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Exercise in E Minor
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Vous avez sélectionné:
Exercise in E Minor
Partitions à imprimer
115 partitions trouvées
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101
Apoyando and picado exercises in E minor for flamenco and classical guitarists
Apoyando and picado exercises in E minor for flamenco and classical guitarists
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Flamenco
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Fingerstyle/Fingerpicking
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Eugen Sedko
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Apoyando and picado exercises
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Eugen Sedko
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SheetMusicPlus
Guitar Tab - Intermediate - Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by Eugen Sedko ...
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Guitar Tab - Intermediate - Composed by Eugen Sedko. Method, Etudes and Exercises, Technique Training, World, Folk. 2 pages. Published by Eugen Sedko
New apoyando/picado exercises that I hope it will be interesting to play. Sincerely speaking, I don't like exercises because they are mostly for technique and there is no music. I wanted to create exercises that would be interesting for me, the musical exercises. I am satisfied with this work - now I have more good exercises for myself and I share it with you. Each exercise is made like a cycle. You can practice some important technique elements - left hand transitions that are common in flamenco guitar music, with p/h/glissando. These patterns are also useful as guitar licks for flamenco fusion improvisation. Enjoy!
$3.99 ≈
3.62€
Bourée in Twelve Keys (for Solo Guitar)
Bourée in Twelve Keys (for Solo Guitar)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Kenneth Pasciak
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Bourée in Twelve Keys
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Kenneth Pasciak
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SheetMusicPlus
Guitar, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Ke...
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Guitar, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Etudes and Exercises, Repertoire, Recital. 15 pages. Published by Kenneth Pasciak
Boure in Twelve Keys is a harmonic and technical study for classical guitar based on transpositions of Johann Sebastian Bach's Boure from Suite in E minor (BWV 996). Boure in Twelve Keys presents 12 versions of the original piece, each in a different minor key, transporting the performer through the circle of fifths. An excellent resource for sight reading or for practice working in a particular key, the realization of each transposition poses unique challenges and leads the player to explore a range of possibilities for the guitar. Includes the original piece plus eleven transpositions with suggested fingerings and string designations. Note: Retuning required for two of the studies (6=D or 6=D# for the keys of D and D# minor). Some transpositions have been modified slightly to accommodate the range of the guitar.
$5.99 ≈
5.44€
Exercise in E Major and E Minor
Exercise in E Major and E Minor
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Piano seul
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FACILE
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Methodes
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Gert Th
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Exercise in E Major and E Mino
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Gert Th. Walter
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.683949 Composed by Gert Th. Walter. Instructional. Score. 2 pages. Gert Th. Walter #6286475. Published by Gert Th. Walter...
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Piano Solo - Level 2 - SKU: A0.683949 Composed by Gert Th. Walter. Instructional. Score. 2 pages. Gert Th. Walter #6286475. Published by Gert Th. Walter (A0.683949). Exercise in E Major and E Minor. Play it with a classically feeling, and you will become a very fine pianist.
$1.99 ≈
1.81€
Meditative Etude, No. 1 in E Minor - French Horn & Piano
Meditative Etude, No. 1 in E Minor - French Horn & Piano
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Cor et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
French Horn,Piano - Level 3 - SKU: A0.573392 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Sacred,Wedding. Score an...
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French Horn,Piano - Level 3 - SKU: A0.573392 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5377075. Published by James M Stevens Music ASCAP (A0.573392). Written April 12, 2020, this is an original French horn & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the horn. There is a separate french horn part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.35€
Meditative Etude, No. 1 in E Minor - English Horn & Piano
Meditative Etude, No. 1 in E Minor - English Horn & Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.573393 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. ...
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English Horn,Piano - Level 3 - SKU: A0.573393 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5377111. Published by James M Stevens Music ASCAP (A0.573393). Written April 12, 2020, this is an original English horn & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the horn. There is a separate English horn part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.35€
Meditative Etude, No. 1 in E Minor - Alto Flute & Piano
Meditative Etude, No. 1 in E Minor - Alto Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.573395 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score a...
