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Vous avez sélectionné:
Ezz thetic
Partitions à imprimer
8 partitions trouvées
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1
Ezz-thetic
Ezz-thetic
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Ligne De Mélodie, (Paroles) et Accords
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AVANCÉ
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Jazz
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George Russell
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Rob Ames
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Ezz-thetic
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Rob Ames
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SheetMusicPlus
C Instrument - Level 5 - SKU: A0.1281300 Composed by George Russell. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 6 pages. Rob Ames #872644. Publ...
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C Instrument - Level 5 - SKU: A0.1281300 Composed by George Russell. Arranged by Rob Ames. Jazz. Lead Sheet / Fake Book. 6 pages. Rob Ames #872644. Published by Rob Ames (A0.1281300). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN.  Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.Melodies often written in straight rhythm in standard fake books have been rewritten in a swing style, or “As Played By†some of the all-time jazz greats. Some of the tunes have been transposed from their standard fake book keys to an easier, better-sounding key for Bb saxophone.Slurs have been added to all the Bb parts for smooth and consistent jazz articulation on the Bb saxophone. A duplicate Bb part, without the slurs, is also included (marked with an asterisk for Bb* Instruments), for Bb players who would prefer to customize their own articulation.All tunes have been vetted for playability and accuracy.The arranger, Rob Ames, is a soprano saxophone player from New Hampshire and the Boston, MA area. His album of original tunes, “Sounds From the Boardwalkâ€, is widely available.
$4.99 ≈
4.53€
Ezz-thetic
Ezz-thetic
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Ligne De Mélodie, (Paroles) et Accords
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Jazz
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George Russell
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Ezz-thetic
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Hal Leonard - Digital
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SheetMusicPlus
(C Instruments) - SKU: HX.473102 By George Russell. Jazz. Real Book - Melody/Chords. 2 pages. Published by Hal Leonard - Digital (HX.473102). ...
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(C Instruments) - SKU: HX.473102 By George Russell. Jazz. Real Book - Melody/Chords. 2 pages. Published by Hal Leonard - Digital (HX.473102).
$1.99 ≈
1.81€
ROMANCE DOLCEZZA IL CANTO
ROMANCE DOLCEZZA IL CANTO
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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New Age
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Contemporain
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Alvin Lloyd Masters
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ROMANCE DOLCEZZA IL CANTO
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Blue Jay Music , Alvin Lloyd Masters Editions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1018697 Composed by Alvin Lloyd Masters. 20th Century,Concert,Contemporary,New Age. Score. 6 pages. Blue Jay Music , Alvi...
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Piano Solo - Level 4 - SKU: A0.1018697 Composed by Alvin Lloyd Masters. 20th Century,Concert,Contemporary,New Age. Score. 6 pages. Blue Jay Music , Alvin Lloyd Masters Editions #1924289. Published by Blue Jay Music , Alvin Lloyd Masters Editions (A0.1018697). In ternary classical form with mysterious sounding appealing melodies in the intro and recapitulation . The development section is striking beautiful with flowing arpeggio chords in sync with both hands. The composer relies heavily on classical tradition in aesthetic form and quest for song like beauty in his piano works .
$3.99 ≈
3.62€
Poor Max! (for mezzo-soprano/alto voice and piano) (Folk/Rock)
Poor Max! (for mezzo-soprano/alto voice and piano) (Folk/Rock)
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Chris Gordon
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Chris Gordon
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Poor Max!
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Cool Wind Music Digital
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Medium Voice,Piano - SKU: A0.841273 Composed by Chris Gordon. Arranged by Chris Gordon. Folk,Rock. Score and parts. ...
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Instrumental Duet Instrumental Duet,Medium Voice,Piano - SKU: A0.841273 Composed by Chris Gordon. Arranged by Chris Gordon. Folk,Rock. Score and parts. 10 pages. Cool Wind Music Digital #3220995. Published by Cool Wind Music Digital (A0.841273). This is a folk/rock ballad with a twist as the 'story' it tells comes straight out of a novel by German author Günter Grass', Local Anaesthetic (1969). Phillipp (Flip) Scherbaum, a 17-year old Berlin high school student, wants to do something, anything to protest what he has been reading in newspapers has been happening to the people of Vietnam. (Remember this is 1967!) He comes up with an idea: he has a little Dachshund puppy called Max. Flip decides to burn Max right outside the most famous café in Berlin, Kempinski's (it is still there), to shock complacent Berliners into paying attention to what is happening in Vietnam. His history teacher, Eberhard (Hardy) Starusch, agrees to Flip's protest idea but draws the line firmly against killing an innocent animal. Hardy sets out to dissuade his student from carrying out this doggiecide. Instead, he resolves to steer Flip to less harmful ways of protesting. The effort drives Hardy to a lot of hard thinking and hard drinking and a lot of trips to the dentist!Poor Max is a realisation of one of Hardy's suggestions to Flip: to write and perform a protest song outside Kempinski's - and elsewhere in Berlin, too. You will not be surprised to hear that head-strong Flip rejects this suggestion but I have taken up Hardy's idea and written my own protest song for Flip. The words and the music are my own: I have not borrowed either from anyone else (except for one little phrase which I discovered I had unconsciously borrowed from Robert Schumann)!
