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Even Now, Return to Me
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Vous avez sélectionné:
Even Now, Return to Me
Partitions à imprimer
37 partitions trouvées
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Even Now, Return to Me
Even Now, Return to Me
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Chorale SATB
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FACILE
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Musique Sacrée
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Judith Snowdon
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Even Now, Return to Me
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Judith E. Snowdon
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SheetMusicPlus
Choral Choir (Mixed) - Level 2 - SKU: A0.878055 Composed by Judith Snowdon. Christian,Sacred. Octavo. 7 pages. Judith E. Snowdon #18617. Published by Ju...
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Choral Choir (Mixed) - Level 2 - SKU: A0.878055 Composed by Judith Snowdon. Christian,Sacred. Octavo. 7 pages. Judith E. Snowdon #18617. Published by Judith E. Snowdon (A0.878055). Two-Part, Mixed Sacred Choral Anthem Suitable for Lent, Communion Sunday, General A beautiful lyrical melody set over a flowing piano accompaniment Simple voice parts for the small church choir.
$2.99 ≈
¥21.68
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95 ≈
¥217.18
Even Now, Return to Me, SATB
Even Now, Return to Me, SATB
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Judith Snowdon
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Even Now, Return to Me, SATB
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Judith E. Snowdon
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SheetMusicPlus
Composed by Judith Snowdon. For Choir,SATB. Christian,Sacred. Intermediate. Octavo. Published by Judith E. Snowdon ...
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Composed by Judith Snowdon. For Choir,SATB. Christian,Sacred. Intermediate. Octavo. Published by Judith E. Snowdon
$2.99 ≈
¥21.68
Return Me Home to Frost Laden Trees
Return Me Home to Frost Laden Trees
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Piano seul
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INTERMÉDIAIRE
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Jonathon Erickson
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Return Me Home to Frost Laden
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J. Erickson Compositions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1361829 Composed by Jonathon Erickson. 21st Century,Chamber,Contemporary. Score. 4 pages. J. Erickson Compositions #94628...
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Piano Solo - Level 3 - SKU: A0.1361829 Composed by Jonathon Erickson. 21st Century,Chamber,Contemporary. Score. 4 pages. J. Erickson Compositions #946286. Published by J. Erickson Compositions (A0.1361829). I grew up in North Eastern Minnesota. A place near Lake Superior where temperatures were often in the negatives, snowfall was aplenty, and the morning dew would freeze everything in a sheet of sheer ice. After moving to an area with more wind and less snowfall, and even less trees, forests, and lakes, I began to lament the winter that I had grown up with. Return Me Home to Frost Laden Trees is an homage to the snowstorms I would watch from warm inside the house, staring outside the front window and into the one lamp on our street, where the snow swirled around the forest behind it. This arrangement is specifically for Piano, pared down for more accessable play compared to its orchestral counterpart.
$5.99 ≈
¥43.44
To Us This Night Is Born a Child
To Us This Night Is Born a Child
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Chorale SATB
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way of introduction of the pie
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Ernest Brandon
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To Us This Night Is Born a Chi
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Imagine Music - Digital
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SheetMusicPlus
SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital ...
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SATB Chorus & Piano - SKU: IZ.VMW227 Composed by Ernest Brandon. Octavo. 8 pages. Imagine Music - Digital #VMW227. Published by Imagine Music - Digital (IZ.VMW227). 9 x 12 inches.“Paris Without You is a piece for solo tenor saxophonist and orchestra with jazz quartet accompaniment. By way of introduction of the piece, in 2012, I met my wife, and very early on we had different trips planned. I was going to visit family and Cindy was going back to Paris, a place she had visited many times. So it was that we were almost literally a world apart. Upon both our returns, Cindy shared her many photos of Paris with me, a place I have never been. These photos were but a few that really made an impression on me and made me feel almost as I were there, even though Cindy was there (in one of the most romantic places in the world) as musicians would say, “solo. So the title of this piece suggests a telling of the story in pictures from her perspective.In performing this piece, it is preferable to have a tenor saxophonist who is equally comfortable in an orchestral setting as in a jazz quintet setting. Though all the jazz quintet parts are very specifically written, with either chord voicings and suggested solos, there is room for improvisation in these parts, but using a keen ear and direction to know when to align properly with the orchestra.In my recording of this piece, Maynard Ferguson Band alumni, Andy Weinzler is the featured tenor saxophonist. Many Western New York musicians came together to record this piece, and I thank them all for their incredible musicianship and willingness to perform this piece.