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Flute,Piano - Level 3 - SKU: A0.573395 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5453519. Published by James M Stevens Music ASCAP (A0.573395). This is an original alto flute & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the flute. There is a separate flute part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.35€
Meditative Etude, No. 1 in E Minor - Alto Sax & Piano
Meditative Etude, No. 1 in E Minor - Alto Sax & Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.573394 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding...
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Alto Saxophone,Piano - Level 3 - SKU: A0.573394 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Easter,Sacred,Wedding. Score and part. 8 pages. James M Stevens Music ASCAP #5453493. Published by James M Stevens Music ASCAP (A0.573394). Written April 12, 2020, this is an original alto sax & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the saxophone There is a separate alto sax part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College
$6.99 ≈
6.35€
Meditative Etude, No. 1 in E Minor - Violin & Piano
Meditative Etude, No. 1 in E Minor - Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.573390 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. ...
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Piano,Violin - Level 3 - SKU: A0.573390 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. 8 pages. James M Stevens Music ASCAP #5375451. Published by James M Stevens Music ASCAP (A0.573390). Written April 12, 2020, this is an original violin & piano composition in the key of E minor which is an arpeggiation exercise for the right hand in the piano combined with a soaring melody in the violin. There is a separate violin part in the score and the piano part as seen can serve as a stand alone solo. The accompaniment track as heard is available under Meditative Etude, No. 1 Piano Track. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the music department chairman of Welch College.
$6.99 ≈
6.35€
Meditative Etude, No. 1 in E Minor
Meditative Etude, No. 1 in E Minor
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Meditative Etude, No. 1 in E M
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James M Stevens Music ASCAP
#
SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573389 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. Sc...
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Piano Solo - Level 3 - SKU: A0.573389 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #5375123. Published by James M Stevens Music ASCAP (A0.573389). Written April 12, 2020, this is original piano composition in the key of E minor which is an arpeggiation exercise for the right hand. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99 ≈
4.53€
Contemplation- Right hand extension exercise
Contemplation- Right hand extension exercise
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Piano seul
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AVANCÉ
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Chen-Hsin Su
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Contemplation- Right hand exte
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Patrick Su
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1100215 By Chen-Hsin Su. By Chen-Hsin Su(蘇振欣）. Taiwan. Classical,Contemporary,Romantic Period. Scor...
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Piano Solo - Level 5 - SKU: A0.1100215 By Chen-Hsin Su. By Chen-Hsin Su(蘇振欣）. Taiwan. Classical,Contemporary,Romantic Period. Score. 6 pages. Patrick Su #704096. Published by Patrick Su (A0.1100215). (From Chen-Hsin Su's 24 piano concert etudes no.1) Contemplation in e minor : Right hand extension exercise -Allegro fantastico (æ²‰æ€ : å³æ‰‹å»¶å±•åº¦çš„技巧 -幻想å¼çš„å¿«æ¿) ‘’A jurney with winding roads full of thoughts of unsolved questions. Answers to the questions are within grasp, yet they are hidden behind the daunting questions. I am pondering a plan about the musical journey.’’ 「迂迴曲折的旅途，是由一連串需è¦è¾›è‹¦æ€ç´¢çš„å•é¡Œæ‰€çµ„æˆã€‚ 有時ç”案的確在å•é¡Œçš„背後，但å•é¡Œçš„æ£é¢å»å·¨å¤§çš„å¯ä»¥ï¼Œä½¿äººç”Ÿç•ã€‚ 我æ£åœ¨æ€ç´¢å¦‚ä½•è¨ˆç•«ä¸€å ´éŸ³æ¨‚çš„æ—…è¡Œã€‚ã€.
