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Explorations for Piano and Orchestra: Piano Score
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Vous avez sélectionné:
Explorations for Piano and Orchestra: Piano Score
Partitions à imprimer
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Explorations for Piano and Orchestra: Piano Score
Explorations for Piano and Orchestra: Piano Score
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Piano seul
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AVANCÉ
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Jordan Rudess
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Explorations for Piano and Orc
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Jordan Rudess Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1413108 By Jordan Rudess. By Jordan Rudess. 20th Century,21st Century,Classical,Contemporary,Rock. Score. 41 pages. Jorda...
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Piano Solo - Level 5 - SKU: A0.1413108 By Jordan Rudess. By Jordan Rudess. 20th Century,21st Century,Classical,Contemporary,Rock. Score. 41 pages. Jordan Rudess Music #995116. Published by Jordan Rudess Music (A0.1413108). “Explorations†is Jordan Rudess' progressive orchestral music experience. “Progressive†in that it is a forward thinking composition fusing his classical and progressive/metal sensibilities. In writing this composition, Rudess was able to bring together the elements of the most influential classical music he has experienced, along with the rock power and intensity that he is known for in his work with the progressive metal band,  Dream Theater.This is the piano score only.
$15.00 ≈
13.45€
Praise and Glory
Praise and Glory
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Orchestre
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AVANCÉ
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Tim Olt
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Praise and Glory
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Olt Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.759428 Composed by Tim Olt. Christian,Contemporary,Sacred. Score and parts. 116 pages. Olt Music #6438357. Published ...
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Full Orchestra - Level 5 - SKU: A0.759428 Composed by Tim Olt. Christian,Contemporary,Sacred. Score and parts. 116 pages. Olt Music #6438357. Published by Olt Music (A0.759428). This work was written for Dr. Selmer Spitzer and the Southern Nevada Symphony Orchestra. The piece is written for piano, organ, narrator, 3 tenors and orchestra, and features text from Psalm 150. The first half of the work is an exploration by the listener of various religions through hymns of various denominations offset with the seeker melody. There is a brief narration that is juxtaposed with antiphonal trumpet, and then the setting of Psalm 150 for the remainder of the piece. This features the 3 tenors and utilizes both English and Latin text. The work is 10 minutes in duration.
$150.00 ≈
134.47€
Happy Birthday
Happy Birthday
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Piano, Voix et Guitare
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DÉBUTANT
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Folklorique/Traditionel
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Mildred and Patty Hill
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Paul Lorenz
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Happy Birthday
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Paul Lorenz
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1393737 By Mildred and Patty Hill. By Mildred and Patty Hill. Arranged by Paul Lorenz. Children,Multicultur...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1393737 By Mildred and Patty Hill. By Mildred and Patty Hill. Arranged by Paul Lorenz. Children,Multicultural,Pop,Standards,Traditional,World. Score. 2 pages. Paul Lorenz #977207. Published by Paul Lorenz (A0.1393737). Uncover the Joy of Music with Happy Birthday Sheet Music from Paul Lorenz Music At Paul Lorenz Music, our passion for quality, innovation, and connection breathes new life into classical compositions, making them accessible and beloved across generations. Dive into the celebratory spirit with our Happy Birthday Sheet Music, a collection designed for musicians, ensembles, orchestras, choirs, and creatives who share our vision for a future where classical music is not just preserved but revitalized. Elevate Your Performance with Diverse Arrangements From the timeless happy birthday piano notes to the vibrant happy birthday keyboard notes, our collection caters to all levels of musical expertise. Whether you're seeking the simplicity of happy birthday piano sheet music or the full-bodied richness of an orchestral arrangement, Paul Lorenz Music offers a spectrum of happy birthday music notes for piano and beyond, ensuring a memorable rendition of this beloved melody. Mastering the Melody: Resources for Every Musician Our commitment to quality and innovation shines through our selection of happy birthday music sheet pdf files, designed for ease