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Drunk On You
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Vous avez sélectionné:
Drunk On You
SheetMusicPlus
Partitions à imprimer
45 partitions trouvées
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1
26
What Shall We Do With The Drunken Sailor
What Shall We Do With The Drunken Sailor
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Accordéon
#
FACILE
#
Neil Baker
#
Neil Baker
#
What Shall We Do With The Drun
#
Neil A. Baker
#
SheetMusicPlus
Accordion - Level 2 - SKU: A0.1459839 By Neil Baker. By Traditional. Arranged by Neil Baker. Folk,Traditional. Score. 1 pages. Neil A. Baker #1038796. P...
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Accordion - Level 2 - SKU: A0.1459839 By Neil Baker. By Traditional. Arranged by Neil Baker. Folk,Traditional. Score. 1 pages. Neil A. Baker #1038796. Published by Neil A. Baker (A0.1459839). Another popular number from 1830´s. You can also find this in British Pub Music Book 4 with 10 other numbers for just $9.99In the book version, you will also find the lyrics.
$1.99
Love Drunk: (wp) B-flat Tuba B.C.
Love Drunk: (wp) B-flat Tuba B.C.
#
Orchestre d'harmonie
#
Methodes
#
Boys Like Girls
#
Love Drunk:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014613_WPTBBBC (wp) B-flat Tuba B.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instruc...
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Concert Band - SKU: AX.00-PC-0014613_WPTBBBC (wp) B-flat Tuba B.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014613_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014613_WPTBBBC). UPC: 038081402079.Love Drunk is the first single from the hot Boston based group, Boys Like Girls. The album, Love Drunk, hit the #1 spot on the Billboard Top Rock Albums in 2009. This rocker is sure to be very popular with your ensemble!
$3.00
Love Drunk: (wp) B-flat Tuba T.C.
Love Drunk: (wp) B-flat Tuba T.C.
#
Orchestre d'harmonie
#
Methodes
#
Boys Like Girls
#
Love Drunk:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014613_WPTBBTC (wp) B-flat Tuba T.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instruc...
(+)
Concert Band - SKU: AX.00-PC-0014613_WPTBBTC (wp) B-flat Tuba T.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014613_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014613_WPTBBTC). UPC: 038081402079.Love Drunk is the first single from the hot Boston based group, Boys Like Girls. The album, Love Drunk, hit the #1 spot on the Billboard Top Rock Albums in 2009. This rocker is sure to be very popular with your ensemble!
$3.00
Love Drunk: (wp) 1st B-flat Trombone T.C.
Love Drunk: (wp) 1st B-flat Trombone T.C.
#
Orchestre d'harmonie
#
Methodes
#
Boys Like Girls
#
Love Drunk:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014613_WPTN1TC (wp) 1st B-flat Trombone T.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander....
(+)
Concert Band - SKU: AX.00-PC-0014613_WPTN1TC (wp) 1st B-flat Trombone T.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014613_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014613_WPTN1TC). UPC: 038081402079.Love Drunk is the first single from the hot Boston based group, Boys Like Girls. The album, Love Drunk, hit the #1 spot on the Billboard Top Rock Albums in 2009. This rocker is sure to be very popular with your ensemble!
$3.00
Love Drunk: (wp) E-flat Tuba B.C.
Love Drunk: (wp) E-flat Tuba B.C.
#
Orchestre d'harmonie
#
Methodes
#
Boys Like Girls
#
Love Drunk:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014613_WPTBEBC (wp) E-flat Tuba B.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instruc...
(+)
Concert Band - SKU: AX.00-PC-0014613_WPTBEBC (wp) E-flat Tuba B.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014613_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014613_WPTBEBC). UPC: 038081402079.Love Drunk is the first single from the hot Boston based group, Boys Like Girls. The album, Love Drunk, hit the #1 spot on the Billboard Top Rock Albums in 2009. This rocker is sure to be very popular with your ensemble!
$3.00
Love Drunk: (wp) 1st Horn in E-flat
Love Drunk: (wp) 1st Horn in E-flat
#
Orchestre d'harmonie
#
Methodes
#
Boys Like Girls
#
Love Drunk:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014613_WPEH1 (wp) 1st Horn in E-flat. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instruc...