$2.00 ≈
¥14.50
Three Latin Elegies to Lesbia
Three Latin Elegies to Lesbia
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Mark D
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Three Latin Elegies to Lesbia
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Mark Templeton Choral Music
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SheetMusicPlus
Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 page...
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Choir, SATB - Intermediate - Composed by Mark D. Templeton. 21st Century, Contemporary Classical, Modern, Neo-Classical. Sheet Music Single. 20 pages. Published by Mark Templeton Choral Music
Three LatinElegies to Lesbiais a setting of three poems written by the ancient Roman poet, Gaius ValeriusCatullus (84-54 B.C.E.). His muse in these poems is understood to beLesbia, the name believed to have been given by Catullus to his mistress.Lesbia was really Clodia, the sexually promiscuous wife of proconsul QuintusCaecilius Metellus Celer. Clodia was said to have many lovers, and Catullus?torment and obsession for her is well documented in 13 of his poems where thename, Lesbia, is used. His first poem addressed to Lesbia (Catullus 51) is a freetranslation of a poem by the ancient Greek poet, Sappho. Scholars havesuggested that Catullus chose the name, Lesbia, because of his affinity forSappho, who it is believed was a lesbian.
Odie et Amo (Catullus 85), one of the mostcelebrated elegiac couplets composed by Catullus, has inspired many composers withits duality of emotions. The most well-known setting is from Carl Orff?s Catulli Carmina, part of Trionfi, themusical triptych that also includes the Carmina Burana andTrionfo di Afrodite. Unlike Orff?s driving rhythms of outwardlyexpressive anguish, my setting is a more introspective interpretation. It is asif the music is surrendering to the mercurial personalities that Catullus andall humans possess, the tortured ability to hate and love at the same time.
Lesbia mi dicit semper male (Catullus 92) consists of two elegiaccouplets. Catullus? earlier poem, 83,brings some context to 92. In thefirst part of 83, Catullus says:
Lesbia keeps insulting me in front of her husband:
thisfills the fatuous idiot with delight.
Mule, doyou perceive nothing? If she shut up and ignored me
that?dshow healthy indifference;?
In 92, Catullus expounds on the idea of whyLesbia insults him in front of her husband. Catullus reckons that he is alwayscursing her, and he loves her. She always curses him, so she must love him aswell. In his desperation, Catullus uses his wit and humor to reason that hisobsessive love for Lesbia is reciprocated. This setting of 92 uses incessant driving rhythms in the women?s voices to paint thewords, ?Lesbia mi dicit semper male nec tacetumquam de me? (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythmsreturn in the men?s voices when Catullus says he does the same, ?quia sunt totidem mea: deprecor illamassidue? (?it?s the same with me: I?m continually complaining.) The piececomes to a final rest after Catullus realizes the he will always be cursed tolove her.
Mea Lesbia (Catullus 87) also consists of twoelegiac couplets. Catullus was only one of Lesbia?s many lovers, and he oftenwrote of his jealousy and disdain for her unfaithful actions. This elegy waswritten at a time when Lesbia had been particularly cruel toward Catullus.Despite being broken hearted, his obsession with her never waned. In hisdespair and desperation, he basically says, ?My love for you is so great thatno other woman could possibly even know what love is.? This setting of 87 returns to a more introspectivenature where Catullus surrenders his love forever to Lesbia.
$4.99 ≈
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Paisley's Sonata
Paisley's Sonata
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Michael C
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Paisley's Sonata
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Michael C. Brown
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by...
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Piano Solo - Level 4 - SKU: A0.1030831 Composed by Michael C. Brown. 20th Century,Romantic Period. Score. 23 pages. Michael C. Brown #4051. Published by Michael C. Brown (A0.1030831). This piece celebrates the life and mourns the loss of my granddaughter, Paisley Gladys Hogan, who was but 2 months old when she was called to Heaven. These are the words I wrote just before her funeral.... I. The Presence - She was here. I held her the day she was born. I held her and watched her smile at me less than 24 hours before she departed. She only knew love. No one around her ever showed her anything else that humanity had to offer; like hatred, heartache, pain, control, or anger. II. The Shock - She feels a Hand beckon her to leave her mortal coil, and she enters into a world we cannot yet reach.. With no one home, her former body ceases to wake. The unimaginable has happened and we struggle to reverse it. Finally, it becomes clear that we cannot. She sees us cry and she wonders what is happening. Having never known sorrow, she only sees that love didn't cause this response. She wants to comfort us with the love she knows, but we do not yet sense it. III. The Questions - One word has confounded mankind from its creation; Why? We have never found an acceptable answer. We ask, Why did this happen? and What did I do? and What didn't we do right? and Why couldn't it have been me? among others. We only know that her absence has carved holes in our hearts shaped like her. She tries to tell us, You can still love me. I just cannot be seen by you now. It does not mean your love cannot make me happy. I still want it. I still feel it. Please feel my love for you. IV. Letting Go - The day comes to bid farewell to the vehicle by which she came to us. We struggle to cope that we will see her face no more except in pictures. Because of the brevity of her life, memories are few to relive, but to do so is to recall happiness. In sorrow, we return her to the earth. All that is left is to return to recall, to talk to her, to bring flowers and other gifts, and to await the day we follow her. V. Remembering - The days and years follow. Normalcy slowly sets back into our lives. The holes in our hearts will never fully heal. But the salve of her love and her memory help to soothe the ache. We still return to where we placed her mortal home, where we laugh and cry in tandem, where our hearts ache to fill the void left by her departure. It will never really get better, but it will become easier for her love to dull the sting of her absence. VI. The Reunion - One by one, we will feel the same Hand bid us to come. The same events will befall those left behind each time. One by one, she will greet us as we reunite with her. We marvel at how she has stayed with us as we stay to comfort those we had just bidden farewell. The rest cannot be imagined by we that remain..........
