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Vous avez sélectionné:
Echoes in Variation
Partitions à imprimer
5 partitions trouvées
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1
Echoes in Variation
Echoes in Variation
#
Piano seul
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INTERMÉDIAIRE
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Tori Amos
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Todd J
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Echoes in Variation
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Todd J. Scallan
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix ...
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Piano Solo - Level 3 - SKU: A0.1470460 By Tori Amos. By Charles-Valentin Alkan, Claude Debussy, Domenico Scarlatti, Enrique Granados, Erik Satie, Felix Bartholdy Mendelssohn, Franz Schubert, Frederic Chopin, Johann Sebastian Bach, Modest Petrovich Mussorgsky, and Robert Schumann. Arranged by Todd J. Scallan. Baroque,Classical,Romantic Period. Score. 48 pages. Todd J. Scallan #1048169. Published by Todd J. Scallan (A0.1470460). Echoes in Variation brings together the classical inspirations for the musical themes in Night of Hunters – a song cycle by Tori Amos. The songs from Night of Hunters are mainly variations on the classical pieces presented here as arrangements for solo piano. Each arrangement is faithful to the original piano score, but with cleaner formatting and clearer performance directions.This collection offers an excellent introduction to a range of brilliant composers spanning the 18th through early 20th centuries:- Alkan: Song of the Madwoman on the Seashore, Preludes Op. 31, No. 8- Granados: Añoranza from 6 Pieces on Spanish Folk Songs- Satie: Gnossienne No. 1- Granados: Spanish Dance No. 2 from 12 Spanish Dances- Chopin: Nocturne Op. 9, No. 1- Schubert: Andantino from Piano Sonata in A major, D. 959- Mendelssohn: Venetian Boat Song, from Songs Without Words Book 2, Op. 30- Schumann: Theme in E-flat Major for Piano (Ghost Variations), WoO 24- J. S. Bach: Siciliana from Flute Sonata in E-flat major, BWV 1031- Mussorgsky: The Old Castle from Pictures at an Exhibition- Gregorian chant: Salve Regina- Scarlatti: Sonata in F minor, K. 466- J. S. Bach: Prelude in C minor, BWV 999- Debussy: The Girl with the Flaxen Hair, Preludes Book 1, No. 8As a complement to these pieces, solo piano arrangements for the songs from Tori Amos’ Night of Hunters are also available.
$24.99 ≈
22.47€
Horn Sonata No. 3 (Complete)
Horn Sonata No. 3 (Complete)
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Cor
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AVANCÉ
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Mike Lyons
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Horn Sonata No. 3
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Publi...
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French Horn Solo - Level 5 - SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00 ≈
16.19€
Sonata No. 3 for Horn and Piano
Sonata No. 3 for Horn and Piano
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Cor et Piano
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AVANCÉ
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Mike Lyons
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Sonata No. 3 for Horn and Pian
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Lyons Music Services
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music ...
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French Horn,Piano - Level 5 - SKU: A0.767581 Composed by Mike Lyons. 20th Century,Concert,Contemporary,Standards. Score and part. 38 pages. Lyons Music Services #6457097. Published by Lyons Music Services (A0.767581). This is my third new sonata for French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$25.00 ≈
22.48€
Sing We Now of Christmas
Sing We Now of Christmas
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Noël
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Cynthia Dobrinski
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Sing We Now of Christmas
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Hope Publishing - Digital
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SheetMusicPlus
(Flute) - Level 3 - SKU: H1.2576FDP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Flute Part. 2 pages. Hope Publishing - Dig...
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(Flute) - Level 3 - SKU: H1.2576FDP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Flute Part. 2 pages. Hope Publishing - Digital #2576FDP. Published by Hope Publishing - Digital (H1.2576FDP). Luke 2:1 - Luke 2:2 - Luke 2:3 - Luke 2:4 - Luke 2:5 - Luke 2:6 - Luke 2:7 - Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Matthew 2:1 - Matthew 2:2 - Matthew 2:3 - Matthew 2:4 - Matthew 2:5 - Matthew 2:6 - Matthew 2:7 - .15th Century French Carol In this vivacious and harmonically interesting 3-7 octave setting, Cynthia Dobrinski makes use of the theme and variations form with optional 3-6 octaves handchimes, flute, and tambourine adding extra color. Contrast abounds with martellatos, martellato lifts, vibratos, echoes, mallets, mallet rolls, brush damps, plucks, shakes, and a swing used in a variety of moods from vivace to a lyrical andante. Though the theme is in a minor key, the lyrical variation is in the parallel major, and after the minor main theme returns, a rousing coda takes the piece back to the major key for a joyful conclusion.
$9.95 ≈
8.95€
Sing We Now of Christmas
Sing We Now of Christmas
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Noël
#
Cynthia Dobrinski
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Sing We Now of Christmas
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Hope Publishing - Digital
#
SheetMusicPlus
Handbells (Flute) - Level 3 - SKU: H1.2576DP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Score. 12 pages. Hope Publishing ...
(+)
Handbells (Flute) - Level 3 - SKU: H1.2576DP Arranged by Cynthia Dobrinski. Christmas, Easter Sunday, General Worship. Score. 12 pages. Hope Publishing - Digital #2576DP. Published by Hope Publishing - Digital (H1.2576DP). 15th Century French Carol In this vivacious and harmonically interesting 3-7 octave setting, Cynthia Dobrinski makes use of the theme and variations form with optional 3-6 octaves handchimes, flute, and tambourine adding extra color. Contrast abounds with martellatos, martellato lifts, vibratos, echoes, mallets, mallet rolls, brush damps, plucks, shakes, and a swing used in a variety of moods from vivace to a lyrical andante. Though the theme is in a minor key, the lyrical variation is in the parallel major, and after the minor main theme returns, a rousing coda takes the piece back to the major key for a joyful conclusion.
$6.50 ≈
5.84€
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1
Echoes in Variation