(+)
Concert Band - SKU: AX.00-PC-0014613_WPEH1 (wp) 1st Horn in E-flat. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014613_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014613_WPEH1). UPC: 038081402079.Love Drunk is the first single from the hot Boston based group, Boys Like Girls. The album, Love Drunk, hit the #1 spot on the Billboard Top Rock Albums in 2009. This rocker is sure to be very popular with your ensemble!
$3.00
Love Drunk: (wp) E-flat Tuba T.C.
Love Drunk: (wp) E-flat Tuba T.C.
#
Orchestre d'harmonie
#
Methodes
#
Boys Like Girls
#
Love Drunk:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014613_WPTBETC (wp) E-flat Tuba T.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instruc...
(+)
Concert Band - SKU: AX.00-PC-0014613_WPTBETC (wp) E-flat Tuba T.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014613_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014613_WPTBETC). UPC: 038081402079.Love Drunk is the first single from the hot Boston based group, Boys Like Girls. The album, Love Drunk, hit the #1 spot on the Billboard Top Rock Albums in 2009. This rocker is sure to be very popular with your ensemble!
$3.00
Love Drunk: (wp) 1st B-flat Trombone B.C.
Love Drunk: (wp) 1st B-flat Trombone B.C.
#
Orchestre d'harmonie
#
Methodes
#
Boys Like Girls
#
Love Drunk:
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014613_WPTN1BC (wp) 1st B-flat Trombone B.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander....
(+)
Concert Band - SKU: AX.00-PC-0014613_WPTN1BC (wp) 1st B-flat Trombone B.C.. By Boys Like Girls. By David Katz, Martin Johnson, and Sam Hollander. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014613_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014613_WPTN1BC). UPC: 038081402079.Love Drunk is the first single from the hot Boston based group, Boys Like Girls. The album, Love Drunk, hit the #1 spot on the Billboard Top Rock Albums in 2009. This rocker is sure to be very popular with your ensemble!
$3.00
Drunk On Your Love
Drunk On Your Love
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Piano, Voix et Guitare
#
Country
#
Brett Eldredge
#
Drunk On Your Love
#
Hal Leonard - Digital
#
SheetMusicPlus
By Brett Eldredge. This edition: Interactive Download. Country, Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital ...
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By Brett Eldredge. This edition: Interactive Download. Country, Pop. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital
$4.99
Drunken Sailor for flute trio (mp3)
Drunken Sailor for flute trio (mp3)
#
Trio de Flûtes: 3 flûtes
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Traditional
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David Warin Solomons
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Drunken Sailor for flute trio
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David Warin Solomons
#
SheetMusicPlus
Flute - SKU: A0.1059931 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Full Performance. Duration 55. David Warin S...
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Flute - SKU: A0.1059931 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Folk,World. Full Performance. Duration 55. David Warin Solomons #5196027. Published by David Warin Solomons (A0.1059931). (You can use this reference if you would like to find the score on sheetmusicplus: S0.100849)This belongs to a series of fifteen easy flute trios based on traditional English, Scottish, Welsh and Irish folk songs.
$2.50
Drunken Sailor
Drunken Sailor
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Harpe
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FACILE
#
Folklorique/Traditionel
#
Traditional
#
Amy L
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Drunken Sailor
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Amy L
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SheetMusicPlus
Harp - Level 2 - SKU: A0.932746 Composed by Traditional. Arranged by Amy L. Folk. Score. 1 pages. Amy L #6103381. Published by Amy L (A0.932746).
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Harp - Level 2 - SKU: A0.932746 Composed by Traditional. Arranged by Amy L. Folk. Score. 1 pages. Amy L #6103381. Published by Amy L (A0.932746). A little arrangement for little instruments! This piece has been worked to fit on a 16 string lyre or small harp; also sounds great on a piano (if you can do it). Enjoy!
$2.99
What Shall We Do With The Drunken Sailor? arr. for brass quintet
What Shall We Do With The Drunken Sailor? arr. for brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
INTERMÉDIAIRE/AVANCÉ
#
Folklorique/Traditionel
#
Traditional
#
Jerry Lanning
#
What Shall We Do With The Drun
#
Jerry Lanning
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767723 Composed by Traditional. Arranged by Jerry Lanning. Folk. Score and parts. 28 pages. Jerry Lanning #3047875. P...