$4.99 ≈
¥36.18
Home Again Piano Minus Vocal
Home Again Piano Minus Vocal
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Piano seul
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Pop musique
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Steven H
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Ashley Ivers
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Home Again Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069957 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 230. Boothe Publishing #4633659. Published ...
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Piano - SKU: A0.1069957 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Accompaniment. Duration 230. Boothe Publishing #4633659. Published by Boothe Publishing (A0.1069957). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
¥14.43
Home Again Guitar Minus Vocal
Home Again Guitar Minus Vocal
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Pop musique
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Steven H
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Home Again Guitar Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0....
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Guitar - SKU: A0.1069956 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 212. Boothe Publishing #4633655. Published by Boothe Publishing (A0.1069956). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
¥14.43
Home Again Guitar Vocal Performance
Home Again Guitar Vocal Performance
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Pop musique
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Steven H
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Home Again Guitar Vocal Perfor
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Boothe Publishing
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SheetMusicPlus
Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publis...
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Guitar,Voice - SKU: A0.1069974 Composed by Steven H. Boothe. Pop. Full Performance. Duration 212. Boothe Publishing #4633719. Published by Boothe Publishing (A0.1069974). After our first child arrived I realized that I wasn't free any longer. My mind returned to the good old days when I was free to daydream and do whatever it was that I wanted to do. When I was younger I had wanted to grow up to be a bird, a frog, an ant or a baby bee, but I had grown up to be a man, and now I had a wife and a baby son. Things were not the way I had imagined they would be. Now I had to go to work every day to pay the bills, and I didn't even like my job. It felt like I was bound in chains that were unbreakable. There seemed to be no way out, but there was a way out. All I had to do was accept that life had changed, that I had changed, and I needed to make the best of it. After making that decision life got better and better. I realized that the true plan for life was to create our own homes and families, and that sooner or later we will all return to our heavenly home. I love being home, and at the homes of my siblings, friends, and parents. Home is not really a physical place so much as it is where we are surrounded by people who love us. For me, being home is being where I am loved and accepted.
$1.99 ≈
¥14.43
Incredible
Incredible
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Piano, Voix et Guitare
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Celine Dion and Ne-Yo
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Incredible
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015793 By Celine Dion and Ne-Yo. By Andrew Goldstein, Emanuel Kiriakou, and Shaffer Smith. Pop/Rock. 8 pages. Alfred...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015793 By Celine Dion and Ne-Yo. By Andrew Goldstein, Emanuel Kiriakou, and Shaffer Smith. Pop/Rock. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015793. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015793). ISBN 9781470614140. UPC: 038081475981.Award-winning musical icon Celine Dion has returned with her eleventh English-speaking album, Loved Me Back to Life. Featuring lush memorable arrangements that compliment Dion's famous voice, the album is a true return to form. The album has been painstakingly transcribed for piano and voice so fans can recreate these fabulous songs. Titles: Loved Me Back to Life * Somebody Loves Somebody * Incredible (Duet with Ne-Yo) * Water and a Flame * Breakaway * Save Your Soul * Didn't Know Love * Thank You * Overjoyed (Duet with Stevie Wonder) * Thankful * At Seventeen * Always Be Your Girl * Unfinished Songs * How Do You Keep the Music Playing * Lullabye (Goodnight, My Angel).
