique, this piece shows a more obvious relationship to Debussy’s music that the first two. It begins with a simple melody similar to that of his Bruyére, after which a Debussy-inspired ostinato gently moves the music forward. Structurally, the whole piece is an inverted palindrome so that a melody from the beginning returns in retrograde-inversion at the end, becoming a brief quote of Debussy’s music. Performance duration ca. 11 minutes.
$8.00 ≈
7.26€
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Dramatic Episode