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Brass Ensemble - Level 4 - SKU: A0.767723 Composed by Traditional. Arranged by Jerry Lanning. Folk. Score and parts. 28 pages. Jerry Lanning #3047875. Published by Jerry Lanning (A0.767723). The first trumpet in my brass quintet asked for a short feature, and this is it. It’s one of the most difficult tunes to arrange because it’s traditionally harmonised by only two chords (the tonic and the major triad on the flattened leading note). Somehow if you start to reharmonise it, it loses its essential character. So I’ve constructed a largely unrelated intro and coda and an episode in the middle to give variety. The first trumpet part is showy but not too difficult for a competent player, although a big breath is needed at the end. Horn in Eb, Trombone in Bb, Bass in Eb and Bass in Bb parts are provided as alternatives for brass band players.
$9.95
The Drunken Sailor
The Drunken Sailor
#
Orgue
#
The Drunken Sailor
#
Hal Leonard - Digital
#
SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.504090 This edition: scorch. E-Z Play Today. Children,Folk. Score. 2 pages. Published by Hal Leon...
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Electronic Keyboard,Organ,Piano and Keyboard - SKU: HX.504090 This edition: scorch. E-Z Play Today. Children,Folk. Score. 2 pages. Published by Hal Leonard - Digital (HX.504090). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99
What Shall We Do With A Drunken Sailor
What Shall We Do With A Drunken Sailor
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Ensemble de cuivres
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AVANCÉ
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Traditional
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Chris North
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What Shall We Do With A Drunke
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Danetre Music
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.1233608 Composed by Traditional. Arranged by Chris North. Folk,Latin,Multicultural,Traditional,World. Score and Parts...
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Brass Ensemble - Level 5 - SKU: A0.1233608 Composed by Traditional. Arranged by Chris North. Folk,Latin,Multicultural,Traditional,World. Score and Parts. 54 pages. Danetre Music #829194. Published by Danetre Music (A0.1233608). The traditional folk song arranged for brass ten piece ensemble in the style of a Cuban Salsa. Great fun, but demanding. A great showpiece for your ensemble. A Ten Piece (nine brass plus percussion), is a popular medium within the UK, based on the famous James Shepherd Versatile Brass (JSVB) line up, which mainly used instrumentation as follows: 4 Cornets (or Trumpets, with the 4th part doubling on Flugel), 1 Eb Tenor Horn, 2 Trombones (Tenor & Bass), Â 1 Euphonium, 1 Eb Bass & 1 Percussion. Additional parts for F Horn, Tenor Trombone (BC), Euphonium (BC) & Tuba (BC) are also included.
$24.99
Ensemble Violin Method - A comfortable & enjoying Beginning
Ensemble Violin Method - A comfortable & enjoying Beginning
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2 Violons (duo)
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DÉBUTANT
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Georg Mertens
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Georg Mertens
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Ensemble Violin Method - A com
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Georg Mertens
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SheetMusicPlus
Violin Duet Violin - Level 1 - SKU: A0.1425942 By Georg Mertens. By L. v. Beethoven, M. Carcassi, M. Gruber, H. Purcell, J.S. Bach, B. Smetana. Arranged...
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Violin Duet Violin - Level 1 - SKU: A0.1425942 By Georg Mertens. By L. v. Beethoven, M. Carcassi, M. Gruber, H. Purcell, J.S. Bach, B. Smetana. Arranged by Georg Mertens. Chamber,Children,Classical,Instructional,Traditional. 56 pages. Georg Mertens #1006731. Published by Georg Mertens (A0.1425942). The Ensemble Violin Method is designed for schools on request of string coordinators to match My Cello Method. The player will be guided step by step in an enjoyable way, so that learning follows easily without unexplained or unprepared steps. The pieces chosen reaches from easy studies and traditional songs, fiddle tunes and dances to well known pieces.The Method introduces the first Position including reading music, the basics of playing violin including Slurs, Staccato, Double stops. The accompaniments to all pieces are at the same level as the melodies, making it possible to play together from the very beginning.Combined with the online cello course it opens up creating an instant little orchestra, even where is no specialist cello teacher.There are 50 numbers, too long to fit - here are some of them:No. 5 & 6 Twinkle, twinkle little Star & AccompanimentNo. 7 French Folk SongNo. 10 Frere JacquesNo. 13 Ode to Joy (Beethoven)No. 19 Silent NightNo. 20 Happy BirthdayNo. 25 Rigadoon (H. Purcell)No. 34 Scarborough FairNo. 35 Sakura, SakuraNo. 36 HatikvahNo. 37 The AshgroveNo. 39 Early one MorningNo. 43 We wish you a Merry Christmas No. 46 What shall we do with the Drunken SailorNo. 47 Hornpipe (Irish Fiddle) Every piece comes with a Cello Duo recording on youtube - virtually the same as the violin part, so the learner can play with the recording including accompanimentHere is the link:https://www.youtube.com/playlist?list=PLa4x_CVYDVRXQT9KB0v_cJF353gc1yHMfbtw: really enjoyed writing for violin! Although I am today a cellist (and guitarist), my first instrument was violin, then recorder, and I started cello at the age of 9. I still play every now and then violin, in particular i find improvising on the violin easier then on any other instrument!