$3.99 ≈
¥28.93
Somebody Loves Somebody
Somebody Loves Somebody
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Piano, Voix et Guitare
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Celine Dion
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Somebody Loves Somebody
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015792 By Celine Dion. By Audra Mae, Johan Fransson, Tim Larsson, and Tobias Lundgren. Pop/Rock. 7 pages. Alfred Mus...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015792 By Celine Dion. By Audra Mae, Johan Fransson, Tim Larsson, and Tobias Lundgren. Pop/Rock. 7 pages. Alfred Music - Digital Sheet Music #00-PS-0015792. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015792). ISBN 9781470614140. UPC: 038081475981.Award-winning musical icon Celine Dion has returned with her eleventh English-speaking album, Loved Me Back to Life. Featuring lush memorable arrangements that compliment Dion's famous voice, the album is a true return to form. The album has been painstakingly transcribed for piano and voice so fans can recreate these fabulous songs. Titles: Loved Me Back to Life * Somebody Loves Somebody * Incredible (Duet with Ne-Yo) * Water and a Flame * Breakaway * Save Your Soul * Didn't Know Love * Thank You * Overjoyed (Duet with Stevie Wonder) * Thankful * At Seventeen * Always Be Your Girl * Unfinished Songs * How Do You Keep the Music Playing * Lullabye (Goodnight, My Angel).
$3.99 ≈
¥28.93
Unfinished Songs
Unfinished Songs
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Piano, Voix et Guitare
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Celine Dion
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Unfinished Songs
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015791 By Celine Dion. By Diane Warren. Pop/Rock. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015791. Publis...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015791 By Celine Dion. By Diane Warren. Pop/Rock. 5 pages. Alfred Music - Digital Sheet Music #00-PS-0015791. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015791). ISBN 9781470614140. UPC: 038081475981.Award-winning musical icon Celine Dion has returned with her eleventh English-speaking album, Loved Me Back to Life. Featuring lush memorable arrangements that compliment Dion's famous voice, the album is a true return to form. The album has been painstakingly transcribed for piano and voice so fans can recreate these fabulous songs. Titles: Loved Me Back to Life * Somebody Loves Somebody * Incredible (Duet with Ne-Yo) * Water and a Flame * Breakaway * Save Your Soul * Didn't Know Love * Thank You * Overjoyed (Duet with Stevie Wonder) * Thankful * At Seventeen * Always Be Your Girl * Unfinished Songs * How Do You Keep the Music Playing * Lullabye (Goodnight, My Angel).
$3.99 ≈
¥28.93
Breakaway
Breakaway
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Piano, Voix et Guitare
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Celine Dion
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Breakaway
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0015794 By Celine Dion. By Audra Mae, Johan Fransson, Tim Larsson, and Tobias Lundgren. Pop/Rock. 9 pages. Alfred Mus...
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Piano/Vocal/Chords - SKU: AX.00-PS-0015794 By Celine Dion. By Audra Mae, Johan Fransson, Tim Larsson, and Tobias Lundgren. Pop/Rock. 9 pages. Alfred Music - Digital Sheet Music #00-PS-0015794. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015794). ISBN 9781470614140. UPC: 038081475981.Award-winning musical icon Celine Dion has returned with her eleventh English-speaking album, Loved Me Back to Life. Featuring lush memorable arrangements that compliment Dion's famous voice, the album is a true return to form. The album has been painstakingly transcribed for piano and voice so fans can recreate these fabulous songs. Titles: Loved Me Back to Life * Somebody Loves Somebody * Incredible (Duet with Ne-Yo) * Water and a Flame * Breakaway * Save Your Soul * Didn't Know Love * Thank You * Overjoyed (Duet with Stevie Wonder) * Thankful * At Seventeen * Always Be Your Girl * Unfinished Songs * How Do You Keep the Music Playing * Lullabye (Goodnight, My Angel).
$3.99 ≈
¥28.93
Danza gitana
Danza gitana
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Piano seul
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Monica Bergo
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Danza gitana
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976849 Composed by Monica Bergo. Children,Contemporary. Score. 10 pages. Monica Bergo #3236735. Published by Monica Bergo (A0.97684...
