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Vous avez sélectionné:
Ernest H
Partitions à imprimer
87 partitions trouvées
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Ernest Chausson : Sept mélodies, Opus 2 - N° 6 Hébé, chanson grecque dans le mode phrygien
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ernest Chausson
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Sept mélodies, Opus 2
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Tomplay
Telechargez la partition Chant Sept melodies, Opus 2 - N° 6 Hebe, chanson grecque dans le mode phrygien de Chausson. Partition pour Avec piano d'accomp...
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Telechargez la partition Chant Sept melodies, Opus 2 - N° 6 Hebe, chanson grecque dans le mode phrygien de Chausson. Partition pour Avec piano d'accompagnement -- Classique
4.99€
I'd Be A Bloomer
I'd Be A Bloomer
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Piano, Voix
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Ernest H
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James Perring
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I'd Be A Bloomer
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.16315 Composed by James Perring. Portraits, Balconies, Mountains, Clothing & dress. Lester S. Levy Collection. 6 pages. Publis...
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Piano and voice - SKU: LV.16315 Composed by James Perring. Portraits, Balconies, Mountains, Clothing & dress. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.16315). I'd Be A Bloomer. Written By Ernest H. Reed, Esqr. The Music Composed By James Perring (Composer of The Maids of Merry England). Published [n.d.] by T.E. Purday, 50 St. Pauls Church Yard in London. Composition of through-composed with piano and voice instrumentation. Subject headings for this piece include Portraits, Balconies, Mountains, Clothing & dress. First line reads I'd be a Bloomer dashing and light.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.37€
Hébé, Op. 2 no. 6 (D dorian)
Hébé, Op. 2 no. 6 (D dorian)
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Piano, Voix
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Classique
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Ernest Chausson
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Hébé, Op. 2 no. 6
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AST Publications
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SheetMusicPlus
Composed by Ernest Chausson (1855-1899). Romantic Period. Score. 6 pages. Published by AST Publications (S0.175517). - Score - Romantic Period - AST Publication...
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Composed by Ernest Chausson (1855-1899). Romantic Period. Score. 6 pages. Published by AST Publications (S0.175517). - Score - Romantic Period - AST Publications
$9.99 ≈
8.96€
Handel - Lascia ch'io pianga - Flexible Instrumentation
Handel - Lascia ch'io pianga - Flexible Instrumentation
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Orchestre
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DÉBUTANT
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Classique
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George Frideric Handel
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Handel - Lascia ch'io pianga -
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Nicolas Ernesto Cortes Castillo
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SheetMusicPlus
Full Orchestra - Level 1 - Composed by George Frideric Handel (1685-1759). Arranged by Nicolás Cortes Castillo. Baroque, Contemporary. Score ...
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Full Orchestra - Level 1 - Composed by George Frideric Handel (1685-1759). Arranged by Nicolás Cortes Castillo. Baroque, Contemporary. Score and parts. 25 pages. Nicolas Ernesto Cortes Castillo #6758649. Published by Nicolas Ernesto Cortes Castillo
Lascia ch'io pianga from George Friederich Händel's opera Rinaldo (HWV7) . Arranged for flexible orchestra. In original key (F Major)
Full score and parts included.
Approximate duration: 3:40
Level: Early Bands - Grade 2+
Instrumentation: Flex-Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band Instruments.
$20.50 ≈
18.38€
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
8.96€
We've a Story to Tell to the Nations
We've a Story to Tell to the Nations
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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H
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Sandy McIntire
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We've a Story to Tell to the N
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Sandy McIntire
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.697577 Composed by H. Ernest Nichol. Arranged by Sandy McIntire. Instructional,Multicultural,Praise & Worship,Sacred,Trad...
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Piano Solo - Level 3 - SKU: A0.697577 Composed by H. Ernest Nichol. Arranged by Sandy McIntire. Instructional,Multicultural,Praise & Worship,Sacred,Traditional,World. Score. 4 pages. Sandy McIntire #5709129. Published by Sandy McIntire (A0.697577). We've a Story to Tell to the Nations by H. Ernest Nichol is a Protestant hymn written to celebrate missionaries and the missionary movement. It has enjoyed popularity since its publication in the first decade of the 20th Century and is arranged here as an Intermediate Piano Solo. Appropriate for worship services, programs and recitals, it is in McIntire's series, Gospel Piano Classics. Other hymns in the series include: The Church in the Wildwood, Bring Them In, Wonderful Words of Jesus, Whispering Hope, When We All Get to Heaven and Jesus Is Calling.