$12.00
Drunk On You
Drunk On You
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Piano, Voix et Guitare
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Country
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Luke Bryan
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Pop
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Drunk On You
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Luke Bryan. Country; Pop. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.321914). - Piano/Vocal/Guitar (chords...
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By Luke Bryan. Country; Pop. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.321914). - Piano/Vocal/Guitar (chords only) - Country; Pop - Hal Leonard - Digital Sheet Music
$4.99
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Banjo
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Intermediate
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Cape Breton & Prince Edwar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Mus...
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Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List
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Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On & Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light & Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange & Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver & Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, & Yet
$24.99
Dan Levenson's Master Collection of Old-Time Tunes
Dan Levenson's Master Collection of Old-Time Tunes
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Guitare
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INTERMÉDIAIRE
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Country
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Dan Levenson's Master Collecti
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications...
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Guitar - Intermediate - SKU: M0.31088EB Over 300 tunes in standard notation for all instruments. Country. E-book. 125 pages. Mel Bay Publications - Digital Sheet Music #31088EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31088EB). ISBN 9781513473437. 8.75X11.77 inches.Whether you already play old-time music, or you are just getting started, this is the book for you.áDan LevensonÆs Master Collection of Old-Time Tunesápresents more than 300 tunes in standard notation with suggested chords for you to explore and enjoy. All but a few are traditional or older tunes and are easily searched online to discover their pedigree as well as several recorded versions of them.Some might call this a complete repertoire in a book in the following sense: It is a large though not encyclopedic collection of old-time fiddle tunes played in todayÆs sessions.Learning the tunes in this book will give you a solid old-time repertoire that would allow you to join in jams in the many communities playing old-time music today.
Song List
: Ain't Gonna Get No Supper Here Tonight Altamont Angelina Baker (aka Angeline the Baker) Antelope Gap Arkansas Traveler Avalon Quickstep And The Cat Came Back Barlow Knife (John Salyer) Barlow Knife (Song) Banjo Tramp Been To The East, Been To The West Big Eyed Rabbit Big John McNeil Big Scioto Bill Cheatam Billy In The Low Ground Black Eyed Suzianna (aka Susiana) Black Cat in a Briar Patch Black Hills Waltz Black Jack GroveBlackbird Says to the CrowBoatman Bob Tailed Mule Booth Shot Lincoln Bowl-a-Rama Breaking Up Christmas Briar Picker Brown Broken Down Gambler Buck Mountain Buffalo Gals (KY version in G) Buffalo Gals (Common version in G) Buffalo Gals (in A) Buckin' Dun ull at the Wagon Camp Chase Camp Meeting on the 4th of July Candy Girl Chase the Squirrel Chattanooga Cincinnati Hornpipe Cherokee Shuffle (in A) Cherokee Shuffle (in D) Chinese Breakdown Climbing the Golden Stairs Chinquapin Hunting (in A) Chinquapin Hunting (in D Stamper) Coast Is Clear Cluck Old Hen Colored Aristocracy Cookhouse Joe Crow Little Rooster Crook Brothers Breakdown Crow Creek Cuffy Cuckoo's Nest in D Cuckoo's Nest in A (aka Richmond) Dance All Night with a Bottle in My Hand Devil Eat the Groundhog Dinah Doctor, Doctor Dogs in the Dishes Double File Dry And Dusty Drunken Hiccups Ducks on the Mill Pond Dubuque Duck River Ducks in the pond Duke of Kent's Waltz Mr. Fishar's Hornpipe (aka Fisher's Hornpipe) Durang's Hornpipe Dusty Miller Ebenezer
$19.99
Duets For Violin & Violoncello 178-193 (volume 12)
Duets For Violin & Violoncello 178-193 (volume 12)
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE/AVANCÉ
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Socrates Arvanitakis
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Duets For Violin & Violonc
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Socrates Arvanitakis
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409338 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 75 pages. Socrates Arva...