$3.99 ≈
3.62€
Brahms Waltz No.4 in E minor for unaccompanied Tuba
Brahms Waltz No.4 in E minor for unaccompanied Tuba
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Tuba
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FACILE
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Classique
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Johannes Brahms
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James Strange
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Brahms Waltz No.4 in E minor f
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Penny Music Co.
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SheetMusicPlus
Tuba Solo - Level 2 - SKU: A0.896975 Composed by Johannes Brahms. Arranged by James Strange. Instructional. Individual part. 8 pages. Penny Music Co. #2...
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Tuba Solo - Level 2 - SKU: A0.896975 Composed by Johannes Brahms. Arranged by James Strange. Instructional. Individual part. 8 pages. Penny Music Co. #2855299. Published by Penny Music Co. (A0.896975). Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist, who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This waltz has been arranged from the original piano score for unaccompanied tuba. It presents a melodic scalic study and an effective sight reading exercise, whilst providing a great model for developing upper and lower registers.
$3.99 ≈
3.62€
Brahms Waltz No.4 in E minor
Brahms Waltz No.4 in E minor
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Harpe
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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James Strange
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Brahms Waltz No.4 in E minor
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Penny Music Co.
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SheetMusicPlus
Harp - Level 3 - SKU: A0.897022 Composed by Johannes Brahms. Arranged by James Strange. Concert,Holiday,Jewish,Romantic Period,Wedding. Score. 3 pages. ...
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Harp - Level 3 - SKU: A0.897022 Composed by Johannes Brahms. Arranged by James Strange. Concert,Holiday,Jewish,Romantic Period,Wedding. Score. 3 pages. Penny Music Co. #3569083. Published by Penny Music Co. (A0.897022). Johannes Brahms (1833-97) was a Romantic German composer and virtuoso pianist, who maintained a classical sense of form in his works. He composed for piano, organ, orchestra, chamber ensemble, voice and chorus. This waltz has been arranged from the original piano score for harp. It presents a melodic scalic study and an effective sight reading exercise, whilst providing a great model for developing use of efficient pedal changes.
$3.99 ≈
3.62€
Marais 1701 Folies d'Espagne for Solo Oboe in D Minor
Marais 1701 Folies d'Espagne for Solo Oboe in D Minor
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Rainer's Rainbow
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R G Roth
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Marais 1701 Folies d'Espagne f
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Rainer's Rainbow
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1306570 By Rainer's Rainbow. By Marin Marais 1656-1728. Arranged by R G Roth. 19th Century,Baroque,Classical,Instructional...
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Oboe Solo - Level 4 - SKU: A0.1306570 By Rainer's Rainbow. By Marin Marais 1656-1728. Arranged by R G Roth. 19th Century,Baroque,Classical,Instructional,Wedding. Individual part. 12 pages. Rainer's Rainbow #895923. Published by Rainer's Rainbow (A0.1306570). This Folio or exercise book was orignally written in 1701 by the French Baroque composer Marin Marais. It has been arranged for and played by a wide variety of modern instruments. This unique arrangement has 23 variations using classical ornamentation rather than baroque options. Here it is for Oboe in the original key of D minor. Chords are included.
$2.99 ≈
2.72€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.08€
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00 ≈
9.08€
Prelude No 3 in C (Streams)
Prelude No 3 in C (Streams)
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon James
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Prelude No 3 in C
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DML
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SheetMusicPlus
Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published ...
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Solo Guitar - Level 4 - SKU: A0.1189167 Composed by Simon James. Classical,Contemporary,Instructional. Individual part. 6 pages. DML #788788. Published by DML (A0.1189167). These short Preludes for guitar are intended to illustrate a particular technical point or points. It may be either technical or compositional or both and I would have to say that I have been influenced by Tarrega’s Preludes which he wrote mostly for his students and so have called them Preludes rather than Studies. I learnt Tarrega’s pieces such as Adelita and Lagrima early in my study of the guitar and always enjoyed their nature as both technical exercises but also performance pieces. I have tried to emulate that with these pieces. The piece makes extensive use of open strings but is essentially a set of variations. The melody keeps returning but with small alterations as does the accompaniment. There is also a B section in E minor before a return to the opening melody. The return to the opening section has, as a variation, a change in bass and harmony. The original C major7 chord becomes E minor by changing the bass and the E minor chord becomes C major7 in the same fashion. The effect is subtle but attractive and is no harder to play.
