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Facing West
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Vous avez sélectionné:
Facing West
Partitions à imprimer
15 partitions trouvées
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1
A Whitman Triptych: III. Facing West (Downloadable)
A Whitman Triptych: III. Facing West (Downloadable)
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David Conte
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A Whitman Triptych: III. Facin
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secul...
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Soprano voice and tenor voice soli, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8323-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 9 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8323-E. Published by E. C. Schirmer Music Company - Digital (MQ.8323-E). UPC: 600313483233. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. Facing West is drawn from the Children of Adam book from Walt Whitman's Leaves of Grass. The full title of the poem is Facing West From California's Shores. Though Whitman never visited California, his biographer Justin Kaplan made the insightful observation that he imagined California's shores to be the starting point for a journey through time and culture. Here was Walt, 'a child, very old,' facing home again, looking over to it, joyous, as after long travel, growth, and sleep, asking: 'But where is what I started for, so long ago?/And why is it yet unfound?' The invitation from the International Orange Chorale to compose a piece in honor of the 75th anniversary of the Golden Gate Bridge led me easily and naturally to this great poem. The tone of Facing West is rich and complex, and draws on one of Whitman's favorite themes of using travel to distant lands as a metaphor for spiritual development. In his poem, Whitman strikes notes of reflection, of longing for adventure, and ultimately ends with a question. The continuing relevance of this question is for me beautifully addressed by the contemporary American writer Edmund White in his 1980 book States of Desire. To paraphrase somewhat, White writes: California is where dreams may come true, and the problem it presents is whether, after all, we wanted these particular dreams to be fulfilled - or would we have preferred others? Did we know what price these dreams would exact? Did we anticipate the ways in which they would unsuit us for the business of daily life? Or should our notion of daily life itself be transformed? For Americans, California's coast is as far as one can go in establishing new roots and new ways of living. As a transplanted Midwesterner who has made California his home for nearly three decades, I experience the Golden Gate Bridge as a beautiful monument to the aspirations and dreams of a restless and inventive people, qualities that Whitman's poem captures perfectly. -David ConteDuration: 5:42
$2.65 ≈
2.40€
Facing West
Facing West
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Guitare notes et tablatures
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Pat Metheny
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Juan Paso Viola
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Facing West
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Juan Paso Viola
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SheetMusicPlus
Guitar - Level 4 - SKU: A0.993698 By Pat Metheny. By Pat Metheny. Arranged by Juan Paso Viola. Jazz. Guitar Tab. 7 pages. Juan Paso Viola #4634395. Publ...
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Guitar - Level 4 - SKU: A0.993698 By Pat Metheny. By Pat Metheny. Arranged by Juan Paso Viola. Jazz. Guitar Tab. 7 pages. Juan Paso Viola #4634395. Published by Juan Paso Viola (A0.993698). DESCRIPTION AND BEFORE PRINTING NOTICEAn accurate transcription of both guitar solos by Pat in the song. In the same file you will receive two parts: one with only standard notation and another only with tab, just in case you prefer to read it that way. The standard notation version takes the first three pages and the one with the tab takes the other four. Feel free to contact me for any recomendations, questions, requests, etc. Grab your axe and enjoy it !
$14.99 ≈
13.60€
Facing West by William Haviland - Piano Solo
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Piano seul
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William Haviland
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Facing West
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Musicnotes
Facing West Sheet Music by William Haviland - Piano Solo --
Facing West Sheet Music by William Haviland - Piano Solo --
$5.79 ≈
5.25€
A Whitman Triptych: I. O Setting Sun (Downloadable)
A Whitman Triptych: I. O Setting Sun (Downloadable)
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David Conte
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A Whitman Triptych: I. O Setti
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Baritone voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8321-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Centur...
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Baritone voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8321-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Creation/Nature, Evening. Instrument part. 16 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8321-E. Published by E. C. Schirmer Music Company - Digital (MQ.8321-E). UPC: 600313483219. English.The three unaccompanied choral pieces that comprise A Whitman Triptych were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and received its premiere performance on April 20, 2012. What Is the Grass? was commissioned by Cappella SF, Ragnar Bohlin, conductor, and was premiered on February 6, 2015. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and received its premiere performance on May 27, 2012.
$2.85 ≈
2.59€
A Whitman Triptych: II. What Is the Grass? (Downloadable)
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85 ≈
2.59€
Invocation and Dance (Downloadable Choral Score)
Invocation and Dance (Downloadable Choral Score)
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Chorale SATB
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David Conte
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Invocation and Dance
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir, chamber orchestra or piano - Moderately Difficult - SKU: MQ.4378-E Composed by David Conte. 32 pages. E. C. Schirmer Music Company - Digital...