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Piano Solo - SKU: A0.976849 Composed by Monica Bergo. Children,Contemporary. Score. 10 pages. Monica Bergo #3236735. Published by Monica Bergo (A0.976849). 2017 Holiday Contest EntryGYPSY DANCE And it is another day that passes and goes I know that one the same will not return I feel restless, I lose my colors Invaded by the gray of the outside world Need love And that sense of emptiness Suspended in limbo, I move in slow motion invent a fairy tale that time which was I miss the affection of my tribe I wear a dress from 1000 colors Weave hair with grass and flowers Again gypsy in this other my life It is not just a fairy tale, it is a never ending story Between the elves, the fairies and gypsy violins In the woods near to ancient kingdoms I feel beautiful too, happy and accepted here's the trivial woman who has transformer dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is dances gypsy and I’m the queen Again this decomposes my identity Nemesis goes crazy and unleash My spirit Which is young and free I mud and Diamond Matte and shining I alpha female of a group of witches Unleashed storms, threats suspended Then a rainbow of many colors Here the rain is over, wake up the flowers We dance happy in this my kingdom In a circle, spell of a beautiful dream Another my world I will not return If I’m not anyone Leave me alone I will not return In this tale, I will hide A still picture On the surface I will be Turn the page and I animet and the end will be Disappearance Monica, in the world here But in this my kingdom forever I will live From a cover I will smile I’m not gypsy, not even Queen but inside me I remained a child Gypsy violins do not sound I miss the affection of my tribe and I go back to that time when everything was empty dream and fly was my only game I'm not so bad in the world here in the shoes I wear in my reality dance gypsy cries inside of me It is a fire that melts this cold there is freedom it is desire to live It is dances gypsy and I’m the queen I tread with joy my but and my if The inadequacy I do not know what And yet I know that thrill try The apparent death, far and distant The dance gypsy , here,under the moon Ancient ritual that brings good luck You will be welcome in my tribe In this my book, the end can write to you ... Monica Bergo
$3.99 ≈
¥28.93
Rock - a Roger Jones musical
Rock - a Roger Jones musical
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Roger Jones, Alison Fuggle
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Annie Routley
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Rock - a Roger Jones musical
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Christian Music Ministries
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise &...
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Choral Choir (SATB) - Level 3 - SKU: A0.927456 Composed by Roger Jones, Alison Fuggle. Arranged by Annie Routley. Christian,Easter,Musical/Show,Praise & Worship,Sacred. Octavo. 98 pages. Christian Music Ministries #6135917. Published by Christian Music Ministries (A0.927456). Rock - a worship musical.Full piano score with SATB choir, solo parts and narration.Starting in Caesarea, Peter's story unfolds in flashback.From fishing, his 3 years on the road alongside Jesus and the disciples, his triumphs and failures. Jesus calls Peter 'the Rock' - but we see that only in Christ, and filled with His Spirit, is Peter on solid ground.Synopsis Traditional words introduce the theme of the Musical: Jesus is our ROCK OF AGES, but the story starts IN CAESAREA BESIDE THE SEA. Here, centurion Cornelius declares I’ve had a vision - but who can explain it, who can help? Cornelius’ household tell of Simon Peter, a disciple of Jesus, and we are taken back to Galilee when Peter, a fisherman, WORKING IN THE FAMILY BUSINESS, hears Jesus’ call to leave your nets and leave your boats. He responds I WILL FOLLOW YOU. For three years Peter follows Jesus, and when challenged declares YOU ARE MESSIAH, the Son of the living God! Jesus replies On this rock I will build my church, then, ominously, points towards Jerusalem. He and his followers eventually arrive in the city at Passover, and during the meal they wonder IN THIS BREAD, IN THIS WINE, is there love for me? At first reluctant, Peter allows Jesus to wash his feet. Events turn against Jesus; he is arrested, and Peter is afraid. The taunt SURELY YOU MUST HAVE BEEN WITH HIM sees Peter denying he ever knew Jesus. Then their eyes meet across the courtyard, and Peter is devastated by his own failure. But even at such an awful time as this, THE LOOK OF LOVE contains acceptance and hope. WERE YOU THERE WHEN THEY CRUCIFIED MY LORD? Peter wasn’t - he was in hiding along with many of the disciples. But after the resurrection, Jesus greets Peter and the others in Galilee: THIS IS THE PLACE – I am the Lord who comes to meet you here. Jesus asks: SIMON PETER, DO YOU LOVE ME? After being asked three times Peter reaches reality: Lord, you know everything … you know how much I love you! and receives the commission Feed my sheep. Peter and the disciples return to Jerusalem, and wait for the promised Holy Spirit. At Pentecost the Spirit comes, and as A CHOSEN PEOPLE, the followers of Jesus receive his power. Peter preaches, and thousands believe and respond JUST AS I AM … O Lamb of God I come. The Church is born and in the power of the Spirit begin WORKING IN THE FATHER’S BUSINESS, doing the things that Jesus did! Peter eventually arrives IN CAESAREA BESIDE THE SEA. He shares his vision with Cornelius and his household, and declares God has no favourites … you can be saved too … if you believe in Jesus. They believe, receive the power of the Spirit, and Gentiles also become members of the Chosen People, called out of darkness into wonderful light! Peter’s vision is fulfilled – the Gospel is for all who believe in Jesus. Peter declares HE IS THE STONE that the builders rejected … on Jesus the ROCK I will build my life! .