$2.99 ≈
2.72€
C. P. E. Bach Solfeggietto (Solfeggio) in C minor arranged for 2 pianos
C. P. E. Bach Solfeggietto (Solfeggio) in C minor - 2 pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Classique
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C
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Philip Kim
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C. P. E. Bach Solfeggietto
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SheetMusicPlus
Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Techniqu...
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Piano Solo, Piano Duet - Advanced Intermediate - Composed by C. P. E. Bach. Arranged by Philip Kim. Classical Period, Etudes and Exercises, Technique Training. 7 pages. Published by Philip Kim
This is my 2 piano arrangement of C.P.E. Bach's famous Solfeggietto (solfeggio) in C minor for the piano. I know there are other arrangements our there for 2 performers. Mine is just another addition.
The original piano part is based the the autograph manuscript with some edits. I hardly made any edits in dynamic markings or phrases. I will leave that up to the teacher and the performer. Enjoy.
https://youtu.be/y0d4G332uPM
$10.00 ≈
9.08€
Rubank Advanced Method - E Flat Or BB Flat Vol.2
Rubank Advanced Method - E Flat Or BB Flat Vol.2
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Rubank Advanced Method - E Fla
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Rubank Publications
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SheetMusicPlus
Tuba SKU: HL.4470470 Edited by H. Voxman and William Gower. Concert Band Method. Rubank Advanced Method. Instruction. 96 pages. Rubank Publications #RUBL...
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Tuba SKU: HL.4470470 Edited by H. Voxman and William Gower. Concert Band Method. Rubank Advanced Method. Instruction. 96 pages. Rubank Publications #RUBL184. Published by Rubank Publications (HL.4470470). ISBN 9781540001306. UPC: 073999704709. 9.0x12.0x0.241 inches. Edited by Wm. Gower and H. Voxman.(Bass clef in C) An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a complete pedagogy: • Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course • Melodic Interpretation Including 20+ contest level duets in each book • Solo Preparation Six contest level solos included • Articulation Studies Specialized for each instrument • Exercises in Fingering (woodwinds), Flexibility (brass) and Sticking (percussion) • Ornamentation All types are introduced Generations of musicians have been taught with Rubank methods – join the tradition!
Song List
: Air Gai (Berlioz) Andante & Allegro (Clerisse) Elegie (Duquesne) Morceau De Concours (Alary) Prem.Solo De Concours (Maniet) Andante (Gostinelli) Andantino Grazioso (Dureau) Marcia (Kling) Allegro Moderato (Dureau) Allegro Moderato (Rodolphe) Maestoso (Dureau) Andante Espr.E Sost. (Borghi) Andante Con Moto (Kietzer) Allegro Moderato (Furkins) Moderato (Concone) Allegretto (Hohne) Allegretto Quasi And. (Dureau) Minuetto (Dureau) Bolero (Rossini) Andante (Muller) Andante (Kling) Allegretto (Kreutzer) Energico (Sidow) Allegro Ma Non Troppo (Dureau) Tempo Di Marcia (Gostinelli) Waltz (Kling) Moderato (Kling) Adagio (Kling) Lively (Hohne) Majestically (Pfleger) Andante (Westermann) Andante (Gallay) Cavatine (Demersseman) Adagio And Finale Concertpiece Andante And Allegro
$9.99 ≈
9.07€
Etude in E Minor - Easy Piano
Etude in E Minor - Easy Piano
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Piano seul
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DÉBUTANT
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Avgusta Udartseva
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Avgusta Udartseva
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Etude in E Minor - Easy Piano
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Avgusta Udartseva
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SheetMusicPlus
Piano - Level 1 - SKU: A0.1453572 By Avgusta Udartseva. By Avgusta Udartseva. Arranged by Avgusta Udartseva. 21st Century. Educational Exercises. 2 page...