$5.50 ≈
4.93€
We've a Story to Tell to the Nations
We've a Story to Tell to the Nations
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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We've a Story to Tell to the N
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1291857 By Sharon Wilson. By H. Ernest Nichol and Henry Ernest Nichol. Arranged by Sharon Wilson and Sharon Wilson Music....
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Piano Solo - Level 3 - SKU: A0.1291857 By Sharon Wilson. By H. Ernest Nichol and Henry Ernest Nichol. Arranged by Sharon Wilson and Sharon Wilson Music. 19th Century,Christian,Easter,Religious,Sacred. Score. 6 pages. Sharon Wilson #882468. Published by Sharon Wilson (A0.1291857). This energetic piano solo arrangement of the familiar hymn We've a Story to Tell to the Nations by Henry Ernest Nichol begins in the key of F major. After the first verse, the interlude transitions to the key of C major for the second verse.  Bold and enthusiastic throughout, this arrangement is ideal for a processional or postlude. Duration 2:30.This arrangement is one of the 12 songs in the collection On Our Way Rejoicing: Benedictions and Postludes (A Collection of 12 Piano Solo Combinations). Visit Sharon Wilson's website: https://www.sharonwilsonmusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusicCover Image Credit: Pixabay.com.
$4.99 ≈
4.47€
Beware! Cavatina
Beware! Cavatina
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Piano, Voix
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James Ernest Perring
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Beware! Cavatina
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.20155 Composed by James Ernest Perring. Authors, Poets, Literature, Courtship & love, Deceit. Lester S. Levy Collection. 7 pag...
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Piano and voice - SKU: LV.20155 Composed by James Ernest Perring. Authors, Poets, Literature, Courtship & love, Deceit. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20155). Beware! Cavatina. Words by H.W. Longfellow. Composed by James Ernest Perring. Published 1864 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Authors, Poets, Literature, Courtship & love, Deceit. First line reads I know a maiden fair to see! take care! take care! take care!.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.37€
Love at Home (Easy Violin and Cello Duet with Piano Accompaniment)
Love at Home (Easy Violin and Cello Duet with Piano Accompaniment)
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Piano Trio: piano, violon, violoncelle
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FACILE
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Musique Sacrée
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Arthur Henry Mann, John Ernest
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Sharon Wilson
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Love at Home
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Sharon Wilson
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1050437 By Arthur Henry Mann, John Ernest Bode, and Sharon Wilson. By A...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1050437 By Arthur Henry Mann, John Ernest Bode, and Sharon Wilson. By Arthur Henry Mann and John Ernest Bode. Arranged by Sharon Wilson. Children,Folk,Praise & Worship,Sacred,Traditional. Score and parts. 15 pages. Sharon Wilson #654792. Published by Sharon Wilson (A0.1050437). Here is an easy instrumental trio arrangement (for VIOLIN and CELLO duet with PIANO accompaniment) of the uplifting hymn Love at Home by John H. McNaughton. This gently flowing arrangement will inspire calm reflection as the listeners are reminded of the lyrics: There is beauty all around, When there's love at home; There is joy in every sound, When there's love at home; Peace and plenty here abide, Smiling sweet on every side, Time doth softly, sweetly glide, When there's love at home… Both the VIOLIN and the CELLO get to lead with the melody at times making this a fun and equally challenging piece for both instruments while adding variety for the listeners. The verse begins with each instrument playing a phrase independently followed by the VIOLIN on melody and CELLO on harmony. The song concludes with the CELLO on melody and the VIOLIN on harmony. Duration 2:00The range for each part is as follows: VIOLIN – D4 to B5; CELLO – A2 to D4. All notes for both the VIOLIN and CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. The purchase price includes these printing options: 1. a grand staff (6 pages) with all parts on each page2. separate scores for the VIOLIN and CELLO (1 page each) and PIANO (3 pages)3. a combined VIOLIN and CELLO score (2 pages) This hymn represents LOVE and is one of the 10 songs in the collection inspired by Galatians 5:22-23: The Fruit of the Spirit (10 Hymns for Violin and Cello Duet with Piano Accompaniment) Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.37€
The Nearness Of You
The Nearness Of You
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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George Shearing
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Len Pierro
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Vocal range is Ab3 to Bb4
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The Nearness Of You
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WalkingPath Music Publishing
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1017774 By George Shearing. By Charles H Gabriel, Ernest J Ford, Hoagy Carmichael, Jack Fascinato, and M...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1017774 By George Shearing. By Charles H Gabriel, Ernest J Ford, Hoagy Carmichael, Jack Fascinato, and Mcdaniel H Rufus. Arranged by Len Pierro. Jazz. Score and parts. 58 pages. WalkingPath Music Publishing #6443319. Published by WalkingPath Music Publishing (A0.1017774). Lush arrangement of the classic Hoagy Carmichael, Ned Washington ballad written for female vocalist with a big band accompaniment. Vocal range is Ab3 to Bb4. An alto saxophone solo starts the second chorus, followed by an ensemble section before returning to the vocal for a climactic finish.