$9.99 ≈
¥72.44
Kosmos Place 1
Kosmos Place 1
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Musique Sacrée
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THEMIS KOUTRAS
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Kosmos Place 1
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THEMIS KOUTRAS
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SheetMusicPlus
Guitar - SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. ...
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Guitar - SKU: A0.1066774 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 324. THEMIS KOUTRAS #5196707. Published by THEMIS KOUTRAS (A0.1066774). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declaring these new worlds will then be part of planet earth the space mission today has the ability power to do this and I believe one day they will do this it has a final meaning that the space ships will mean we will travel without technology it is that the nick name space ship is given by me for the name of the holy spirit because his beyond all-powerful I know in parable because he will ascend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back here the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always
$3.99 ≈
¥28.93
WORLD COSMOS
WORLD COSMOS
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Piano seul
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Musique Sacrée
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Gospel Spirituel
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THEMIS KOUTRAS
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WORLD COSMOS
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THEMIS KOUTRAS
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SheetMusicPlus
Piano - SKU: A0.1066752 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 355. THEMIS KOUTRAS #5195065. P...
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Piano - SKU: A0.1066752 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 355. THEMIS KOUTRAS #5195065. Published by THEMIS KOUTRAS (A0.1066752). This a song in parable inspired by the holy spirit and a PROMISE of GOD that it is a prophesy song that we will progress to the space mission even to reach beyond the universe and creating new world up there as finishing the work GOD began to do to other worlds is that it is a sign up there he left it unfinished work he finished earth so to see how determined planet earth is to learn of him and take after the real true GOD rather then false gods to see if we will finish off those worlds up there in order to transport life there from here declairing these new worlds will then be part of planet earth the space mission today has the ability power to do this and I beleive one day they will do this it has a final meaning that the space ships will mean we will travel without tecknolodgy it be that the nick name space ship is given by me for the name of the holy spirit because his beyond all powerful I know in parable because he will accend us up high without a space ship as he already has for me for I been in the always given eternal life I have now returned back hewre the moment I left in time and space ye true ye I have been everywhere up there by the power of the holy spirit as he accended me up high in the always
$3.99 ≈
¥28.93
PRESENTS
PRESENTS
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Contemporain
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Ryan Noakes
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PRESENTS
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Ryan Alexander Noakes
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Piano,Viola - Level 4 - SKU: A0.1073370 Composed by Ryan Noakes. Classical,Contemporary. Score and parts. 26 pages. Ryan ...
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Small Ensemble B-Flat Clarinet,Piano,Viola - Level 4 - SKU: A0.1073370 Composed by Ryan Noakes. Classical,Contemporary. Score and parts. 26 pages. Ryan Alexander Noakes #677633. Published by Ryan Alexander Noakes (A0.1073370). This piece was commissioned by the trio Triple Clef as part of their inaugural performance. The title was suggested/requested by the musicians who commissioned the piece, who wanted it to tie into the title of the concert, “Triple Clef Presentsâ€, and were quite fond of the ambiguity of the meaning. Is it presents as in multiple gifts, or as in to present? Nobody knows, not even me! This ambiguity had me thinking about other homonyms, and I became very interested in thinking about the present, as in past, present, and future. I felt the best way to be “in the present†musically speaking was through improvisation, and so this piece became based around the idea of the piano laying down a groove with the clarinet and viola getting short, “improvised†melodic lines to play over the groove (each melodic line is written out, but has an improvisatory nature to it). PRESENTS is in three sections; a slow and thoughtful section, a live and energetic “jam sessionâ€, and a return to the slower pace with a very introspective vibe.
$21.95 ≈
¥159.17
Sonata Franckoniana
Sonata Franckoniana
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Hautbois, Piano (duo)
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AVANCÉ
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Contemporain
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Cesar Auguste Franck
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Robert Fruehwald
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Sonata Franckoniana
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Robert Fruehwald
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemp...
