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Vous avez sélectionné:
Exotic Lament
Partitions à imprimer
3 partitions trouvées
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Exotic Lament (Guitar Study #1)
Exotic Lament (Guitar Study #1)
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Guitare
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FACILE
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Andre de Brito
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Exotic Lament
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Andre de Brito
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1024104 Composed by Andre de Brito. 20th Century,Contemporary,Romantic Period. Individual part. 2 pages. Andre de Brito ...
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Solo Guitar - Level 2 - SKU: A0.1024104 Composed by Andre de Brito. 20th Century,Contemporary,Romantic Period. Individual part. 2 pages. Andre de Brito #433175. Published by Andre de Brito (A0.1024104). Exotic Lament (Guitar Study #1) is a simple yet delicate and beatiful guitar study with arpeggios.
$3.99 ≈
3.67€
Plaintes arabes
Plaintes arabes
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Violon et Piano
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Classique
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Jeno Hubay
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Plaintes arabes
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate to advanced - SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: She...
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Violin and piano - intermediate to advanced - SKU: S9.Q53352 Arabian Lament. Composed by Jeno Hubay. Edited by Wolfgang Birtel. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. 5 pages. Schott Music - Digital #Q53352. Published by Schott Music - Digital (S9.Q53352). English • German.Hungarian composer and violinist Jenö Hubay, born Eugen Huber, received his musical training in Budapest and made his concert début with Viotti’s Violin Concerto No. 22 in A minor. He spent three years in Berlin, where he studied violin with Joseph Joachim. After his return he met Franz Liszt, who recommended that he travel to Paris. In that city he was a welcome guest at musical salons; he also formed a friendship with Henri Vieuxtemps. Hubay taught groups of violin students first in Brussels, then for a long time in Budapest. For twenty-five years he toured Europe as a virtuoso violinist, settling in Switzerland for a while before returning to Budapest for the rest of his life. His chamber compositions include a series of little pieces very probably written for his own use at musical salons, along with character pieces reminiscent of his Hungarian homeland and exotic pieces such as Plaintes arabes (Arabian Lament), an expressive and mournful lament on the violin. Plate no. 23388, published in 1882.
$3.99 ≈
3.67€
Circles - Concerto for Cello & (H.S.) String Orchestra
Circles - Concerto for Cello & (H.S.) String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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the end, everyone is bowing an
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Eric Moore
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Circles - Concerto for Cello &
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Cello Loft
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919...
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String Orchestra - Level 4 - SKU: A0.878900 Composed by Eric Moore. Contemporary,Instructional,Standards. Score and parts. 83 pages. Cello Loft #3420919. Published by Cello Loft (A0.878900). Written for an advanced high school cellist to play with his/her own school orchestra. This is a great way to feature a fantastic cellist while introducing the whole orchestra (and audience) to some accessible trends in contemporary music. The orchestra students were *very* excited and engaged with this piece, and the audience absolutely loved it.Compositional goals included:Accessible introduction to contemporary music.Fun and engaging parts for each section of the orchestraHighlight both cellist and orchestra with parts that sound difficult but are relatively simple.Clear-cut form and motivic material as a starting point for discussion of composition.Circles is 11:00 long, in 4 movements with no breaks.Mvt I. Circles begins high-energy and includes sweeping arpeggio figures and measured tremolo oscillations. The energy dissipates and a simple lyrical theme emerges, battling complications as they arise in the orchestra.Mvt II. Passacaglia is built over an exotic vamp and includes jete (to imitate castanets), col legno, snap pizz and instrument slaps. Mvt III. Lament begins with the soloist doing slow pizzicato arpeggiations while the orchestra bows weeping chords. Eventually, everyone is pizzicato, echoing and transforming the solo line. A cello cadenza recalls material from the Passacaglia. The soloist introduces triple-stop string crossings that lead into the fourth movement.Mvt IV. Coda is fast, with the triple stops in the solo part as a moto perpetuo, while the string sections come in one-by-one underneath. By the end, everyone is bowing and we circle back to the opening material of the 1st movement. The Soloist should be fluent through 3 octaves.Orchestra parts are easier and generally require fluency through 4th position. Written in 2011-12 and premiered by Eric with the Mountain View High School (Loveland, CO), Peter Toews conducting. Recording is of that premier. Eric can provide a MIDI if desired.Eric is happy to work with the orchestra and/or soloist via Skype (or a similar arrangement).
$20.00 ≈
18.42€
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Exotic Lament