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Piano - Level 1 - SKU: A0.1453572 By Avgusta Udartseva. By Avgusta Udartseva. Arranged by Avgusta Udartseva. 21st Century. Educational Exercises. 2 pages. Avgusta Udartseva #1032796. Published by Avgusta Udartseva (A0.1453572).
$1.99 ≈
1.81€
Three Part Invention No. 7 BWV 793 in E minor
Three Part Invention No. 7 BWV 793 in E minor
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Piano seul
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Arte Nova Music Lab
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Three Part Invention No. 7 BWV
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Arte Nova Music Lab
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.742448 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque. Score. 4 pages. Arte Nova Music Lab #...
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Piano Solo - Level 3 - SKU: A0.742448 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque. Score. 4 pages. Arte Nova Music Lab #3873957. Published by Arte Nova Music Lab (A0.742448). The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 inventions, which are two-part contrapuntal pieces, and 15sinfonias, which are three-part contrapuntal pieces. They were originally written as musical exercises for his students.Taken from https://en.wikipedia.org/wiki/Inventions_and_Sinfonias_(Bach)
$4.99 ≈
4.53€
Estudio in E Minor (for Flute and Guitar)
Estudio in E Minor (for Flute and Guitar)
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Flûte traversière et Piano
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FACILE
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Classique
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Francisco Tarrega
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Kenneth Pasciak
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Estudio in E Minor
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Kenneth Pasciak
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SheetMusicPlus
Composed by Francisco Tarrega (1852-1909). Arranged by Kenneth Pasciak. Romantic Period, Etudes and Exercises, Recital. Score, Tablature. 7 pages. Pub...
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Composed by Francisco Tarrega (1852-1909). Arranged by Kenneth Pasciak. Romantic Period, Etudes and Exercises, Recital. Score, Tablature. 7 pages. Published by Kenneth Pasciak
$2.49 ≈
2.26€
Etude in E Minor
Etude in E Minor
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Guitare
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INTERMÉDIAIRE
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Methodes Etudes
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Tomas Ericsson
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Etude in E Minor
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Tomas Ericsson
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SheetMusicPlus
Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part. 1 pages. Published by Tomas Ericsson...
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Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part. 1 pages. Published by Tomas Ericsson
$3.00 ≈
2.72€
Etude in E Minor with Tablature
Etude in E Minor with Tablature
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Methodes Etudes
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Tomas Ericsson
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Etude in E Minor with Tablatur
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Tomas Ericsson
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SheetMusicPlus
Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part, Tablature. 2 pages. Published by Tomas Ericsson...
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Composed by Tomas Ericsson. 21st Century, Etudes and Exercises, Repertoire. Solo Part, Tablature. 2 pages. Published by Tomas Ericsson
$3.00 ≈
2.72€
Estudio in E Minor (for Two Guitars)
Estudio in E Minor (for Two Guitars)
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2 Guitares (duo)
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FACILE
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Classique
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Francisco Tarrega
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Kenneth Pasciak
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Estudio in E Minor
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SheetMusicPlus
Composed by Francisco Tarrega (1852-1909). Arranged by Kenneth Pasciak. Romantic Period, Etudes and Exercises, Repertoire, Recital. Score, Tablature. ...
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Composed by Francisco Tarrega (1852-1909). Arranged by Kenneth Pasciak. Romantic Period, Etudes and Exercises, Repertoire, Recital. Score, Tablature. 6 pages. Published by Kenneth Pasciak
$1.99 ≈
1.81€
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Exercise in E Minor