of use and accessibility. Beginners will find joy in mastering happy birthday piano notes easy, while more advanced musicians can challenge themselves with intricate happy birthday song chords piano. Each piece embodies our unique selling points: top-trained talent, best quality worldwide, and strong industry connections. Connect and Collaborate with Paul Lorenz Music Paul Lorenz Music is not just about providing high-quality happy birthday music notes; it's about fostering a community where musicians can collaborate and innovate. Our happy birthday simple piano and happy birthday easy piano sheets are perfect for educators and students alike, encouraging musical exploration and expression. Your Gateway to Classical Music Innovation Embrace the extraordinary popularity and beautiful melodies of happy birthday piano sheet, happy birthday song music sheet, and written music for happy birthday. Our collection is designed to appeal to both classical aficionados and the younger audience, bridging the gap and ensuring the timeless appeal of piano happy birthday. Deutsche Beschreibung: �berblick über Happy Birthday Noten Bei Paul Lorenz Music verstehen wir die Bedeutung von Musik in Ihrem Leben, besonders an so besonderen Tagen wie Geburtstagen. Unsere Auswahl an Happy Birthday mit Noten, Noten für Happy Birthday, und Noten von Happy Birthday ist sorgfältig zusammengestellt, um Ihnen hochwertige Musikstücke anzubieten. Egal, ob Sie nach Happy Birthday Noten Klavier oder Happy Birthday Noten Gitarre suchen, unsere Sammlung ist reich an Variationen, die jede Geburtstagsfeier unvergesslich machen. Für Jeden Etwas dabei: Klavier und Gitarre Happy Birthday Klavier Noten und Gitarre Noten Happy Birthday sind bei uns in verschiedenen Schwierigkeitsgraden erhältlich. Von Happy Birthday Noten einfach für Anfänger bis hin zu anspruchsvolleren Versionen für Fortgeschrittene. Unsere Klaviernoten für Happy Birthday und Happy Birthday Noten für Gitarre sind ideal, um die Herzen Ihrer Lieben zu erwärmen und Ihre musikalischen Fähigkeiten zu präsentieren. Einzigartige Arrangements und kostenlose Downloads Paul Lorenz Music bietet nicht nur traditionelle Noten zu Happy Birthday, sondern auch einzigartige Arrangements, die exklusiv bei uns verfügbar sind. Laden Sie Happy Birthday Noten PDF herunter und entdecken Sie unsere Happy Birthday Chords, um Ihre musikalische Begleitung zu bereichern. Unser Geburtstagslied mit Noten und Happy Birthday to You Noten sind perfekt für jede Feier.
$4.99 ≈
4.47€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburib&aac
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Pub...
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Guitar - Advanced - SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.13€
4th Nocturne
4th Nocturne
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Orchestre
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INTERMÉDIAIRE
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Classique
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Contemporain
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Erik Satie
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Robert Myers
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4th Nocturne
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976714 Composed by Erik Satie. Arranged by Robert Myers. 20th Century. Score and parts. 36 pages. WheatMyer Music #47...
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Full Orchestra - Level 3 - SKU: A0.976714 Composed by Erik Satie. Arranged by Robert Myers. 20th Century. Score and parts. 36 pages. WheatMyer Music #4793377. Published by WheatMyer Music (A0.976714). Near the end of his career, Erik Satie wrote five pieces for piano designated as nocturnes. Contrary to most of his oeuvre, these were serious works lacking the satire, wit, and non-conformity Satie usually exhibited. Still, they are unmistakably Satie: soothing, floating, and very French. This work is a straightforward arrangement of Satie’s 4th nocturne, applying the color and dynamic ranges of the orchestra to his piano writing. It maintains the enchanting dance-like character of the original work while the musical lines move among and between the instrument families to exploit the variety of orchestral timbres. 4th NOCTURNE is suited for the concert hall among a program of impressionist or French music, an exploration of lesser known works, or wherever a charming and brief movement would be fitting.Instrumentation: 2d1,1+1,2+1,2 2,2(Bb or C),3,1 Glock/Chimes, Perc StringsFind more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00 ≈
40.34€
Aphelion
Aphelion
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Orchestre à Cordes
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Daniel Baldwin
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Aphelion
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Imagine Music - Digital
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SheetMusicPlus
Two Horns & String Orchestra - SKU: IZ.CMS206 Composed by Daniel Baldwin. Score and Parts. 50 pages. Imagine Music - Digital #CMS206. Published by Imagi...