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SATB choir, chamber orchestra or piano - Moderately Difficult - SKU: MQ.4378-E Composed by David Conte. 32 pages. E. C. Schirmer Music Company - Digital #4378-E. Published by E. C. Schirmer Music Company - Digital (MQ.4378-E). Based on a text drawn from Walt Whitman's When Lilacs Last at the Dooryard Bloom'd. A hymn to nature and the place of death within the cycle of life on earth. Invocation and Dance is included on the album Facing West: Choral Music of Conrad Susa and David Conte. Duration: 13:00.
$3.35 ≈
3.04€
The Composer (Downloadable)
The Composer (Downloadable)
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Chorale SATB
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David Conte
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The Composer
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB choir - Moderately Difficult - SKU: MQ.6076-E Composed by David Conte. 10 pages. E. C. Schirmer Music Company - Digital #6076-E. Published by E. C....
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SATB choir - Moderately Difficult - SKU: MQ.6076-E Composed by David Conte. 10 pages. E. C. Schirmer Music Company - Digital #6076-E. Published by E. C. Schirmer Music Company - Digital (MQ.6076-E). Composed to a text by John Stirling Walker, The Composer was commissioned by the Walden School, Dublin, New Hampshire, in celebration of its thirtieth anniversary, and was written for Patricia Plude, Director of the Walden School, and for Leo Wanenchak, Conductor of the Walden School Chorus.Appropriate for: concerts, skilled school, community, professional chorusesc. 4:30“The Composer speaks to the nature of an artist’s inspiration as something that can transcend personal will or earth-bound concerns. [I] had in mind Beethoven as an example of this quality of receptivity to a heaven-sent creative impulse. Mr. Conte’s music captures the spirit of the text with the usual inimitable accuracy of feeling.†-John Stirling WalkerThe Composer is included on the album Facing West: Choral Music of Conrad Susa and David Conte.
$2.65 ≈
2.40€
[Shultis] Experimental Music and Writings (1988 - 1994)
[Shultis] Experimental Music and Writings (1988 - 1994)
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Ensemble de Percussions
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Christopher Shultis
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[Shultis] Experimental Music a
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American Composers Alliance Inc.
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SheetMusicPlus
Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composer...
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Percussion Ensemble - SKU: A0.952664 Composed by Christopher Shultis. 20th Century,Instructional,Standards. Score and parts. 74 pages. American Composers Alliance Inc. #4613527. Published by American Composers Alliance Inc. (A0.952664). A collection of early works and writings for various ensembles (mostly centered around percussion) as collected by the composer.Musical Works:1. motion/less for percussion solo2. Oneiro for percussion trio3. 64 Statements re and not re Child of Tree for solo percussion and audio tapes4. Pastorale for solo percussioin and Dancer5. Friends, for piano, crotales, and narrator6. Three Short Pieces i. Five, brass quintet ii. Four interludes from Downward Facing Dog, for piano solo iii. For Frank Bowen, solo flute7. Decline of the West, for female narrator and all-male heavy-metal band8. Metaphysics, for spoken voice and boom boxes, requiring 7 assistants9. Faith, for voice or any instrument10. Hope, for hand percussion, guitars, and voices (Version 2 of Decline of the West, when performed as part of the opera, Faith, Hope, and Love11. Love, for Seven Performers12. Do something/Do something else, for any number of performers13. Gesturing hands, for solo theremin14. Blindness, for solo marimba15. Written on the body, for musicians and dancersTexts:1. Synesthesia and the Re-integration of the Senses2. Experiment and Revolution, a primary role of percussion in American music3. The Politics of Improvisation
$19.95 ≈
18.11€
The Lively Bard
The Lively Bard
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Flute, harpe et violon
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Darhon Rees-Rohrbacher
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The Lively Bard
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Afghan Press Music for the Harp
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SheetMusicPlus
Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797295 Arranged by Darhon Rees-Rohrbacher. Celtic,Folk. Score and parts. 66 pages. Afghan Press Mus...