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Small Ensemble Clarinet,Flute,Oboe,Piano - Level 5 - SKU: A0.923701 Composed by Cesar Auguste Franck. Arranged by Robert Fruehwald. 20th Century,Contemporary. Score and parts. 39 pages. Robert Fruehwald #2165237. Published by Robert Fruehwald (A0.923701). I have a love-hate relationship with the Cesar Franck D Minor Symphony. It was the first large scale romantic work that I played as a member of a youth orchestra. I remember the thrill of being immersed in the overwhelming drama of the work. As I have returned to the piece over the years, I still love it, or rather I love parts of it. It is a very, very long work. It takes a while to get to the point. The point of the piece, to me, is the last movement. It is fast, exciting, maybe even joyous. The long, dark, angst-ridden build-up seemed profound to me as a teenager. I am less patient today. Now I wish Franck had simply started with the last movement. I decided to try rewriting the symphony myself. I would start with material from the last movement. I would use all of the basic musical material of the piece, but I would condense it down to ten to fifteen minutes of music. I had originally intended to leave the romantic character of the work intact. That intention didn't last very long. As I worked on the piece, it very quickly became more post-modern than romantic. I think that's fine. The profundity may be gone, but I think the piece is more fun this way. As I get older the scales of my life are tipping more and more toward fun and less and less toward profundity. It's kind of nice that, as I age, I see more fun ahead me even if that means I'm seeing profundity recede in the rear-view mirror.
$8.99 ≈
¥65.19
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
David Warin Solomons: Five Poems by Melissanthi for medium voice and guitar
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David Warin Solomons
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David Warin Solomons: Five Poe
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and part...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 4 - SKU: A0.533911 Composed by David Warin Solomons. Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3066951. Published by Musik Fabrik Music Publishing (A0.533911). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard,comprise a complete vocal cycle of five poems set to music as a posthumoustribute by the composer to the Athenian poet Melissanthi (1910-1991),in the manner of the old tombeaux of the Baroque era, atradition also used by many composers of the first half of the 20th century.This composer confirms, with reference to his own experience of Melissanthi'spoetry these five from among her many poems have made a such a great impacton my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name wasEve Chougia-Skandalaki, and the mysterious atmospheres invokedby David Solomons' music introduce the listener to an ethereal andmetaphysical dimension, allowing us a glimpse into the unknown and the intangible.A recurring theme, which unites the five lyrics by an invisible thread, isan incessant fluctuation between the real and the unreal, between the knownand the unknown and between reality and unreality.The inevitable abandonment of the mind to the seductive charms of thesurreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems thereforerequire particular emotional involvement, in an overall picture where everysingle note is a tiny but essential constituent of a larger and more complexmusical architecture. The harmonic structure of the five compositions presentsa substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords.This creates an indissoluble unity, such that it would spoil the completenessof the whole cycle of compositions if it were broken.Alessandro BalsiminiTranslation by David W. Solomons
$19.95 ≈
¥144.67
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
David W. Solomons: Five Poems by Melissanthi for medium voice and guitar
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David Warin Solomons
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David W. Solomons: Five Poems
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. S...
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Small Ensemble Guitar,Low Voice,Medium Voice - Level 5 - SKU: A0.534408 Composed by David Warin Solomons. 20th Century,Concert,Contemporary,Standards. Score and parts. 19 pages. Musik Fabrik Music Publishing #3466270. Published by Musik Fabrik Music Publishing (A0.534408). Concert Note:The Five Poems of Melissanthi, in the English translation of Diana Maynard, comprise a complete vocal cycle of five poems set to music as a posthumous tribute by the composer to the Athenian poet Melissanthi (1910-1991), in the manner of the old tombeaux of the Baroque era, a tradition also used by many composers of the first half of the 20th century. This composer confirms, with reference to his own experience of Melissanthi's poetry these five from among her many poems have made a such a great impact on my composing that I felt the need to dedicate these musical pages to her.The evocative poetic expressions of Melissanthi, whose real name was Eve Chougia-Skandalaki, and the mysterious atmospheres invoked by David Solomons' music introduce the listener to an ethereal and metaphysical dimension, allowing us a glimpse into the unknown and the intangible. A recurring theme, which unites the five lyrics by an invisible thread, is an incessant fluctuation between the real and the unreal, between the known and the unknown and between reality and unreality. The inevitable abandonment of the mind to the seductive charms of the surreal creates an extraordinary parallelism with lines from a great poet of the past…così tra questa/immensità s'annega il pensier mio:/e il naufragar m'è dolcein questo mare[…so in this/immensity my thoughts drown:/ and to be shipwrecked is sweetfor me in this sea.](Giacomo Leopardi, L'Infinito, 1819).Both the performance and the enjoyment of the Five Poems therefore require particular emotional involvement, in an overall picture where every single note is a tiny but essential constituent of a larger and more complex musical architecture. The harmonic structure of the five compositions presents a substantial homogenity of formulation even within the various rhythmicalsolutions selected, with their repeated returns to themes and chords. This creates an indissoluble unity, such that it would spoil the completeness of the whole cycle of compositions if it were broken.1. The Capital 19802. The Houses Where We Have Lived3. We Have Cast Anchor4. Outside and Inside5. Hour Zero
$19.95 ≈
¥144.67
The Butterfly
The Butterfly
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Contemporain
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Daniel Burwasser
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The Butterfly
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Head and Stem
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SheetMusicPlus
Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Ste...