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Cello,Instrumental Duet,Violin - Level 4 - SKU: A0.1409338 Composed by Socrates Arvanitakis. 21st Century,Classical,Traditional. 75 pages. Socrates Arvanitakis #991962. Published by Socrates Arvanitakis (A0.1409338). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS178 ΠΑΙΔΙΑ ΣΑΠΘΕΛΤΕ ΛΕΒΕÎΤΙΑ (Lads, Since You Want Some Valour)179 ΠΑΛΙ ΜΕΘΥΣΜΕÎΟΣ ΕΙΣΑΙ (Again You're Drunk)180 ΠΑÎΑΓΙΩΤΙΣΣΑ (The Girl From Panaghia)181 ΠΑÎΤΡΕΥΟΥΠΤΗΠΑΓΑΠΗ ΜΟΥ (They Wed My Love to Someone Else)182 ΠΑÎΩ ΣΕ ΨΙΛΗ ΡΑΧΟΥΛΑ (On Top Of A High Mountain Ridge)183 ΠΑΠΑΔΙΕΣ ΟΙ (The Priests' Wives)184 ΠΑΠΑΚΙ (Little Duckling)185 ΠΑΠΑΛΑΜΠΡΑΙÎΑ (Priest Lambro's Wife)186 ΠΑΡΑΠΟÎΙΑΡΙΚΟ (The Little complainer)187 ΠΑΡΑΣΚΕΥΟΥΛΑ (Paraskevoula)188 ΠΑΡΕ ΜΑΡΙΩ ΤΗ ΡΟΚΑ ΣΟΥ (Mary, Take Your Distaff)189 ΠΑΤΡΙÎΙΑ (The Lass from Patras)190 ΠΕÎΤΟΖΑΛΗΣ (Five Steps Dance - Pentozalis-Crete)191 ΠΕΡΔΙΚΟΥΛΑ Η (The Little Partridge)192 ΠΕΡΙΒΟΛΙ ΤΟ (The Orchard )193 ΠΕΡΙΒΟΛΙΠΕΙΧΑ (I Had An Orchard).
$20.00
The Lord our Rock - voice and harp
The Lord our Rock - voice and harp
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Regina Ederveen
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The Lord our Rock - voice and
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R. Ederveen
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 4 - SKU: A0.859370 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 12 pages. R. Ederv...
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Small Ensemble Harp,Voice - Level 4 - SKU: A0.859370 Composed by Regina Ederveen. Christian,Jewish,Sacred,Spiritual. Score and parts. 12 pages. R. Ederveen #3542471. Published by R. Ederveen (A0.859370). The Lord our Rock - voice and harp An old traditional Sabbath melody arranged by Regina Ederveen - harpist in The Netherlands Also playable on piano. Level: advanced intermediate. Duration: 3'49'' For information contact via www.reginaederveen.nl This song is part of ''Songs of Peace'', a collection of 4 Biblical songs for voice and harp. Songs of Peace consists of: 1 The Lord our Rock 2 Psalm 34 3 Psalm 121 4 Psalm 150 ''Praise God with the lute and with the harp.'' Songs of Peace - Part 1 - The Lord our Rock The Lord, our Rock Whose bread we've eaten. Eaten our fill and yet there's still, there's still over, yes, there's over as has God instructed us. Thus from the bread. In accord with the word of Adonai. He nourishes His needy world, our Shepherd, Father mine. We've eaten of His bread and drunk His wine. Therefore we will thank Him, we will praise Him and respond again, There's no one holy as our Lord our Adonai. Therefore we will thank Him, we will praise Him and respond hereby, holy our holy Adonai. Have mercy in Your graciousness we pray You, Lord our Rock and do God bless the temple of your flock. The dwelling place, the holy place, the temple Zion thus... David Your servant He will come and will redeem us. Bread of life Messiah King will come and will redeem us. Thus He will come and will redeem us. The Temple will rebuild again restored will City Zion. There we'll sing our praises on and on! The Holy One, the Mighty One, the Shepherd so caressing. Over a glass of wine according to His blessing. The Holy One the Mighty One the Shepherd of His flock. Blessing of Adonai the Rock.