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Two Horns & String Orchestra - SKU: IZ.CMS206 Composed by Daniel Baldwin. Score and Parts. 50 pages. Imagine Music - Digital #CMS206. Published by Imagine Music - Digital (IZ.CMS206). 9 x 12 inches.I have long been inspired by mythology, nature, and space as a primary influence in my writing. I keep updated on all things astronomical. Though I likely won't live to see it, I greatly look forward to mankind's inevitable exploration of deep space and other galaxies. An aphelion is defined as the point in the orbit of a planet, asteroid, or comet at which it is furthest from the sun. This phenomenon was the inspiration for this concert piece for two horns and string orchestra (or piano). The work begins starkly, with just the horns playing by themselves before a single string drone enters. This is the light of the sun a long ways away. The piece then takes us on a few adventures as it begins its revolution around the sun. The piece ends warmly as we arrive at perihelion (the point in the orbit of a planet, asteroid, or comet at which it is closest to the sun). Aphelion for two horns and string orchestra was commissioned by and is gratefully dedicated to the Chech American Horn Duo (Steven Gross and Jiri Havlik) and the Symphony of the Vines, Greg Magie, conductor, who premiered the piece in January of 2018.
$50.00 ≈
44.82€
Sacrum Creaturae
Sacrum Creaturae
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Quatuor à cordes: 2 violons, alto, violoncelle
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Contemporain
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William Grosvenor Neil
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Sacrum Creaturae
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TheComposerStudio.Com, LLC
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #...
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String Quartet String Quartet - SKU: A0.980596 Composed by William Grosvenor Neil. Contemporary. Score and parts. 81 pages. TheComposerStudio.Com, LLC #6565287. Published by TheComposerStudio.Com, LLC (A0.980596). Sacrum Creaturae (2019) (score and parts) for string quartet and digital acoustic commissioned and premiered August 18th, 2021 at the Stringwood Chamber Music Festival by the Artaria String Quartet, profiles three endangered creatures: wolves, dolphins, and birds in the three movements of this string quartet. Each of the digital acoustics, the recorded and processed sounds of wolves, dolphins, and birds, explore the sounds of these creatures from three perspectives. Canis Lupus-Nocturne developed through the exploration of wolf howls, growls, snarls, barks, and choruses. My goal in integrating the sounds of wolves with the string quartet was to make them equally passionate and expressive driving the dynamic and emotional climaxes of the music with equal intensity. Programatically, I have placed the wolves deep in the forest, in an environment that allows the string quartet to evoke the mystery and primal energy associated with these animals. I make musical references to the controversy of re-introducing these animals in the wild and the history of violent annihilation by hunters. Delphinus-Cradlesong comprises the slow, middle movement of this piece. The cradlesong is literal and is inspired by the recent discovery by marine scientists that a mother dolphin will sing to its unborn calf so that it bonds with the mother and is familiar with her voice after birth. I have essentially orchestrated my Cradlesong for solo piano for string quartet and the whistling sounds of a mother dolphin singing to its calf. The final movement, 21 Birds, incorporates the bird calls of 21 birds in the Driftless region of the upper Mississippi, integrated with the thematic music of the string quartet. I treat the birds as 21 soloists and as an orchestra of birds accompanying the quartet. In the performance with the quartet, I have employed various special effects, such as reverberation, echo, and delay to blend the two acoustics. Parts rental for performance including the digital acoustic files and support http://www.thecomposerstudio.com/chamber-music/#tab-13006 Inquires at: thecomposerstudio@gmail.com.
$30.00 ≈
26.89€
The Ice is Listening
The Ice is Listening
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Cecilia McDowall
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The Ice is Listening
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Oxford University Press Digital
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SheetMusicPlus
SKU: OX.9780193572447 Composed by Cecilia McDowall. Score. 54 pages. Oxford University Press Digital #9780193572447. Published by Oxford University Pres...
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SKU: OX.9780193572447 Composed by Cecilia McDowall. Score. 54 pages. Oxford University Press Digital #9780193572447. Published by Oxford University Press Digital (OX.9780193572447). ISBN 9780193572447.For soprano solo, SATB, and piano or chamber orchestra. Setting vivid poems by Kate Wakeling, this work is a powerful exploration of the theme of ice. This is not a cantata about 'winter'; rather, it is a cantata for all time, a reminder that ice is a precious resource, something to treasure and to hope we never lose.
$14.99 ≈
13.44€
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Explorations for Piano and Orchestra: Piano Score