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Flute,Vibraphone,Voice - Level 4 - SKU: A0.1089176 Composed by Daniel Burwasser. Contemporary. 8 pages. Head and Stem #693387. Published by Head and Stem (A0.1089176). Pavel Friedmann wrote the poem “The Butterfly†in 1942 in the Terezin Ghetto when he was 21. He was murdered in the Auschwitz extermination camp in 1944. Pavel was born in 1921 in Prague, Czechoslovakia (now the Czech Republic) to a Jewish father and a Christian mother. The Butterfly is a living symbol of the beauty of freedom. Such a free spirit could never have survived the confines of the Warsaw ghetto. But while the butterfly did fly away, the spirit and love of freedom it represented never left the souls of the Jews of the ghetto. They always prayed that one day the barbed wire would come down and the butterfly would reappear. The butterfly flutters there today, but many of the Jews who prayed for its return did not live to welcome it back. The first performance of The Butterfly was given on May 8, 1988 at JASA in New York City. The performers were: Andrew Bolotowsky, flute Glenn Rhian, vibraphone Mimi Stern-Wolfe, reciter There are at least two versions of the poem The Butterfly due to different translations.This work uses VERSION 2 as translated here: The last, the very last, So richly, brightly, dazzlingly yellow. Perhaps if the sun's tears would sing against a white stone... Such, such a yellow carried lightly way up high. It went away I'm sure because it wished to kiss the world goodbye. For seven weeks I've lived in here, penned up inside this ghetto, but I have found my people here. The dandelions call to me and the white chestnut candles in the court. Only I never saw another butterfly. That butterfly was the last one. Butterflies don't live in here, In the ghetto.For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$12.00 ≈
¥87.02
Desert Miniatures: Insects
Desert Miniatures: Insects
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Robert McClure
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Desert Miniatures: Insects
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Imagine Music - Digital
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SheetMusicPlus
Bassoon trio - SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 44 pages. Imagine Mus...
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Bassoon trio - SKU: IZ.BCMW162 Composed by Robert McClure. BCMCC (Bassoon Chamber Music Composition Competition). Score and Parts. 44 pages. Imagine Music - Digital #BCMW162. Published by Imagine Music - Digital (IZ.BCMW162). 9 x 12 in inches.Desert Miniatures: Insects was commissioned by Trio Sonora: Robert BeDont, Travis Jones, and Martin VonKlompenberg. The piece reflects on my time living in Tucson, AZ and all of the different types of insects that thrive in the Sonoran Desert. Each miniature selects a particular behavior or quality each insect possesses and explores it musically. Separate from the musical depiction of the insects was the central concept quasi-unison and the hyper-instrument. Instead of treating the three parts as individual important and mutually exclusive, the parts work together to form an imaginary instrument capable of polyphonic sound production. Through micro-polyphony and rhythmic irregularity, this hyper-instrument performs quasiunison gestures that resemble columns of sound rather than melodic lines.I. Many Hued GrasshopperI encountered many of these grasshoppers while hiking in the late summer and early fall months. They are brightly colored with purple and red accents against green wings and powerful light-green legs. As I would walk through tall grasses in the mountains, the path would explode with many grasshoppers leaping all around me. These bursts as well as the grasshopper's signature buzzing sound are the focal point of the miniature.II. Cactus BeeThese bees are solitary and live underground. They collect the nectar of cactus flowers. The bassoons combine to create a flurry of activity representing a particular bee going about her daily business of collecting nectar and returning to her subterranean nest.III.Arizona Red Spotted PurpleThese butterflies employ an ingenious evolutionary tactic for survival: mimicry. They look very similar to the Pipevine Swallowtail, a blueish-black butterfly that is noxious for birds to eat. Even more, the caterpillar of the Arizona Red Spotted Purple employs mimicry through resembling bird droppings or other objectionable material. Mimicry is the primary musical device employed in this miniature.IV. Fire AntAnyone who has ever accidentally stepped on a Fire Ant hill knows how painful the stings are. This unfortunately happened to me on my first day as anArizona resident. While each ant is an individual, the workers carry out simple and direct tasks. It was this quasi-unison behavior plus the martial and driving force of survival that informed the musical treatment of this miniature.
$18.00 ≈
¥130.52
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Even Now, Return to Me