$50.00 ≈
44.82€
The Nearness Of You
The Nearness Of You
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Chorale TTBB
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INTERMÉDIAIRE
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Jazz
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George Shearing
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Jim Shubert
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The Nearness Of You
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.971372 By George Shearing. By Charles H Gabriel, Ernest J Ford, Hoagy Carmichael, Jack Fascinato, and Mcdaniel H...
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Choral Choir (TTBB) - Level 3 - SKU: A0.971372 By George Shearing. By Charles H Gabriel, Ernest J Ford, Hoagy Carmichael, Jack Fascinato, and Mcdaniel H Rufus. Arranged by Jim Shubert. Jazz. Octavo. 3 pages. James W. Shubert #6403173. Published by James W. Shubert (A0.971372). 4 part Male Barbershop Arrangement (TTBB) Intermediate Level. A classic ballad from the swing era that has traveled easily into becoming a Jazz standard. The intimacy of the Hoagy Carmichael music paired with lyrics by Ned Washington is bound to touch your audience, whether it's 1000 or 1.
$1.99 ≈
1.78€
The Nearness Of You
The Nearness Of You
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Jazz
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George Shearing
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Jim Ivy
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The Nearness Of You
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Jim Ivy
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.981667 By George Shearing. By Charles H Gabriel, Ernest J Ford, Hoagy Carmichael, Jack Fas...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.981667 By George Shearing. By Charles H Gabriel, Ernest J Ford, Hoagy Carmichael, Jack Fascinato, and Mcdaniel H Rufus. Arranged by Jim Ivy. Jazz. Score and parts. 8 pages. Jim Ivy #6404443. Published by Jim Ivy (A0.981667). One of Hoagy Carmichael's most endearing tunes, this arrangement of The Nearness of You features the french horn playing the unforgettable melody. In the B section, the trumpets and trombone take the lead until the melody returns to the horn for the ending. .
$24.99 ≈
22.40€
Communion Medley – One Trumpet and Organ
Communion Medley – One Trumpet and Organ
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Orgue, Trompette (duo)
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INTERMÉDIAIRE/AVANCÉ
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Andre-Ernest-Modeste Gretry, W
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Christina Harmon
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Communion Medley – One T
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Christina Harmon
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 4 - SKU: A0.753245 Composed by Andre-Ernest-Modeste Gretry, William H. Doane, and William Jame...
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Instrumental Duet Instrumental Duet,Organ,Trumpet - Level 4 - SKU: A0.753245 Composed by Andre-Ernest-Modeste Gretry, William H. Doane, and William James Kirkpatrick. Arranged by Christina Harmon. Christian,Romantic Period,Sacred. Score and parts. 7 pages. Christina Harmon #3382189. Published by Christina Harmon (A0.753245). My Faith Has Found A Resting Place André Grétry Tis So Sweet To Trust In Jesus William James Kirkpatrick Jesus, Keep Me Near the Cross William H. Doane Scored for Trumpets in Bb and Organ. Performance length about 4 1/2 minutes.
$6.00 ≈
5.38€
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contem...
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Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva giàpreparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrràcinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilitàverso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99 ≈
8.96€
We've a Story to Tell to the Nations by H. Ernest Nichol - Piano/Vocal
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Piano, Voix
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H. Ernest Nichol
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We've a Story to Tell to the N