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Small Ensemble Flute,Harp,Violin - Level 3 - SKU: A0.797295 Arranged by Darhon Rees-Rohrbacher. Celtic,Folk. Score and parts. 66 pages. Afghan Press Music for the Harp #4800694. Published by Afghan Press Music for the Harp (A0.797295). Welsh airs used in this publication were collected by Edward Jones (1751-1824), harper to King George IV. Jones was a prolific collector and arranger of melodies and is best remembered for his three-volume work called Musical and Poetical Relicks of the Welsh Bards (1784-1802). The order of the music facilitates playing 2-4 tunes in succession as a Welsh medley. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. Some melodies were transposed from their original keys to better suit the range of the flute. Tunes may be taken up the octave where desired, such as on repeated sections. The harp range needed to play all of the accompaniments in this collection exactly as written is only 26 strings (C-G). There are no lever changes within pieces in this entire collection, only lever pre-sets. Table of Contents: Cnott y Coed (The Wood-Bunch), Tros y Garreg (Over the Rock), Crisial Ground (The Crystal Ground), Blodau y’ Gorllewin (Flowers of the West), Ffarwel Dic Bibydd (Dick the Piper’s Farewell), Agoriad Cywair (The Opening of the Key),Trichant o Bunnau (Three Hundred Pounds), Y Gŵr a’i Farch (The Man and His Horse), Mopsi Dôn: yr Hên Fford (Mopsy’s Tune: The Old Way), Yr Hên Rogero Bengoch (Old Roger Red Poll), Mwynen Machno (The Enjoyment of Machno), Tlysig (The Beauty), Cymro o B’le? (A Welshman from Where?), Troiad y Droell (Turning of the Spinning Wheel), Y Tŷ Trwy’r Ffenest (The House through the Window), Cudyn Gwyn (White Lock of Hair), Blodeu Gwynedd (Flowers of Gwynedd), Hela’r Ysgyfarnog (Hunting the Hare), Blodeu’r Grùg (Blooms of the Heather), Y Derwydd (The Druid) .
$25.00 ≈
22.69€
Nursery Naptime (incl. Lullaby)
Nursery Naptime (incl. Lullaby)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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FACILE
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Elizabeth Skola Davis
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Nursery Naptime
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Elizabeth Ann Davis
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.826956 Composed by Elizabeth Skola Davis. Children,Contemporary,Folk. Score and parts. 36 ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.826956 Composed by Elizabeth Skola Davis. Children,Contemporary,Folk. Score and parts. 36 pages. Elizabeth Ann Davis #1768687. Published by Elizabeth Ann Davis (A0.826956). If you spend any time around young children, you know that they have an abundance of energy. Some days, it's nearly impossible to get them to settle down for a nap, though they still very much need the downtime. This tune opens with a lively romp as a young child settling down for a nap is distracted by toy horses galloping across the bed and soldiers facing one another in mock battles. Mother tries reading a favorite Old West story as a distraction, before she finally sings a gently lilting lullaby to soothe her child to sleep (Lullaby also available separately).
$6.99 ≈
6.34€
Bend (Downloadable)
Bend (Downloadable)
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Chorale SATB
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FACILE
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Kyle Pederson
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Bend
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Galaxy Music Corporation - Digital
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SheetMusicPlus
SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.1.3613-E Composed by Kyle Pederson. Graduation. Instrument part. 10 pages. Galaxy Mu...
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SATB choir (choir divisi) unaccompanied - Moderately Easy - SKU: MQ.1.3613-E Composed by Kyle Pederson. Graduation. Instrument part. 10 pages. Galaxy Music Corporation - Digital #1.3613-E. Published by Galaxy Music Corporation - Digital (MQ.1.3613-E). UPC: 600313136139. English.Selected as a ï¬nalist in the 2019 Ithaca College Choral Festival and premiered there as part of the festival. This piece received its Midwest premiere at the ACDA North/North Central regional conference in 2020, performed by Roosevelt High School, directed by Robyn Starks Holcomb. The text of the piece is addressed to anyone facing struggles—and it presents an honest afï¬rmation that those struggles are real. Rather than deny the existence of problems or pain, the listener is encouraged to “lean into†the hardship, to name it—and to thereby reduce its power. Textually and musically, the listener is presented with the metaphor of a tree—being whipped by the wind—but built to bend in that wind and ultimately withstand the pressure-ï¬lled gales. The power of community is also afï¬rmed—as the listener is encouraged to walk alongside—to bend along with—their neighbor.
$2.65 ≈
2.40€
Age of Doom
Age of Doom
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Hugues Jocelyn Cano
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Age of Doom
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www.westbeingpublishing.com
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1348493 Composed by Hugues Jocelyn Cano. 21st Century,Contemporary,Film/TV,Hip-Hop,R & B. Score. 14 pages. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1348493 Composed by Hugues Jocelyn Cano. 21st Century,Contemporary,Film/TV,Hip-Hop,R & B. Score. 14 pages. Www.westbeingpublishing.com #933272. Published by www.westbeingpublishing.com (A0.1348493). Age of Doom is an ensemble Hip-Hop describing the dynamic at play in the fantasy world of LilYpada. The court poet Voltaris urges all creatures to act before it's too late as the LilYpas dancing butterflies are facing the threat of extinction with the destructive OooAaas under the spell of Bat Faith. Time is running out as the Queen's cocoon is the only one left from this hatching season. Liya must get to it by sunrise after extensive Parcours where she will be tested. If by sunrise she makes allies, reaches the cocoon, and gets exposed to its inner limelight by singing to it she will grow wings and be able to go back home in better shape than she came in by saving LilYpada however if she fails it will be the end. The song exposes in rhymes the alarming situation juxtaposed by the common sense lyrical Firefly Messengers pledging for cooperation between all creatures including the OooAaas who after all are simply under a spell. Audio excerpt featuring singer-actor Mila Luna.