$7.99
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
Pour me Another One (King David and his Troops) from "The Kings" - ACT 2:Song 6
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McCorkle, Dennis F
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and he made him drunk
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Pour me Another One
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Choral Choir (4-Part) - Level 3 - SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCor...
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Choral Choir (4-Part) - Level 3 - SKU: A0.784832 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 24 pages. DF McCorkle Music and eBook Publications #11755. Published by DF McCorkle Music and eBook Publications (A0.784832). ACT TWO: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [2 Samuel 11:12-13 - And David said to Uriah: ‘Tarry here to-day also, and to-morrow I will let thee depart.’ So Uriah abode in Jerusalem that day, and the morrow. 13 And when David had called him, he did eat and drink before him; and he made him drunk; and at even he went out to lie on his bed with the servants of his lord, but went not down to his house.] In fear of being exposed, DAVID has her husband brought back from the field with the hope that he will have relations with his wife covering up his own indiscretion. URIAH, a conscientious soldier, returns home, but sleeps outside on his steps out of respect for the men still fighting on the front. Seeing that his ploy has not worked, he has URIAH and some of his men over to the palace for drinks [Pour Me Another One – Troops, Uriah and David]. Getting URIAH drunk, DAVID has him escorted home, but as before he sleeps outside. As a last desperate measure, he sends a letter for JOAB (David’s commander and confidant) back with URIAH to place URIAH on the front line and then have the rest of the troops pull back leaving him exposed. URIAH is killed. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
Dance of the Stone Trolls (Opus 319) (Bass Solo)
Dance of the Stone Trolls (Opus 319) (Bass Solo)
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Violoncelle
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INTERMÉDIAIRE
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Daniel Hay
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Dance of the Stone Trolls
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Daniel Hay Music
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.596426 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #57...
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Cello Solo - Level 3 - SKU: A0.596426 Composed by Daniel Hay. Classical,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #5741937. Published by Daniel Hay Music (A0.596426). When composing this solo piece the composer, Daniel Hay was thinking of massive troll-like creatures ponderously stomping around a bonfire. Perhaps the image is better if you think of drunk sumo fighters dancing around rising flames. Most of the time when the composer uses repeats he labels them with an uppercase letter to identify them, followed by a hyphen and a lowercase letter showing where the repeat leads. Occasionally, as in The Dance of the Stone Trolls, there is also a lowercase letter within parentheses which is used to indicate an optional location to repeat from either at the first pass or possible as a second pass. The attached YouTube link is performed on Tenor Recorder by the composer during a rehearsal. The sound file here is presented in Cello voice. Looking forward to hearing a Trombone play this.
$2.29
Dance of the Stone Trolls (Opus 319) (Treble Solo)
Dance of the Stone Trolls (Opus 319) (Treble Solo)
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Daniel Hay
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Dance of the Stone Trolls
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Daniel Hay Music
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.596425 Composed by Daniel Hay. 20th Century,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #...
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Oboe Solo - Level 3 - SKU: A0.596425 Composed by Daniel Hay. 20th Century,Contemporary,Multicultural,World. Individual part. 1 pages. Daniel Hay Music #5741923. Published by Daniel Hay Music (A0.596425). When composing this solo piece the composer, Daniel Hay was thinking of massive troll-like creatures ponderously stomping around a bonfire. Perhaps the image is better if you think of drunk sumo fighters dancing around rising flames. Most of the time when the composer uses repeats he labels them with an uppercase letter to identify them, followed by a hyphen and a lowercase letter showing where the repeat leads. Occasionally, as in The Dance of the Stone Trolls, there is also a lowercase letter within parentheses which is used to indicate an optional location to repeat from either at the first pass or possibly as a second pass. The attached YouTube link is performed on Tenor Recorder by the composer during a rehearsal. This version is wonderful with Oboe, Clarinet, Violin, or Soprano, and Tenor Recorders.
$2.29
Brass Quintet - Three Pastoral Sketches
Brass Quintet - Three Pastoral Sketches
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Contemporain
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Servic...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
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Drunk On You