$6.50 ≈
5.90€
George Russell: Ezz-thetic - voice & other instruments (in C)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Jazz
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George Russell
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Virtualsheetmusic
Instantly printable sheet music by George Russell for voice & other instruments (in C) of MEDIUM skill level. / jazz
Instantly printable sheet music by George Russell for voice & other instruments (in C) of MEDIUM skill level. / jazz
$3.97 ≈
3.60€
Colores de un otoño incipiente
Colores de un otoño incipiente
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Piano seul
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INTERMÉDIAIRE
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Juan MarÃa Solare
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clipboard-write
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Colores de un otoño inc
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pag...
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Piano Solo - Level 3 - SKU: A0.742752 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary,Instructional. Score. 15 pages. Juan Maria Solare #350886. Published by Juan Maria Solare (A0.742752). Colores de un otoño incipiente -- Colors of an incipient autumn seven somewhat abstract pieces for piano Recording of Colores de un otoño incipiente - piano in several platforms Colores de un otoño incipiente -- on Spotify In this work, an idea that has haunted me for a long time crystallizes: that the titles of the individual pieces are read like lines of a poem. Colores de un otoño incipiente Declina el dÃa. Cobriza de hojarasca, la tierra aguarda. Inocencia Apergaminada por las largas vigilias. Frugal ante la desmesura, Se resignó a lo inconcluso Y dejó un hueco de luz en esta nada. Colors of an incipient autumn The day declines. Coppery with old leaves, the earth awaits. Innocence Parched by the long vigils. Frugal in the face of excess, He resigned himself to the unfinished And he left a hole of light in this nothingness. Such a poem alludes without great subtlety to decadence and aging. The title Apergaminada por las largas vigilias is taken from a poem by Pedro Lastra. Y dejó un hueco de luz en esta nada comes from a micropoem attributed to Alejandro Güerri, written in memory of Javier Adúriz. This seventh piece, transparent and delicate, pictures a being definitively transformed into light. The idea of desmesura (excess) arises from the prologue by Javier Adúriz to his book Solos de conciencia (1985): Faced with the excess of death, consciousness perceives the weakness of its willful affirmation, the one for which it feels itself unique and safe from all decrepitude. Adúriz was one of the fundamental figures in my artistic training. And apparently he still is. Musically, this cycle of works abounds in harmony of chords by fourths in a minimalist neoclassical aesthetic. The way of working texturally with the piano as an instrument - my instrument - highlights the pedal, the resonances, the third dimension of sound. These seven somewhat abstract pieces were composed at the end of 2019 in and around Bremen, in several cases with my new-born daughter Laura in my arms, trying to put her at to sleep and staying asleep. This explains the cautious nature of the music and its prudent dynamics that never reach a mezzoforte. There were several unsuccessful attempts to release this recording (initially planned for September 2020, at the beginning of autumn in the northern hemisphere). Finally, the album will be released (on Spotify and other streaming platforms) on 22 April 2022, coinciding with what would be my father's 103rd birthday. It is also autumn but in the southern hemisphere. Recorded on a Steinway B grand piano (serial number: 568208) at the Musikschule Bremen (Germany) with two Neumann KM-184 microphones. Recording and mastering technician: Alexander Derben. For the artwork, the impressive photographer and visual storyteller Leon Drago, from London, has kindly authorised the use of his photograph Pathway, The Garden House and Pergola, Hampstead Heath extension, London. The recording of Colores de un otoño incipiente (with the composer on piano) can be found here: Colores de un otoño incipiente - piano
$5.00 ≈
4.54€
Die rote Blume
Die rote Blume
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Fredrik Schwenk
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Die rote Blume
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Fredrik Schwenk
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Publish...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Published by Fredrik Schwenk (A0.1022048). The nine songs after poems by Gustav Mahler (1860-1911) were commissioned by the Dutch mezzo-soprano Christianne Stotijn. Mahler was already planning a late Romantic cantata entitled Das klagende Lied shortly after beginning his studies at the Vienna Conservatory in 1878, for which he conceived a three-part cycle of poems for his own setting. When Mahler completed the score in October 1880, he was already at the beginning of a great conducting career. The quality of the poem could be debated, especially in view of the successful Lieder eines fahrenden Gesellen from 1883 and 1884; and yet the ballad, inspired by a mixture of fairy tales by the Brothers Grimm and the poet Ludwig Bechstein, reflects almost the complete range of voices of Mahler's first great creative period, from the songs from Des Knaben Wunderhorn to the Fourth Symphony. At the special request of mezzo-soprano Chrisianne Stotijn and pianist Joseph Breinl, the complete text of the plaintive song was newly set to music. A particular challenge of the new setting of Gustav Mahler's poems consisted for me above all in compromising the genial imperfection of the poetry with a compositional aesthetic that emphasizes precisely the unrhymed, edgy and clichéd as its own quality and does not seek to conceal it. In doing so, it seemed wise and prudent to me, not only for reasons of historical distance(ization), not to implement an intersubjective subjectability to the songs. The serious and ballad-like basic tone was to be preserved, the way in which the text was implemented stems from the idea of a thoroughly pluralistic and therefore stylistic tightrope walk, which in a kind of music about music reflects the relationship to one's own tradition and its changing values and thus repeats the phenomenon of Mahler per se in the context of the 21st century.
$7.50 ≈
6.81€
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Ezz thetic