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Musicnotes
H. Ernest Nichol - We've a Story To Tell To the Nations Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital s...
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H. Ernest Nichol - We've a Story To Tell To the Nations Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal;Hymn, instruments: Piano;4-Part Choir;Voice; 2 pages -- Sacred~~Hymn~~Church~~Praise & Worship
$5.50 ≈
4.93€
We’ve a Story to Tell to the Nations
We’ve a Story to Tell to the Nations
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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First Methodist, Houston
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Lyndell Leatherman
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We’ve a Story to Tell to
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407298 By First Methodist, Houston. By Words & Music: H. Ernest Nichol. Arranged by Lyndell Leatherman. Ch...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1407298 By First Methodist, Houston. By Words & Music: H. Ernest Nichol. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #989973. Published by Leatherman Music Services (A0.1407298). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.58€
Adoro Te
Adoro Te
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Orchestre d'harmonie
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FACILE
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Melanie
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John Ivor Holland
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Adoro Te
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1382660 Composed by Melanie (Mel) Bonis. Arranged by John Ivor Holland. 19th Century,20th Century,Christian,Classical,S...
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Concert Band - Level 2 - SKU: A0.1382660 Composed by Melanie (Mel) Bonis. Arranged by John Ivor Holland. 19th Century,20th Century,Christian,Classical,Sacred. 42 pages. John Ivor Holland #967086. Published by John Ivor Holland (A0.1382660). Mélanie Hélène Bonis, known as Mel Bonis (21 January 1858 – 18 March 1937), was a prolific French late-Romantic composer. She wrote more than 300 pieces, including works for piano solo and four hands, organ pieces, chamber music, mélodies, choral music, a mass, and works for orchestra. Though she did not have the advantage of being born into a family in the upper classes, her talent at piano led her to formal education at the Paris Conservatory where she studied with Ernest Guiraud and César Franck.  Claude Debussy was among her classmates and her music, which was largely published during her lifetime, was praised by Camille Saint-Saëns. Adoro te devote, a text by Thomas Aquinas, is one of the medieval poetic compositions, being used as spoken prayers and also as chanted hymns, which were preserved in the Roman Missal published in 1570 following the Council of Trent (1545–1563); the opus number for this lovely piece by Bonis, expanded from the original SATB to full concert band, is 149, suggesting that it was composed around the turn of the 20th century.
$39.99 ≈
35.85€
Carmen Suite II
Carmen Suite II
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Georges Bizet
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Carmen Suite II
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
2 (auch 2 Picc.) · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. S. (Trgl. · Schellentr. · gr. Tr. m. Beck.) - Str. orchestra - SKU:...
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2 (auch 2 Picc.) · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. S. (Trgl. · Schellentr. · gr. Tr. m. Beck.) - Str. orchestra - SKU: S9.Q21192 On the critical edition by Robert Didion. Composed by Georges Bizet. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Duration 24 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21192. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21192). German • English • French.Carmen ist eine der beliebtesten und weltweit meist aufgeführten Opern. Ihr Komponist Bizet hat die Uraufführung, die ein Misserfolg war, nicht mehr erlebt. Die Oper setzte sich jedoch rasch an allen großen Bühnen durch und zog unzählige Bearbeitungen einiger besonders schöner Musiknummern nach sich, darunter die Carmen-Phantasie für Violine und Orchester des spanischen Violinvirtuosen Pablo de Sarasate. Höchstwahrscheinlich war es Bizets enger Freund und Studienkollege Ernest Guirauds, der insgesamt 12 Nummern der Oper in zwei Orchester-Suiten zusammenfasste. Die fehlenden Singstimmen hat er, wie es in solchen Fällen üblich war, durch Instrumente ersetzt. Neben den beiden Taschenpartituren sind Dirigierpartitur und Orchesterstimmen als Leihmaterial erhältlich. Der Notentext basiert auf unserer wissenschaftliche Neuausgabe der Oper, herausgegeben von Robert Didion.
$19.99 ≈
17.92€
When Irish Eyes Are Smiling
When Irish Eyes Are Smiling
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Chauncey Olcott, Ernest R
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Debra E
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When Irish Eyes Are Smiling
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Standard Time
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SheetMusicPlus
Piano Accompaniment,Viola,Voice - Level 4 - SKU: A0.1367752 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stem...
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Piano Accompaniment,Viola,Voice - Level 4 - SKU: A0.1367752 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. 10 pages. Standard Time #952129. Published by Standard Time (A0.1367752). This jaunty Irish classic is arranged as a vocal solo with viola and piano accompaniment in the keys of Eb and F.  In addition to a score and a full set of parts, a lead sheet is included so the singer can also play the piano part. Please note that the audio features the soprano sax version of this arrangement, which is in a different key.
