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Etudes for Tuba, Vol. 2
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Etudes for Tuba, Vol. 2
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1
Orchestral Etudes for Tuba, Volume 2
Orchestral Etudes for Tuba, Volume 2
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Tuba
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AVANCÉ
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Karl Hinterbichler
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Orchestral Etudes for Tuba, Vo
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherr...
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Tuba Solo - Level 5 - SKU: A0.1164180 Composed by Karl Hinterbichler. 20th Century,Contemporary,Romantic Period. Individual part. 37 pages. Gordon Cherry #764528. Published by Gordon Cherry (A0.1164180). A wonderful collection of Orchestral Etudes for Tuba, Volume 2 by Karl Hinterbichler, one of America's leading educators and performers. These etudes are imaginative, and challenging, and concentrate on perfecting technique, style, rhythm, and tempo. Professor Hinterbichler's Etudes Volume 2 concentrate on fourteen of the most requested Tuba orchestral excerpts. They include the original keys and clefs. These etudes are for advanced performers.The works included in the Orchestral Etudes, Volume 2 are: Bruckner Symphonies No. 4 & 8, Elgar Pomp and Circumstance March No. 1 & Enigma Variations, Franck Symphony in D minor, Holst Planets, Revueltas Momenaje a Federico Garcia Lorca, Shostakovich Symphonies No. 5, 9 and Festive Overture, Richard Strauss Ein Heldenleben & Till Eulenspiegel, Stravinsky Rite of Spring & Petrushka, Verdi La Forza Del Destino Overture and Requiem. According to the composer, they are even more difficult than the actual excerpts themselves, so the real thing should seem simpler by comparison.This music is also available as an eBook on Amazon Kindle.The sound sample below contains an etude taken from Elgar Pomp and Circumstance March No. 1.
$25.00 ≈
23.11€
Progressive Etudes for Tuba, Vol. 2
Progressive Etudes for Tuba, Vol. 2
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Tuba
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David Uber
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Progressive Etudes for Tuba, V
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Cimarron Music Press
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SheetMusicPlus
By David Uber. For Tuba. Studies. Etudes/Exercises. Published by Cimarron Music Press ...
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By David Uber. For Tuba. Studies. Etudes/Exercises. Published by Cimarron Music Press
$15.00 ≈
13.87€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.49€
Etudes for Tuba, Vol. 2
Etudes for Tuba, Vol. 2
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Jacobs
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Etudes for Tuba, Vol. 2
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba SKU: TE.TEP10453 Arranged by Jacobs. Instructional, methods/studies/etudes. Score. Published by Tuba-Euphonium Press (TE.TEP10453). ...
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Tuba SKU: TE.TEP10453 Arranged by Jacobs. Instructional, methods/studies/etudes. Score. Published by Tuba-Euphonium Press (TE.TEP10453).
$18.00 ≈
16.64€
Etudes for Tuba, Vol. 2
Etudes for Tuba, Vol. 2
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Jacobs
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Etudes for Tuba, Vol. 2
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba - SKU: CX.TEP10453 Arranged by Jacobs. Score. 41 pages. Published by Tuba-Euphonium Press (CX.TEP10453). ...
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Tuba - SKU: CX.TEP10453 Arranged by Jacobs. Score. 41 pages. Published by Tuba-Euphonium Press (CX.TEP10453).
$18.00 ≈
16.64€
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (4 Bass Tubas)
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Tuba
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (...
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Tuba Solo - Level 3 - SKU: A0.784337 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288667. Published by Slide Ride (A0.784337). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Etudes for Euphonium, Vol. 2
Etudes for Euphonium, Vol. 2
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Jacobs
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Etudes for Euphonium, Vol. 2
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium SKU: TE.TEP10459 Arranged by Jacobs. Instructional, methods/studies/etudes. Score. Published by Tuba-Euphonium Press (TE.TEP10459).
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Euphonium SKU: TE.TEP10459 Arranged by Jacobs. Instructional, methods/studies/etudes. Score. Published by Tuba-Euphonium Press (TE.TEP10459).
$18.00 ≈
16.64€
Etudes for Euphonium, Vol. 2
Etudes for Euphonium, Vol. 2
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Jacobs
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Etudes for Euphonium, Vol. 2
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium - SKU: CX.TEP10459 Arranged by Jacobs. Score. 42 pages. Published by Tuba-Euphonium Press (CX.TEP10459). ...
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Euphonium - SKU: CX.TEP10459 Arranged by Jacobs. Score. 42 pages. Published by Tuba-Euphonium Press (CX.TEP10459).
$18.00 ≈
16.64€
Melodious Etudes for Bass Trombone or Tuba, Volume 2 (31-60)
Melodious Etudes for Bass Trombone or Tuba, Volume 2 (31-60)
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Tuba
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INTERMÉDIAIRE/AVANCÉ
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Marco Bordogni
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Wade Goodwin
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Melodious Etudes for Bass Trom
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Gordon Cherry
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SheetMusicPlus
Tuba Solo - Level 4 - SKU: A0.1109537 Composed by Marco Bordogni. Arranged by Wade Goodwin. Classical,Opera,Romantic Period. Individual part. 89 pages. ...