$9.99 ≈
9.07€
Cornish Traditional Tunes
Cornish Traditional Tunes
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2 Harpes (duo)
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INTERMÉDIAIRE
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Traditional Cornish
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Darhon Rees-Rohrbacher
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Cornish Traditional Tunes
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Afghan Press Music for the Harp
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SheetMusicPlus
Flute,Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,...
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Flute,Folk Harp,Instrumental Duet - Level 3 - SKU: A0.1265481 Composed by Traditional Cornish. Arranged by Darhon Rees-Rohrbacher. Celtic,Folk,Historic,Irish,Multicultural,Traditional,World. 54 pages. Afghan Press Music for the Harp #858280. Published by Afghan Press Music for the Harp (A0.1265481). ALL HARPS INTERMEDIATE + MELODY INSTRUMENT – Fifteen Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  All of these arrangements fit within the 26-string range. Fifteen Arrangements of Traditional Tunes from Cornwall arranged for Lever harps tuned in Eb, Bb or F, or any pedal harp.  Guitar chords included, with duo parts for Flute or Violin.These tunes have been placed in progressive key order to create a satisfying “Cornish suite†that facilitates lever and pedal changes. All tunes were typeset to fix exactly on two facing pages to eliminate any page turns within a piece.Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minor adjustments. Only one song in this collection, #6, has any lever or pedal changes (B-flat and B-natural). Otherwise, there are only lever or pedal presets in preparation for the next song. Dynamic markings, fingerings, metronome markings, breath marks, and lever/pedal changes are provided throughout. However, the musicians should use whichever expressive markings and lever/pedal adjustments suit them, no matter what this book indicates! Due to space constraints, first and second endings were only indicated above the flute/violin part in the full score and dynamics only within the harp part; but these markings apply to both instruments. (However, all markings are indicated on the separate instrumental leaflet.) This entire book of arrangements can be played on a harp of only 26 strings (3.5 octaves), from low C to high G. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten any glissandos.Table of Contents:Helston Furry DanceThe Cottage Thatched With StrawThe White CockadeThe Lovers’ TasksStrangerLimadieThe MarigoldLullabyWilly CoombeRouse, RouseThe BlackbirdCaptain PearseCome My LadsOn A May Morning So EarlyThe Siege Of St. MaloRelated products.
$20.00 ≈
18.15€
Modal Moods
Modal Moods
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Harpe
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INTERMÉDIAIRE
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Darhon Rees-Rohrbacher
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Modal Moods
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Afghan Press Music for the Harp
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SheetMusicPlus
Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score...
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Lever Harp - Level 3 - SKU: A0.1287455 Composed by Darhon Rees-Rohrbacher. 20th Century,21st Century,Celtic,Early Music,Irish,Multicultural,World. Score. 22 pages. Afghan Press Music for the Harp #878476. Published by Afghan Press Music for the Harp (A0.1287455). Seven Original Compositions In Varied Styles Based On Seven Modal Scales For All Harps (Lever or Pedal) With Guitar ChordsTable of Contents1. Ionian Intonation 12. Dorian Delight 33. Phrygian Phrolic 54. Lydian Lilt 75. Mixolydian Mirth 96. Aeolian Aire 117. Locrian Lament 13These tunes may be played on lever harps with an Eb, Bb, F, or C tuning or on any pedal harp. All tunes were typeset to fit exactly on two facing pages to eliminate any page turns within a piece. If desired, the length of each piece can be lengthened by repeating some sections; section divisions are indicated by light double bar lines. Many people are unaccustomed to hearing tunes based on modes other than the Ionian or Aeolian. Therefore, you may find some of the melodic contours or harmonies to be unusual, unexpected, or even uncomfortable. There are only three lever changes in this entire book – and they all occur on the last note of the piece. Guitar chords are included so that the melody may be played by any C instrument, accompanied by chords on harp, lute, guitar, or keyboard. Also, the transcribed harp part can be played on any keyboard instrument with only minoradjustments.Dynamics, fingering, and metronome markings are provided throughout as an aid to performance. However, the harper should use whatever dynamics, fingerings, and tempos suit them, no matter what this book indicates! The maximum range needed for each piece is only 26 strings (3.5 octaves) from low C to high G. Therefore, it can be played on a small harp encompassing that range. Simply treat the C two octaves below middle C as the lowest C on your harp and adjust the octaves accordingly. Ignore any 8va indications and shorten glissandos as needed.
$10.00 ≈
9.08€
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Facing West