$11.99 ≈
10.75€
When Irish Eyes Are Smiling
When Irish Eyes Are Smiling
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Chauncey Olcott, Ernest R
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Debra E
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When Irish Eyes Are Smiling
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Standard Time
#
SheetMusicPlus
Oboe,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367748 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stemp...
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Oboe,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367748 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. 10 pages. Standard Time #952125. Published by Standard Time (A0.1367748). This jaunty Irish classic is arranged as a vocal solo with oboe and piano accompaniment in the keys of Eb and F.  In addition to a score and a full set of parts, a lead sheet is included so the singer can also play the piano part. Please note that the audio features the soprano sax version of this arrangement, which is in a different key.
$11.99 ≈
10.75€
When Irish Eyes Are Smiling
When Irish Eyes Are Smiling
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Chauncey Olcott, Ernest R
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Debra E
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When Irish Eyes Are Smiling
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Standard Time
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SheetMusicPlus
Clarinet,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367731 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. S...
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Clarinet,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367731 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. 10 pages. Standard Time #952108. Published by Standard Time (A0.1367731). This jaunty Irish classic is arranged as a vocal solo with clarinet and piano accompaniment in the keys of Bb and C.  In addition to a score and a full set of parts, a lead sheet is included so the singer can also play the piano part.  Please note that the audio features the soprano sax version of this arrangement.
$11.99 ≈
10.75€
When Irish Eyes Are Smiling
When Irish Eyes Are Smiling
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Chauncey Olcott, Ernest R
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Debra E
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When Irish Eyes Are Smiling
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Standard Time
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SheetMusicPlus
Alto Saxophone,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367744 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debr...
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Alto Saxophone,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367744 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. 10 pages. Standard Time #952121. Published by Standard Time (A0.1367744). This jaunty Irish classic is arranged as a vocal solo with alto sax and piano accompaniment in the keys of Eb and F.  In addition to a score and a full set of parts, a lead sheet is included so the singer can also play the piano part. Please note that the audio features the soprano sax version of this arrangement, which is in a different key.
$11.99 ≈
10.75€
When Irish Eyes Are Smiling
When Irish Eyes Are Smiling
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Celtique/Irlandais
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Chauncey Olcott, Ernest R
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Debra E
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When Irish Eyes Are Smiling
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Standard Time
#
SheetMusicPlus
Flute,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367746 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stem...
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Flute,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367746 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. 10 pages. Standard Time #952123. Published by Standard Time (A0.1367746). This jaunty Irish classic is arranged as a vocal solo with flute and piano accompaniment in the keys of Eb and F.  In addition to a score and a full set of parts, a lead sheet is included so the singer can also play the piano part. Please note that the audio features the soprano sax version of this arrangement, which is in a different key.
$11.99 ≈
10.75€
When Irish Eyes Are Smiling
When Irish Eyes Are Smiling
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Celtique/Irlandais
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Chauncey Olcott, Ernest R
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Debra E
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When Irish Eyes Are Smiling
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Standard Time
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SheetMusicPlus
Piano Accompaniment,Soprano Saxophone,Voice - Level 4 - SKU: A0.1367728 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by D...
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Piano Accompaniment,Soprano Saxophone,Voice - Level 4 - SKU: A0.1367728 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. 10 pages. Standard Time #952102. Published by Standard Time (A0.1367728). This jaunty Irish classic is arranged as a vocal solo with soprano sax and piano accompaniment in the keys of Bb and C.  In addition to a score and a full set of parts, a lead sheet is included so the singer can also play the piano part.
$11.99 ≈
10.75€
When Irish Eyes Are Smiling
When Irish Eyes Are Smiling
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Celtique/Irlandais
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Chauncey Olcott, Ernest R
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Debra E
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When Irish Eyes Are Smiling
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Standard Time
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SheetMusicPlus
Flute,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367734 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stem...
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Flute,Piano Accompaniment,Voice - Level 4 - SKU: A0.1367734 Composed by Chauncey Olcott, Ernest R. Ball, and George Graff, Jr. Arranged by Debra E. Stempien, Gregory H. Turner. Celtic,Holiday,Irish,Multicultural,Standards,Traditional,World. 10 pages. Standard Time #952111. Published by Standard Time (A0.1367734). This jaunty Irish classic is arranged as a vocal solo with flute and piano accompaniment in the keys of Bb and C.  In addition to a score and a full set of parts, a lead sheet is included so the singer can also play the piano part.  Please note that the audio features the soprano sax version of this arrangement.
$11.99 ≈
10.75€
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