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Tuba Solo - Level 4 - SKU: A0.1109537 Composed by Marco Bordogni. Arranged by Wade Goodwin. Classical,Opera,Romantic Period. Individual part. 89 pages. Gordon Cherry #711929. Published by Gordon Cherry (A0.1109537). Dr. Wade Goodwin has edited and arranged these great études for Bass Trombone or Tuba. The Bordogni (Rochut) études have been a major fixture in the Tenor Trombone world for almost 100 years. Dr. Wade Goodwin's arrangements of the Melodious Etudes for Bass Trombone or Tuba, Volume 2 (31-60) are a valuable addition by arranging Bordogni's études, not just an octave lower, but also a fifth lower as well. So....there are actually 60 études in this marvelous coil-bound book for Bass Trombonists or Tubists. Two versions of each étude. This book may be used by teachers to play along in octaves with their students, locking in tuning and style. Also, for Tenor Trombonists, to work on and improve their low register. Appropriate for intermediate to advanced performers.
$27.50 ≈
25.42€
10 Melodious Etudes for Brass Quintet, Volume 3
10 Melodious Etudes for Brass Quintet, Volume 3
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Marco Bordogni
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Nir Fishkin
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10 Melodious Etudes for Brass
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Gordon Cherry
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1321300 Composed by Marco Bordogni. Arranged by Nir Fishkin. 19th Century,Romantic Period. 82 pages. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1321300 Composed by Marco Bordogni. Arranged by Nir Fishkin. 19th Century,Romantic Period. 82 pages. Gordon Cherry #909756. Published by Gordon Cherry (A0.1321300). The 120 Melodious Etudes of Marco Bordogni were introduced in a three-volume set in 1928 by Trombonist Joannes Rochut and have been used for almost 100 years as pedagogical tools primarily in the low brass world. Their bel canto style, using beautiful tone and precise legato is their hallmark.Bass Trombonist Nir Fishkin has artfully arranged 10 Melodious Etudes for Brass Quintet, Volume 3 which are suitable for moderately advanced performers. Mr. Fishkin's arrangements imaginatively spread the melody around between the five parts.The Trumpet parts are in B-flat and the Trombone part is in bass clef.Below are samples from three of these beautifully scored vocalises by Bordogni.
$37.50 ≈
34.67€
10 Melodious Etudes for Brass Quintet, Volume 2
10 Melodious Etudes for Brass Quintet, Volume 2
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Marco Bordogni
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Nir Fishkin
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10 Melodious Etudes for Brass
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1033823 Composed by Marco Bordogni. Arranged by Nir Fishkin. Classical,Romantic Period. Score and parts. 76 pages. Go...
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Brass Ensemble - Level 4 - SKU: A0.1033823 Composed by Marco Bordogni. Arranged by Nir Fishkin. Classical,Romantic Period. Score and parts. 76 pages. Gordon Cherry #639137. Published by Gordon Cherry (A0.1033823). The 120 Melodious Etudes of Marco Bordogni were introduced in a three-volume set in 1928 by Trombonist Joannes Rochut and have been used for almost 100 years as pedagogical tools primarily in the low brass world. Their bel canto style, using beautiful tone and precise legato is their hallmark. Bass Trombonist Nir Fishkin has artfully arranged 10 Melodious Etudes for Brass Quintet, Volume 2 which are suitable for moderately advanced performers. Mr. Fishkin's arrangements imaginatively spread the melody around between the five parts. The Trumpet parts are in B-flat and the Trombone part is in bass clef.
$37.50 ≈
34.67€
10 Melodious Etudes for Brass Quintet
10 Melodious Etudes for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Methodes Etudes
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Marco Bordogni
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Nir Fishkin
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10 Melodious Etudes for Brass
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Cherry Classics Music
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SheetMusicPlus
Brass Quintet - Advanced Intermediate - Digital Download Composed by Marco Bordogni. Arranged by Nir Fishkin. Romantic Period, Classical Period, Oper...
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Brass Quintet - Advanced Intermediate - Digital Download Composed by Marco Bordogni. Arranged by Nir Fishkin. Romantic Period, Classical Period, Opera. Score, Set of Parts. 87 pages. Published by Cherry Classics Music
The 120 Melodious Etudes of Marco Bordogni were introduced in a three-volume set in 1928 by Trombonist Joannes Rochut and have been used for almost 100 years as pedagogical tools primarily in the low brass world. Their bel canto style, using beautiful tone and precise legato are their hallmark.
Bass Trombonist Nir Fishkin has artfully arranged 10 Melodious Etudes for Brass Quintet which are suitable for moderately advanced performers. The arrangements spread the melody around between the five parts.
The Trumpet parts are in B-flat.
$32.50 ≈
30.05€
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
Donut Etudes vol. 3: Don’t Step in the Holes! – Tuba Quartet (Tuba/Euphonium)
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide R...
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Small Ensemble - Level 3 - SKU: A0.784348 Composed by Joshua Hauser. Instructional. Score and parts. 74 pages. Slide Ride #5288731. Published by Slide Ride (A0.784348). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instrumentsIf this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$7.50 ≈
6.93€
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
Donut Etudes vol. 3: Don’t Step in the Holes! – Brass Quartet or Quintet
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Sli...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.784343 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288693. Published by Slide Ride (A0.784343). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$15.00 ≈
13.87€
Aldcroft - Famous Jazz Duets for Euphonium and Tuba, Volume 2
Aldcroft - Famous Jazz Duets for Euphonium and Tuba, Volume 2
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Euphonium, Tuba (duo)
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Methodes
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Jazz
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Randy Alcroft
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Aldcroft - Famous Jazz Duets f
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Cherry Classics
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SheetMusicPlus
Composed by Randy Alcroft. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Score. 35 pages. Published by Cherry Classics (S0.1155...
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Composed by Randy Alcroft. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Score. 35 pages. Published by Cherry Classics (S0.115539). - Score - Jazz,Method,Etudes and Exercises,General Instructional,Technique Training - Cherry Classics
$17.50 ≈
16.18€
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Etudes for Tuba, Vol. 2
